44.73 EUR excl VAT

Rycote InVision USM-L for microphones weighing up to 400 grammes or less (will hold up to 750 grammes in a vertical position) & between 18mm and 55mm in diameter.
Universal microphone shock-mount ideal for microphones weighing 400 grammes or less (will hold up to 750 grammes in a vertical position) & between 18mm and 55mm in diameter.
Main Benefits:
- Fits any large-diaphragm recording microphone with a diameter between 18 and 55mm
- Complete Pop Filter and Suspension System
- USM offers up to 12dB better isolation against unwanted vibrations
- Pop Filter provides up to 20dB pops and thumps attenuation, with no HF loss
For several years, Rycote InVision mounts have been available for narrow-barrelled shotgun and stick microphones in broadcast and videography applications, but not until 2010, and the release of the striking Universal Studio Mount (USM) was there an InVision shock-mount capable of accommodating large-diaphragm recording microphones for use in recording studios.
Like the other InVision mounts, the USM-L makes use of Rycote's patented vibration-resistant Lyre mount, but on this mount the W-shaped Lyres are placed around a central mounting ring with adjustable fasteners, allowing the USM to accommodate microphone between 18 and 55 mm in diameter, and up to 400 grammes in weight.
The Rycote USM updates the concept of the microphone suspension for the 21st century, completely omitting any elasticated parts and using modern materials to create a virtually indestructible shock-mount with a performance that far outstrips that of the humble 'cat's cradle' suspension. In controlled tests at the Rycote factory, the USM provided up to twice the isolation of traditional microphone suspension systems.
Suitable for Large Diaphragm recording microphones
Mic diameters: 18-55 mm
Microphone length: up to 300 mm
Maximum Weight (vertical): 750 g (26.5 oz)
Maximum weight (horizontal): 250 g (17.6 oz)
Suspension Rotation (maximum): 175%
Product Height: 70mm
Product Length: 170mm
Product Width: 120mm
Net Weight: 0.16
ADK A-51 | The A-51 condenser microphone is designed for use in studios, concert halls, and broadcast applications. It has wide frequency respon... | For vertical use only |
ADK A-51TC | The A-51TC features a large 1' diameter capsule. It is a single pattern (cardioid) tube microphone. The circuit design utilizes a sp... | For vertical use only |
ADK Area 51 | A dual diaphragm top-of-the-line tube microphone. It is similar in electronic design to the A-51TC but nine switched polar patterns a... | For vertical use only |
ADK Hamburg | A large diaphragm fixed cardioid microphone related to the Vienna but with a 1' 6 micron capsule. The diaphragm is centre-connected a... | For vertical use only |
ADK Vienna | The ADK Vienna Edition is intended as pop/rock vocal microphone that can handle a wide variety of high SPL situations. It is a fixed ... | For vertical use only |
AKG C 1000 S | A gradient pre-polarised condenser which uses a polar pattern converter (PPC 100) and a presence boost adapter (PB 1000). It is ideal... | For angled and vertical use |
AKG C 214 | A lower cost version of the C414 using a large diaphragm (1') back electret capsule. It is single-sided and fixed cardioid pattern. ... | For vertical use only |
AKG C 28 | A classic axial condenser design dating from the 1950s. The preamplifier can be fitted with a CK28A cardioid or less usually a CK26A ... | For vertical use only |
AKG C 414 B-TL II | This is a remarkable microphone that exceeds all requirements for digital recording, yet one that also captures the warmth, smoothnes... | For angled and vertical use |
AKG C 414 B-ULS | The C 414B-ULS has a well-deserved reputation for flawless performance and uncommon flexibility in the most demanding studio and conc... | For vertical use only |
AKG C 414 B-Xlii | The C 414B-XLii is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock ... | For vertical use only |
AKG C 414 B-XLS | The C 414B-XLS is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock m... | For angled and vertical use |
AKG C 426 B | This externally polarised, switchable condenser is a linear descendent of AKG's original C 24 stereo microphone. The upper hea... |
For vertical use only |
AKG C 522 ENG | A version of the C522 design with mechanically adjustable cardioid capsules in an XY configuration. The mutual angle can be adjusted ... | For angled and vertical use |
AKG C 522 MS | A single-point MS microphone for handheld and stand use, particularly as a reporter's microphone. The pick up uses two capsules in MS... | For angled and vertical use |
AKG D 202 | A classic and easily identifiable design that uses twin dynamic capsules to sense high and low frequency audio. A cross-over network ... | For angled and vertical use |
AKG D 224 | A dual capsule dynamic microphone building on the principles of the earlier D202. The use of a separate LF capsule (mounted in the to... | For angled and vertical use |
AKG Perception 100 | The Perception 100 is a rugged metal-bodied studio microphone. The large diaphragm capsule is a 25mm true condenser type and has a on... | For vertical use only |
AKG Perception 200 | A large diaphragm studio microphone essentially identical to the Perception 100 but with a switchable bass cut and pad. | For vertical use only |
Audio-Technica AE 2500-c | A revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic... | For angled and vertical use |
Audio-Technica AE 2500-d | A revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic... | For angled and vertical use |
Audio-Technica AE 3000 | A high SPL instrument microphone with a low-profile side-address design and tapered grille for optimal positioning. The large diaphra... | For angled and vertical use |
Audio-Technica AT 2020 | An economically priced side-address studio microphone. It has wide dynamic range and high SPL handling and thus requires no pad or ga... | For angled and vertical use |
Audio-Technica AT 2035 | A 'budget-friendly' studio microphone with a large diaphragm and a fixed cardioid pattern. The design uses a fixed-charge bakplate l... | For vertical use only |
Audio-Technica AT 2050 | A 'budget friendly' studio microphone with a variable pattern. The large gold-vaporised dual diaphragm design can be switched to omni... | For vertical use only |
Audio-Technica AT 3035 | A condenser microphone with a large diaphragm (26 mm) for exceptional detail and low noise. It has high max SPL, wide dynamic range a... | |
Audio-Technica AT 3060 | A large-diaphragm tube design that does not need a dedicated power supply - it operates from 48V phantom power. The cardioid back-ele... | For vertical use only |
Audio-Technica AT 3525 | The AT3525 offers outstanding performance and versatility, a flat frequency response, and high SPL handling capability. It features a... | For angled and vertical use |
Audio-Technica AT 4033a/CL | The AT4033a/Cl is recommended for professional recording and critical applications in broadcast and live sound. Its symmetrical, tran... | For angled and vertical use |
Audio-Technica AT 4040 | An externally-polarized (DC bias) true condenser design for professional recording and critical applications in broadcast and live so... | For angled and vertical use |
Audio-Technica AT 4047/SV | Designed for professional recording and critical applications in broadcast and live sound, the AT4047/SV has a transformer-coupled ou... | For vertical use only |
Audio-Technica AT 4060 | This microphone combines a vintage tube sound with the versatile performance necessary for the most demanding studio applications. It... | For vertical use only |
Audio-Technica ATM 250 | A single capsule kick drum microphone using a dynamic element and capable of handling very high SPLs. The capsule uses a neodymium ma... | For angled and vertical use |
Audio-Technica ATM 250DE-c | A kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s... | For angled and vertical use |
Audio-Technica ATM 250DE-d | A kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s... | For angled and vertical use |
Audix CX-111 | A true condenser microphone of classic design. The capsule is a 25mm gold-sputtered single diaphragm type. The housing is machined br... | For vertical use only |
Audix CX-112 | A large (1.07') diaphragm studio microphone using an edge-terminated capsule. It has very low noise circuitry and a fixed cardioid pa... | For vertical use only |
Audix CX-212 | A large diaphragm studio microphone with a 25mm capsule. The polar pattern is multi-pattern. | For vertical use only |
Audix D-6 | A cardioid dynamic microphone for kick drum applications utilizing VLM technology. | For angled and vertical use |
Behringer B2 | A dual diaphragm design with a 1' capsule which can be selected to either an omni or a cardioid pattern. It uses a transformerless ou... | For vertical use only |
Behringer C1 | A large diaphragm studio microphone with a flat response and ultra low-noise transformerless FET electronics. | For vertical use only |
Berliner Microphones USA U7 | A large-diaphragm studio microphone with a fixed polar pattern. The capsule is a centre contact type with a 6-micron gold-evaporated ... | For vertical use only |
BeyerDynamic M 99 | Very large capsule microphone for low frequency instruments such as kick-drum, double bass and tenor saxophone. Also recommended as a... | For vertical use only |
BeyerDynamic MC 740 | Large, gold vaporised diaphragm, true condenser microphone with switchable polar patterns for precise audio recordings. | For angled and vertical use |
BeyerDynamic MC 742 | This microphone has been withdrawn. | For vertical use only |
BeyerDynamic MC 834 | A popular large diaphragm recording microphone with a three-position low frequency roll-off and two-position attenuator. | For angled and vertical use |
BeyerDynamic MC 840 | A compact large-diaphragm studio microphone with a variable polar pattern. It has gold vapour-coated double diaphragms and is based o... | For angled and vertical use |
BeyerDynamic MCD 100 | Digital condenser microphone with integral processor for direct-to-digital recording systems. The conversion has 22 bit resolution gi... | For angled and vertical use |
BeyerDynamic MCD 101 | Digital condenser microphone with integral processor for direct-to-digital recording systems. It is an omnidirectional version of the... | For angled and vertical use |
BeyerDynamic MCE 90 | Large condenser microphone for project studio and general purpose recording. Exceptional dynamic range. | For angled and vertical use |
Blue Baby Bottle | Following in the footsteps of our acclaimed tube Bottle mic system, the Baby Bottle is truly a chip off the old block. Each and every... | For angled and vertical use |
Bock Audio Bock 151 | The Bock 151 is a lower-priced version of the 251 microphone with a fixed cardioid pattern. A 'brite/normal' switch is added to allow... | For vertical use only |
Bock Audio Bock 195 | A fixed pattern studio microphone with a large (25mm) diaphragm capsule - dual symmetrical backplate (K67 style). The electronics are... | For vertical use only |
Bock Audio Bock 251 | A large diaphragm studio microphone that emulates a vintage '251'. The design uses a hand-wound multi-section transformer. This is ov... | For vertical use only |
CAD Professional Microphones GXL 2200 | The GXL2200 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this micropho... | For angled and vertical use |
CAD Professional Microphones GXL 2400 | The GXL2400 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this micropho... | For angled and vertical use |
CAD Professional Microphones GXL3000 | A large diaphragm multi-pattern studio microphone. The capsule is 1' gold vapour deposited. | For vertical use only |
CAD Professional Microphones M177 | Using the latest computer modelling tools has resulted in a microphone that features the best of old world and new world technology a... | For vertical use only |
Canford Audio CSM41 | This studio-grade, large diaphragm condenser features a 25mm gold sputtered diaphragm, balanced transformer output, and a machined br... | For vertical use only |
Electrovoice RE27N/D | A dynamic cardioid optimised for broadcast voice purposes. It has high sensitivity and an undistorted output at high SPL together wit... | For vertical use only |
Manley Laboratories CR-2001 | The LANGEVIN CR-2001 is Manley's entry model cardioid capacitor microphone, very handy for recording just about anything. The capsule... | For vertical use only |
Manley Laboratories Langevin CR-3A | The Langevin CR-3A is a cardioid capacitor microphone suitable for all-purpose use in recording of music, vocals, and speech. Powered... | For vertical use only |
Marshall Electronics MXL 1006 | The MXL 1006 has a cardioid polar pattern and solid-state preamp circuitry. It uses a balanced transistor output for maximum frequenc... | For vertical use only |
Marshall Electronics MXL 2001 | This condenser mic has a large (1') gold-sputtered diaphragm, with FET preamp and balanced transformer output. It comes in a heavy du... | For vertical use only |
Marshall Electronics MXL 2003 | Large (1.06') gold-sputtered diaphragm studio microphone, with balanced transformerless output and three-position switch for bass rol... | For vertical use only |
Marshall Electronics MXL 2006 | A large diaphragm studio condenser microphone with Class A FET electronics and a transformerless output. The capsule is a 25mm type.<... | For vertical use only |
Marshall Electronics MXL 909 | A 1' large diaphragm studio microphone with FET electronics. | For vertical use only |
Marshall Electronics MXL DRK | A self-powered studio microphone for connection to PCs. The DRK-mac has an MXL Mic Boost interface. | For vertical use only |
Marshall Electronics MXL M3 | The M3 is a large diaphragm studio microphone. The 25mm diaphragm is 6 micron gold-sputtered and the electronics are all-FET with a t... | For vertical use only |
Marshall Electronics MXL V6 | A side-address studio microphone. The 'Silicon valve' design uses a FET electronics to emulate a valve-sound. The capsule is a 25mm 6... | For vertical use only |
Marshall Electronics MXL V67 | Large (1') gold-sputtered diaphragm condenser, with FET preamp and balanced transformer output. Comes in a vintage design heavy-duty... | For vertical use only |
Marshall Electronics MXL V67i | A version of the V67(G) large diaphragm studio microphone. This version has two switch selectable diaphragms with different character... | For vertical use only |
Marshall Electronics MXL V69 | The MXL V69 is a classic large diaphragm Tube Microphone. Its classic sound enhances vocal and instrument performances. The extremely... | For vertical use only |
Marshall Electronics MXL V76t | A large diaphragm studio microphone at an economical price. The capsule is a 25mm single diaphragm design. | For vertical use only |
Marshall Electronics MXL V77 | Large (1') gold-sputtered diaphragm coupled to a 6072 vacuum tube, known for its low inherent noise and broad dynamic range. Comes in... | For vertical use only |
Marshall Electronics MXL V88 | A studio microphone with a large diaphragm capsule but a relatively short body. The capsule is a 32mm 6 micron gold sputtered type. T... | For vertical use only |
M-Audio Luna | A single pattern cardioid condenser with a lollipop-style all-brass capsule. The diaphragm is 1.1' and gold evaporated. A tight toler... | For vertical use only |
M-Audio Nova | An affordable large capsule cardioid condenser microphone. The 1.1' diaphragm is gold-evaporated and the capsule is machined brass. T... | For vertical use only |
M-Audio Solaris | Similar in style and construction to the Luna it is a triple pattern lollipop-style condenser microphone. It uses a dual-diaphragm 1.... | For vertical use only |
M-Audio Sputnik | A large-diaphragm studio microphone using vacuum tube electronics and a transformer output. The capsule is a dual diaphragm type to a... | For vertical use only |
Microtech Gefell M 930 | The M 930 studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit tec... | For angled and vertical use |
Microtech Gefell M 940 | A supercardioid version of the M 930 microphone. | For angled and vertical use |
Microtech Gefell M 990 | The M 990 microphone combines a modern large diaphragm pick-up capsule with the warm, full sound quality of a vacuum tube amplifier, ... | For angled and vertical use |
Microtech Gefell UM 92.1 S | The UM 92.1 S studio microphone features Georg Neumann's legendary M 7 capsule. This pressure gradient transducer uses two large diam... | For vertical use only |
Milab DC-196 | A small format (narrow) studio microphone with a large rectangular capsule that is internally shock-mounted. Effective pop protection... | For angled and vertical use |
Milab DC-96B | The DC-96B's rectangular large dual membrane capsule gives a full bodied, exceptionally clean sound with natural brightness. A superb... | For angled and vertical use |
Milab DM1001 | Digital microphone with 24-bit/48kHz Sigma-Delta ADC, AES/EBU digital output, and computer controlled filters and polar patterns (fre... | For vertical use only |
Milab EMBLA | Embla (Eve in Scandinavian mythology) is built to produce a sound as close to the natural original as possible. It has variable, swit... | For angled and vertical use |
Milab VIP-50 | One of the most sophisticated vocal recording microphones ever made, this transformerless model offers variable patterns, 200/500Hz h... | For angled and vertical use |
Mojave Audio MA 200 | A large diaphragm (1') studio microphone with a tube (valve) electronics. The capsule is a hand-selected 3 micron type and a JAN5840 ... | For vertical use only |
Mojave Audio MA-201 fet | A large diaphragm studio microphone using FET electronics and a (Jensen) transformer output. The capsule is a 25mm design with a 3 mi... | For vertical use only |
Nady SCM 1000 | True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s... | For vertical use only |
Nady SCM 800 | A large diaphragm studio condenser microphone with FET electronics. | For angled and vertical use |
Nady SCM 900 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | For vertical use only |
Nady SCM 910 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | For vertical use only |
Nady SCM 920 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | For vertical use only |
Nady SCM 950 | The SCM 950 is a large, pressure-gradient condenser with a gold-sputtered diaphragm and FET preamplifier. It has a transformerless ou... | For angled and vertical use |
Nady SCM 960 | A large diaphragm (25mm) studio microphone with both omni and cardioid polar patterns. The output is transformerless and the impedanc... | |
Nady SCM 980 | True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s... | For vertical use only |
Nady TCM 1050 | The TCM1050 has a classic vintage look and the performance of a legendary vacuum tube microphone at low cost. It has 1' 3 micron diap... | For vertical use only |
Nady TCM 1100 | A large diaphragm tube microphone with a vintage style. It uses a 1.1' 3 micron diaphragm and the classic 12AT7 vacuum tube together ... | For vertical use only |
Neumann SM 69 fet | The SM 69 fet stereo microphone has two separate dual-diaphragm capsules. These are mounted vertically and rotate against each other.... | For vertical use only |
Neumann TLM 102 | The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum s... | For angled and vertical use |
Neumann TLM 103 | The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in s... | For vertical use only |
Neumann TLM 103D | A digital version of the TLM 103. The design incorporates a solution-D converter and supports all standard sampling frequencies from ... | For vertical use only |
Neumann TLM 170 | The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage ... | For vertical use only |
Neumann TLM 193 | The TLM 193 is a large diaphragm microphone that continues Neumann's long tradition as well as offering high-end technology at an aff... | For vertical use only |
Neumann TLM 50 | A studio microphone based on the legendary M50. The capsule is flush mounted into the surface of a sphere, and this unique design giv... | For vertical use only |
Neumann TLM 67 | A studio microphone using the same K67 dual diaphragm capsule as the 1960's U67 studio workhorse. It is a classic large diaphragm des... | For vertical use only |
Neumann U 67 | For more information on this specific microphone, go to Neumanns website at http://neumannusa.com. | For vertical use only |
Neumann U 89 I | A studio microphone for universal applications, the head-grille protects a dual diaphragm capsule, and a rotary switch selects from f... | For vertical use only |
Oktava MC 101 | A cardioid condenser microphone with a response that actually extends well beyond 20kHz. | For angled and vertical use |
Oktava MC 219 | The hugely popular Oktava MC219 is a fixed pattern cardioid microphone featuring a large diaphragm capsule teamed with low noise disc... | For vertical use only |
Oktava MC 220 | The MC 220 is a multidirectional microphone for recording and broadcast use. | For vertical use only |
Oktava MCL-319 | A single-pattern tube (valve) large-diaphragm studio condenser microphone. | For vertical use only |
Oktava MKL4000 | The MKL4000 is a tube (valve) cardioid microphone for recording and broadcast use. | For vertical use only |
Pearl CC 22 | The CC 22 uses the classic Pearl large rectangular dual membrane capsule. Its overall frequency response is from 20Hz to 25kHz. The s... | For angled and vertical use |
Pearl CC 22H | The CC22H uses the classic Pearl large rectangular dual membrane capsule, which has a unique design providing exceptionally flat fre... | For angled and vertical use |
Pearl CT40 | A rectangular capsule microphone that is almost identical to the DT40 but has a fixed cardioid pattern. | For vertical use only |
Pearl DS 60 | This microphone offers stereo recording in different modes. The microphone contains two (18Hz to 25kHz) rectangular dual membrane cap... | For vertical use only |
Pearl DT 40 | A variable pattern tube (valve) microphone with a rectangular capsule. The tube is a Nuvistor and the output uses an amorphous cored... | For vertical use only |
Pearl ELM-B | A large diaphragm capacitor microphone using an unusual 'linear' rectangular capsule with a 7:1 length/width ratio. This technique re... | For angled and vertical use |
Pearl ELM-C | A large diaphragm capacitor microphone using an unusual 'linear' rectangular capsule with a 7:1 length/width ratio. This technique re... | For angled and vertical use |
Pearl PML-CT40 | The PML-CT40 is a rectangular capsule microphone with a dual diaphragm. It has a fixed cardioid pattern. The electronics use a Nuvist... | For vertical use only |
Pearl PML-DT40 | The PML-DT40 is a rectangular capsule microphone with a dual diaphragm. It has five polar patterns, switchable at the PSU. The electr... | For vertical use only |
Pearl TL 4 | This microphone uses the classic Pearl capsule with rectangular dual membranes mounted back to back. The frequency range is 20Hz to 2... | For angled and vertical use |
Peluso 22 251 | A studio microphone styled on a vintage '251'. The large diaphragm capsule has dual diaphragms and nine polar patterns switched at th... | For vertical use only |
Peluso P Stereo | A stereo design for studio use which emulates an SM-69. It can be run from its own supply or P48 phantom (with a slightly reduced max... | For vertical use only |
Peluso P12 | A studio microphone inspired by the AKG C12. The dual diaphragm capsule is a 34mm edge-terminated type. The polar patterns is switcha... | For vertical use only |
Peluso P28 | A smaller diaphragm studio microphone along the lines of the AKG C28. The capsule is an 18mm edge-terminated type. An omni capsule ca... | For angled and vertical use |
Peluso R14 | A ribbon microphone for studio use. The magnet assembly is Neodymium to give high output. | For vertical use only |
Peluso SR14 | A stereo version of the R14. | For vertical use only |
Peluso TR14 | A version of the R14 but using a tube impedance converter to give a buffered output comparable to capacitor microphones. | For vertical use only |
Peluso VTB | A large diaphragm studio microphone with a 'bottle' shape. The variable pattern (9 possible) can be disabled to give a fixed (single ... | For vertical use only |
RODE Broadcaster | A fixed cardioid pattern microphone with a 1' transducer. It uses a JFET impedance converter with bipolar output buffer. The response... | For vertical use only |
RODE M3 | A studio or location microphone which can be powered from 9V battery or phantom power (P24 to P48). It is an end-fire design. There i... | For angled and vertical use |
RODE NT1 | A large capsule (25mm) condenser microphone with a JFET impedance converter and bipolar output buffer. The diaphragm is gold-sputtere... | For angled and vertical use |
RODE NT1000 | An externally polarised 1' pressure gradient condenser for studio use. It uses a closed-loop unity-gain impedance converter with JFET... | For vertical use only |
RODE NT2 | A multi-pattern large diaphragm condenser microphone with JFET impedance converter and bipolar output buffer. The dual gold-sputtered... | For vertical use only |
RODE NT3 | A slim and very stylish design with JFET impedance converter and bipolar output buffer. It uses an externally polarised 19mm capsule ... | For vertical use only |
Royer SF12 | The Royer SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and im... | |
Samson CL7 | A large diaphragm studio microphone. The capsule is a 1.1' 3 micron gold-sputtered type and the electronics are FET. Phantom operatio... | For vertical use only |
Sanken CU-44X | Output transformerless, unidirectional double condenser microphone specially designed for digital audio recording. The CU-44X ... |
For angled and vertical use |
SE Electronics R1 | A studio microphone with a large ribbon transducer. The ribbon is 1.8micron aluminium, 45mm long x 4.5mm wide. The magnet assembly is... | For vertical use only |
Shure KSM44 | The KSM44 is a multi-pattern large-diaphragm studio condenser microphone. It uses dual ultra-thin Mylar diaphragms and has a Class A ... | For vertical use only |
Soundelux E250 | The E250 takes many of the qualities of the Elux 251 and fits them into a microphone that is specifically designed for close use (<... | For vertical use only |
Soundelux E251C | A cardioid-only version of the Elux251. The response can be switched between 'brite' and 'normal'. The output transformer has been se... | For vertical use only |
Soundelux ELUX 251 | A multi-pattern tube condenser microphone. | For vertical use only |
Soundelux R-1 | A high quality large diaphragm FET condenser microphone with a transformerless output. Designed with broadcast speech in mind but equ... | For vertical use only |
Soundelux U195 | A cardioid FET microphone with extended bass response that can be both boosted and cut from 400Hz down to 10Hz. The capsule is a k67 ... | For vertical use only |
Soundelux U97 | A transformerless FET condenser microphone offering multi-pattern operation. | For vertical use only |
Soundelux U99 | The U99 is a large diaphragm multipattern tube microphone featuring continuously variable pattern selection at the power supply. The... | For vertical use only |
Soundfield ST 350 | A portable Soundfield-style microphone for coincident stereo and surround recording. It is intended for location use and is physicall... | For angled and vertical use |
Soundking SKEA006 | A large-diaphragm (1') multi-pattern studio microphone. There are 9 switchable polar responses. | For vertical use only |
Soundking SKEA008 | A tube (valve) studio microphone with a dual-diaphragm 1' capsule. It has nine switchable polar patterns. | For vertical use only |
Soundking SKEB001 | A three pattern FET preamplifier microphone for studio use. | For vertical use only |
Soundking SKEB004 | A single diaphragm FET microphone. | For vertical use only |
Superlux CM-H8A | A side address cardioid with a 1' capsule. The diaphragm is a 3 micron gold evaporated design, and the electronics are FET with a tra... | For vertical use only |
Superlux CM-H8B | A 1' capsule fixed pattern condenser microphone. It is ideal for studio recording, broadcast and live sound applications. The preampl... | For vertical use only |
Superlux CM-H8C | A dual 1' capsule microphone with selectable polar patterns. It can handle high sound pressure levels and has low noise. The micropho... | For vertical use only |
Superlux ECO-H6A | In inexpensive studio microphone using a back electret capsule. | For angled and vertical use |
Warranty | 24 months |
Package size: 19 x 16 x 16 cm
Package weight: 0.31 kg