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About the product

 Panasonic AW-UE160KEJ 4K Integrated PTZ Camera, Black version (requires additional 12V 5A power supply)
• 4K/UHD (3840 x 2160) remote camera, with support for UHD and HD shooting formats
• 1.0-type single MOS sensor with high sensitivity at F11/2000lx natively and PDAF
• Built-in optical low-pass filter reducing Morié pattern
• Support for HDR (HLG, BT2020 or V-Log)
• Wide angle shooting 75.1° horizontally
• High magnification zoom 20x (optical), 32x intelligent zoom and up to 40x in HD mode
• 2x High-Speed in HD resolution over HDMI and SDI
• Supports NDI High Bandwidth or NDI|HX2 at UHD or HD resolution
• HD Crop feature: allows to output 2 different video feeds at the same time (1 wide, 1 zoomed)
• Support for POE++
• SMPTE ST 2110 support directly from camera with optional license AW-SFU60
• Requires additional 12V 5A power supply, not compatible with AW-PS550 and AW-PS551, compatible with IDX-IA70AXLR
3 Years European Warranty - 5 Business Day Target Turnaround Time"

4K PTZ Camera for an era of enhanced creativity and the pursuit of visual expression.

Demand continues to grow in the video content market.
The AW-UE160 can be used in a variety of situations even when the flow of people and cost control are required, including shooting large-scale events and studio recording and streaming.
By combining a system camera with a PTZ Camera, it overturns the conventions of the video content industry with its unique style of video production that can be expressed through a variety of shooting techniques, its industry-leading shooting performance with a variety of new functions, and its scalability to support the latest international standards and a wide range of protocols and I/Fs.

High sensitivity of F14/2000 lx, equivalent to a studio camera. Noise reduction and improved image quality are realized by the newly developed image processing engine. By combining a variety of functions, including a newly developed Phase Detection Autofocus (PDAF) function, a new feature in the PTZ Camera that enables high-speed focusing on moving subjects, the camera can produce high-quality videos in all kinds of situations, such as shooting in dark places and shooting moving subjects. The newly developed PTZ mechanism provides a high-precision operating feel while maintaining a compact body to support the delicate shooting techniques of professionals and contribute to uncompromising video shooting.

High sensitivity of F14/2000 lx, equivalent to a studio camera

The high sensitivity of F14/2000 lx allows for clear, clean images even when shooting moving subjects in dimly lit rooms such as stages and live venues. Choose from two modes, Normal* or Low Light, to set the sensitivity according to the shooting location or scene.

  • * F11/2,000 lx under Normal mode.

New generation engine that maximizes image sensor performance and improves image quality and AF performance

The camera uses a new-generation image processing engine, also used in the LUMIX GH6, with improved processing power. High-pixel image data output from the 1-type (1“) (effective size) MOS sensor, which offers an excellent balance between adequate depth of field, high image quality and high sensitivity, is processed at high speed to improve the S/N ratio. In terms of autofocus (AF) performance, the subject detection performance has been greatly improved through faster processing of calculations and improved AF algorithms, and highly accurate AF is achieved by discriminating between the subject's movement and characteristics. It also offers high video processing performance and enables more unique video expression with resolution performance, high sensitivity performance, and color reproduction that do not compromise your commitment to video image creation.

New noise reduction (2D)

Realizes more natural and three-dimensional rendering with less noise than ever before, with improved performance in suppressing unpleasant color low-frequency noise and pleasant noise graininess.

Afterimage-less 3DNR

Significantly improves the ability to distinguish between still and moving areas and eliminates unwanted noise while suppressing afterimages.

New Intelligent Detail

Analyzes the characteristics of the subject pixel by pixel and determines flat/detailed/edge areas. By controlling image processing based on the results, detailed areas are rendered with a greater sense of resolution, while edge areas are suppressed from unnatural fringing (shoot phenomenon) caused by image processing. By performing appropriate image processing according to the subject, the camera realizes true descriptive power with high reproducibility.

Equipped with newly developed PDAF (Phase Detection Autofocus)

Equipped with a new AF system that combines phase detection AF (phase detection) with contrast AF (contrast detection). The camera's fast focusing speed and high focusing accuracy enable it to track subjects and capture in-focus images, whether it is continuously focusing on a moving subject or switching focus on multiple subjects.

Auto Iris Window

The auto iris function enables shooting at a stable brightness.The photometry range can be set using predefined patterns or customized ranges*.

  • * Firmware update may be required.

Equipped with newly developed PTZ mechanism

A new PTZ mechanism was developed to maintain the compact body while incorporating a large sensor/lens for high picture quality and system camera-level functions. The camera is quiet and does not disturb the model, and its high static accuracy provides a high operability that allows the camera operator to shoot exactly what he/she aims for.

Equipped with moiré reduction function by optical low-pass filter

Equipped with an optical low-pass filter to suppress luminance and color moiré. It reduces moiré that is likely to occur during broadcasting and streaming, such as in studio monitors and displays and LED walls used in stadiums, enabling the production of more beautiful and easier-to-view images.

Compatible with V-Log

Compatible with V-Log, which is used in Panasonic's high-end VariCam cinema cameras and LUMIX mirrorless cameras. The wide dynamic range and wide color gamut provide images suitable for color grading. When used in conjunction with our camera recorders and studio cameras equipped with V-Log, video production with consistent image creation is possible. In addition, two settings, V-Log and V-709, can be selected independently for each output interface. Simultaneously output 4K V-Log video for color grading while outputting Full HD V-709 video for onsite monitoring.
- What is Log?
It has a wide color gamut and wide dynamic range, and records all brightness as evenly as possible, resulting in a low-contrast image in appearance.
The color grading tool allows a high degree of freedom in image creation using 3D LUTs and CDLs.
V-Log is a log curve developed for the VariCam cinema cameras based on our image creation philosophy and is used in many of our cameras.

 

Compatible with HDR (HLG)*1

Compatible with HDR (High Dynamic Range), which prevents white-out and blackout and produces images that are close to those of the naked eye. Compliant with HLG/BT.2020.

Equipped with Optical Image Stabilization (OIS) and Electronic Image Stabilization (EIS)

In addition to the conventional 2-axis in-lens image stabilization (Pitch/Yaw), which is based on fine-tuning of the lens, the camera also features roll correction that uses electronic image processing technology to provide highly effective correction. Stable images with reduced blurring can be shot even in locations where special equipment such as a rail systems or camera arms are used.

Improvement of synchronized pan, tilt, and zoom during preset movement
 

The newly added preset PTZ sync mode* enhances the simultaneous pan, tilt, and zoom at the start and end of preset movement, achieving seamless motion.

Supports 2x high-speed output

The camera captures smooth and beautiful slow-motion video by performing high-speed shooting at FHD 120 fps so not a single frame of the decisive moment is missed.

  • *1: fps is a unit of frames processed per second.
  • *2: Output from HDMI output or 2 SDI OUTs (3G SDI OUT1, 3G SDI OUT2). When outputting using 2 SDI OUTs, a separate slow motion server is required.

Equipped with Auto Framing* Scheduled for release in the first quarter of CY2025

With the Auto Framing function, which replicate user-defined framing settings with high precision, you can achieve high-quality video shooting automatically.

  • Register up to three framing presets to accurately reproduce user-defined framings
  • Group shots for framing multiple subjects, such as two- and three-shots
  • Stable framing of moving subjects based on advanced human body detection and camera control for professional-level camera work, including consistent headroom
  • Privacy-conscious shooting since body detection does not require personal information
  • Subject-tracking autofocus using phase detection auto focus
  • Seamless integration with the Panasonic AW-RP150GJ & AW-RP60GJ remote camera controllers
  • Tablet-ready GUI for touch-panel operation

Equipped with 2 XLR channels for audio input to enable high-quality recording

The camera is equipped with two XLR channels for audio input, allowing audio input from the left and right side of the venue with high-performance microphones. It can also be used for filming at live performances, theatrical performances, and other sites where acoustics are vital.

Equipped with a rear tally lamp

The tally, which was only available on the front (subject side), is now also available on the rear (operator side) so that you can see the camera taking videos from any angle. The tally lamp can be linked to the front and rear sides to set the brightness and select ON/OFF. The yellow tally lamp can be used for any number of applications, such as when there are a large number of cameras, when multiple cameras are used on site, or when simultaneous streaming and recording are required.

Cropping function

It is possible to crop-zoom and cut out video at the same time as outputting an entire video shot in 4K. The cropping position can be specified from a maximum of three locations and can be easily operated from the AW-RP150 PTZ Camera controller or web browser screen.

Various I/Fs and supported protocols

Supports HDMI, 3G-SDI, and IP output as well as 12G-SDI output and fiber-optic output. Also equipped with two XLR channels for audio input. The output method can be selected to suit the operation, making it easy to add to an existing imaging system or build a system tailored to the site.
In addition, there are no restrictions on the video output method, even when outputting from multiple terminals simultaneously, allowing simultaneous operation in 4K. For example, it is possible to set up a system that operates with three main lines (12G-SDI), one for confirmation (3G-SDI OUT1), and one for monitor display (3G-SDI OUT2).

High image quality and low latency with NDI® support

NDI® High bandwidth and NDI® HX2, which encode and transmit high-quality video in real time, are included. NDI® High bandwidth transmits 4K video at a maximum of 250 Mbps and full HD video at a maximum of 125 Mbps, enabling high-quality, low-latency live video transmission.

  • * NDI® is a video connectivity technology and is registered as a trademark by Vizrt NDI AB in the United States and other countries.

SRT* support for stable video transmission over public lines

SRT, a next-generation video transmission protocol with strong security suitable for unstable network environments, is supported.

  • * SRT:Secure Reliable Transport.

Direct Broadcast via RTMP/RTMPS*

RTMP/RTMPS* is supported to enable direct upload of video to live-streaming services such as YouTube Live and Facebook Live. This means a live stream can be broadcast directly from the camera.

Smooth image and color matching

The scene file functions can record and update various camera settings in eight scene files. They can also be copied to multiple cameras via a PC.*

  • * Scene file copy using AW-RP150/AK-HRP1010 and SD card will be supported in the future.
  • * RTMP:Real-Time Messaging Protocol. RTMPS: Real-Time Messaging Protocol Secure.

Color matrix control allows sensory adjustment of color on the screen, making color matching easier.
The workload for image and color matching can be reduced, which reduces the time and effort required to introduce the system and prepare for shooting.

Waveform display function

It is possible to add the waveform monitor display on the monitor output (3G SDI OUT2). The waveform can be selected from the upper right/bottom right/upper left/bottom left of the monitor screen to be displayed, making it easy to make adjustments while viewing the actual image.

Horizontal level gauge display function

Horizontal level gauge has been added to the OSD/WEB screen so that you can check whether the installation is level or not.

Compatible with free Panasonic software

Media Production Suite

The Media Production Suite is a software platform that offers a variety of functions for enhanced video quality and increased operational efficiency. By centralizing the management and monitoring of Panasonic cameras, it facilitates the streamlining of setup, management, and control – even in dynamic shooting environments such as online lectures, webinars, academic conferences, and live events. Additionally, with plug-ins available for an additional fee*, the Media Production Suite provides numerous functions for operational support, enabling high-quality productions to be achieved with minimal crew.

  • * Planned for future support

PTZ Virtual USB Driver

Any Panasonic PTZ camera or professional camera recorder* on your LAN can be recognized and used as a USB camera.

  • * Professional Camera Recorder (AG-CX350, AJ-CX4000GJ, AG-CX10, AG-UMR20 and AG-MDR25)

Compatible with Panasonic Remote Operation Panel (ROP)

By using Panasonic's ROPs such as AK-HRP1010GJ*, AK-HRP1000GJ, AK-HRP1015GJ* and AK-HRP250GJ*, PTZ Camera and studio cameras can be operated and managed with the same equipment, allowing those familiar with studio camera operation to feel at ease.

This product is compatible with the IT/IP platform "KAIROS". It is a live video production platform developed based on a new concept and innovative architecture. It incorporates proprietary, ground-breaking software to maximize the CPU and GPU capacities for video processing.

Output Format (UHD/FHD SDI) 4K2160/59.94p, 2160/50p, 2160/29.97p(Native), 2160/25p(Native), 2160/24p(Native), 2160/23.98p(Native) *2160/60p will be supported in version upgrade. HD1080/119.88p*, 1080/100p*, 1080/60p, 1080/59.94p, 1080/50p, 1080/29.97p(Native), 1080/25p(Native), 1080/24p(Native), 1080/23.98p(Native), 1080/59.94i, 1080/50i, 720/59.94p, 720/50p*1080/119.88p and 1080/100p use two 3G/SDI OUTPUT1/2 channels.*No output from 12G/SDI.
Output Format (HDMI) 4K 2160/59.94p, 2160/50p, 2160/29.97p(Native), 2160/25p(Native), 2160/24p(Native), 2160/23.98p(Native) *2160/60p will be supported in version upgrade. HD 1080/119.88p, 1080/100p, 1080/60p, 1080/59.94p, 1080/50p, 1080/29.97p(Native), 1080/25p(Native), 1080/24p(Native), 1080/23.98p(Native), 720/59.94p, 720/50p
Output Format (Fiber(Only Video)) 4K 2160/59.94p, 2160/50p, 2160/29.97p(Native), 2160/25p(Native), 2160/24p(Native), 2160/23.98p(Native) *2160/60p will be supported in version upgrade. HD 1080/60p, 1080/59.94p, 1080/50p, 1080/29.97p(Native), 1080/25p(Native), 1080/24p(Native), 1080/23.98p(Native), 1080/59.94i, 1080/50i, 720/59.94p, 720/50p
Supported Protocol ・Network Protocol: ICMP, ARP, GARP, MLD ・Transmission Protocol: TCP/IP, UDP/IP ・Application Protocol:  IPv4 : HTTP, HTTPS, DNS, NTP, DHCPv6,MDNS, SNMP, 802.1X  IPv6 : HTTP, HTTPS, DNS, NTP, DHCPv4, MDNS, SNMP, 802.1X ・Video Streaming Protocol:  RTP/RTCP over RTSP, RTMP, RTMPS, SRT, MPEG2-TS over UDP, NDI®*1 HX version 2, NDI®*1 High Bandwidth ・External Device Cooperation Protocol: FreeD, TSL5.0, SNMP
Current Consumption 5.0 A (XLR IN connector), 1.5A (PoE++ power supply)
Power Requirements 12VDC±10%(10.8V to 13.2V)
Ambient Operating Temperature 0 °C to +40 °C (32 °F to +104 °F)
PoE++ IEEE802.3bt standard :DC 42 V to 57V (Camera Input)*Limited in function when PoE used.(Software authentication (LLDP) is supported))
Storage Temperature -20 °C to +50 °C (-4 °F to +122 °F)
Ambient Operating Humidity 20 % to 90 % (no condensation)
Mass Approx. 4.6kg (10.14lbs) (excluding mount bracket)
Finish AW-UE160W : Pearl White AW-UE160K : Black
Controller Supported AW-RP150,AW-RP60,AK-HRP1010,AK-HRP1015,AK-HRP250 *IP only. Other ROP will be compatible in the future. **Digext Certification operation of AW-RP150 and AW-RP60 are not guaranteed. 
Lens Motorized Optical 20x Zoom F2.8 to F4.5(f=8.8 mm to 176.0 mm, 35mm equivalent:24.5 mm to 490.0 mm)
Imaging Sensors 1-type (1")* 4K MOSx1 *Effective size Effective Pixels: Approx. 9,620,000 pixels
Camera Unit -
Optical Filter Through、1/4, 1/16, 1/64 *equipped with Low pass filter(Through is used as "night mode")
Focus Switching between auto and manual
Conversion Lens Not Supported
Angle of View Range Horizontal: 75.1°(wide) to 4.0°(tele) Vertical: 46.7°(wide) to 2.3°(tele) Diagonal: 82.8°(wide) to 4.6°(tele)
Focus Distance Entire zooming range: 1000 mm, Wide end: 100 mm
Standard Sensitivity F11/2,000lux (Normal), F14/2,000lux (Low Light)
Color Separation Optical Systems 1MOS
Horizontal Resolution 1,600 TV Typ (center area, UHD Mode, Wide)
Gain Selection Auto, -6dB to 12dB *1 dB step increments can be set.
Frame Mix Auto, 0dB, 6dB, 12dB, 18dB, 24dB*If format is set in 1080/119.88p, 1080/100p, 2160/29.97p, 2160/23.98p, 2160/24p, 2160/25p, 1080/29.97p, 1080/25p, it cannot be set.
Electronic Shutter Speed 60p: 1/60, 1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000 59.94p/59.94i: 1/60, 1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000 50p/50i: 1/60, 1/100, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000 29.97p: 1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1, 500, 1/2,000 25p: 1/48, 1/50, 1/60, 1/96, 1/100, 1/125, 1/250, 1/500, 1/1000, 1/1,500, 1/2,00 23.98p: 1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000 24p: 1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000 59.94p・120fps: 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000 50p・100fps: 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000
Synchro Scan 60p: 60.00Hz to 7,200Hz 59.94p/59.94i: 60.00Hz to 7,200Hz 50p/50i: 50.00Hz to 7,200Hz 29.97p: 30.00Hz to 7,200Hz 25p: 25.00Hz to 7,200Hz 23.98p: 24.00Hz to 7,200Hz 59.94p・120fps: 120Hz to 7,200Hz 50p・100fps: 100Hz to 7,200Hz
White Balance ATW、3200K, 5600K AWB-A、AWB-B VAR (selectable between 2000 K and 15000 K by designating a value) *ATW Speed 3-stage variables.
Gamma HD / NORMAL / CINEMA1 / CINEMA2 *HLG is set in other menuMASTER GAMMA (0.15~0.75)R GAMMA (-75~+75)B GAMMA (-75~+75) R BLACK GAMMA (-20~+20)B BLACK GAMMA (-20~+20)
Scene File Scene 1 to 8
Chroma Amount Variability OFF, -100% to 40%
HDMI HDMI 2.0 connector 4:2:2/10bit *HDCP is not supported. *Viera Link is not supported.
Synchronization System Internal/External synchronization (BBS/Tri-level sync)
Input DC 12 V IN, G/L IN(BNC)
G/L In BBS (Black Burst Sync), tri-level sync supported)
Output -
AUDIO INPUT 1/2 XLR(2ch) or MIC/LINE Input compatibles /HDMI /IP)AAC compatibility (compatible with IP only)3-pin XLR female connectors, 2ch, balanced input・During MIC input   Input level: -50dBu or -60dBu/-40dBu(0 dB=1 V/Pa, 1 kHz)   Phantom power compatible, Supply voltage:47 V±2 V   Input impedance: Approx. 10kΩ・During LINE input   Input level : 0 dBu ( or +4dBu/-20dBu)   Input impedance: Approx. 10kΩ・Input volume variable range: -40 dB ~ 0dB ~ +20 dB (1dBstep)・Embedded audio output level: -12dBFS/-18dBFS/-20dBFS ・Sampling frequency: 48 kHz ・Quantization bit rate : 24 bit(SDI, HDMI), 16bit(IP)
12G SDI OUT SMPTE2082-1, SMPTE424M /SMPTE292M / 75 Ω(BNC×1) *Level-A/Level-B supported
3G SDI OUT1 SMPTE424M /SMPTE292M / 75 Ω(BNC×1) *Level-A/Level-B supported
3G SDI OUT2/PM SMPTE424M /SMPTE292M / 75 Ω(BNC×1) *Level-A/Level-B supported
SFP+ SFP+ standard (Single Fiber) *This unit does not support input by optical signals MSA standard compliant product
LAN LAN connector for IP control (RJ-45)
USB USB3.0 HOST(5G mobile router with USB tethering support) *Limited power supply to USB Wifi dongle.
RS-422 CONTROL IN RS422A (RJ-45)
Input/Output -
IP Connecting Cable ・If you have PoE++ ethernet hub LAN cable *1( category 5e or above、straight cable) max. 100 m (328 ft) ・If you don't have PoE++ ethernet hub LAN cable *1( category 5e or above、straight cable) max. 100 m (328 ft) *1 STP(Shielded Twisted Pair) is recommended *2 Category 6 or above is used for 4K video transmission.
Pan-tilt Head Control -
AW Protocol Connecting Cable LAN cable* (category 5e or above, straight cable)  max. 1000 m (3280 ft) *STP (Shielded Twisted Pair) is recommended
Pan/Tilt Operation Speed Speed range: 0.08 °/s ~180°/s( Normal mode) 3 speed modes installed: Normal: ~60°/s, Fast1: ~90°/s, Fast2: ~180°/s
Quietness NC35 or less *When standing still, NC25 or less
Tilting Range -30°~ 210° *Depending on the pan or tilt position, the camera may be reflected in the image.
Panning Range ±175°
Pan-Tilt Head Unit -
Installation Method Stand-alone (Desktop) or suspended (Hanging) *To ensure safety, the unit must be secured using the mount bracket supplied.
Windows Windows®10 Microsoft Edge Google Chrome
Supported operating systems and web browsers -
Image Resolution 3840x2160, 1920x1080, 1280x720, 640x360
Mac macOS 10.13 / Safari 13 macOS 10.14 / Safari 13 macOS 10.15 / Safari 13 macOS 10.15 / Google Chrome
Android Android OS Google Chrome
IP Streaming -
Image Streaming Mode JPEG(MJPEG), H.264, H.265, NDI®*1 HX Ver2, NDI®*1 High Bandwidth
Image Transmission setting (JPEG) ・Frame rate : Max. 30fps *No bit rate specified *JPEG and H.264, JPEG and H.265 simultaneous operation depends on bit rate ・Image quality: Fine/Normal
Image Transmission Setting (H.264) ・Transmission Type : Unicast port (AUTO), Unicast port (MANUAL), Multicast port ・Transmission mode :CBR, VBR ・Frame Rate [60Hz] 5fps/15fps/30fps/60fps (UHD: 30fps,60fps) [50Hz] 5fps/12.5fps/25fps/50fps (UHD: 25fps,50fps) ・Max to Min Bit Rate: 2048kbps/4096kbps/8192kbps/10240kbps/12288kbps/14336kbps/20480kbps/24576kbps/51200kbps/76800kbps
iPhone / iPad / iPod touch iOS, Safari, iPadOS
Image Transmission Setting (H.265) ・Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port ・Transmission Mode: CBR,VBR Frame Rate [60Hz] 30fps / 60fps [50Hz] 25fps / 25fps ・Max to Min Bit Rate: 2048kbps/4096kbps/8192kbps/10240kbps/12288kbps/14336kbps/20480kbps/24576kbps/51200kbps/76800kbps
Audio Compression Type AAC-LC, 48kHz/16bit/2ch
Output Format ・Video Format (Full x1, MONI x1.Crop x1, all of these same format) 1080/60p, 1080/59.94p, 50p, 1080/59.94i, 50i, 1080/29.97p(Native), 25p(Native),  1080/24p, 1080/23.98p(Native), 720/59.94p, 50p・Audio Specification INPUT1/INPUT2 PCM/48khz/24bit/1ch x2
Image Streaming Setting ・NDI®*1 High Bandwidth  Transmisiion Type: TCP /UDP, Unicast/Multicast  Bit Rate: Max. 250Mbps ・NDI®*1 HX version.2:  Transmission Type: TCP/UDP, Unicast/Multicast  Frame Rate:  [60Hz] 5fps/15fps/30fps/60fps  [50Hz] 5fps/12.5fps/25fps/50fps  Max Bit Rate:  512kbps/768kbps/1024kbps/1536kbps/2048kbps/3072kbps/4096kbps  /6144kbps/8192kbps/10240kbps/12288kbps/14336kbps/16384kbps/20480kbps/24576kbps
Audio Compression Type 2 NDI®*1 High Bandwidth: AAC, 48kHz, 2ch NDI®*1 HX Ver.2: AAC-LC, 48kHz/16bit/2ch
Number of Output (TX) Video: 3 line (Full x1, MONI x1.Crop x1) Audio: 2 line Auxiliary data: No output
Number of Input (RX) Video: 1 line(RETURN) *Out from 3G SDI OUT2(Video is changed in the OSD menu) Audio: No input Auxiliary data: No input
Optional Accessories -
Cropping Select from 3 types of images from 3G/SDI OUTPUT2, Crop Zoom available
Image Stabilization Hybrid method of OIS 2-axis + Roll direction correction MENU switching: select between OFF / O.I.S.(STABLE) / O.I.S.(PAN/TILT) / HYBRID(STABLE) / HYBRID(PAN/TILT)
Power LED ON/OFF control
Tripod Screw Penetration Measures Possible
Privacy Mode The lens surface faces downward when standing by (ON/OFF)
Input Format Video Format (Full x1, MONI x1.Crop x1, all of these same format)1080/60p, 1080/59.94i, 50i, 1080/29.97p(Native), 25p(Native) 1080/24p, 1080/23.98p(Native), 720/59.94p, 50p
New Feature -
HDR/SDR HLG/BT.2020 compatible, SDR/BT.709 compatible
F Number Display Displayed on the AW-RP150 and AW-RP60 sides
NDI NDI®*1 High Bandwidth, NDI®*1 HX Ver.2 included as standard
IP menu display supported *Non-synchronous with SDI-OUT
VR (FreeD) (IP/RS422) supported
Yellow Tally supported
PTP supported
5G/WiFi 6 Compatible with recommended products only
WFM display Output with video superimposed from 3G/SDI OUTPUT2
Return Video Output Output return video input from ST 2110 via SDI_OUT2
Horizontal Level Gauge ON/OFF control  in OSD MENU or Web GUI
Wireless Remote Controller AW-RM50AG(Size "AA" dry battery x 2, obtained separately)
Dimensions (W x H x D) 213.0 mm x 277.0 mm x 240.0 mm (8.39inches x 10.91inches x 9.45inches) [excluding protrusions, cable cover, ceiling mount bracket]
Supported Format ST 2110: 10/20/21/30 PTP: ST 2059-2 NMOS: IS-04/IS-05
Output Format (ST 2110) HD 1080/60p, 1080/59.94p, 1080/50p, 1080/29.97p(Native), 1080/25p(Native), 1080/24p(Native), 1080/23.98p(Native), 720/59.94p, 720/50p
SFP+(ST 2110) Compatible protocol:    -ST 2110-10/-20/-21/-30    -PTP ST 2059-2    -NMOS IS-04/IS-05 Output number: Video x3 (Full, Crop, Monitor), Audio x2 Input number: Video x1 (RETURN) Video format: FHD *Same as system format
ST 2110  
Zoom • Optical Zoom: 20x• i.Zoom: UHD 24x, FHD 32x• Digital Extender Zoom: 1.4x, x
Output Format (NDI®1 High Bandwidth) 4K 2160/59.94p, 2160/50p, 2160/29.97p, 2160/25p, 2160/24p, 2160/23.98p HD 1080/60p, 1080/59.94p, 1080/50p, 1080/29.97p, 1080/25p, 1080/24p, 1080/23.98p、720/59.94p, 720/50p
Image Resolution (NDI®1 HX Ver.2) 3840x2160, 1920x1080, 1280x720
Note *1:NDI® is a registered trademark of Vizrt NDI AB in the United States and other countries.