Nanomorph са най-малкитр анаморфни обективи в света, покриваща сензори Super35, тежащи по-малко от 400гр. Той отваря повече възможности в настройките, които не са били възможни преди, като поставяне на гимбал стабилизатори, шлемове, дронове и т.н. 
Предлагат се три опции за отблясъци: кехлибарено/синьо/сребристо. Относително близкото фокусно разстояние също така предлага повече място за творците в композицията и създава повече дълбочина на полето. В комплекта е включен твърд калъф.
Комплекта се състои от 27mm T2.8, 35mm T2.4, 50mm T2.4, 3-lens Bundle

Anamorphic lenses are frequently used by big-budget Hollywood productions to achieve the cinematic widescreen perspective. Oval bokeh, horizontal flares and shallower depth of field are aesthetics which add a cinematic and artistic touch to your film.

Anamorphic lenses are always Huge and Heavy. This revolutionary “NANO-sized” lens weighs less than 0.7 lbs (320g) and is only 3.54″ (9cm) long, making it very handy for every set-up e.g. handheld, on a gimbal, on a slider, through tight space, even on a drone, etc. It makes a lot of formerly impossible shots possible.

Anamorphic lenses tend to have longer closest focusing distance due to restriction of optical design. Nanomorph has one of the Shortest Close Focusing Distance among all anamorphic lenses in the market. Filmmakers could obtain a very close-up shots which renders much shallower depth of field and stronger bokeh. This offers a much higher flexibility in framing.

(From the subject to sensor)

Nanomorph 27mm T2.8 1.5x Cine –  43cm / 16.9″

Nanomorph 35mm T2.4 1.5x Cine – 60cm / 23.6″

Nanomorph 50mm T2.4 1.5x Cine – 70cm / 27.5″

For cheaper anamorphic lenses, anamorphic mumps made the lens un-usable at a closer distance (e.g. a 1.8x lens will become 1.62x when focused at 0.7m). For more professional designs out there, the lens is bulky and costs a fortune. That’s the reason why Laowa decided to develop and invented this unique patented anamorphic design to guarantee a uniform squeeze ratio, promising optical quality, tiny size and affordable price which solves the struggles of every anamorphic user.

The anamorphic blocks are put behind the spherical elements and the focusing groups. These two groups compress the image, and hence the smaller anamorphic blocks can be used, which makes the lens tinier. Moreover, the image is formed and focused before the anamorphic blocks which maintains a constant squeeze ratio no matter if the focus changes.

55mm filters can be attached directly on the lens which filmmakers can combo a handy set-ups. It is favorable when doing a Run-And-Gun shot or flying it with a drone.

Industry standard 0.8 mod gear is installed on both aperture and focus rings.