99.00 лв.
Противошоково окачване за микрофон Rycote InVision USM-L- за микрофони до 400gr и от 18 до 55mm
Универсално окачане за микрофон с тегло до 750 грама и с диаметър между 18 мм и 55 мм.
Предлага до два пъти по-добра изолация от кабелния шум в сравнение с традиционните еластични стойки за микрофони.
Без еластични елементи- никога не провисва и не се нуждае от повторно монтиране.
Стойките Rycote InVision се предлагат за микрофони тип пушка и микрофони с пръти заедно с Universal Studio Mount (USM) в приложения за броудкаст и видеография.
InVision, USM използва патентованата на Rycote устойчива на вибрации стойка Lyre, но с W монтаж на лирите, които са поставени около централният пръстен с регулируеми крепежни елементи, това позволява на USM да побере всеки микрофон с диаметър между 18 и 55 милиметра.
Rycote USM актуализира концепцията за окачването на микрофони, като не използва еластични части, а съвременни материали, за да създаде устойчиво окачване с висока производителност. При контролирани тестове във фабриката Rycote, USM осигури до два пъти по-голяма изолация от традиционните системи за окачване на микрофони.
Тегло на окачването: 154 g (5,4 oz)
Общ диаметър: 120 мм (4,72")
Диаметър на микрофона: 18-55 мм
Дължина на микрофона: до 300 мм
Максимално тегло (вертикално): 750 g (26,5 oz)
Максимално тегло (хоризонтално): 500 g (17,6 oz)
Въртене на окачването (максимум): 175%
Съвместимо с микрофони като:
ADK A-51 | The A-51 condenser microphone is designed for use in studios, concert halls, and broadcast applications. It has wide frequency respon... | For vertical use only | |
ADK A-51TC | The A-51TC features a large 1' diameter capsule. It is a single pattern (cardioid) tube microphone. The circuit design utilizes a sp... | For vertical use only | |
ADK Area 51 | A dual diaphragm top-of-the-line tube microphone. It is similar in electronic design to the A-51TC but nine switched polar patterns a... | For vertical use only | |
ADK Hamburg | A large diaphragm fixed cardioid microphone related to the Vienna but with a 1' 6 micron capsule. The diaphragm is centre-connected a... | For vertical use only | |
ADK Vienna | The ADK Vienna Edition is intended as pop/rock vocal microphone that can handle a wide variety of high SPL situations. It is a fixed ... | For vertical use only | |
AKG C 1000 S | A gradient pre-polarised condenser which uses a polar pattern converter (PPC 100) and a presence boost adapter (PB 1000). It is ideal... | For angled and vertical use | |
AKG C 214 | A lower cost version of the C414 using a large diaphragm (1') back electret capsule. It is single-sided and fixed cardioid pattern. ... | For vertical use only | |
AKG C 28 | A classic axial condenser design dating from the 1950s. The preamplifier can be fitted with a CK28A cardioid or less usually a CK26A ... | For vertical use only | |
AKG C 414 B-TL II | This is a remarkable microphone that exceeds all requirements for digital recording, yet one that also captures the warmth, smoothnes... | For angled and vertical use | |
AKG C 414 B-ULS | The C 414B-ULS has a well-deserved reputation for flawless performance and uncommon flexibility in the most demanding studio and conc... | For vertical use only | |
AKG C 414 B-Xlii | The C 414B-XLii is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock ... | For vertical use only | |
AKG C 414 B-XLS | The C 414B-XLS is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock m... | For angled and vertical use | |
AKG C 426 B | This externally polarised, switchable condenser is a linear descendent of AKG's original C 24 stereo microphone. The upper hea... |
For vertical use only | |
AKG C 522 ENG | A version of the C522 design with mechanically adjustable cardioid capsules in an XY configuration. The mutual angle can be adjusted ... | For angled and vertical use | |
AKG C 522 MS | A single-point MS microphone for handheld and stand use, particularly as a reporter's microphone. The pick up uses two capsules in MS... | For angled and vertical use | |
AKG D 202 | A classic and easily identifiable design that uses twin dynamic capsules to sense high and low frequency audio. A cross-over network ... | For angled and vertical use | |
AKG D 224 | A dual capsule dynamic microphone building on the principles of the earlier D202. The use of a separate LF capsule (mounted in the to... | For angled and vertical use | |
AKG Perception 100 | The Perception 100 is a rugged metal-bodied studio microphone. The large diaphragm capsule is a 25mm true condenser type and has a on... | For vertical use only | |
AKG Perception 200 | A large diaphragm studio microphone essentially identical to the Perception 100 but with a switchable bass cut and pad. | For vertical use only | |
Audio-Technica AE 2500-c | A revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic... | For angled and vertical use | |
Audio-Technica AE 2500-d | A revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic... | For angled and vertical use | |
Audio-Technica AE 3000 | A high SPL instrument microphone with a low-profile side-address design and tapered grille for optimal positioning. The large diaphra... | For angled and vertical use | |
Audio-Technica AT 2020 | An economically priced side-address studio microphone. It has wide dynamic range and high SPL handling and thus requires no pad or ga... | For angled and vertical use | |
Audio-Technica AT 2035 | A 'budget-friendly' studio microphone with a large diaphragm and a fixed cardioid pattern. The design uses a fixed-charge bakplate l... | For vertical use only | |
Audio-Technica AT 2050 | A 'budget friendly' studio microphone with a variable pattern. The large gold-vaporised dual diaphragm design can be switched to omni... | For vertical use only | |
Audio-Technica AT 3035 | A condenser microphone with a large diaphragm (26 mm) for exceptional detail and low noise. It has high max SPL, wide dynamic range a... | ||
Audio-Technica AT 3060 | A large-diaphragm tube design that does not need a dedicated power supply - it operates from 48V phantom power. The cardioid back-ele... | For vertical use only | |
Audio-Technica AT 3525 | The AT3525 offers outstanding performance and versatility, a flat frequency response, and high SPL handling capability. It features a... | For angled and vertical use | |
Audio-Technica AT 4033a/CL | The AT4033a/Cl is recommended for professional recording and critical applications in broadcast and live sound. Its symmetrical, tran... | For angled and vertical use | |
Audio-Technica AT 4040 | An externally-polarized (DC bias) true condenser design for professional recording and critical applications in broadcast and live so... | For angled and vertical use | |
Audio-Technica AT 4047/SV | Designed for professional recording and critical applications in broadcast and live sound, the AT4047/SV has a transformer-coupled ou... | For vertical use only | |
Audio-Technica AT 4060 | This microphone combines a vintage tube sound with the versatile performance necessary for the most demanding studio applications. It... | For vertical use only | |
Audio-Technica ATM 250 | A single capsule kick drum microphone using a dynamic element and capable of handling very high SPLs. The capsule uses a neodymium ma... | For angled and vertical use | |
Audio-Technica ATM 250DE-c | A kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s... | For angled and vertical use | |
Audio-Technica ATM 250DE-d | A kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s... | For angled and vertical use | |
Audix CX-111 | A true condenser microphone of classic design. The capsule is a 25mm gold-sputtered single diaphragm type. The housing is machined br... | For vertical use only | |
Audix CX-112 | A large (1.07') diaphragm studio microphone using an edge-terminated capsule. It has very low noise circuitry and a fixed cardioid pa... | For vertical use only | |
Audix CX-212 | A large diaphragm studio microphone with a 25mm capsule. The polar pattern is multi-pattern. | For vertical use only | |
Audix D-6 | A cardioid dynamic microphone for kick drum applications utilizing VLM technology. | For angled and vertical use | |
Behringer B2 | A dual diaphragm design with a 1' capsule which can be selected to either an omni or a cardioid pattern. It uses a transformerless ou... | For vertical use only | |
Behringer C1 | A large diaphragm studio microphone with a flat response and ultra low-noise transformerless FET electronics. | For vertical use only | |
Berliner Microphones USA U7 | A large-diaphragm studio microphone with a fixed polar pattern. The capsule is a centre contact type with a 6-micron gold-evaporated ... | For vertical use only | |
BeyerDynamic M 99 | Very large capsule microphone for low frequency instruments such as kick-drum, double bass and tenor saxophone. Also recommended as a... | For vertical use only | |
BeyerDynamic MC 740 | Large, gold vaporised diaphragm, true condenser microphone with switchable polar patterns for precise audio recordings. | For angled and vertical use | |
BeyerDynamic MC 742 | This microphone has been withdrawn. | For vertical use only | |
BeyerDynamic MC 834 | A popular large diaphragm recording microphone with a three-position low frequency roll-off and two-position attenuator. | For angled and vertical use | |
BeyerDynamic MC 840 | A compact large-diaphragm studio microphone with a variable polar pattern. It has gold vapour-coated double diaphragms and is based o... | For angled and vertical use | |
BeyerDynamic MCD 100 | Digital condenser microphone with integral processor for direct-to-digital recording systems. The conversion has 22 bit resolution gi... | For angled and vertical use | |
BeyerDynamic MCD 101 | Digital condenser microphone with integral processor for direct-to-digital recording systems. It is an omnidirectional version of the... | For angled and vertical use | |
BeyerDynamic MCE 90 | Large condenser microphone for project studio and general purpose recording. Exceptional dynamic range. | For angled and vertical use | |
Blue Baby Bottle | Following in the footsteps of our acclaimed tube Bottle mic system, the Baby Bottle is truly a chip off the old block. Each and every... | For angled and vertical use | |
Bock Audio Bock 151 | The Bock 151 is a lower-priced version of the 251 microphone with a fixed cardioid pattern. A 'brite/normal' switch is added to allow... | For vertical use only | |
Bock Audio Bock 195 | A fixed pattern studio microphone with a large (25mm) diaphragm capsule - dual symmetrical backplate (K67 style). The electronics are... | For vertical use only | |
Bock Audio Bock 251 | A large diaphragm studio microphone that emulates a vintage '251'. The design uses a hand-wound multi-section transformer. This is ov... | For vertical use only | |
CAD Professional Microphones GXL 2200 | The GXL2200 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this micropho... | For angled and vertical use | |
CAD Professional Microphones GXL 2400 | The GXL2400 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this micropho... | For angled and vertical use | |
CAD Professional Microphones GXL3000 | A large diaphragm multi-pattern studio microphone. The capsule is 1' gold vapour deposited. | For vertical use only | |
CAD Professional Microphones M177 | Using the latest computer modelling tools has resulted in a microphone that features the best of old world and new world technology a... | For vertical use only | |
Canford Audio CSM41 | This studio-grade, large diaphragm condenser features a 25mm gold sputtered diaphragm, balanced transformer output, and a machined br... | For vertical use only | |
Electrovoice RE27N/D | A dynamic cardioid optimised for broadcast voice purposes. It has high sensitivity and an undistorted output at high SPL together wit... | For vertical use only | |
Manley Laboratories CR-2001 | The LANGEVIN CR-2001 is Manley's entry model cardioid capacitor microphone, very handy for recording just about anything. The capsule... | For vertical use only | |
Manley Laboratories Langevin CR-3A | The Langevin CR-3A is a cardioid capacitor microphone suitable for all-purpose use in recording of music, vocals, and speech. Powered... | For vertical use only | |
Marshall Electronics MXL 1006 | The MXL 1006 has a cardioid polar pattern and solid-state preamp circuitry. It uses a balanced transistor output for maximum frequenc... | For vertical use only | |
Marshall Electronics MXL 2001 | This condenser mic has a large (1') gold-sputtered diaphragm, with FET preamp and balanced transformer output. It comes in a heavy du... | For vertical use only | |
Marshall Electronics MXL 2003 | Large (1.06') gold-sputtered diaphragm studio microphone, with balanced transformerless output and three-position switch for bass rol... | For vertical use only | |
Marshall Electronics MXL 2006 | A large diaphragm studio condenser microphone with Class A FET electronics and a transformerless output. The capsule is a 25mm type.<... | For vertical use only | |
Marshall Electronics MXL 909 | A 1' large diaphragm studio microphone with FET electronics. | For vertical use only | |
Marshall Electronics MXL DRK | A self-powered studio microphone for connection to PCs. The DRK-mac has an MXL Mic Boost interface. | For vertical use only | |
Marshall Electronics MXL M3 | The M3 is a large diaphragm studio microphone. The 25mm diaphragm is 6 micron gold-sputtered and the electronics are all-FET with a t... | For vertical use only | |
Marshall Electronics MXL V6 | A side-address studio microphone. The 'Silicon valve' design uses a FET electronics to emulate a valve-sound. The capsule is a 25mm 6... | For vertical use only | |
Marshall Electronics MXL V67 | Large (1') gold-sputtered diaphragm condenser, with FET preamp and balanced transformer output. Comes in a vintage design heavy-duty... | For vertical use only | |
Marshall Electronics MXL V67i | A version of the V67(G) large diaphragm studio microphone. This version has two switch selectable diaphragms with different character... | For vertical use only | |
Marshall Electronics MXL V69 | The MXL V69 is a classic large diaphragm Tube Microphone. Its classic sound enhances vocal and instrument performances. The extremely... | For vertical use only | |
Marshall Electronics MXL V76t | A large diaphragm studio microphone at an economical price. The capsule is a 25mm single diaphragm design. | For vertical use only | |
Marshall Electronics MXL V77 | Large (1') gold-sputtered diaphragm coupled to a 6072 vacuum tube, known for its low inherent noise and broad dynamic range. Comes in... | For vertical use only | |
Marshall Electronics MXL V88 | A studio microphone with a large diaphragm capsule but a relatively short body. The capsule is a 32mm 6 micron gold sputtered type. T... | For vertical use only | |
M-Audio Luna | A single pattern cardioid condenser with a lollipop-style all-brass capsule. The diaphragm is 1.1' and gold evaporated. A tight toler... | For vertical use only | |
M-Audio Nova | An affordable large capsule cardioid condenser microphone. The 1.1' diaphragm is gold-evaporated and the capsule is machined brass. T... | For vertical use only | |
M-Audio Solaris | Similar in style and construction to the Luna it is a triple pattern lollipop-style condenser microphone. It uses a dual-diaphragm 1.... | For vertical use only | |
M-Audio Sputnik | A large-diaphragm studio microphone using vacuum tube electronics and a transformer output. The capsule is a dual diaphragm type to a... | For vertical use only | |
Microtech Gefell M 930 | The M 930 studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit tec... | For angled and vertical use | |
Microtech Gefell M 940 | A supercardioid version of the M 930 microphone. | For angled and vertical use | |
Microtech Gefell M 990 | The M 990 microphone combines a modern large diaphragm pick-up capsule with the warm, full sound quality of a vacuum tube amplifier, ... | For angled and vertical use | |
Microtech Gefell UM 92.1 S | The UM 92.1 S studio microphone features Georg Neumann's legendary M 7 capsule. This pressure gradient transducer uses two large diam... | For vertical use only | |
Milab DC-196 | A small format (narrow) studio microphone with a large rectangular capsule that is internally shock-mounted. Effective pop protection... | For angled and vertical use | |
Milab DC-96B | The DC-96B's rectangular large dual membrane capsule gives a full bodied, exceptionally clean sound with natural brightness. A superb... | For angled and vertical use | |
Milab DM1001 | Digital microphone with 24-bit/48kHz Sigma-Delta ADC, AES/EBU digital output, and computer controlled filters and polar patterns (fre... | For vertical use only | |
Milab EMBLA | Embla (Eve in Scandinavian mythology) is built to produce a sound as close to the natural original as possible. It has variable, swit... | For angled and vertical use | |
Milab VIP-50 | One of the most sophisticated vocal recording microphones ever made, this transformerless model offers variable patterns, 200/500Hz h... | For angled and vertical use | |
Mojave Audio MA 200 | A large diaphragm (1') studio microphone with a tube (valve) electronics. The capsule is a hand-selected 3 micron type and a JAN5840 ... | For vertical use only | |
Mojave Audio MA-201 fet | A large diaphragm studio microphone using FET electronics and a (Jensen) transformer output. The capsule is a 25mm design with a 3 mi... | For vertical use only | |
Nady SCM 1000 | True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s... | For vertical use only | |
Nady SCM 800 | A large diaphragm studio condenser microphone with FET electronics. | For angled and vertical use | |
Nady SCM 900 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | For vertical use only | |
Nady SCM 910 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | For vertical use only | |
Nady SCM 920 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | For vertical use only | |
Nady SCM 950 | The SCM 950 is a large, pressure-gradient condenser with a gold-sputtered diaphragm and FET preamplifier. It has a transformerless ou... | For angled and vertical use | |
Nady SCM 960 | A large diaphragm (25mm) studio microphone with both omni and cardioid polar patterns. The output is transformerless and the impedanc... | ||
Nady SCM 980 | True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s... | For vertical use only | |
Nady TCM 1050 | The TCM1050 has a classic vintage look and the performance of a legendary vacuum tube microphone at low cost. It has 1' 3 micron diap... | For vertical use only | |
Nady TCM 1100 | A large diaphragm tube microphone with a vintage style. It uses a 1.1' 3 micron diaphragm and the classic 12AT7 vacuum tube together ... | For vertical use only | |
Neumann SM 69 fet | The SM 69 fet stereo microphone has two separate dual-diaphragm capsules. These are mounted vertically and rotate against each other.... | For vertical use only | |
Neumann TLM 102 | The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum s... | For angled and vertical use | |
Neumann TLM 103 | The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in s... | For vertical use only | |
Neumann TLM 103D | A digital version of the TLM 103. The design incorporates a solution-D converter and supports all standard sampling frequencies from ... | For vertical use only | |
Neumann TLM 170 | The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage ... | For vertical use only | |
Neumann TLM 193 | The TLM 193 is a large diaphragm microphone that continues Neumann's long tradition as well as offering high-end technology at an aff... | For vertical use only | |
Neumann TLM 50 | A studio microphone based on the legendary M50. The capsule is flush mounted into the surface of a sphere, and this unique design giv... | For vertical use only | |
Neumann TLM 67 | A studio microphone using the same K67 dual diaphragm capsule as the 1960's U67 studio work
Размер на опаковката: 19 x 16 x 16 см |