{"product_id":"kino-kamiera-fujifilm-gfx-eterna-55","title":"Fujifilm GFX ETERNA 55 Cinema Camera","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Screenshot%202025-11-18%20145319_edited.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Large Format Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eFUJIFILM GFX ETERNA 55 \u0026ndash; Designed for Filmmakers, Built Around a Large Format Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can\u0026rsquo;t replicate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSmooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.\u003cbr \/\u003e\r\nEvery flicker of light, every nuance of tone \u0026ndash; faithfully rendered, even in low light, with remarkably low noise.\u003cbr \/\u003e\r\nSkin tones are recorded with delicate precision, preserving their natural feel.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFirmware Update Ver.1.02\u0026nbsp;incorporates the following issues:\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal recorder recording function to ATOMOS devices is newly added.\u003cbr \/\u003e\r\n\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe display design of the menu screen is changed.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe brightness of the side monitor becomes darker than the previous condition if the [-5] is selected for the brightness of the [Side monitor] through the following operation.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e[SET UP] ➔ [LCD SETTING] ➔ [LCD BRIGHTNESS]\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eLook \u0026amp; feel of the [TIME CODE] display shown on the [Side monitor] is improved.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eResponse times becomes shorter when operating the following settings.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eOperation Settings:[FPS], [ISO], [SHUTTER], [ND], [WB], [PROJECT FPS], [RESOLUTION] and [IMAGE FORMAT]\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe default (starting) value for [Clip No.] is changed from 0000 to 0001.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe default value for [SHARPNESS] is changed from 4 to 0.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eNote:Be aware that you need to initialize the camera to make the above change take effect.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe following firmware bugs are fixed.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e(1)The recording does not start while AF is locked with touch AF through the following operation flow.\u003cbr \/\u003e\r\n\t[FOCUS] ➔ [TOUCH SCREEN MODE] ➔ [AF]\u003cbr \/\u003e\r\n\t(2)Selecting [RESET ALL EXCEPT NETWORK SETTINGS] does not reset the [TIME CODE] through the following operation flow.\u003cbr \/\u003e\r\n\t[TIME CODE] ➔ [COUNT UP SETTING] ➔ [FREE RUN]\u003cbr \/\u003e\r\n\t(3)The aperture value cannot be changed when selecting [IRIS] in the [RECORDING] menu under the following setting conditions.\u003cbr \/\u003e\r\n\t・Use GF lenses with an aperture ring other than the GF32-90mm T3.5 PZ OIS WR.\u003cbr \/\u003e\r\n\t・Set the aperture ring position to C.\u003cbr \/\u003e\r\n\t・Select [T NUMBER] of the [IRIS DISP] in the [RECORDING] menu.\u003cbr \/\u003e\r\n\t(4)The [CUSTOM ASPECT] is not displayed at the correct aspect ratio.\u003cbr \/\u003e\r\n\t(5)Synchronization failure of the [TIME CODE]\u003cbr \/\u003e\r\n\t(6) The side monitor display occasionally remains in REC mode even after stopping REC.\u003cbr \/\u003e\r\n\t(7) The outside side monitor turns off occasionally when starting and stopping REC repeatedly.\u003cbr \/\u003e\r\n\t(8) The outside indicator lamp remains lit or remains off occasionally when starting and stopping REC repeatedly.\u003cbr \/\u003e\r\n\t(9) The default setting for the mount adapter should be [OFF], but it is set to [Lens 1].\u003cbr \/\u003e\r\n\t(10) Loading more than 13 LUT files may cause unstable operation.\u003cbr \/\u003e\r\n\t(11)Other minor bugs.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003eThis new firmware enables the FUJIFILM GFX ETERNA 55 to make external RAW recording by 4:3 open gate, 4K, and up to 48fps.\u003cbr \/\u003e\r\nAdditionally, RAW output is newly available via SDI in addition to HDMI, enabling versatile use across various film production environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 is more than a tool. It\u0026rsquo;s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fujifilm Look\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilding on over 90 years of Fujifilm\u0026rsquo;s pioneering film color science, GFX ETERNA 55\u0026rsquo;s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact \u0026ndash; creating not just images, but stories that resonate.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnleashing the Film Stocks\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 features 20 Film Simulation modes.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlus, by utilizing Fujifilm\u0026rsquo;s proprietary wide dynamic range, wide-gamut F-Log2 C\/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs*\u0026nbsp;that replicate Fujifilm\u0026rsquo;s iconic film stocks in the digital format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom Velvia and ASTIA to CLASSIC CHROME and ETERNA, these celebrated film stocks serve as a powerful creative post-production tool \u0026ndash; rekindling the distinct Memory Color that has long been admired in photography.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis goes beyond simple color grading.\u003cbr \/\u003e\r\nIt\u0026rsquo;s digital storytelling infused with the rich heritage and expressive depth of analog film.\u003cbr \/\u003e\r\n\u003ca href=\"https:\/\/www.fujifilm-x.com\/global\/support\/download\/lut\/\"\u003eDownload the newly crafted Film Simulation LUTs\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e*PROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic Chrome, REALA ACE, PRO Neg.Std, Classic Neg., ETERNA\/Cinema, ETERNA BLEACH BYPASS, and ACROS\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Screenshot%202025-11-18%20145550_edited.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cdiv data-oembed-url=\"https:\/\/www.youtube.com\/watch?v=jZRxiuK8hOg\u0026amp;t=4s\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv style=\"height:0; left:0; padding-bottom:56.25%; position:relative; width:100%\"\u003e\u003ciframe allow=\"accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;\" allowfullscreen=\"\" scrolling=\"no\" src=\"\/\/if-cdn.com\/N2aeaAs7\" style=\"top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;\" tabindex=\"-1\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\r\n\u003cp\u003eElectronic Variable ND Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 features a built-in electronic variable ND filter designed specifically for its large format sensor. With a range from ND0.6 to 2.1, it provides up to seven stops of light reduction with smooth, precise control in increments as fine as ND0.015. Thanks to Fujifilm\u0026rsquo;s proprietary precision engineering, this filter allows seamless and highly accurate density adjustments with minimal color shift \u0026ndash;even during movie recording.\u003cbr \/\u003e\r\nBy instantly adapting to changing lighting conditions on set, it enables filmmakers to dial in their intended exposure swiftly, greatly enhancing efficiency.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/image2-min.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Base ISO\u003cbr \/\u003e\r\nGFX ETERNA 55\u0026#39;s large format sensor, measuring 44x33mm, is approximately 1.7 times larger than a typical full-frame sensor. Its dual base ISOs of 800 and 3200 maximize performance, delivering smooth tonal gradations and exceptional low-noise capabilities. Even in challenging lighting conditions like shadows, backlighting, and night time scenarios, it minimizes the digital noise often associated with such conditions, faithfully recording the atmosphere of the scene. GFX ETERNA 55\u0026#39;s sensor is set to become a new well of inspirations for filmmakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Screenshot%202025-11-18%20153905_edited(1).png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 is designed to accommodate both V-Mount and Fujifilm\u0026rsquo;s NP-W235 batteries. While using a V-Mount battery as the main power source, the NP-W235 battery can be mounted simultaneously, enabling hot-swapping of the V-Mount battery without interrupting power during shooting*1. Additionally, the NP-W235 battery alone provides approximately 30 minutes*2\u0026nbsp;of continuous operation, offering flexible options for short shoots or situations requiring reduced weight, such as drone or gimbal mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e*1 Not supported while recording\u003cbr \/\u003e\r\n*2 Under 25℃ environment\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe use of high-speed CFexpress Type B cards as the primary recording media delivers a smooth, stable recording performance that comfortably handles high-resolution 8K\/30p footage and high-bit-rate formats such as ProRes HQ. Additionally, a secondary SD card slot is provided allowing backup recording to the SD card when using H.265.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModel Name\u003c\/p\u003e\r\n\r\n\u003cp\u003eFUJIFILM GFX ETERNA 55\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eFUJIFILM G mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e43.8mm\u0026times;32.9mm GFX 102MP CMOS II HS with primary color filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eNumber Of Pixels\u003c\/p\u003e\r\n\r\n\u003cp\u003e102 million pixels\u003c\/p\u003e\r\n\r\n\u003cp\u003eND Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic Variable ND Filter, 0.6(ND4)～2.1(ND128)\u003c\/p\u003e\r\n\r\n\u003cp\u003eGamma\u003c\/p\u003e\r\n\r\n\u003cp\u003eFilm Simulation \/ F-Log2 \/ F-Log2 C \/ F-Log \/ HLG\u003c\/p\u003e\r\n\r\n\u003cp\u003eLUT Setting\u003c\/p\u003e\r\n\r\n\u003cp\u003eUp to 16 3D-LUT files can be saved on the camera. Supported cube sizes (17\/33\/65). File names support up to 48 characters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCooling Fan Setting\u003c\/p\u003e\r\n\r\n\u003cp\u003eAUTO1 \/ AUTO2 \/ HIGH \/ LOW\u003c\/p\u003e\r\n\r\n\u003cp\u003eSensor Cleaning System\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra Sonic Vibration\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Processing Engine\u003c\/p\u003e\r\n\r\n\u003cp\u003eX-Processor 5\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Media\u003c\/p\u003e\r\n\r\n\u003cp\u003eSD Card (-2GB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDHC Card (-32GB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDXC Card (-2TB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eUHS-I\u003c\/p\u003e\r\n\r\n\u003cp\u003eUHS-II\u003c\/p\u003e\r\n\r\n\u003cp\u003eVideo Speed Class V90\u003c\/p\u003e\r\n\r\n\u003cp\u003eCFexpress Type B Card (-2TB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSSD (-2TB)\u003c\/p\u003e\r\n\r\n\u003cp\u003e*Please see the Fujifilm website (https:\/\/fujifilm-x.com\/support\/compatibility\/cameras\/) to check memory card compatibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSensitivity\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard Output\u003c\/p\u003e\r\n\r\n\u003cp\u003eAUTO\u003c\/p\u003e\r\n\r\n\u003cp\u003eISO400～12800 (1\/3 step)\u003c\/p\u003e\r\n\r\n\u003cp\u003eExtended Output\u003c\/p\u003e\r\n\r\n\u003cp\u003eISO100~ISO320 (1\/3 step)\u003c\/p\u003e\r\n\r\n\u003cp\u003eISO25600\u003c\/p\u003e\r\n\r\n\u003cp\u003eExposure Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eTTL 256-zone metering\u003cbr \/\u003e\r\nMulti\u003cbr \/\u003e\r\nSpot\u003cbr \/\u003e\r\nAverage\u003cbr \/\u003e\r\nCenter Weighted\u003c\/p\u003e\r\n\r\n\u003cp\u003eExposure Compensation\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie\u003c\/p\u003e\r\n\r\n\u003cp\u003e-2.0EV~+2.0EV (1\/4EV step)\u003c\/p\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003e14+Stop (F-Log2 \/ F-Log2 C)\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter speed \/ Shutter angle\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\/8 sec~1\/8000 sec, 5.6\u0026deg;~ 360\u0026deg;\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode\u003c\/p\u003e\r\n\r\n\u003cp\u003eContinuous AF\u003cbr \/\u003e\r\nMF\u003c\/p\u003e\r\n\r\n\u003cp\u003eType\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntelligent Hybrid AF (TTL contrast AF \/ TTL phase detection AF)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLow-light Performance\u003c\/p\u003e\r\n\r\n\u003cp\u003eContrast\u003c\/p\u003e\r\n\r\n\u003cp\u003e-0.7EV\u003cbr \/\u003e\r\nGF80mmF1.7 attached\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhase Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003e-3.7EV\u003cbr \/\u003e\r\nGF80mmF1.7 attached\u003c\/p\u003e\r\n\r\n\u003cp\u003eAF Frame Selection\u003c\/p\u003e\r\n\r\n\u003cp\u003eSingle Point AF\u003c\/p\u003e\r\n\r\n\u003cp\u003e13\u0026times;9 \/ 25\u0026times;17 (Changeable size of AF frame)\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide\/Tracking AF\u003c\/p\u003e\r\n\r\n\u003cp\u003eAF: MULTI \/ TRACKING \/ AREA\u003c\/p\u003e\r\n\r\n\u003cp\u003eFace\/eye Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003eYes\u003c\/p\u003e\r\n\r\n\u003cp\u003eSubject Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003eYes (FACE\/Animal\/Bird\/Automobile\/Motorcycle\u0026amp;Bike\/Airplane\/Train)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSide monitor\u003c\/p\u003e\r\n\r\n\u003cp\u003e3.0 inch Touch Screen Color LCD Monitor\u003c\/p\u003e\r\n\r\n\u003cp\u003eAspect Ratio\u003c\/p\u003e\r\n\r\n\u003cp\u003e3:2\u003c\/p\u003e\r\n\r\n\u003cp\u003eDots\u003c\/p\u003e\r\n\r\n\u003cp\u003eApprox. 1.04 million dots\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eMXF, MOV\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 HQ, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 LT, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eHEVC\/H.265, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie Compression\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Intra\u003c\/p\u003e\r\n\r\n\u003cp\u003eLong GOP\u003c\/p\u003e\r\n\r\n\u003cp\u003eProject FPS\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e59.94P\u003cbr \/\u003e\r\n50P\u003cbr \/\u003e\r\n48P\u003cbr \/\u003e\r\n47.95P\u003cbr \/\u003e\r\n29.97P\u003cbr \/\u003e\r\n25P\u003cbr \/\u003e\r\n24P\u003cbr \/\u003e\r\n23.98P\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e8192 x 4320\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e7680 x 4320\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K(2.76:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e8192 x 2968\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e6.3K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e6382\u0026times;3590\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra:Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e5.8K(2.39:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e5824\u0026times;2436\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200 Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e5.4K(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e5440 x 2868\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4.8K(3:2)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4776 x 3184\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4.8K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4776 x 2688\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4.6K(1.38:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4664 x 3380\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K(1.195:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4040\u0026times;3380\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra:Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eDCI4K(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 2160\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e59.94p\u003cbr \/\u003e\r\n50p\u003cbr \/\u003e\r\n48p\u003cbr \/\u003e\r\n47.95\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size 3840 x 2160\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e59.94p,50p\u0026nbsp;48p\u0026nbsp;47.95p\u0026nbsp;29.97p\u0026nbsp;25p\u0026nbsp;24p\u0026nbsp;23.98p\u0026nbsp;22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K(4:3)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840\u0026times;2880\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e48p\u003cbr \/\u003e\r\n47.95p\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFull HD(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e2048 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e119.8p\u003cbr \/\u003e\r\n100p\u003cbr \/\u003e\r\n59.94p\u003cbr \/\u003e\r\n50p\u003cbr \/\u003e\r\n48p\u003cbr \/\u003e\r\n47.95p\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFull HD(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e119.8p\u003cbr \/\u003e\r\n100p\u003cbr \/\u003e\r\n59.94p\u003cbr \/\u003e\r\n50p\u003cbr \/\u003e\r\n48p\u003cbr \/\u003e\r\n47.95p\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eProxy\u003c\/p\u003e\r\n\r\n\u003cp\u003eH.264, ProRes Proxy, OFF\u003c\/p\u003e\r\n\r\n\u003cp\u003eNotes\u003c\/p\u003e\r\n\r\n\u003cp\u003e*Selectable mode will be changed depending on the \u0026ldquo;Image Format\u0026rdquo; setting.\u003cbr \/\u003e\r\n*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.\u003cbr \/\u003e\r\n*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.\u003cbr \/\u003e\r\n*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.\u003cbr \/\u003e\r\n*PROJECT FPS cannot be set above the maximum RECORDING FPS.\u003cbr \/\u003e\r\n*Selectable bitrate will be changed depends on the setting.\u003cbr \/\u003e\r\n*Apple ProRes codec can be only recorded to CFexpress Type B card\u003cbr \/\u003e\r\n*Bitrate for Apple ProRes codec is not selectable.\u003cbr \/\u003e\r\n*Recording time can become short depending on the temperature and\/or shooting conditions\u003c\/p\u003e\r\n\r\n\u003cp\u003eFilm Simulation Mode\u003c\/p\u003e\r\n\r\n\u003cp\u003e20 modes\u003c\/p\u003e\r\n\r\n\u003cp\u003ePROVIA\/Standard\u003c\/p\u003e\r\n\r\n\u003cp\u003eVelvia\/Vivid\u003c\/p\u003e\r\n\r\n\u003cp\u003eASTIA\/Soft\u003c\/p\u003e\r\n\r\n\u003cp\u003eClassic Chrome\u003c\/p\u003e\r\n\r\n\u003cp\u003eREALA ACE\u003c\/p\u003e\r\n\r\n\u003cp\u003ePRO Neg.Hi\u003c\/p\u003e\r\n\r\n\u003cp\u003ePRO Neg.Std\u003c\/p\u003e\r\n\r\n\u003cp\u003eClassic Neg.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNostalgic Neg.\u003c\/p\u003e\r\n\r\n\u003cp\u003eETERNA\/Cinema\u003c\/p\u003e\r\n\r\n\u003cp\u003eETERNA BLEACH BYPASS\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS + Ye Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS + R Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS + G Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White + Ye Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White + R Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White + G Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eSepia\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhite Balance\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto\u0026nbsp;White Priority\u003cbr \/\u003e\r\nAuto\u0026nbsp;Ambience Priority\u003c\/p\u003e\r\n\r\n\u003cp\u003eCustom\u003c\/p\u003e\r\n\r\n\u003cp\u003eCustom\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Temperature Selection\u0026nbsp;2000K~11000K,CC(-16.00~+16.00)\u003c\/p\u003e\r\n\r\n\u003cp\u003eWireless Transmitter\u0026nbsp;Standard\u0026nbsp;IEEE802.11a\/b\/g\/n\/ac (standard wireless protocol)\u003c\/p\u003e\r\n\r\n\u003cp\u003eEncryption\u0026nbsp;WPA2, WPA3\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccess Mode\u003c\/p\u003e\r\n\r\n\u003cp\u003eInfrastructure mode\u003c\/p\u003e\r\n\r\n\u003cp\u003eBluetooth\u0026reg;\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard\u0026nbsp;Bluetooth Ver. 4.2 (Bluetooth low energy)\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Frequency (Center Frequency)\u0026nbsp;2402〜2480MHz\u003c\/p\u003e\r\n\r\n\u003cp\u003eTerminal\u003c\/p\u003e\r\n\r\n\u003cp\u003eDigital Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB Type-C\u0026reg;\u003c\/p\u003e\r\n\r\n\u003cp\u003eHDMI Output\u003c\/p\u003e\r\n\r\n\u003cp\u003eHDMI OUT connector (Type A)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLAN Terminal\u003c\/p\u003e\r\n\r\n\u003cp\u003eLAN connector 1000BASE-T、100BASE-TX、10BASE-T\u003c\/p\u003e\r\n\r\n\u003cp\u003eOthers\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026oslash;3.5mm,stereo mini connector (Microphone)\u003cbr \/\u003e\r\n\u0026oslash;3.5mm, stereo mini connector (Headphone)\u003cbr \/\u003e\r\n\u0026oslash;2.5mm,connector (Remote Release )\u003cbr \/\u003e\r\nTC IN\/TC OUT connector\u003cbr \/\u003e\r\nGenLock connector\u003cbr \/\u003e\r\n12G SDI OUT connector:max 4K59.94p 12G\/6G\/3G\u003cbr \/\u003e\r\nLENS connector(12-pin) :Power supply 14V-0.5A\u003cbr \/\u003e\r\nV-mount battery attachment terminal\u003cbr \/\u003e\r\nHandle connection terminal\u003cbr \/\u003e\r\nDC OUT 12V connector :2-pin LEMO :12V 3A\u003cbr \/\u003e\r\nLCD monitor cable connector\u003cbr \/\u003e\r\nDC IN connector:4-pin for AC-15VS\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-W235 Li-ion battery (included)\u003cbr \/\u003e\r\nDC IN:AC-15VS AC power adapter (included)\u003cbr \/\u003e\r\nV-mount battery\u003c\/p\u003e\r\n\r\n\u003cp\u003eDimensions\u003c\/p\u003e\r\n\r\n\u003cp\u003eWidth\u0026nbsp;110.8mm\u003c\/p\u003e\r\n\r\n\u003cp\u003eHeight\u0026nbsp;138.2mm\u003c\/p\u003e\r\n\r\n\u003cp\u003eDepth\u0026nbsp;176.8mm\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeight\u0026nbsp; Excluding Battery And Memory Card\u0026nbsp;Approx. 2.0kg\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperation Environment\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-10℃～+40℃\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e10% \u0026ndash; 80% (no condensation)\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Consumption\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard power consumption：21W\u003cbr \/\u003e\r\nWith lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1,\u003cbr \/\u003e\r\nexcluding accessories other than the LCD monitor and handle.\u003cbr \/\u003e\r\nMaximum power consumption：49W\u003cbr \/\u003e\r\nWith lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High,\u003cbr \/\u003e\r\nincluding accessories, DC OUT 12V not connected.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eLi-ion battery NP-W235\u003cbr \/\u003e\r\nAC power adapter AC-15VS\u003cbr \/\u003e\r\nAC cable\u003cbr \/\u003e\r\nBody cap\u003cbr \/\u003e\r\nHandle\u003cbr \/\u003e\r\nLCD Monitor\u003cbr \/\u003e\r\nLCD Monitor hood\u003cbr \/\u003e\r\nLCD attachment\u003cbr \/\u003e\r\nPL-Mount Adapter\u003c\/p\u003e","brand":"Fujifilm CINE","offers":[{"title":"Default Title","offer_id":53586399166801,"sku":"16953510","price":16140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/g0IL571oHc6x6BSE4FCvG25wtP3eCFQf.jpg?v=1776792825","url":"https:\/\/dynaphos.com\/en\/products\/kino-kamiera-fujifilm-gfx-eterna-55","provider":"Dynaphos","version":"1.0","type":"link"}