{"product_id":"arri-alexa-35-xtreme-premium-production-kompliekt-19mm-studio","title":"ARRI ALEXA 35 Xtreme - Premium Production Set (19mm Studio)","description":"\u003cp\u003e\u003cstrong\u003eMore speed. Less data.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eALEXA 35 Xtreme\u003c\/strong\u003e is a major revision of the industry\u0026#39;s trusted workhorse - ALEXA 35, known for its superior image quality, ease of use, and reliable operation. Building on its predecessor\u0026#39;s solid foundation, ALEXA 35 Xtreme introduces powerful new hardware, higher speeds for breathtaking slow-motion images, and the efficient ARRICORE codec.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew Xtreme features\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cstrong\u003eHigh speed up to 660 fps\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eALEXA 35 Xtreme continues a long tradition at ARRI of high-speed motion picture cameras. New hardware allows frame rates up to 330 fps while maintaining full dynamic range, and a new codec and Sensor Overdrive mode double the limit to 660 fps.\u003cbr \/\u003e\r\n\u003cstrong\u003e\u003cem\u003eNote: Sensor Overdrive mode lowers dynamic range from 17 stops to 11 stops.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cstrong\u003eNew codec - ARRICORE\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eARRI\u0026#39;s next generation RGB codec makes the highest image quality more affordable by using cutting-edge image science to reduce data rates. The file sizes might be smaller, but maximum creative flexibility in postproduction remains.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cstrong\u003eUpgrade path\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eARRI is offering an upgrade that transforms previously sold ALEXA 35 cameras into an ALEXA 35 Xtreme. This extends the product life and the return on investment for customers, giving them access to future enhancements enabled by the state-of-the-art new processing unit.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSlow motion cinematography\u003c\/strong\u003e\u003cbr \/\u003e\r\nALEXA 35 Xtreme removes the need to carry a separate high-speed camera on most shoots. This streamlines production workflows, saves time and money, and ensures that high-speed footage matches seamlessly with standard-speed shots in post. These benefits are enabled by the new main processor, equipped with more and faster on-board memory. Frame rates up to 330 fps retain the camera\u0026#39;s full 17 stops of dynamic range, while the Sensor Overdrive mode allows frame rates up to 660 fps at a dynamic range of 11 stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor Overdrive\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new Sensor Overdrive mode unlocks higher maximum frame rates by reducing sensor read-out times. It is designed for situations where extreme slow-motion is required, prioritizing frame rate by making trade-offs with other image parameters: the camera\u0026#39;s dynamic range decreases by six stops in the highlights and its base sensitivity increases to EI 1600. Sensor Overdrive mode requires careful consideration of exposure settings and should only be used in controlled lighting environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;\u003cstrong\u003eALEXA 35\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;ALEXA 35 Xtreme\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; ALEXA 35 Xtreme + Sensor Overdrive \u0026nbsp;\u003c\/strong\u003e\u003cbr \/\u003e\r\n\u003cstrong\u003e4.6K Open Gate\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;75 fps\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; 120 fps\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;165 fps\u003cbr \/\u003e\r\n3.8K 16:9\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;120 fps\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;150 fps\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;240 fps\u003cbr \/\u003e\r\n3.8K 2.39:1\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;240 fps\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;240 fps\u003cbr \/\u003e\r\n2K 16:9 S16\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;120 fps\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;330 fps\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;660 fps\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eARRICORE\u003c\/strong\u003e\u003cbr \/\u003e\r\nComplementing ALEXA 35 Xtreme and included with both the Base and Premium models is ARRICORE, ARRI\u0026#39;s next-generation RGB codec. Designed to deliver the camera\u0026#39;s exceptional image quality at a more accessible cost by reducing data rates, ARRICORE also provides flexibility in post, since sensitivity, white balance, and tint are not baked in.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSwitching to ARRICORE is easy because on-set and post workflows remain consistent with existing ALEXA 35 codecs and drives. THE ALF4 ARRI Look File, ARRI Textures, metadata, audio, and the MXF wrapper will all behave in a familiar way. ARRICORE is launching in beta to actively engage users and drive rapid enhancement of its capabilities through direct feedback. Most third-party tools that already support the current ALEXA 35 codecs will also support ARRICORE.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePowerful new hardware\u003c\/strong\u003e\u003cbr \/\u003e\r\nALEXA 35 Xtreme looks the same as ALEXA 35 on the outside, but inside there are some comprehensive hardware upgrades. A powerful new main processing board enables faster data processing and quicker access to the increased on-chip memory, while the redesigned cooling system ensures stable performance, even during continuous high-load operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e5x longer pre-recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nPre-recording times are five times longer, reaching up to five minutes, depending on the recording format. Tihs simplifies high-speed capture for everyone and is essential for documentary filmmakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e10% lower power consumption\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs a result of its hardware and processing upgrades, the ALEXA 35 Xtreme consumes 10% less power than the ALEXA 35. Whether you\u0026#39;re on location or in the studio, this improvement means more efficiency, less heat, and extended battery life - without compromising performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImproved WiFi\u003c\/strong\u003e\u003cbr \/\u003e\r\nBetter wireless connectivity to accessories and tools like the ARRI Camera Companion App through compatibility with the WiFi 5GHz band, WiFi roaming, and auto-reconnect to previously known networks.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEvolving technology, unchanging excellence\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhile the Xtreme upgrade significantly expands the capabilities of the ALEXA 35 camera system, its core strengths remain unchanged: industry-leading image quality from the 4.6K Super 35 sensor, robust build, intuitive workflows, and trusted reliability. ALEXA 35 electronic and mechanical accessories, CODEX Compact Drive media, and the Live Production System LPS-1 all remain compatible with ALEXA 35 Xtreme.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eALEXA 35 Xtreme Premium Production Set (19mm) Includes:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eKK.0055023 1x ALEXA 35 Xtreme with Premium License\u003c\/li\u003e\r\n\t\u003cli\u003eK2.0034180\u0026nbsp; 1x Balance Utility Dovetail BUD-1\u003c\/li\u003e\r\n\t\u003cli\u003eK2.0023751\u0026nbsp; 1x B-Mount Battery Adapter\u003c\/li\u003e\r\n\t\u003cli\u003eK2.0018983\u0026nbsp; 1x ARRI LPL Lens Mount (LBUS)\u003c\/li\u003e\r\n\t\u003cli\u003eK2.0016936\u0026nbsp; 1x ARRI PL-to-LPL Adapter\u003c\/li\u003e\r\n\t\u003cli\u003eK2.0020916\u0026nbsp; 1x Multi Viewfinder MVF-2\u003c\/li\u003e\r\n\t\u003cli\u003eK2.0042857\u0026nbsp; 2x Cable VF Right Angle (0.5m)\u003c\/li\u003e\r\n\t\u003cli\u003eK2.75007.0\u0026nbsp; \u0026nbsp;1x Power Cable Straight KC-50 2m\u003c\/li\u003e\r\n\t\u003cli\u003eK2.0024101\u0026nbsp; 1x Power Distribution Module PDM-1\u003c\/li\u003e\r\n\t\u003cli\u003eKK.0041533\u0026nbsp; 1x Production Support Set - Top\u003c\/li\u003e\r\n\t\u003cli\u003eKK.0041534\u0026nbsp; 1x Production Support Set - Side\u003c\/li\u003e\r\n\t\u003cli\u003eKK.0041535\u0026nbsp; 1x Production Support Set - Bottom (19mm)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"ARRI","offers":[{"title":"Default Title","offer_id":53586567692625,"sku":"K0.0055012","price":94440.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/37gDeHQIybVaxzUQwmLOAvPGiH6kFKgJ.jpg?v=1776786783","url":"https:\/\/dynaphos.com\/en\/products\/arri-alexa-35-xtreme-premium-production-kompliekt-19mm-studio","provider":"Dynaphos","version":"1.0","type":"link"}