Capture everything with expanded ISO sensitivity

Capture usable images in near-total darkness with an impressive ISO range up to 4096001. The full-frame sensor combined with innovative light capture ensures unlimited shooting possibilities.

Stunning bokeh and full-frame creativity

Realize beautiful 4K images with creative freedom thanks to the full-frame sensor. Capture every detail of the scene with shallow depth of field and stunning bokeh for a truly cinematic look.
 

Cinematic color accuracy with S-Cinetone™

Color via S-Cinetone, developed for Sony's acclaimed FX9, is the default look for the FX6. Precisely engineered to meet the demands of today's content creators with rich color and natural skin tones, it produces fresh and vibrant images directly from the camera, without grading, while preserving sufficient freedom for post-production.

Large pixels ensure high sensitivity and low noise

The full-frame, 10.2-megapixel2 Exmor R™ CMOS sensor captures light impressively. Fast readout speeds and a 15+ stop dynamic range deliver amazing image quality, high sensitivity, and reduced noise.

Powerful BIONZ XRTM image processor

The BIONZ XR image processing engine matches the sensor's high readout speed with immense processing power. It delivers high-quality images and sensitively improves responses from the camera's interface with future-proof power.

Impressive dynamic range for boundless expression

At its base sensitivity of ISO8003, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary footage. The enhanced sensitivity of ISO 128003 is intended for challenging low light, for morning and evening shots. The FX6 offers an exceptional 15+ stops of dynamic range – beyond the perception of the human eye in many conditions – allowing for unprecedented creative freedom in color grading and post-processing.

Fast Hybrid AF for accuracy and consistent results

The wide AF coverage uses intelligent tracking and phase detection via the sensor for constant subject tracking across almost the entire frame (the 6274-point phase-detection AF covers approx. 89% of the image). The Hybrid AF system provides precise focusing even when shooting with shallow depth of field and at 120p frame rates in 4K (QFHD)5.

With Eye AF and Real-time Face Recognition

Eye AF and real-time face recognition ensure stable focus for interviews, events, and the like. Advanced real-time processing ensures accurate focus on the eyes even when looking down or up at sharp angles, allowing the operator to concentrate fully on composing the best shot.

Strong focus control for solo operators

By selecting AF speed in 7 levels and AF subject shift sensitivity in 5 levels, you can be more expressive when switching subjects or changing the focus point within the frame.

Select AF subject from the lens ring

With AF Assist, turning the focus ring switches from autofocus to manual focus, allowing different subjects to be quickly selected. AF re-engages when rotation of the lens focus ring stops.

Autofocus area/positioning

For autofocus, you can set the target area around a flexible spot, zone, wide area, and quickly change the positioning of the target area during shooting simply by touching the LCD monitor.

Autofocus area/positioning

For autofocus, you can set the target area around a flexible spot, zone, wide area, and quickly change the positioning of the target area during shooting simply by touching the LCD monitor.

Autofocus with Sony E-mount lenses

Experience smooth autofocus with Sony E-mount lenses with premium optical performance and cinematic craftsmanship in challenging conditions. The unique drive technology in Sony E-mount lenses provides faster and more precise autofocus, thus assisting your creative endeavors.

Built-in electronic variable ND filter

The FX6 includes a one-of-a-kind built-in electronic variable neutral density (ND) filter. Unlike conventional optical ND filters, the FX6's electronic ND filter can be linearly controlled from 1/4ND to 1/128ND or set to automatic mode. Ideal for changing environments – no need to change filters as lighting conditions change or to maintain depth of field.

Lightweight, modular, robust

Despite its lightweight 0.89 kg body, the magnesium alloy FX6 is robust enough for intensive use. The removable smart grip places key functions right at your fingertips and can be easily adjusted with a single button.

Mobility for instant shooting

Ideal for low-angle shooting, the smart handle is part of the FX6's modular design. It is easy to reconfigure for any application, including mounting on a stabilizer, drone, or in an underwater housing.

Magnesium body and frame for greater durability and lightness

For reliability in challenging environments, the main body, covers, and top handle are made from a proven, lightweight magnesium alloy. The main body achieves high durability and strength with minimal weight to maximize mobility.

No more overheating shutdowns

The ventilation system and design help prevent overheating shutdowns7 during high frame rates and 4K (QFHD) resolution shooting. The number of heat dissipation units, the shape of the ventilation inlet/outlet ports, the fan location8, as well as the airflow itself, ensure optimal ventilation.

10-bit 4:2:2 recording

Record directly to the device with amazing richness of 10-bit depth and 4:2:2 color sampling for far greater flexibility in image grading, post-processing, and compositing.

All-Intra encoding available

In addition to Long GOP, All-Intra encoding is now provided. It encodes each frame independently at a bitrate of up to 600 Mbps to capture complex movements more accurately and for more efficient editing work.
[1] All-Intra (All-I) [2] Long GOP [3] Group of pictures

16-bit SDI RAW data output

For more complex post-production processes, there is a 16-bit RAW data output via SDI connection to external recorders, while XAVC-I files are captured in-camera. The RAW video output is for 4096 x 2160 or 3840 x 2160 data from the image sensor with a choice of the following frame rates: 59.94, 50, 29.97, 25, 24, 23.989.

Shooting modes tailor-made for you

The FX6 offers shooting modes with preset looks, such as S-Cinetone, which create great footage right out of the camera, or S-Log3/S-Gamut3 with Cine-EI mode, which captures perfectly exposed footage for post-production.

Scene File allows for on-the-fly look changes

For SDR shooting, four preset file types are available (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural), plus 16 slots for imported user LUTs for your preferred look without post-production.

Remarkable smart grip and smart handle

Sony's ergonomic smart grip and smart handle are easily adjustable with a single button. Thanks to the zoom, record, and programmable buttons and a dial suitable for iris control, you can work comfortably for hours.

Professional connectivity

A wide range of professional interfaces are available, including 12G-SDI and HDMI outputs10, a remote interface, TC connectors for synchronization between multiple cameras, and SuperSpeed USB 5 Gbps (USB 3.2) for a smooth workflow.

Multi-interface (MI) Shoe

Sony's Multi-Interface (MI) shoe provides power, signal, and switching connectors for compatible Sony accessories, including wireless microphone systems such as the UWP-D21 or UWP-D2211.

Support for four-channel audio input and recording

Four-channel audio input allows simultaneous capture from external microphones and the built-in microphone. UWP wireless microphones or XLR audio adapters, such as the XLR-K3M, can also be used with the MI shoe.

Dual XLR inputs and enhanced audio capability

The FX6's handle features two independent audio inputs, XLR connectors for easy connection of external professional microphones. UWP series wireless microphones could also be connected via the MI shoe.

Recording with Atomos Ninja V+
Capture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony’s state of the art Exmor R CMOS full-frame 6K image sensor, using a single BNC cable to the camera’s 12G-SDI port.

The recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. The recorded files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colours, ideal for both HDR and SDR (Rec.709) workflows.

The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction, leading to cleaner RAW images.

Size and Weight

WEIGHT (MAIN UNIT ONLY) - Approx. 890 g (1 lb 15 oz)

DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) - Approx. 2.59 kg (5 lb 11 oz) (with viewfinder, grip remote control, BP-U35 battery, SEL24105G lens, lens hood, handle, microphone holder)

DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) - 114 x 116 x 153 mm (4 1/2 x 4 5/8 x 6 1/8 inches) (body without protrusions)

Power

POWER REQUIREMENTS - DC 19.5 V

POWER CONSUMPTION - Approx. 18.0 W (when recording XAVC-I QFHD 59.94p, SEL24105G lens, viewfinder ON, no external device used)

Operation

OPERATING TEMPERATURE - 0°C to 40°C, 32°F to 104°F

STORAGE TEMPERATURE - -20°C to +60°C, -4°F to +140°F

BATTERY OPERATING TIME - Approx. 105 min with BP-U35 battery (when recording XAVC-I QFHD 59.94p, SEL24105G lens, viewfinder ON, no external device used), Approx. 215 min with BP-U70 battery (when recording XAVC-I QFHD 59.94p, SEL24105G lens, viewfinder ON, no external device used)

XAVC INTRA FORMAT:

XAVC-I DCI4K 23.98p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode: VBR, MAX bitrate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode: VBR, MAX bitrate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode: VBR, MAX bitrate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode: VBR, MAX bitrate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode: CBG, MAX bitrate 89 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 25p mode: CBG, MAX bitrate 112 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode: CBG, MAX bitrate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode: CBG, MAX bitrate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode: CBG, MAX bitrate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode: VBR, MAX bitrate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode: VBR, MAX bitrate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode: VBR, MAX bitrate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode: VBR, MAX bitrate 600 Mbps, MPEG-4 AVC/H.264

XAVC LONG FORMAT:

XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bitrate 35 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bitrate 50 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 29.97p/25p/23.98p mode: VBR, MAX bitrate 100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94p/50p mode: VBR, MAX bitrate 150 Mbps, MPEG-4 H.264/AVC

Recording Format (Audio)

RECORDING FORMAT (AUDIO) - LPCM 24-bit, 48 kHz, 4 channels

Recording Frame Rate

XAVC INTRA FORMAT: XAVC-I DCI4K mode: 4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P, XAVC-I HD mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P

XAVC LONG FORMAT:XAVC-L HD 35 mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L HD 50 mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P

Recording/Playback Time

XAVC INTRA FORMAT

XAVC-I DCI4K/QFHD 23.98p when using CEA-G160T (160 GB): approx. 74 minutes when using CEA-G80T (80 GB): approx. 36 minutes, XAVC-I DCI4K/QFHD 25p when using CEA-G160T (160 GB): approx. 71 minutes when using CEA-G80T (80 GB): approx. 35 minutes, XAVC-I DCI4K/QFHD 29.97p when using CEA-G160T (160 GB): approx. 60 minutes when using CEA-G80T (80 GB): approx. 29 minutes, XAVC-I DCI4K/QFHD 50p when using CEA-G160T (160 GB): approx. 36 minutes when using CEA-G80T (80 GB): approx. 17 minutes, XAVC-I DCI4K/QFHD 59.94p when using CEA-G160T (160 GB): approx. 30 minutes when using CEA-G80T (80 GB): approx. 15 minutes, XAVC-I DCI4K 24p When using CEA-G160T (160 GB): approx. 74 minutes When using CEA-G80T (80 GB): approx. 36 minutes, XAVC-I HD 23.98p when using CEA-G160T (160 GB): approx. 185 minutes when using CEA-G80T (80 GB): approx. 91 minutes, XAVC-I HD 25p when using CEA-G160T (160 GB): approx. 150 minutes when using CEA-G80T (80 GB): approx. 74 minutes, XAVC-I HD 29.97p when using CEA-G160T (160 GB): approx. 150 minutes when using CEA-G80T (80 GB): approx. 74 minutes, XAVC-I HD 50p when using CEA-G160T (160 GB): approx. 78 minutes when using CEA-G80T (80 GB): approx. 38 minutes, XAVC-I HD 59.94p when using CEA-G160T (160 GB): approx. 78 minutes when using CEA-G80T (80 GB): approx. 38 minutes

XAVC LONG FORMAT

XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p when using CEA-G160T (160 GB): approx. 430 minutes when using CEA-G80T (80 GB): app