{"title":"Video lenses for Canon RF","description":"","products":[{"product_id":"obiektiv-samyang-24mm-t1-5-vdslr-mk2-za-canon-rf","title":"Samyang 24mm T1.5 VDSLR MK2 Canon RF","description":"\u003cp\u003eSamyang is introducing a new VDSLR MK2 lineup, enhanced with weather sealing, focal lengths written on both sides, sleek design and 9 aperture blades. Inheriting the Samyang\u0026#39;s incredible cinematic video quality, this pioneering cine lens series will continuosly help independent filmmakers and low-budget project directors to broaden their horizons of creativity as their first cine lens set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eYour First Cine Lens Set\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VDSLR MK2 set comprises 4 of the most-used focal lengths: 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the new models now have weather sealing, 9 aperture blades and their focal lengths are visible on both sides for more professional use. The range is highly versatile, available in 7 camera mounts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures across all 4 models, supporting filmmakers and allowing them to concentrate more on the scene and creativity, without having to concern themselves about image quality, even in low-light situations. Also, the shallow depth of field available blurs out the background and highlights the subject, adding depth to the story.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new VDSLR MK2 series has been updated with 9 aperture blades and is able to deliver the latest image trends. The smooth and circular bokeh adds a three dimensional quality and pleasing out-of-focus effect. 18-ray starburst highlights can also be created by stopping down to small apertures.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":53585014260049,"sku":"F1310813101","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/99LMjKzCKQrwNDyFLWXDDW2IVjofifwF.jpg?v=1776796869"},{"product_id":"obiektiv-samyang-35mm-t1-5-vdslr-mk2-za-canon-rf","title":"Samyang 35mm T1.5 VDSLR MK2 Canon RF","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSamyang Optics announces the launch of the VDSLR MK2 series, a modernized line of film lenses for beginners with new features. The MK2 set consists of the four most commonly used focal lengths: 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the acclaimed image quality and the fast transitions between the T-stop values ​​that characterize the VDSLR series, the new models feature a weatherproof seal, a 9-blade diaphragm, and their focal lengths are visible from both sides, which is useful for professional applications. The lenses available in the series are very versatile and available with seven different mounts (including Sony FE and Canon RF), and also cover the entire sensor field. Another model: VDSLR 14mm T3.1 MK2 will be available in Q1 2021.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eYour first set of film lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nSamyang paved the way for others in the field of beginner film lenses when it launched its VDSLR series in 2014. Thanks to the incredible image quality achieved with Samyang lenses, this groundbreaking series has allowed independent filmmakers and low-budget film directors to broaden their creativity horizons with the purchase of their first set of cine lenses. During these six years, Samyang has gained experience in the market and now introduces the modernized VDSLR MK2 series with new useful functions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe most popular focal lengths available with seven different mounts\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor now, the new VDSLR MK2 series will have four focal lengths: 24mm, 35mm, 50mm and 85mm. The 14mm T3.1 lens will be ready in the first quarter of 2021. In this series you will find the lenses that are essential for any creative or commercial project. All 4 lenses are available and fully compatible with seven camera mounts: Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X and MFT . Suitable for both DSLR and mirrorless systems. They will prove themselves in all film projects around the world.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe wide range of rotation of the focus ring and smooth aperture operation The\u003c\/strong\u003e\u003cbr \/\u003e\r\ncompact dimensions of the Samyang VDSLR lens make this equipment ideal for handheld or gimbal filming. The 50mm VDSLR T1.5 MK2 lens is only 7.47cm long and weighs only 525.8g, but has all the essential features, including a continuously adjustable aperture (de-click system) and a focus ring. The large rotation range of the focus ring (over 130 \u0026deg;) allows operators to precisely focus on the exact subject, giving shots a more professional look than autofocus lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePossibility of using a full-frame sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nDespite their compact size, VDSLR MK2 lenses allow full coverage of the full-frame sensor (36x24 mm) and are suitable for recording high-quality video materials. The new series of lenses inherit the outstanding image quality from its predecessor: aspherical elements are used in all four lenses to reduce spherical and optical aberration, so that the resulting images are free of defects and are clear. The 50mm model also uses a hybrid aspherical element to keep the lens\u0026#39;s compact dimensions without compromising performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-speed T1.5 lens for low light conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nA versatile lens that saves time and money for independent filmmakers. All four Samyang VDSLR MK2 lenses feature a fast-acting T1.5 aperture to let in a large amount of light, making it easier for operators to concentrate more on stage and creativity without having to worry about image quality even in poor lighting conditions. In addition, the availability of a shallow depth of field allows you to blur the background and draw attention to the subject, making it easier to tell a story.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExceptional bokeh and stars The\u003c\/strong\u003e\u003cbr \/\u003e\r\nlenses on the new VDSLR MK2 series have been upgraded with a 9-blade aperture for the most fashionable effects. The smooth and circular bokeh effect makes the image appear three-dimensional and creates an attractive blur effect. By using small apertures, you can also achieve a star-shaped light source with 18 rays.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProtection against weather conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn response to the requests of many users, the MK2 series is equipped with a weatherproof gasket. It protects the most vulnerable gap between the lens and the mount on the camera from dust, rain and snow. With these lenses you can capture stunning landscapes in imperfect conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eModified design with scale on the side\u003c\/strong\u003e\u003cbr \/\u003e\r\nSamyang\u0026#39;s VDSLR MK2 models are distinguished by an elegant and completely new design. The black matte finish is practical and looks professional on set. The lenses are light but solid and will be perfect for numerous projects. The distance scale can be read from both sides as well as the focal length. These functions make the work of shooters and camera assistants more intuitive.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":53585014849873,"sku":"F1311013101","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/t9FPGBmSfdBxLrPiCgnGvdYB3QF8Bhxu.jpg?v=1776796892"},{"product_id":"obiektiv-samyang-50mm-t1-5-vdslr-mk2-za-canon-rf","title":"Samyang 50mm T1.5 VDSLR MK2 for Canon RF","description":"\u003cp\u003eSamyang is introducing a new VDSLR MK2 lineup, enhanced with weather sealing, focal lengths written on both sides, sleek design and 9 aperture blades. Inheriting the Samyang\u0026#39;s incredible cinematic video quality, this pioneering cine lens series will continuosly help independent filmmakers and low-budget project directors to broaden their horizons of creativity as their first cine lens set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eYour First Cine Lens Set\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VDSLR MK2 set comprises 4 of the most-used focal lengths: 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the new models now have weather sealing, 9 aperture blades and their focal lengths are visible on both sides for more professional use. The range is highly versatile, available in 7 camera mounts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures across all 4 models, supporting filmmakers and allowing them to concentrate more on the scene and creativity, without having to concern themselves about image quality, even in low-light situations. Also, the shallow depth of field available blurs out the background and highlights the subject, adding depth to the story.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new VDSLR MK2 series has been updated with 9 aperture blades and is able to deliver the latest image trends. The smooth and circular bokeh adds a three dimensional quality and pleasing out-of-focus effect. 18-ray starburst highlights can also be created by stopping down to small apertures.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":53585018093905,"sku":"F1311113101","price":638.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/WRWZiWrOmpTXLwrNJfB3PJ8TpjkVMibb.jpg?v=1776796903"},{"product_id":"obiektiv-samyang-85mm-t1-5-vdslr-mk2-za-canon-rf","title":"Samyang 85mm T1.5 VDSLR MK2 for Canon RF","description":"\u003cp\u003eSamyang is introducing a new VDSLR MK2 lineup, enhanced with weather sealing, focal lengths written on both sides, sleek design and 9 aperture blades. Inheriting the Samyang\u0026#39;s incredible cinematic video quality, this pioneering cine lens series will continuosly help independent filmmakers and low-budget project directors to broaden their horizons of creativity as their first cine lens set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eYour First Cine Lens Set\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VDSLR MK2 set comprises 4 of the most-used focal lengths: 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the new models now have weather sealing, 9 aperture blades and their focal lengths are visible on both sides for more professional use. The range is highly versatile, available in 7 camera mounts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures across all 4 models, supporting filmmakers and allowing them to concentrate more on the scene and creativity, without having to concern themselves about image quality, even in low-light situations. Also, the shallow depth of field available blurs out the background and highlights the subject, adding depth to the story.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new VDSLR MK2 series has been updated with 9 aperture blades and is able to deliver the latest image trends. The smooth and circular bokeh adds a three dimensional quality and pleasing out-of-focus effect. 18-ray starburst highlights can also be created by stopping down to small apertures.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":53585018421585,"sku":"F1311213101","price":464.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/dHHsMIv3zQpEj8L7iFzXtAeI5WxL8jik.jpg?v=1776796931"},{"product_id":"obiektiv-samyang-14mm-t3-1-vdslr-mk2-za-canon-rf","title":"Samyang VDSLR 14mm T3.1 MK2 for Canon RF","description":"\u003cp\u003eA small difference in optical performance makes photography ever more pleasant!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eWide Angle Manual Focus Cine Lens\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSamyang Обектив Samyang VDSLR 14mm T3.1 MK2 за Canon RF is a wide angle manual focus cine lens designed for full frame sensor sizes.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":53585061871953,"sku":"F1310613102","price":556.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/3VvVtSvPmJjD3faKPAK7oHYmjd69eJ9g.jpg?v=1776796812"},{"product_id":"obiektiv-laowa-15mm-t2-1-zero-d-cine-za-canon-rf-mietrichien","title":"Venus Optics Laowa 15mm T2.1 Zero-D Cine (Meters)for Canon RF","description":"\u003cp\u003eDescribed as \u0026quot;weird but genius,\u0026quot; the Sony E-mount \u003cstrong\u003eLaowa 24mm f\/14 Probe\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5\u0026#39; minimum focusing distance and a close 0.8\u0026quot; minimum working distance. Even with such a close working distance, the lens measures 1.3\u0026#39; long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optical design includes both extra-low dispersion and extra refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5\u0026#39; to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2\u0026quot; diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide-angle prime is designed for full-frame Sony E-mount mirrorless cameras, however can also be used with APS-C models where it will provide a 36mm equivalent focal length.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnique macro lens design offers a greater-than-life-size 2:1 maximum magnification along with a minimum focusing distance of 1.5\u0026#39; and a working distance of just 0.8\u0026quot;.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe long, tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations in order to produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSlim 0.8\u0026quot; front diameter allows performing unique \u0026quot;slide-in\u0026quot; shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe front of the lens is also waterproof, allowing you to comfortably work just under the surface of water or in dusty environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe front of the lens also has a built-in LED ring light, which is powered via a micro-USB port on the barrel, to provide some illumination on close-up subjects for easier focusing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned for use as a close-up, macro lens, the manual focus operation also lets you focus at infinity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSeven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":53585184555345,"sku":"VE1521RFCM","price":1456.67,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/Mpj2CxQZTyEgyN51N9VRjYkp5eOmycO3.jpg?v=1776796410"},{"product_id":"obiektiv-laowa-9mm-t2-9-zero-d-cine-za-canon-rf-mietrichien","title":"Venus Optics Laowa 9mm T2.9 Zero-D Cine for Canon RF","description":"\u003cp\u003eThis exciting prime lens provides ultra wide-angle coverage up to 113\u0026deg; angle of view (100\u0026deg; on MFT system). The tiny size \u0026amp; light weight match perfectly with mirrorless cameras and are suitable for use with gimbals. The new Cine version comes with standard 0.8 mod gears on both aperture and focus rings. A standard 55mm filter thread is designed to mount screw-in filters easily. 2 aspherical elements plus 3 extra-low dispersion elements successfully correct chromatic aberration, realize close-to-zero distortion \u0026amp; deliver excellent corner to corner sharpness.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new Laowa 9mm covers up to Super 35 sensor size. Despite offering a 113\u0026deg; distortion-free field of view, we have managed to compress the size to the minimal of its class. The compact size and lightweight make it extremely flexible for various settings. \u0026nbsp;A T2.9 large aperture is also extremely useful for filmmakers to shoot under low light situation and controlling depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new Laowa 9mm Cine lens works well with Super 35, APS-C and Micro Four Thirds cameras and acheive a field of view of 120\u0026deg; (Super 35 sensor), \u0026nbsp;113\u0026deg; (APS-C) and 100\u0026deg; (MFT) .\u003c\/p\u003e\r\n\r\n\u003cp\u003eClose-to-Zero Distortion\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the ultra-wide-angle field of view, it also delivers exceptional image quality with the best distortion control in its class. This close-to-zero distortion (Zero-D) design is extremely useful when shooting architectural, aerial and indoor footages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eT2.9 fast aperture \u0026amp; extremely short focusing distance\u003c\/p\u003e\r\n\r\n\u003cp\u003eIncluding a pair of aspherical elements and three extra-low dispersion elements, the 13 elements in 9 groups optical design successfully controls both spherical and chromatic aberrations to the minimal. \u0026nbsp;Bright T2.9 maximum aperture is well-suited for work under low-light condition. Focusing as close as 4.7\u0026Prime; (12cm), it allows filmmakers to compose with more flexibility and control shallow depth of field with wider perspective .\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":53585184653649,"sku":"VE929RFC","price":725.52,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/X6h2JQZXhYDkRGSVRVcMDYQ5ZoAZyy9p.jpg?v=1776796468"},{"product_id":"kino-obiektiv-laowa-12mm-t2-9-zero-d-cine-za-canon-rf-mietrichien","title":"Cinema lens Laowa 12mm T2.9 Zero-D Cine (Meters) Canon RF","description":"\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/visual_CIne12mmZZ2-02-1024x501.jpg\" title=\"visual_Eng\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSuitable for both Large format \u0026amp; Super35 cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/visual_CIne12mmZ2-03-1024x646.jpg\" title=\"visual_Eng\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026copy; Shao Wei\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe image circle allows cinematographers to use not only on full frame sensors (Size = 43.14mm), but also able to fill the Vista Vision sensors on RED Monstro and the sensor on Arri Alexa LF (Size @ open-gate = 44.7mm) fully. The lens is also ideal for Super35-sized camera owners with the ultra-wide 17mm equivalent field of view and its future-proof decision when cinematographers need to upgrade to large format cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/2AC2DBE6-3CA3-4BB7-8CED-6B306DCC1074-1-1024x576.jpeg\" title=\"2AC2DBE6-3CA3-4BB7-8CED-6B306DCC1074 (1)\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreengrabs \u0026copy; Alan Caudillo\u003c\/p\u003e\r\n\r\n\u003cp\u003eSuper compact \u0026amp; lightweight\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 12mm lens is extremely compact and lightweight despite of the extreme specifications. It measures 3.4\u0026rdquo; (87mm) long and weighs less than 1.5 lb (675g). It can be easily fitted onto any sorts of stabilizations system including handheld gimbals.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/1-1024x559.jpg\" title=\"1\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026copy; Film Jams\u003c\/p\u003e\r\n\r\n\u003cp\u003eClose-to-zero distortion\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optical distortion of ultra-wide angle lens will never be a nightmare for DoP. The distortion rate of good wide angle lenses in the market ranges from 2-4%. Venus Optics, however, are able to compress the distortion to a close-to-zero level.\u0026nbsp; In fact, the \u0026lsquo;Zero-D\u0026rsquo; claim had been validated by many existing Laowa lenses owners from all around the world.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/visual_CIne12mm-05-1024x538.jpg\" title=\"visual_Eng\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eExtremely close focusing distance\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens able to focus at an extremely close focusing distance. It can focus anywhere from 7\u0026rdquo; away from sensor (\u0026lt;4\u0026rdquo; from front element) all the way to infinity. No diopter will be needed in this case. Wide angle lenses usually create a \u0026lsquo;flat\u0026rsquo; image with very deep DOF but with this close focusing ability and a fast t-stop, Laowa 12mm is able to create some unique wide \u0026amp; shallow DOF look with pleasing bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/visual_CIne12mm-06B-1024x473.jpg\" title=\"visual_Eng\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eRobust and professional cinema housing\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned with standard 0.8 mod gears on both aperture and focusing rings for easy installation of follow-focus system. An extended 270\u0026deg; smooth focus throw is designed for accruate focus pulling. The entire enclosure of the lens is made up of aluminum alloy.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/visual_CIne12mmZ-08-1024x416.jpg\" title=\"visual_Eng\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA 114mm step-ring is included\u003c\/strong\u003e\u0026nbsp;in the package to expand the front diameter to fit with industry sized matte box. Venus Optics have tested with a number of matte boxes in the market and it is still free of vignetting on VV sensor with the matte box installed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/3-1024x559.jpg\" title=\"3\" \/\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/2-1024x559.jpg\" title=\"2\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026copy; Film Jams\u003c\/p\u003e\r\n\r\n\u003cp\u003eRobust and professional cinema housing\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens comes with three different variants, PL, EF and E mount (Not inter-changeable). Shims with different thickness is also included for users to do flange calibration.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg src=\"https:\/\/www.venuslens.net\/wp-content\/uploads\/2020\/01\/visual_CIne12mm-10b-1024x307.jpg\" title=\"visual_Eng\" \/\u003e\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":53585268703569,"sku":"VE1229RFCM","price":1789.01,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/xQmWWPZMX6S3wLmKt5R10wIPpVYuQm7I.jpg?v=1776792900"},{"product_id":"kino-obiektiv-canon-cn-r-14mm-t3-1-l-f-mietrichien","title":"Cine Lens Canon CN-R 14mm T3.1 L F M","description":"\u003cp\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the\u0026nbsp;\u003cstrong\u003eCanon CN-R 14mm T3.1 L F Cinema Prime Lens\u003c\/strong\u003e\u0026nbsp;renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300\u0026deg; for precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K HDR Image Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect Camera Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntuitive Lens Switching\u003c\/p\u003e\r\n\r\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585391190353,"sku":"6398C006AA","price":5434.52,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/6mIcV9ZuimcDPovwOzCLfoCg9yKvw5aD.jpg?v=1776792834"},{"product_id":"kino-obiektiv-canon-cn-r-20mm-t1-5-l-f-mietrichien","title":"Cine Lens Canon CN-R 20mm T1.5 L F M","description":"\u003cp\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the\u0026nbsp;\u003cstrong\u003eCanon CN-R 24mm T1.5 L F Cinema Prime Lens\u003c\/strong\u003e\u0026nbsp;renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300\u0026deg; for precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K HDR Image Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect Camera Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntuitive Lens Switching\u003c\/p\u003e\r\n\r\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585391583569,"sku":"6399C006AA","price":5081.73,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/PfH0HdEkCc1XagRgk2N4RoDn9dAcwAn4.jpg?v=1776792838"},{"product_id":"kino-obiektiv-canon-cn-r-24mm-t1-5-l-f-mietrichien","title":"Cine Lens Canon CN-R 24mm T1.5 L F M","description":"\u003cp\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the\u0026nbsp;\u003cstrong\u003eCanon CN-R 24mm T1.5 L F Cinema Prime Lens\u003c\/strong\u003e\u0026nbsp;renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300\u0026deg; for precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K HDR Image Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect Camera Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntuitive Lens Switching\u003c\/p\u003e\r\n\r\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585391976785,"sku":"6400C006AA","price":5081.73,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/A4e0FHJbXKEKXioJiAm17CiUh8GxiDV9.jpg?v=1776792841"},{"product_id":"kino-obiektiv-canon-cn-r-35mm-t1-5-l-f-mietrichien","title":"Cine Lens Canon CN-R 35mm T1.5 L F M","description":"\u003cp\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the\u0026nbsp;\u003cstrong\u003eCanon CN-R 35mm T1.5 L F Cinema Prime Lens\u003c\/strong\u003e\u0026nbsp;renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300\u0026deg; for precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K HDR Image Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect Camera Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntuitive Lens Switching\u003c\/p\u003e\r\n\r\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585392009553,"sku":"6401C006AA","price":4606.23,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/hfI51u13GYCizrLVrLkQTFkpPzFo8vnd.jpg?v=1776792842"},{"product_id":"kino-obiektiv-canon-cn-r-50mm-t1-3-l-f-mietrichien","title":"Cine Lens Canon CN-R 50mm T1.3 L F (Metric)","description":"\u003cp\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the\u0026nbsp;\u003cstrong\u003eCanon CN-R 50mm T1.3 L F Cinema Prime Lens\u003c\/strong\u003e\u0026nbsp;renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300\u0026deg; for precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K HDR Image Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect Camera Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntuitive Lens Switching\u003c\/p\u003e\r\n\r\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585392664913,"sku":"6402C006AA","price":4606.23,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/167h5JrQzsM45GFwSmrETM2IVFokv8fw.jpg?v=1776792847"},{"product_id":"kino-obiektiv-canon-cn-r-85mm-t1-3-l-f-mietrichien","title":"Cine Lens Canon CN-R 85mm T1.3 L F (Metric)","description":"\u003cp\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the\u0026nbsp;\u003cstrong\u003eCanon CN-R 85mm T1.3 L F Cinema Prime Lens\u003c\/strong\u003e\u0026nbsp;renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300\u0026deg; for precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K HDR Image Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect Camera Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntuitive Lens Switching\u003c\/p\u003e\r\n\r\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. Use the same follow focus system, matte box, or other tools, no matter the focal length mounted on your camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585392894289,"sku":"6403C006AA","price":4606.23,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/xJcswRBGyBBdYPnB0VHoFSuC8PptQgXO.jpg?v=1776792851"},{"product_id":"kino-obiektiv-canon-cn-r-135mm-t2-2-l-f-mietrichien","title":"Cine Lens Canon CN-R 135mm T2.2 L F (Metric)","description":"\u003cp\u003eSuited for full-frame cinema cameras with RF lens mount compatibility, the\u0026nbsp;\u003cstrong\u003eCanon CN-R 135mm T2.2 L F Cinema Prime Lens\u003c\/strong\u003e\u0026nbsp;renders crisp images with rich contrast. An 11-blade iris and maximum T3.1 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300\u0026deg; for precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K HDR Image Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe CN-R lenses are rated for 8K HDR image capture for high-quality color rendition and sharp detail throughout your image. Multiple lens coatings correct various aberrations and create the Canon-characteristic warm image tone. Color reproduction is consistent across the series, minimizing the need for color correction in post. The 8K chromatic aberration correction reduces color bleeding, while the light-shielding design and optimized coatings prevent unwanted ghosting or flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect Camera Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eCurrently, the CN-R lens series brings select feature compatibility to Canon EOS C70 and R5 C camera models. This includes distortion correction, which is facilitated via high-speed data transfer for transferring metadata and lens characteristics directly to the camera. Dual-pixel focus guides, peripheral illumination, and chromatic aberration correction are exclusive to these camera models as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntuitive Lens Switching\u003c\/p\u003e\r\n\r\n\u003cp\u003eCommon gearing positions, 114mm front diameter, and shared focus rotation range ensure consistency across the lens series. 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The 14mm lens have a T-stop of T2.4\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\nIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\nThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\nThey do not require rebalancing on a gimbal when switching between Athena lenses. 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The lenses feature a standard 0.8 mod focus and iris gears, making them compatible with a wide range of follow focus and matte box systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNiSi 77mm close-up lens can be used to reduce the minimum of focus distance and create great macro effects (sold separately).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":53585421893969,"sku":"Nisi14MM T2.4 RF","price":1584.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/8FOYeNSr1c229V1Gx3b7WA6L3FoMNI2P.jpg?v=1776792853"},{"product_id":"kino-obiektiv-cine-lens-athena-prime-25mm-t1-9-za-canon-rf","title":"Cine Lens Athena Prime 25mm T1.9 for Canon RF","description":"\u003cp\u003eFeaturing a range of focal lengths from 14mm ultra-wide angle to 85mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths.\u003cbr \/\u003e\r\n25\/35\/50\/85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. The 14mm lens have a T-stop of T2.4\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\nIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\nThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\nThey do not require rebalancing on a gimbal when switching between Athena lenses. All lenses share the same and 77mm filter thread.\u003cbr \/\u003e\r\nBoth aperture and focus rings are matched across the range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena lenses also have a focus rotation of 300\u0026deg; and fluorescent focus scales, displayed in both imperial and metric units, for precise focus pulls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to their impressive optical performance, the NiSi Athena Cine Lenses are also designed with convenience in mind. The lenses feature a standard 0.8 mod focus and iris gears, making them compatible with a wide range of follow focus and matte box systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNiSi 77mm close-up lens can be used to reduce the minimum of focus distance and create great macro effects (sold separately).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":53585423073617,"sku":"Nisi25MM T1.9 RF","price":1410.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/GsERQXgKNHH4aOcQd9hpBrC6UFvFdmTI.jpg?v=1776792857"},{"product_id":"kino-obiektiv-cine-lens-athena-prime-35mm-t1-9-za-canon-rf","title":"Cine Lens Athena Prime 35mm T1.9  Canon RF","description":"\u003cp\u003eFeaturing a range of focal lengths from 14mm ultra-wide angle to 85mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths.\u003cbr \/\u003e\r\n25\/35\/50\/85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. The 14mm lens have a T-stop of T2.4\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\nIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\nThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\nThey do not require rebalancing on a gimbal when switching between Athena lenses. All lenses share the same and 77mm filter thread.\u003cbr \/\u003e\r\nBoth aperture and focus rings are matched across the range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena lenses also have a focus rotation of 300\u0026deg; and fluorescent focus scales, displayed in both imperial and metric units, for precise focus pulls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to their impressive optical performance, the NiSi Athena Cine Lenses are also designed with convenience in mind. The lenses feature a standard 0.8 mod focus and iris gears, making them compatible with a wide range of follow focus and matte box systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNiSi 77mm close-up lens can be used to reduce the minimum of focus distance and create great macro effects (sold separately).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":53585424777553,"sku":"Nisi35MM T1.9 RF","price":1410.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/wWcYgW174RN87YfVPLrOsf1rmPfKK2tF.jpg?v=1776792862"},{"product_id":"kino-obiektiv-cine-lens-athena-prime-50mm-t1-9-za-canon-rf","title":"Nisi Cine Lens Athena Prime 50mm T1.9 Canon RF","description":"\u003cp\u003eFeaturing a range of focal lengths from 14mm ultra-wide angle to 85mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths.\u003cbr \/\u003e\r\n25\/35\/50\/85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. The 14mm lens have a T-stop of T2.4\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\nIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\nThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\nThey do not require rebalancing on a gimbal when switching between Athena lenses. All lenses share the same and 77mm filter thread.\u003cbr \/\u003e\r\nBoth aperture and focus rings are matched across the range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena lenses also have a focus rotation of 300\u0026deg; and fluorescent focus scales, displayed in both imperial and metric units, for precise focus pulls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to their impressive optical performance, the NiSi Athena Cine Lenses are also designed with convenience in mind. The lenses feature a standard 0.8 mod focus and iris gears, making them compatible with a wide range of follow focus and matte box systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNiSi 77mm close-up lens can be used to reduce the minimum of focus distance and create great macro effects (sold separately).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":53585426219345,"sku":"Nisi50MM T1.9 RF","price":1410.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/KR5eoc0Hj7rcZVuLmAJ7Beb3SzSESDWC.jpg?v=1776792868"},{"product_id":"kino-obiektiv-cine-lens-athena-prime-85mm-t1-9-za-canon-rf","title":"Nisi Cine Lens Athena Prime 85mm T1.9 Canon RF","description":"\u003cp\u003eFeaturing a range of focal lengths from 14mm ultra-wide angle to 85mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths.\u003cbr \/\u003e\r\n25\/35\/50\/85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. The 14mm lens have a T-stop of T2.4\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\nIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\nThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\nThey do not require rebalancing on a gimbal when switching between Athena lenses. All lenses share the same and 77mm filter thread.\u003cbr \/\u003e\r\nBoth aperture and focus rings are matched across the range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena lenses also have a focus rotation of 300\u0026deg; and fluorescent focus scales, displayed in both imperial and metric units, for precise focus pulls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to their impressive optical performance, the NiSi Athena Cine Lenses are also designed with convenience in mind. The lenses feature a standard 0.8 mod focus and iris gears, making them compatible with a wide range of follow focus and matte box systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNiSi 77mm close-up lens can be used to reduce the minimum of focus distance and create great macro effects (sold separately).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":53585428021585,"sku":"Nisi85MM T1.9 RF","price":1410.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/ywajyPVrmydSDCsNwuWf29mxCu80r1mJ.jpg?v=1776792872"},{"product_id":"obiektiv-irix-45mm-t1-5-za-canon-rf-ultra-hd-8k-ready","title":"IRIX 45mm T1.5 Cine Lens - Ultra HD 8K ready - Canon RF","description":"\u003cp\u003eIrix Cine 45mm T1\u0026nbsp;\u003cstrong\u003e.\u0026nbsp;\u003c\/strong\u003e5 is a movie lens with a focal length of 45mm and a transmittance value of T1.5.\u0026nbsp;It is designed to shoot in Ultra HD 8K resolution.\u0026nbsp;The entire lens system consists of 11 lenses arranged in 9 groups, ensuring a crystal-clear image, free from geometric distortions and full of fine details.\u0026nbsp;Additionally, it used\u0026nbsp;four high refractive glass elements, one low dispersion and one aspherical.\u0026nbsp;The whole is completed by the aperture mechanism, whose 9 rounded blades ensure smooth background blurring and smooth adjustment of the lens brightness in the T1.5 to T22 range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe focal length of the Irix Cine 45mm T1.5 lens is a special feature.\u0026nbsp;Shortened to 45mm compared to the classic \u0026quot;fifty\u0026quot;, while maintaining the perspective natural for human vision, it gives the opportunity to cover a wider plan.\u0026nbsp;Filming scenes seen through the protagonist\u0026#39;s eyes forces more frequent focusing, which is why the \u0026quot;focal\u0026quot; breathing effect has been reduced to an absolute minimum.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eUltra HD 8K ready optics with superb image resolution\u003c\/li\u003e\r\n\t\u003cli\u003eClose to\u0026nbsp;the natural field of view of the human eye\u003c\/li\u003e\r\n\t\u003cli\u003eWeather-sealed construction\u003c\/li\u003e\r\n\t\u003cli\u003eBeautiful bokeh, ultra-low focus breathing\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Irix","offers":[{"title":"Default Title","offer_id":53585514889553,"sku":"IL-C45-RF-M","price":1175.46,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/dgWkRnJSojLmLnkfEUCwvfRbUaV5YfN9.jpg?v=1776796319"},{"product_id":"obiektiv-irix-30mm-t1-5-za-canon-rf-ultra-hd-8k-ready","title":"IRIX 30mm T1.5 Cine Lens - Ultra HD 8K ready - Canon RF","description":"\u003cul\u003e\r\n\t\u003cli\u003eUltra HD 8K resolution ready and\u0026nbsp;full-frame sensor coverage\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003ePerfect for\u0026nbsp;crop sensors providing 45mm\u003c\/li\u003e\r\n\t\u003cli\u003eCompact and\u0026nbsp;lightweight construction\u003c\/li\u003e\r\n\t\u003cli\u003eVery low lens breathing\u003c\/li\u003e\r\n\t\u003cli\u003eWeather-sealed construction\u003c\/li\u003e\r\n\t\u003cli\u003eMagnetic mount system\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eIrix Cine 30mm T1.5 is a\u0026nbsp;full-frame cine lens, for\u0026nbsp;sensor resolution up to\u0026nbsp;8K. It is excellent for\u0026nbsp;interviews and\u0026nbsp;medium wide shots of your subject. Especially on\u0026nbsp;a\u0026nbsp;crop sensor where you will get 45mm (1,5x).\u003c\/p\u003e\r\n\r\n\u003cp\u003eMade to\u0026nbsp;work with your equipment\u003c\/p\u003e\r\n\r\n\u003cp\u003eAre you a\u0026nbsp;professional, an amateur or\u0026nbsp;perhaps just an enthusiast of cinematography?\u003cbr \/\u003e\r\nPerfect!\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix Cine 30mm is a\u0026nbsp;\u003cstrong\u003e\u0026gt;43,3mm Full Frame\u003c\/strong\u003e\u0026nbsp;lens, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16, Sony Venice and\u0026nbsp;other sensors. It\u0026rsquo;s so versatile it\u0026rsquo;ll fit\u0026nbsp;\u003cstrong\u003eYOUR\u003c\/strong\u003e\u0026nbsp;favourite equipment \u0026ndash; so that you can enjoy every second of shooting with the tools you already love.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePut our Irix Cine 30mm to\u0026nbsp;work and\u0026nbsp;enjoy the comfort and\u0026nbsp;functionality that it offers.\u0026nbsp; Available in\u0026nbsp;the most popular industry mounts:\u0026nbsp;\u003cstrong\u003eCanon RF, Canon EF, Fuji X, Sony E, Nikon Z, Leica L, Olympus \/ Panasonic MFT and\u0026nbsp;Arri PL-mount\u003c\/strong\u003e, this superior cine lens is ready for\u0026nbsp;action whenever you are.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReady for\u0026nbsp;any weather conditions\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eRain or\u0026nbsp;shine. The rugged and\u0026nbsp;durable construction of the Irix Cine 30mm guarantees that you can keep on\u0026nbsp;working with whatever weather throws at\u0026nbsp;you. The lens is resistant to\u0026nbsp;rain, sand, and\u0026nbsp;dust. So you can take it for\u0026nbsp;your next adventure in\u0026nbsp;a\u0026nbsp;desert or\u0026nbsp;jungle if your camera can handle those environments. Engraved markings on\u0026nbsp;the lens have been filled with UV-reactive paint, thanks to\u0026nbsp;which filming in\u0026nbsp;difficult lighting conditions becomes much easier.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eModern optics guarantee outstanding image quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreativity and\u0026nbsp;passion lie in\u0026nbsp;your individuality. Craft one-of-a-kind cinematic look that won\u0026rsquo;t be\u0026nbsp;easily forgotten! Thanks to\u0026nbsp;the perfectly refined optical system, your shots will come out with low level of distortions and\u0026nbsp;aberrations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe internal focusing system of the lens guarantees incredible sharpness. 11 \u0026ndash; blade iris provide beautiful bokeh and\u0026nbsp;a\u0026nbsp;very smooth adjustment between T1.5 and\u0026nbsp;T16.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith very low focus breathing and\u0026nbsp;close to\u0026nbsp;human field of view Irix 30mm Cine is a\u0026nbsp;perfect lens for\u0026nbsp;filming natural-looking scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAllow yourself to\u0026nbsp;enjoy every moment of filming!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eFunctionality and\u0026nbsp;innovation\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Irix film lenses have very similar dimensions and\u0026nbsp;weight, which allow for\u0026nbsp;quick and\u0026nbsp;easy lens changes without the need to\u0026nbsp;change the rest of your setup. The product is equipped with a\u0026nbsp;\u003cstrong\u003eMagnetic Mounting System\u003c\/strong\u003e\u0026nbsp;(MMS), which allows you to\u0026nbsp;connect accessories such as\u0026nbsp;magnetic filters from the Irix Edge line up.\u003c\/p\u003e\r\n\r\n\u003cp\u003e(Irix) CINE Standard\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix Cine 30mm was designed in\u0026nbsp;accordance with the standards of the professional film industry, being the result of a\u0026nbsp;combination of traditional lens solutions and\u0026nbsp;modern innovation. Irix Cine 30mm has a\u0026nbsp;front filter thread size of 95mm and\u0026nbsp;geared Mod 0.8 M rings, which ensure compatibility with most accessories available on\u0026nbsp;the market.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix is a\u0026nbsp;young brand, but thanks to\u0026nbsp;the fifth lens in\u0026nbsp;its lineup, it\u0026rsquo;s closing the set covering most of the common focal lengths. All of our lenses are carefully tested, to\u0026nbsp;meet the highest standards. And\u0026nbsp;we\u0026nbsp;don\u0026rsquo;t play around with them. We\u0026nbsp;make sure, that all of our lenses are compatible. Starting from our neutrino coating, which provides the same color reproduction on\u0026nbsp;each lens to\u0026nbsp;the same weight and\u0026nbsp;location of gears.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInnovative adaptive ring\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe adaptive ring is an innovative function which you will love no\u0026nbsp;matter if you are a\u0026nbsp;pro or\u0026nbsp;an amateur.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ring has been designed to\u0026nbsp;keep the lens housing sleek and\u0026nbsp;user-friendly when operated manually, but without any compromises when you want to\u0026nbsp;use your favourite cine gear. Combining compatibility and\u0026nbsp;usability that have never met before!\u003c\/p\u003e\r\n\r\n\u003cp\u003eLightweight and\u0026nbsp;compact design\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix cine 30mm T1.5 meets requirements of all filmmakers. No\u0026nbsp;matter if you like to\u0026nbsp;build professional setup or\u0026nbsp;shoot with bare lens on\u0026nbsp;stabilizer this lens is for\u0026nbsp;you. Aluminium and\u0026nbsp;magnesium alloy construction and\u0026nbsp;housing weight only 1,1-1,2kg.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFront external diameter 95mm for\u0026nbsp;barndoor and\u0026nbsp;accessories, filter thread 86mm, front MMS \u0026ndash; Magnetic Mount System for\u0026nbsp;rapid filters are just a\u0026nbsp;small part of multifunctional design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNew and\u0026nbsp;improved lens cover\u003c\/p\u003e\r\n\r\n\u003cp\u003eWe\u0026nbsp;have listened to\u0026nbsp;requests from our customers and\u0026nbsp;decided to\u0026nbsp;redesign our lens cover. The previous one didn\u0026rsquo;t allow for\u0026nbsp;leaving the lens standing on\u0026nbsp;it. The improved one has a\u0026nbsp;flat top and\u0026nbsp;slides on\u0026nbsp;the lens. Thanks to\u0026nbsp;this, you can now leave the lens upside down on\u0026nbsp;a\u0026nbsp;table and\u0026nbsp;not worry about it wobbling!\u003c\/p\u003e\r\n\r\n\u003cp\u003eMagnetic Mount System\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll of the Irix Cine lenses (except Irix 11mm T4.3 lens) have a\u0026nbsp;Magnetic Mount System (MMS) that is compatible with Irix Edge MMS, Vari ND\u0026nbsp;filters and\u0026nbsp;Irix MMS Lens Hood. The Irix Edge magnetic filters have a\u0026nbsp;unique threadless design, so you can be\u0026nbsp;sure that everything staus clean\u0026amp;clrear ready for\u0026nbsp;action! No\u0026nbsp;more hesitate with dirty or\u0026nbsp;dusty filter thread again.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe MMS filter can be\u0026nbsp;stacked together allows you to\u0026nbsp;not only freely combine them but also saves a\u0026nbsp;lot of space when stored.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe MMS Lens Hood effectively protects the lens from unwanted light that can cause ghosting and\u0026nbsp;flares.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll of the Irix Edge Magnetic Mount System (MMS) filters are made of hardened optical glass (SR) which makes it extremely robust. The filters surfaces are covered with the multi-layer, anti-reflective coating with a\u0026nbsp;special type nano-coating that makes it easy to\u0026nbsp;clean.\u003c\/p\u003e","brand":"Irix","offers":[{"title":"Default Title","offer_id":53585521705297,"sku":"IL-C30-RF-M","price":1175.46,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/mf0PmAYkXC3daGRijXbCCTyy4Wdu2u9n.jpg?v=1776796305"},{"product_id":"obiektiv-za-vidieo-irix-11mm-t4-3-za-canon-rf-ultra-hd-8k-ready","title":"IRIX 1mm T4.3 Cine Lens - Canon RF - Ultra HD 8K ready","description":"\u003cul\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe Irix Cine 11mm T4.3 is the full frame cine lens, ready for capture image with 8K UHD resolution. Its extremely short focal length, rectilinear image projection and the large image circle of 43.3mm (covering the full frame format) make it one of the most outstanding cine lenses on the market. Depending on the diagonal of the sensor, the lens can provide a moderate wide angle of view for classic wide-angle shots or super-panoramic 123 degree viewing angle in a 2.39:1 widescreen format. Irix 11mm T4.3 thanks to its unique parameters, provides perspective not available in film optics, thus releasing creativity in creating dynamic shots\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e\u003cstrong\u003eThe same, but different optics\u003c\/strong\u003eThe lens optical system is based on the new optical formula, developed especially for cinematic purpose. It consists of 16 optical elements, which four are made with high refractive index (HR) glass, three other have aspherical surfaces and last two are made with low-dispersion glass (ED). The use of large front lens and other special glass elements provides crisp cinematic shots in a resolution up to 8K while keeping the focus \u0026quot;breathing\u0026quot; effect at the lowest level. The lens offers large maximum T number of 4.3 which can be reduced to T22, thanks to rounded shape of iris blades.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e\u003cstrong\u003eFunctional and highly innovative\u003c\/strong\u003eWhen designing the lens mechanical system of 11mm T4.3, we used newly developed technical solutions that have been successfully implemented in the Irix Cine 150mm T3.0 lens. The new Multi Start Thread focusing mechanism allows quiet and precise focusing even under adverse weather conditions such as rain, humidity or extreme temperatures. The focusing geared ring rotates 180 degrees and depending on the lens version, has focusing scale with metric or Metric units.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eThanks to the another innovative solution like adaptive ring, the Irix Cine 11mm T4.3 ensures great ergonomics of operation both by hand and with follow focus mechanism. Moreover, despite of the very short optical system layout, geared rings of focus and aperture were placed at the same height as in other Irix Cine lenses - all for better ergonomics and more intuitive use.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eThe exceptional functionality and innovative solutions are a distinctive feature of all Irix products. The same applies to the Irix Cine 11mm T4.3, whose extremely compact design (weights 1,1 kg) has been also equipped with an innovative Magnetic Mount System for accessories. The MMS system allows quick and easy attachment of variety dedicated accessories. The lens hood included in the kit with the lens is the first element of the MMS system. The system will be expanded with further accessories in the future.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/11mm-Rentgen-3.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePrepared for all weather conditions\u003c\/strong\u003eThe ultra wide field of view of the Irix 11mm T4.3 means that its natural work environment is outdoor. It\u0026rsquo;s durable magnesium housing and numerous rubber seals guarantee the safety of both the optical system and the camera sensor in an every weather conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/11mm-Rentgen.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned to work in accordance with film industry standards\u003c\/strong\u003eThe 11mm T4.3 is another lens of the Irix Cine line that proves that innovative technical solutions can perfectly harmonize with well-established film industry standards. The lens has a front flange with a diameter of 95mm and geared rings in the Mod 0.8 standard, which ensures its compatibility with most cine gear accessories. Attention to maintaining the standard also applies to the family of Irix cine lenses whose geared rings are in the same position and have unified rotation angle.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIrix Cinematic\u003c\/strong\u003eThe new line of Irix Cine Lenses is created in close cooperation with professional filmmakers; their ideas and suggestions were an important factor in the design process. The designers earlier experience in the field of photography led us to create new and better solutions for the Irix Cine products.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe Irix Cine 11mm T4.3 key features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003efull frame sensor coverage with 43.3 mm image circle\u003c\/li\u003e\r\n\t\u003cli\u003eUltra HD 8K ready optics\u003c\/li\u003e\r\n\t\u003cli\u003eextremely short focal length of 11mm\u003c\/li\u003e\r\n\t\u003cli\u003esuper-panoramic 123 degree viewing angle in a 2.39:1 widescreen format\u003c\/li\u003e\r\n\t\u003cli\u003every compact size and low weight\u003c\/li\u003e\r\n\t\u003cli\u003eultra-low focus breathing effect\u003c\/li\u003e\r\n\t\u003cli\u003eweather-sealed construction\u003c\/li\u003e\r\n\t\u003cli\u003estandardized front accessory diameter 95mm\u003c\/li\u003e\r\n\t\u003cli\u003eMagnetic Mount System for Irix Cine accessories\u003c\/li\u003e\r\n\t\u003cli\u003edetachable lens hood with magnetic mount\u003c\/li\u003e\r\n\t\u003cli\u003ecompatibility with various follow-focus system\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe Irix Cine family common features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003estandardized geared rings positions\u003c\/li\u003e\r\n\t\u003cli\u003efocusing scale available with metric or Metric units\u003c\/li\u003e\r\n\t\u003cli\u003estandardized front accessory diameter 95mm\u003c\/li\u003e\r\n\t\u003cli\u003esimilar weight\u003c\/li\u003e\r\n\t\u003cli\u003elaser engraved and UV reactive markings\u003c\/li\u003e\r\n\t\u003cli\u003eweather-sealed construction\u003c\/li\u003e\r\n\t\u003cli\u003edetachable support foot\u003c\/li\u003e\r\n\t\u003cli\u003eMagnetic Mount System for Irix Cine accessories\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eKit includes:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIrix 11mm T4.3 for Canon RF Metric\u003c\/li\u003e\r\n\t\u003cli\u003elens hood\u003c\/li\u003e\r\n\t\u003cli\u003efront lens cap\u003c\/li\u003e\r\n\t\u003cli\u003elens support foot 1\/4\u0026rdquo;\u003c\/li\u003e\r\n\t\u003cli\u003erear lens cap\u003c\/li\u003e\r\n\t\u003cli\u003eoriginal packaging\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Irix","offers":[{"title":"Default Title","offer_id":53585639407953,"sku":"IL-C11-RF-M","price":1175.46,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/6UfyzC2fpQJHGZ1MQFsFEMuzr518jn3C.jpg?v=1776797488"},{"product_id":"obiektiv-irix-150mm-t3-0-tele-cine-za-canon-rf","title":"Irix Cine lens 150mm T3.0 Tele for Canon RF Metric","description":"\u003cul\u003e\r\n\t\u003cli\u003eUltra HD 8K optical system with excellent image resolution\u003c\/li\u003e\r\n\t\u003cli\u003eNear-zero chromatic aberration and\u0026nbsp;ultra-low distortion of 0.1%\u003c\/li\u003e\r\n\t\u003cli\u003eWeather-sealed design\u003c\/li\u003e\r\n\t\u003cli\u003e270-degree precision focus ring\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe Irix Cine 150mm T3.0 Tele is the twin brother of the Irix Cine 150mm T3.0 Macro lens but is designed specifically to\u0026nbsp;work on\u0026nbsp;longer focusing distances. It is characterized primarily by\u0026nbsp;a\u0026nbsp;redesigned focusing mechanism \u0026ndash; allowing for\u0026nbsp;much greater precision in\u0026nbsp;the range from 2 meters to\u0026nbsp;infinity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens combines functionality, stunning image quality, and\u0026nbsp;outstanding performance in\u0026nbsp;all conditions, allowing filmmakers to\u0026nbsp;discover new filmmaking areas.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/%D0%95%D0%BA%D1%80%D0%B0%D0%BD%D0%BD%D0%B0%20%D1%81%D0%BD%D0%B8%D0%BC%D0%BA%D0%B0%202024-03-13%20145310.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMade to\u0026nbsp;work with your hardware\u003c\/p\u003e\r\n\r\n\u003cp\u003eAre you a\u0026nbsp;professional, an amateur, or\u0026nbsp;maybe just a\u0026nbsp;cinematography enthusiast? Excellent! Irix lenses are suited to\u0026nbsp;your needs. The Irix Cine 150mm is a\u0026nbsp;full-frame lens that works with 35mm, Super 35, APS-C, MFT, or\u0026nbsp;Super 16 format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt is so versatile that it will match YOUR favorite equipment \u0026ndash; so you can enjoy every second of shooting with the tools that you already love. Use the Irix Cine 150mm to\u0026nbsp;work and\u0026nbsp;enjoy the comfort and\u0026nbsp;functionality it offers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable in\u0026nbsp;the most popular mounts: Canon RF, Canon EF, Fuji X, Sony E, Nikon Z, Leica L, Olympus \/ Panasonic MFT, and\u0026nbsp;Arri PL-mount, this premium cine lens is ready to\u0026nbsp;go\u0026nbsp;whenever you are.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Mounts-768x432.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003ePrepared for\u0026nbsp;all conditions\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom the burning sands of the Sahara to\u0026nbsp;the frozen peaks of Antarctica, the Irix Cine 150mm is prepared not only to\u0026nbsp;face any weather but also to\u0026nbsp;capture the best of it. Enjoy a\u0026nbsp;reliable lens design with seals placed at\u0026nbsp;all key points to\u0026nbsp;keep rain and\u0026nbsp;dust out.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow you can film anytime, anywhere to\u0026nbsp;capture the power of nature.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/sealing_small.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA\u0026nbsp;modern optical system that guarantees exceptional image quality\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreativity and\u0026nbsp;passion are in\u0026nbsp;your hands. Create a\u0026nbsp;one-of-a-kind cinematic image that won\u0026rsquo;t be\u0026nbsp;easily forgotten! Thanks to\u0026nbsp;the finely tuned optical system with 12 optical elements in\u0026nbsp;9 groups (including 4 HR lenses and\u0026nbsp;3 ED lenses), your shots will be\u0026nbsp;free of aberrations and\u0026nbsp;distortions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe combination of a\u0026nbsp;focal length of 150mm with an 11-element rounded diaphragm provides spectacular bokeh and\u0026nbsp;beautiful background painting. Thanks to\u0026nbsp;the bright aperture value, you can easily achieve spectacular isolation of the subject from the background. The optical construction of the lens ensures excellent image sharpness, but with soft tones and\u0026nbsp;a\u0026nbsp;characteristic, subtle glow \u0026ndash; this is what the unique, cinematic Irix look looks like.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/lens_construction_small.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eInnovative adaptive ring\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe adaptive ring is an innovative feature that you will love, whether you\u0026rsquo;re a\u0026nbsp;professional or\u0026nbsp;an amateur.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ring has been designed to\u0026nbsp;keep the lens body slim and\u0026nbsp;user-friendly when handheld, but without any compromises when you want to\u0026nbsp;use your favorite film gear. Compatibility and\u0026nbsp;usability that have never been seen before!\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/ring-768x444.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eLight and\u0026nbsp;compact design\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix 150mm T3.0 Cine meets the requirements of all filmmakers. Whether you want to\u0026nbsp;build a\u0026nbsp;professional setup or\u0026nbsp;shoot with a\u0026nbsp;stabilized lens, this lens is for\u0026nbsp;you. The construction made of aluminum and\u0026nbsp;magnesium alloy allows it to\u0026nbsp;achieve a\u0026nbsp;weight of only ~1kg (depending on\u0026nbsp;the mount). Thanks to\u0026nbsp;this, the lens works perfectly with gimbals, and\u0026nbsp;it is also suitable for\u0026nbsp;handheld shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe front outer diameter of 95mm for\u0026nbsp;mate-box and\u0026nbsp;accessories, 86mm filter thread, and\u0026nbsp;MMS \u0026ndash; Magnetic Mount System for\u0026nbsp;quick replacement of filters and\u0026nbsp;covers are just a\u0026nbsp;small part of the multifunctional design.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/IL-C150_features02m.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMagnetic Mount System\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Irix Cine lenses (except Irix 11mm and\u0026nbsp;21mm) have the Magnetic Mount System (MMS), which is compatible with Irix Edge MMS filters and\u0026nbsp;the Irix MMS Lens Hood. Irix Edge magnetic filters have a\u0026nbsp;unique, threadless design, making them extremely quick to\u0026nbsp;replace.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMMS filters can be\u0026nbsp;stacked on\u0026nbsp;top of each other, which not only allows you to\u0026nbsp;connect them freely but also saves a\u0026nbsp;lot of space during storage.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Irix Edge Magnetic Mount System (MMS) filters are made of tempered optical glass (SR), which makes them extremely durable. The filter surfaces are covered with a\u0026nbsp;multi-layer anti-reflective coating with a\u0026nbsp;special type of NANO coating, which facilitates their cleaning.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Cine-family-rysunek-01-768x191.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA\u0026nbsp;perfect fit for\u0026nbsp;the movie world\u003c\/p\u003e\r\n\r\n\u003cp\u003eComfort on\u0026nbsp;the film set is key. To\u0026nbsp;make use as\u0026nbsp;easy as\u0026nbsp;possible, we\u0026nbsp;made sure that the Irix Cine 150mm is compatible with the majority of follow focus systems, matte boxes, stabilizers, and\u0026nbsp;accessories available on\u0026nbsp;the market.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMoreover, it is equipped with an attachable lens support foot \u0026ndash; to\u0026nbsp;provide stabilization and\u0026nbsp;reduce the strain on\u0026nbsp;the camera mount when using follow-focus devices.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix Cine is so versatile that it will become your favorite lens no\u0026nbsp;matter what the\u003c\/p\u003e","brand":"Irix","offers":[{"title":"Default Title","offer_id":53585658085713,"sku":"IL-C150T-RF-M","price":1195.91,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/LuEK0TOC2BLSDDg1YEuv8kwiTO1Sdzmk.png?v=1776796286"},{"product_id":"obiektiv-irix-150mm-t3-0-macro-cine-za-canon-rf","title":"Irix Cine lens 150mm T3.0 Macro for Canon RF Metric","description":"\u003cp\u003eUltra HD 8K ready optics with superb image resolution\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlmost zero chromatic aberration and\u0026nbsp;ultra-low 0,1% distortion\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeather-sealed construction\u003c\/p\u003e\r\n\r\n\u003cp\u003eMacro magnification ratio of 1:1\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Irix Cine 150mm T3.0 Macro 1:1, with its short telephoto focal length and\u0026nbsp;leading parameters, is equipped\u003cbr \/\u003e\r\nwith everything both amateur and\u0026nbsp;professional cinematographers would need to\u0026nbsp;create their masterpieces.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens comprises functionality, stunning visuals and\u0026nbsp;outstanding performance in\u0026nbsp;any environment \u0026ndash; allowing filmmakers to\u0026nbsp;discover completely new areas in\u0026nbsp;film image creation.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/%D0%95%D0%BA%D1%80%D0%B0%D0%BD%D0%BD%D0%B0%20%D1%81%D0%BD%D0%B8%D0%BC%D0%BA%D0%B0%202024-03-13%20150912.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMade to\u0026nbsp;work with\u0026nbsp;your equipment\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAre you a\u0026nbsp;professional, an amateur or\u0026nbsp;perhaps just an enthusiast of cinematography?\u003cbr \/\u003e\r\nPerfect!\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix Cine 150mm is a\u0026nbsp;\u003cstrong\u003e43,3mm Full Frame\u003c\/strong\u003e\u0026nbsp;lens, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16 and\u0026nbsp;other sensors. It\u0026rsquo;s so versatile it\u0026rsquo;ll fit\u0026nbsp;\u003cstrong\u003eYOUR\u003c\/strong\u003e\u0026nbsp;favourite equipment \u0026ndash; so that you can enjoy every second of shooting with the tools you already love.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePut our Irix Cine 150mm to\u0026nbsp;work and\u0026nbsp;enjoy the comfort and\u0026nbsp;functionality that it offers.\u0026nbsp; Available in\u0026nbsp;the most popular industry mounts:\u0026nbsp;\u003cstrong\u003eCanon RF, Canon EF, Sony E, Nikon Z, Fuji X, Leica L, Olympus \/ Panasonic MFT and\u0026nbsp;Arri PL-mount\u003c\/strong\u003e, this superior cine lens is ready for\u0026nbsp;action whenever you are.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Mounts-768x432(1).jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003ePrepared for\u0026nbsp;any environment\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom the burning sands of Sahara to\u0026nbsp;the frozen peaks of Antarctica \u0026ndash; Irix Cine 150mm is prepared to\u0026nbsp;not only face any atmospheric conditions but also capture the best of them.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnjoy your lens\u0026rsquo; reliable construction with rubber seals placed in\u0026nbsp;all crucial points to\u0026nbsp;ensure safety from rain or\u0026nbsp;dust.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNow, you can film anytime, anywhere \u0026ndash; and\u0026nbsp;seize the power of nature.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/sealing_small(1).jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eModern optics guarantee\u003cbr \/\u003e\r\noutstanding image quality\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreativity and\u0026nbsp;passion lie in\u0026nbsp;your individuality. Craft one-of-a-kind cinematic look that won\u0026rsquo;t be\u0026nbsp;easily forgotten! Thanks to\u0026nbsp;the perfectly refined optical system with 12 optical elements in\u0026nbsp;9 groups (including 4 HR lenses and\u0026nbsp;3 ED lenses), your shots will come out free of aberrations and\u0026nbsp;distortions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt\u0026nbsp;the same time, the internal focusing system of the lens guarantees incredible sharpness when focusing to\u0026nbsp;closer distances, which makes every small detail of your shot stand out.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLast but not least, a\u0026nbsp;mesmerizing, beautiful bokeh will provide a\u0026nbsp;blurry veil to\u0026nbsp;soften the out-of-focus areas of your scene even further.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAllow yourself to\u0026nbsp;enjoy every moment of filming!\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/lens_construction_small%20(1).jpg\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eInnovative adaptive ring\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdaptive ring is an innovative function which you will like no\u0026nbsp;matter if you are pro or\u0026nbsp;amateur.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRing has been designed to\u0026nbsp;keep lens housing sleek and\u0026nbsp;user friendly when operated manually, but without any compromises when you want to\u0026nbsp;use your favourite cine gear. Compatibility and\u0026nbsp;usability not met before !\u003cbr \/\u003e\r\n\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eLightweight and\u0026nbsp;compact design\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix 150mm T3,0 Cine meets requirements of all filmmakers. No\u0026nbsp;matter if you like to\u0026nbsp;build professional setup or\u0026nbsp;shoot with bare lens on\u0026nbsp;stabilizer this lens is for\u0026nbsp;you. Aluminium and\u0026nbsp;magnesium alloy construction and\u0026nbsp;housing weight only 1,1kg.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFront external diameter 95mm for\u0026nbsp;barndoor and\u0026nbsp;accessories, filter thread 86mm, front MMS \u0026ndash; Magnetic Mount System for\u0026nbsp;rapid filters and\u0026nbsp;hood replacement are just a\u0026nbsp;small part of multifunctional design.\u003c\/p\u003e","brand":"Irix","offers":[{"title":"Default Title","offer_id":53585658872145,"sku":"IL-C150-RF-M","price":1195.91,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/RETpdgTo3ceIxGVnyQF86hsbxg0Y0QUS.jpg?v=1776796281"},{"product_id":"obiektiv-irix-15mm-t2-6-za-canon-rf-ultra-hd-8k-ready","title":"Irix 15mm T2.6 Cine Lens - Ultra HD 8K ready - Canon RF","description":"\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;Ultra HD 8K ready optics with superb image resolution\u003c\/li\u003e\r\n\t\u003cli\u003eUltra wide-angle field of view\u003c\/li\u003e\r\n\t\u003cli\u003eFull Frame 43.3mm coverage\u003c\/li\u003e\r\n\t\u003cli\u003eWide aperture\u003c\/li\u003e\r\n\t\u003cli\u003eWeather-sealed construction\u003c\/li\u003e\r\n\t\u003cli\u003eLow distortion\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix Cine 15mm T2.6 is a\u0026nbsp;fast, ultra-wide-angle lens, designed for\u0026nbsp;a\u0026nbsp;variety of lighting conditions. The lens combines functionality, stunning visuals, and\u0026nbsp;outstanding performance with fully weather-sealed construction.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix 15mm is an unique lens with short focal length, wide aperture, and\u0026nbsp;excellent parameters which allow both amateur and\u0026nbsp;professional cinematographers to\u0026nbsp;discover new areas of creativity.\u0026nbsp;\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/%D0%95%D0%BA%D1%80%D0%B0%D0%BD%D0%BD%D0%B0%20%D1%81%D0%BD%D0%B8%D0%BC%D0%BA%D0%B0%202024-03-14%20120318.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eMade to\u0026nbsp;work with\u0026nbsp;your equipment\u003c\/p\u003e\r\n\r\n\u003cp\u003eAre you a\u0026nbsp;professional, an amateur, or\u0026nbsp;perhaps just an enthusiast of cinematography?\u003cbr \/\u003e\r\nPerfect!\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix Cine 15mm is a\u003cstrong\u003e\u0026nbsp;Full Frame\u003c\/strong\u003e\u0026nbsp;lens\u0026nbsp;\u003cstrong\u003e(43,3mm)\u003c\/strong\u003e, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16 and\u0026nbsp;other sensors. It\u0026rsquo;s so versatile it\u0026rsquo;ll fit\u0026nbsp;\u003cstrong\u003eYOUR\u003c\/strong\u003e\u0026nbsp;favourite equipment \u0026ndash; so that you can enjoy every second of shooting with the tools you already love.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePut our Irix Cine 15mm to\u0026nbsp;the test and\u0026nbsp;enjoy the comfort and\u0026nbsp;functionality that it offers.\u0026nbsp; Available in\u0026nbsp;the most popular mounts:\u0026nbsp;\u003cstrong\u003eCanon RF, Canon EF, Fuji X, Sony E, Nikon Z, Leica L, Olympus \/ Panasonic MFT and\u0026nbsp;Arri PL-mount\u003c\/strong\u003e\u003cstrong\u003e.\u0026nbsp;\u003c\/strong\u003eThis incredible cine lens is ready for\u0026nbsp;action whenever you are.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFilming has never been easier!\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Mounts-768x432%20(1).jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003ePrepared for\u0026nbsp;any environment\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom the burning sands of Sahara to\u0026nbsp;the frozen expanse of Antarctica \u0026ndash; Irix Cine 15mm is prepared to\u0026nbsp;not only face any atmospheric conditions, but also to\u0026nbsp;capture them.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnjoy your lens\u0026rsquo; reliable construction with rubber seals placed in\u0026nbsp;all crucial points to\u0026nbsp;ensure safety from rain and\u0026nbsp;dust.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNow you can film anytime, anywhere \u0026ndash; and\u0026nbsp;seize the power of nature.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/15mm-uszczelki_00000-768x432.png\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eModern optics guarantee\u0026nbsp;outstanding image quality\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreativity and\u0026nbsp;passion lie in\u0026nbsp;your individuality. Craft a\u0026nbsp;one-of-a-kind cinematic look that won\u0026rsquo;t be\u0026nbsp;easily forgotten! Thanks to\u0026nbsp;the perfectly refined optical system with 15 optical elements (including 3 HR lenses and\u0026nbsp;2 ED lenses, 2 ASP), your shots will come out with very low level of aberration.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe rounded iris blades provide beautiful bokeh and\u0026nbsp;a\u0026nbsp;very smooth adjustment between T2.6 and\u0026nbsp;T22.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith very low focus breathing and\u0026nbsp;low distortion, the Irix Cine 15mm T2.6 captures beautiful ultra-wide shots with a\u0026nbsp;neutral look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAllow yourself to\u0026nbsp;enjoy every moment of filming!\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/15mm-soczewki_00000-1-768x432.png\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eInnovative adaptive ring\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe adaptive ring is an innovative function which you will love no\u0026nbsp;matter if you are a\u0026nbsp;pro or\u0026nbsp;an amateur.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ring has been designed to\u0026nbsp;keep the lens housing sleek and\u0026nbsp;user-friendly when operated manually, but without any compromises when you want to\u0026nbsp;use your favourite cine gear. Combining compatibility and\u0026nbsp;usability that have never met before!\u003cbr \/\u003e\r\n\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cdiv data-oembed-url=\"https:\/\/irixlens.com\/new\/wp-content\/uploads\/2020\/05\/15mm-follow-focus-7mb.mp4\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv style=\"height:0; left:0; padding-bottom:56.25%; position:relative; width:100%\"\u003e\u003ciframe allow=\"encrypted-media *;\" allowfullscreen=\"\" src=\"\/\/if-cdn.com\/ULlJUAi\" style=\"top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;\" tabindex=\"-1\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cscript async=\"\" charset=\"utf-8\" src=\"\/\/if-cdn.com\/embed.js\"\u003e\u003c\/script\u003e\u003c\/div\u003e\r\n\r\n\u003cp\u003eLightweight and\u0026nbsp;compact design\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix 15mm T2.6 Cine meets the requirements of all filmmakers. No\u0026nbsp;matter if you are into building professional setups or\u0026nbsp;prefer to\u0026nbsp;shoot run-and-gun this lens is for\u0026nbsp;you. Due to\u0026nbsp;the aluminium-magnesium alloy construction the lens only weights 1kg.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/IL-C150_features_00005-768x536.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix and\u0026nbsp;gimbals work great together\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Irix has a\u0026nbsp;similar weight, which makes swapping them on\u0026nbsp;gimbal much easier. Additionally, focus gears help with any wireless follow focus. The weight of around 1kg works as\u0026nbsp;a\u0026nbsp;perfect counterweight to\u0026nbsp;most mirrorless cameras, making balancing a\u0026nbsp;breeze. We\u0026nbsp;have tested it personally on\u0026nbsp;many gimbals from most popular brands like Zhiyun or\u0026nbsp;DJI and\u0026nbsp;were very happy with how it all performed together.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e*Each camera has different weight distribution and\u0026nbsp;size, some balance easier, others don\u0026rsquo;t. Tests were done on\u0026nbsp;the Sony A7 series and\u0026nbsp;Canon R series.\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/share-768x768.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003ePerfectly fits into the cine world\u003c\/p\u003e\r\n\r\n\u003cp\u003eConvenience and\u0026nbsp;compatibility matters. We\u0026nbsp;made sure our Irix Cine 15mm is compatible with most follow focus systems, matte boxes, stabilizers, and\u0026nbsp;accessories available on\u0026nbsp;the market.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn\u0026nbsp;addition, it comes with a\u0026nbsp;detachable lens support foot, which provides stabilization and\u0026nbsp;reduces the strain on\u0026nbsp;the camera mount when in\u0026nbsp;use with follow focus gears.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIrix Cine is so universal it will become your favourite lens no\u0026nbsp;matter the task!\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Cine-family-rysunek-01-768x191%20(1).jpg\" \/\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Irix","offers":[{"title":"Default Title","offer_id":53585660313937,"sku":"IL-C15-RF-M","price":1175.46,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/t7K5ph9QzTWjE8VQgR11YgB1M95edaU9.jpg?v=1776796293"},{"product_id":"kino-obiektiv-irix-21mm-t1-5-za-canon-rf","title":"Irix 21mm T1.5 Cine lens for Canon RF","description":"\u003cp\u003e\u0026nbsp;Unique, Irix cinematic image\u003c\/p\u003e\r\n\r\n\u003cp\u003eFull frame\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeather sealed\u003c\/p\u003e\r\n\r\n\u003cp\u003eVery low focus breathing\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompact and\u0026nbsp;lightweight\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompatible with other Irix lenses\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlmost no\u0026nbsp;distortion\u003c\/p\u003e\r\n\r\n\u003cp\u003e7 mounts, including mirrorless\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/%D0%95%D0%BA%D1%80%D0%B0%D0%BD%D0%BD%D0%B0%20%D1%81%D0%BD%D0%B8%D0%BC%D0%BA%D0%B0%202024-03-21%20142015.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u0026ldquo;Irix Look\u0026rdquo;\u003c\/p\u003e\r\n\r\n\u003cp\u003eCine lenses are designed to\u0026nbsp;provide the substance. They are supposed to\u0026nbsp;have that \u0026ldquo;special look,\u0026nbsp; unidentified special thing, that makes the movie stand out. Irix lenses come with their own cinematic look, the \u0026ldquo;Irix look\u0026rdquo;.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRound shaped blade, and\u0026nbsp;shallow depth of field, will cut your subject from the background. The unique bokeh draws the contours of your subject to\u0026nbsp;make them stand out. The soft highlights and\u0026nbsp;subtle mist will smooth out those light streaks, that show up on\u0026nbsp;other lenses, providing footage that will be\u0026nbsp;stunning in\u0026nbsp;every frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Irix-Cine-21mm-T1-2.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eReady for\u0026nbsp;any weather conditions\u003c\/p\u003e\r\n\r\n\u003cp\u003eRain or\u0026nbsp;shine. The rugged and\u0026nbsp;durable construction of the Irix Cine 21mm guarantees that you can keep on\u0026nbsp;working with whatever weather throws at\u0026nbsp;you. The lens is resistant to\u0026nbsp;rain, sand, and\u0026nbsp;dust. So you can take it for\u0026nbsp;your next adventure in\u0026nbsp;a\u0026nbsp;desert or\u0026nbsp;jungle if your camera can handle those environments. Engraved markings on\u0026nbsp;the lens have been filled with UV-reactive paint, thanks to\u0026nbsp;which filming in\u0026nbsp;difficult lighting conditions becomes much easier.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Irix-Cine-21mm-on-location-(6).jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCatch every moment\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 21mm lens gives freedom to\u0026nbsp;your creativity. It\u0026rsquo;s wide, but not wide enough to\u0026nbsp;cause distortion. With this focal length, all proportions are kept and\u0026nbsp;your subject will look exactly like you see them compared to\u0026nbsp;wider lenses. With those characteristics, the lens works great for\u0026nbsp;tight spaces, where we\u0026nbsp;need to\u0026nbsp;shoot, for\u0026nbsp;example, people.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether cruising with your gimbal between dancing people during a\u0026nbsp;wedding or\u0026nbsp;shooting an action scene, where we\u0026nbsp;want to\u0026nbsp;get really close, the image will look like many more narrow lenses. Getting this close was for\u0026nbsp;example in\u0026nbsp;the movie Revenant. There DOP Emmanuel Lubezki was able to\u0026nbsp;get really dynamic shots and\u0026nbsp;make the viewer feel like they are right there with the actors thanks to\u0026nbsp;lenses of similar focal lengths as\u0026nbsp;21mm.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe fast\u0026nbsp; T1.5 opens up unlimited possibilities to\u0026nbsp;shoot in\u0026nbsp;any light conditions without going too high on\u0026nbsp;your ISO, also providing a\u0026nbsp;bokeh that will stand out and\u0026nbsp;the weather sealing protects the lens in\u0026nbsp;any weather conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Irix-Cine-Full-Set-EF-mount-a-2480x1440-1-768x446.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe T1.5 set\u003c\/p\u003e\r\n\r\n\u003cp\u003e21mm will be\u0026nbsp;our widest lens, that matches the 30 and\u0026nbsp;45mm with T1.5, allowing for\u0026nbsp;consistent shooting on\u0026nbsp;a\u0026nbsp;wide-open aperture. With such a\u0026nbsp;wide lens you can achieve amazing bokeh, and\u0026nbsp;easily match all the colors, contrast, and\u0026nbsp;brightness with 30mm and\u0026nbsp;45mm.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Irix-Cine-21mm-T1-3.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eModern optics guarantee outstanding image quality\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreativity and\u0026nbsp;passion lie in\u0026nbsp;your individuality. Craft one-of-a-kind cinematic look that won\u0026rsquo;t be\u0026nbsp;easily forgotten! Thanks to\u0026nbsp;the perfectly refined optical system, your shots will come out with low level of distortions and\u0026nbsp;aberrations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe internal focusing system of the lens guarantees incredible sharpness. 11 \u0026ndash; blade iris provide beautiful bokeh and\u0026nbsp;a\u0026nbsp;very smooth adjustment between T1.5 and\u0026nbsp;T16.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith very low focus breathing and\u0026nbsp;close to\u0026nbsp;human field of view Irix 21mm Cine is a\u0026nbsp;perfect lens for\u0026nbsp;filming natural-looking scenes.\u003c\/p\u003e\r\n\r\n\u003cdiv data-oembed-url=\"https:\/\/irixlens.com\/new\/wp-content\/uploads\/2022\/01\/animacja-na-strone-21mm_1.mp4\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv style=\"height:0; left:0; padding-bottom:56.25%; position:relative; width:100%\"\u003e\u003ciframe allow=\"encrypted-media *;\" allowfullscreen=\"\" src=\"\/\/if-cdn.com\/mqXjGZL\" style=\"top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;\" tabindex=\"-1\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cscript async=\"\" charset=\"utf-8\" src=\"\/\/if-cdn.com\/embed.js\"\u003e\u003c\/script\u003e\u003c\/div\u003e\r\n\r\n\u003cp\u003eInnovative adaptive ring\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe adaptive ring is an innovative function which you will love no\u0026nbsp;matter if you are a\u0026nbsp;pro or\u0026nbsp;an amateur.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ring has been designed to\u0026nbsp;keep the lens housing sleek and\u0026nbsp;user-friendly when operated manually, but without any compromises when you want to\u0026nbsp;use your favourite cine gear. Combining compatibility and\u0026nbsp;usability that have never met before!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Irix-21mm-T1_5-on-location-43-min-1-768x480.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eLightweight and\u0026nbsp;compact design\u003c\/p\u003e\r\n\r\n\u003cp\u003eIrix cine 21mm T1.5 meets requirements of all filmmakers. No\u0026nbsp;matter if you like to\u0026nbsp;build professional setup or\u0026nbsp;shoot with bare lens on\u0026nbsp;stabilizer this lens is for\u0026nbsp;you. Aluminum and\u0026nbsp;magnesium alloy construction and\u0026nbsp;housing weight only 1,1-1,2kg.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Irix-Cine-Lens-Cap-21mm-produktowe-II-web-768x512.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNew and\u0026nbsp;improved lens cover\u003c\/p\u003e\r\n\r\n\u003cp\u003eWe\u0026nbsp;have listened to\u0026nbsp;requests from our customers and\u0026nbsp;decided to\u0026nbsp;redesign our lens cover. The previous one didn\u0026rsquo;t allow for\u0026nbsp;leaving the lens standing on\u0026nbsp;it. The improved one has a\u0026nbsp;flat top and\u0026nbsp;slides on\u0026nbsp;the lens. Thanks to\u0026nbsp;this, you can now leave the lens upside down on\u0026nbsp;a\u0026nbsp;table and\u0026nbsp;not worry about it wobbling!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/21mm-cine-distortion-.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/wykres-21mm-cine_2022-.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eSensor coverage\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026gt;full frame (43.3 mm)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eFocal length\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e21 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eAperture range\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eT1.5 ~ T16\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eNumber of iris blades\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e11 (rounded shape)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eMinimum focusing distance\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0,3 m (11.81\u0026rdquo;)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd rowspan=\"4\"\u003eFocus ring\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eRotation angle\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e180\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eGear pitch\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0.8 M\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eNumber of teeth\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e117\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eDistance scale\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMetric or\u0026nbsp;imperial\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd rowspan=\"3\"\u003eAperture ring\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eRotation angle\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e75\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eGear pitch\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0.8 M\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eNumber of teeth\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e110\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd rowspan=\"5\"\u003eViewing angle (horizontal)\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eFull Frame\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e79,4\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eS-35mm 1.39x\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e65,6\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAPS-C 1.53x\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e57\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAPS-C 1.62x\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e54\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eMFT 2.0x\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e43,2\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eWeather sealing\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e4 rubber o-rings (PL 3\u0026nbsp; rubber o-rings)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eFront diameter\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eFilter diameter\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eNot applicable\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\"\u003eMarkings\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\r\n\t\t\t\u003cp\u003elaser engraved,\u0026nbsp;UV reactive\u003c\/p\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd rowspan=\"8\"\u003e\r\n\t\t\t\u003cp\u003eDimensions (L x\u0026nbsp;D)\u0026nbsp;\u003c\/p\u003e\r\n\r\n\t\t\t\u003cp\u003e(without accessories)\u003c\/p\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eCanon RF\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e124 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eNikon Z\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e129 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eL-mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e125 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eCanon EF\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e101 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eSony E\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e127 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eArri PL mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e93 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFuji X\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e133 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eMFT mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e126 x\u0026nbsp;95 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd rowspan=\"8\"\u003e\r\n\t\t\t\u003cp\u003eWeight (L x\u0026nbsp;D)\u0026nbsp;\u003c\/p\u003e\r\n\r\n\t\t\t\u003cp\u003e(without accessories)\u003c\/p\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eCanon RF\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1211 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eNikon Z\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1229 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eL-mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1209 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eCanon EF\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1109 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eSony E\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1179 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eArri PL mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1105 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFuji X\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1150 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eMFT mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1054 g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd rowspan=\"3\"\u003e\r\n\t\t\t\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\t\t\t\u003cp\u003eIncluded accessories\u003c\/p\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eRear lens cap\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1pc\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eLens support foot\u0026nbsp; 1\/4\u0026rdquo;\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1pc\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFront lens cap\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1pc\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Irix","offers":[{"title":"Default Title","offer_id":53585678106961,"sku":"IL-C21-RF-M","price":1175.46,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/nv2yITKYKJQieY1vB6bwLA9F6Kve2kCx.png?v=1776792887"},{"product_id":"kompliekt-obiektivi-nisi-cine-lens-athena-prime-18-40-135mm-canon-rf-3-obiektiva","title":"NiSi Cine Lens Athena Prime 18\/40\/135mm Canon RF - 3pcs. kit","description":"\u003cul\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003e\u003cstrong\u003eNISI CINE LENS SET ATHENA PRIME Add-On (3 LENSES)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eFeaturing a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eThe lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths.\u003cbr \/\u003e\r\n\t25\/35\/40\/50 \u0026amp; 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\n\tIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\n\tThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\n\tThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\t\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\n\tThey do not require rebalancing on a gimbal when switching between Athena lenses. All lenses (except the 14mm lens) share the same and 77mm filter thread.\u003cbr \/\u003e\r\n\tBoth aperture and focus rings are matched across the range.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eAll NiSi Athena lenses also have a focus rotation of 300\u0026deg; and fluorescent focus scales, displayed in both imperial and metric units, for precise focus pulls.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eIn addition to their impressive optical performance, the NiSi Athena Cine Lenses are also designed with convenience in mind. The lenses feature a standard 0.8 mod focus and iris gears, making them compatible with a wide range of follow focus and matte box systems.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eNiSi 77mm close-up lens can be used to reduce the minimum of focus distance and create great macro effects (sold separately).\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e\u003cstrong\u003eThis kit includes:\u003c\/strong\u003e\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 18mm T2.2 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 40mm T1.9 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 135mm T2.2 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi Hardcase for 9pcs NiSi Athena Lenses\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":53586145149265,"sku":"ATHENA ADD ON RF","price":4008.02,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/2F8xZLH1ynmjsJMZpyCZ6UIeyTw6wNPI.jpg?v=1776793825"},{"product_id":"kompliekt-obiektivi-nisi-cine-lens-athena-prime-14-18-25-35-40-50-85-135mm-canon-rf-8-obiektiva-s-kufar","title":"Nisi Cine Lens Set Athena Prime 14\/18\/25\/35\/40\/50\/85\/135mm Canon RF","description":"\u003cp\u003e\u003cstrong\u003eNISI CINE LENS SET ATHENA PRIME MASTER (8 LENSES)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths.\u003cbr \/\u003e\r\n25\/35\/40\/50 \u0026amp; 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\nIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\nThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\nThey do not require rebalancing on a gimbal when switching between Athena lenses. All lenses (except the 14mm lens) share the same and 77mm filter thread.\u003cbr \/\u003e\r\nBoth aperture and focus rings are matched across the range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena lenses also have a focus rotation of 300\u0026deg; and fluorescent focus scales, displayed in both imperial and metric units, for precise focus pulls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to their impressive optical performance, the NiSi Athena Cine Lenses are also designed with convenience in mind. The lenses feature a standard 0.8 mod focus and iris gears, making them compatible with a wide range of follow focus and matte box systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNiSi 77mm close-up lens can be used to reduce the minimum of focus distance and create great macro effects (sold separately).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThis kit includes:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 14mm T2.4 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 18mm T2.2 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 25mm T1.9 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 35mm T1.9 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 40mm T1.9 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 50mm T1.9 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 85mm T1.9 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi AThena Prime 135mm T2.2 PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003e1x NiSi Hardcase for 9pcs NiSi Athena Lenses\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":53586148196689,"sku":"Athena MASTER SET RF","price":10302.02,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/PewMxw9A6ncakCE8FSrDMdZLfGZ79KMV.jpg?v=1776793818"},{"product_id":"kompliekt-obiektivi-nisi-cine-lens-athena-prime-25-35-40-50-85mm-za-canon-rf-s-kufar-i-dva-filtra","title":"Nisi Cine Lens Set Athena Prime 25\/35\/40\/50\/85mm Canon RF","description":"\u003cp\u003e\u003cstrong\u003eNISI CINE LENS SET ATHENA PRIME (5 LENSES)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing a range of focal lengths from 14mm ultra-wide angle to 135mm, covering super-wide angle to portrait focal lengths, the NiSi Athena Cine Lenses provide exceptional versatility, making them ideal for a wide range of shooting scenarios and allows you to capture a wide variety of subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lenses also boast a T-stop rating, which measures the actual amount of light transmission through the lens, ensuring consistent exposure across all focal lengths.\u003cbr \/\u003e\r\n25\/35\/40\/50 \u0026amp; 85mm all have a maximum aperture of T1.9, which makes it possible to get a soft bokeh for beautiful background separation. 18 and 135mm have both a maximum aperture of T2.2, and the 14mm lens have a T-stop of T2.4.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThey have an impressive image circle of 46mm, thus making them suitable for use with full-frame and even large-format sensors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe whole series comes in ARRI PL, Canon RF, Sony E, Panasonic\/Leica L and Fuji G lens mount options, and offers Ultra-low chromatic aberration and micro-contrast control.\u003cbr \/\u003e\r\nIt offers unparalleled image quality with finer image details.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Athena Prime Lenses have been designed to minimize focus breathing. This means that, regardless of the focal length or aperture setting, the change in field of view when adjusting focus from the minimum focus distance to infinity is extremely small.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA proprietary rear filtration system:\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Athena Prime lens series features a Drop-In filter mount, providing greater flexibility and creative control for filmmakers.\u003cbr \/\u003e\r\nThe RF-, L- and G-Mount lenses have a Drop-In filter option, the E-Mount will come in two versions (with and without drop-in filter) while the PL-mount utilizes a rear filter.\u003cbr \/\u003e\r\n\u003cstrong\u003eNote!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSony FX9 camera can not use the E-Mount with Drop-In filters!\u003c\/li\u003e\r\n\t\u003cli\u003eIt\u0026acute;s important to use the Drop-In clear filter on RF-, L-, G- \u0026amp; E-mounts and the rear filter on PL-mount with the lens, to achieve infinity focus and obtain clear images.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eNiSi also provides a\u0026nbsp;\u003cstrong\u003eweather sealed for the Drop-In filter.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena Prime lenses are similar in weight!\u003cbr \/\u003e\r\nThey do not require rebalancing on a gimbal when switching between Athena lenses. All lenses (except the 14mm lens) share the same and 77mm filter thread.\u003cbr \/\u003e\r\nBoth aperture and focus rings are matched across the range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll NiSi Athena lenses also have a focus rotation of 300\u0026deg; and fluorescent focus scales, displayed in both imperial and metric units, for precise focus pulls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to their impressive optical performance, the NiSi Athena Cine Lenses are also designed with convenience in mind. 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Perfect for tight spaces, it delivers exceptional image quality with an \u0026Oslash;46.31mm image circle, covering most full-frame sensors. The 12cm close-focusing distance enables detailed close-ups, while its lightweight 430g (0.95lbs) design ensures versatility for gimbals, drones, and handheld setups. Ideal for dynamic, immersive storytelling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e134.8\u0026deg; Ultra Wide Perspective\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLaowa 9mm T5.8 VV Cine\u0026nbsp;\u003c\/strong\u003eis the widest rectilinear full-frame lens available, delivering\u0026nbsp;\u003cstrong\u003ean expansive 134.8\u0026deg; diagonal field of view\u003c\/strong\u003e\u0026nbsp;on full-frame sensors. 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This stretching effect, particularly pronounced at the edges of the frame, adds a dramatic, surreal and immersive quality to your shots.\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Oslash;46.31mm Image Circle\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a generous\u0026nbsp;\u003cstrong\u003e\u0026Oslash;46.31mm image circle\u003c\/strong\u003e, this lens ensures full coverage of most full-frame sensors, delivering exceptional image quality across the entire frame. 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This feature is especially valuable in tight spaces, enabling effective shooting without losing context.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding Image Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThanks to its low-distortion optical design, these lenses deliver exceptional sharpness across the entire frame, from the center to the edges. This ensures consistent image quality, even in the most demanding shooting conditions. Additionally, the lenses are engineered to\u003cstrong\u003e\u0026nbsp;minimize chromatic aberration\u003c\/strong\u003e, effectively reducing color fringing around high-contrast edges, making this lens ideal for professional cinematography.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and Lightweight Design\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just\u0026nbsp;\u003cstrong\u003e430g (0.95lbs)\u003c\/strong\u003e, the\u0026nbsp;\u003cstrong\u003e9mm T5.8 VV Cine\u0026nbsp;\u003c\/strong\u003eis exceptionally lightweight and versatile, making it an ideal choice for a wide range of shooting setups. Whether mounted on gimbals, drones, handheld rigs, or other stabilizing equipment, its compact design ensures seamless integration and effortless maneuverability. Perfect for on-the-go filmmaking, it enables dynamic shots and smooth camera movements, even in challenging environments. 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Perfect for tight spaces, it delivers exceptional image quality with an \u0026Oslash;46.31mm image circle, covering full-frame and VistaVision sensors. The 12cm close-focusing distance enables detailed close-ups, while its lightweight\u0026nbsp;516g\u0026nbsp;(1.14 lbs) design ensures versatility for gimbals, drones, and handheld setups. Ideal for dynamic, immersive storytelling.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable in\u0026nbsp;\u003cstrong\u003eARRI LPL, Sony E, Nikon Z,\u0026nbsp;\u003c\/strong\u003e\u003cstrong\u003eCanon RF, L mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNo PL mount is available for this lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just 516g (1.14lbs), the Laowa 10mm T2.9 Zero-D VV Cine\u003cbr \/\u003e\r\nis exceptionally lightweight and versatile, making it an ideal choice for a wide range of shooting setups. Whether mounted on gimbals, drones, handheld rigs, or other stabilizing equipment, its compact design ensures seamless integration and effortless maneuverability. Perfect for on-the-go filmmaking, it enables dynamic shots and smooth camera movements, even in challenging environments. Additionally, its smaller form factor allows for greater flexibility in confined spaces, making it a practical and powerful tool in any scenario.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e130.3\u0026deg;\u003c\/strong\u003e\u0026nbsp;Ultra Wide Perspective\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNot only being the most compact 10mm FF\/VV lens in the market, The lens can also deliver\u003cstrong\u003e\u0026nbsp;an expansive\u0026nbsp;\u003c\/strong\u003e\u003cstrong\u003e130.3\u0026deg;\u003c\/strong\u003e\u003cstrong\u003e\u0026nbsp;diagonal field of view\u003c\/strong\u003e\u0026nbsp;on full-frame sensors. Its ultra-wide-angle design enhances cinematic and dramatic impact, while the vast field of view captures stunningly rich details.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Oslash;46.31mm Image Circle\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a generous\u0026nbsp;\u003cstrong\u003e\u0026Oslash;46.31mm image circle\u003c\/strong\u003e, this lens ensures full coverage of full-frame and even most VistaVision sensors, delivering exceptional image quality across the entire frame. Designed to meet the diverse needs of filmmakers\u0026mdash;from independent creators to large-scale productions, it combines versatility with precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe\u0026nbsp;\u003cstrong\u003e12cm close focusing capability\u003c\/strong\u003e\u0026nbsp;of a wide-angle lens unlocks creative potential, allowing you to capture striking compositions with exaggerated depth and perspective. By getting close to your subject, you can highlight foreground details while maintaining a wide, immersive background, creating dynamic contrast and visual impact. This feature is especially valuable in tight spaces, enabling effective shooting without losing context.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026ldquo;Zero-Distortion\u0026rdquo;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTrue to Laowa\u0026rsquo;s reputation, the 10mm Zero-D VV Cine lens features their \u0026lsquo;Zero-Distortion\u0026rsquo; design, which minimizes distortion to an extremely low level, keeping lines straight from the center to the edges of the image.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding Image Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens is engineered to\u003cstrong\u003e\u0026nbsp;minimize chromatic aberration\u003c\/strong\u003e, effectively reducing color fringing around high-contrast edges, making this lens ideal for professional cinematography.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecification\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003ctable style=\"width:816px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eLens name\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eLaowa 10mm T2.9 Zero-D VV Cine\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFocal length\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e10mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAperture range\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eT2.9-22\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFormat\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eFull Frame\/VistaVision\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eImage circle diameter\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026oslash;46.31mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAngle of view (Full-Frame)\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e130.3\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eLens structure\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e15 elements in 9 groups\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAperture blades\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e14\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAperture throw\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e63\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFocus throw\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e113\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eMin. focusing distance\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e12cm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFocus indicator\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMetric \u0026amp; Imperial (Dual Scale)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eIn-focus driving mode\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eManual (MF)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eMax. Magnification\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0.24X\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eGear mod\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0.8M\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eDimensions for Filter Thread\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026Oslash;77mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFront Diameter\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026Oslash;80mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd rowspan=\"2\"\u003eDimensions\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eE: \u0026Oslash;84.8mm*72.7mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eLPL: \u0026Oslash;84.8mm*46.7mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eWeight\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eE: 516g\r\n\t\t\t\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\t\t\t\u003cp\u003eLPL: 545g\u003c\/p\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eMounts\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eARRI LPL, Sony E, Nikon Z, Canon RF, L-mount\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":53586384322897,"sku":"VE1029VVRF","price":2129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/9Q64GfLLkVYwobUXIeIkhy9CKUAh2M1m.jpg?v=1776796362"},{"product_id":"obiektiv-laowa-12mm-t2-9-zero-d-vv-cine-za-canon-rf-vista-vision","title":"Laowa 12mm T2.9 Zero-D VV Cine for Canon RF- Vista Vision","description":"\u003cp\u003eLaowa 12mm T2.9 Zero-D VV Cine is the lightest 12mm Rectilinear Lens for Full-Frame\/VistaVision Sensors on the market, featuring a groundbreaking 122\u0026deg; angle of view for realizing formerly impossible creative freedom. Perfect for tight spaces, it delivers exceptional image quality with an \u0026Oslash;46.31mm image circle, covering full-frame and VistaVision sensors. The 14cm close-focusing distance enables detailed close-ups, while its lightweight 458g\u0026nbsp;(1.01lbs) design ensures versatility for gimbals, drones, and handheld setups. Ideal for dynamic, immersive storytelling.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable in\u0026nbsp;\u003cstrong\u003eARRI PL, Sony E, Nikon Z,\u0026nbsp;Canon RF, L mount\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe PL lens can be used with RED DSMC2 and Arri Alexa cameras without a problem.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just 430g (0.95lbs), the 12mm T2.9 Lite Zero-D VV Cine is exceptionally lightweight and versatile, thanks to its mirrorless design. This makes it an ideal choice for a variety of shooting setups, including gimbals, drones, handheld rigs, and other stabilizing equipment. Its compact form ensures seamless integration and effortless maneuverability, perfect for on-the-go filmmaking. Additionally, its small size provides greater flexibility in confined spaces, making it a practical and powerful tool for producing creative, high-quality footage in any scenario.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e122\u0026deg; Ultra Wide Perspective\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Laowa 12mm T2.9 Lite Zero-D VV Cine delivers an expansive 122\u0026deg; diagonal field of view on full-frame sensors, making it a powerhouse for capturing vast scenes with stunning depth and scale. Its ultra-wide-angle perspective not only immerses viewers in the frame but also enhances the sense of spatial dimension, bringing images to life. Whether you\u0026rsquo;re shooting sweeping landscapes, confined interiors, or fast-paced action sequences, this lens offers great versatility, ensuring every detail you want to highlight is preserved with exceptional clarity for your audience.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Oslash;46.31mm Image Circle\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a generous\u0026nbsp;\u003cstrong\u003e\u0026Oslash;46.31mm image circle\u003c\/strong\u003e, this lens ensures full coverage of most full-frame sensors, delivering exceptional image quality across the entire frame. Designed to meet the diverse needs of filmmakers\u0026mdash;from independent creators to large-scale productions, it combines versatility with precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus Exceptionally Close to Your Subject\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 14cm close focusing capability of a wide-angle lens opens up new creative possibilities, enabling you to capture compelling compositions with dramatic depth and perspective. By getting close to your subject, you can emphasize fine foreground details while maintaining a vast, immersive background. This creates a striking visual contrast that enhances both the aesthetic appeal and narrative depth of your shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026ldquo;Zero-Distortion\u0026rdquo;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTrue to Laowa\u0026rsquo;s reputation, the 12mm VV Cine lens features their \u0026lsquo;Zero-Distortion\u0026rsquo; design, which minimizes distortion to an extremely low level, keeping lines straight from the center to the edges of the image.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding Image Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThanks to their near-zero-distortion optical design, Laowa 12mm T2.9 Lite Zero-D VV Cine delivers exceptional sharpness and clarity across the entire frame, from center to edge. Engineered to minimize chromatic aberration, they effectively reduce color fringing around high-contrast edges, ensuring pristine image quality for professional cinematography.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth 100\u0026deg; Focus Throw\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/laowacine.com\/wp-content\/uploads\/2025\/03\/06_12mm-Website_Focus-Throw-1.jpg\" style=\"height:641px; width:961px\" title=\"06_12mm Website_Focus Throw\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens features an extended 100\u0026deg; smooth focus throw, engineered to ensure precise and accurate focus pulling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e0.8 Gear Mod\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/laowacine.com\/wp-content\/uploads\/2025\/03\/07_12mm-Website_08-ModGear.jpg\" style=\"height:641px; width:961px\" title=\"07_12mm Website_08 ModGear\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned with standard 0.8 mod gears on both the aperture and focusing rings, this lens ensures easy integration with follow-focus systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFront Filter Compatibility\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/laowacine.com\/wp-content\/uploads\/2025\/03\/08_12mm-Website_77mm-Filter-Thread.jpg\" style=\"height:641px; width:961px\" title=\"08_12mm Website_77mm Filter Thread\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ability to use 77mm screw-in filters with the Laowa 12mm T2.9 Lite Zero-D VV Cine lens offers significant advantages for filmmakers. This feature allows users to easily attach filters\u0026mdash;such as ND, polarizer, or UV filters\u0026mdash;directly onto the lens without the need for additional filter holders or matte boxes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecification\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003ctable style=\"width:981px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eLens\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eLaowa 12mm T2.9 Lite Zero-D VV Cine\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e12mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAperture Range\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eT2.9 \u0026ndash; 22\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eFF \u0026amp; VV\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eImage Circle Diameter\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026Oslash; 46.31mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAngle of View (Full-Frame)\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e122\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eLens Structure\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e16 Elements in 9 Groups\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAperture Blades\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e14\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAperture Throw\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e67.5\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFocus Throw\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e100\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eMin. Focusing Distance\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e14cm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFocus Indicator\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMetric \u0026amp; Imperial (Dual Scale)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eIn-focus Driving Mode\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMF\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eMax. 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Perfect for tight spaces, it delivers exceptional image quality with an \u0026Oslash;46.31mm image circle, covering full-frame and VistaVision sensors. The 14cm close-focusing distance enables detailed close-ups, while its lightweight 458g\u0026nbsp;(1.01lbs) design ensures versatility for gimbals, drones, and handheld setups. Ideal for dynamic, immersive storytelling.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable in\u0026nbsp;\u003cstrong\u003eARRI PL, Sony E, Nikon Z,\u0026nbsp;Canon RF, L mount\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe PL lens can be used with RED DSMC2 and Arri Alexa cameras without a problem.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just 430g (0.95lbs), the 12mm T2.9 Lite Zero-D VV Cine is exceptionally lightweight and versatile, thanks to its mirrorless design. This makes it an ideal choice for a variety of shooting setups, including gimbals, drones, handheld rigs, and other stabilizing equipment. 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Whether you\u0026rsquo;re shooting sweeping landscapes, confined interiors, or fast-paced action sequences, this lens offers great versatility, ensuring every detail you want to highlight is preserved with exceptional clarity for your audience.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Oslash;46.31mm Image Circle\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a generous\u0026nbsp;\u003cstrong\u003e\u0026Oslash;46.31mm image circle\u003c\/strong\u003e, this lens ensures full coverage of most full-frame sensors, delivering exceptional image quality across the entire frame. 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This creates a striking visual contrast that enhances both the aesthetic appeal and narrative depth of your shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026ldquo;Zero-Distortion\u0026rdquo;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTrue to Laowa\u0026rsquo;s reputation, the 12mm VV Cine lens features their \u0026lsquo;Zero-Distortion\u0026rsquo; design, which minimizes distortion to an extremely low level, keeping lines straight from the center to the edges of the image.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding Image Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThanks to their near-zero-distortion optical design, Laowa 12mm T2.9 Lite Zero-D VV Cine delivers exceptional sharpness and clarity across the entire frame, from center to edge. 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Focusing Distance\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e14cm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFocus Indicator\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMetric \u0026amp; Imperial (Dual Scale)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eIn-focus Driving Mode\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMF\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eMax. 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Perfect for tight spaces, it delivers exceptional image quality with an \u0026Oslash;46.31mm image circle, covering most full-frame sensors. The 20cm close-focusing distance enables detailed close-ups, while its lightweight 592g (1.31lbs) design ensures versatility for gimbals, drones, and handheld setups. Ideal for dynamic, immersive storytelling.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable in\u0026nbsp;\u003cstrong\u003eARRI PL, Sony E, Nikon Z, Canon RF, Canon EF,\u0026nbsp; L mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just 592g (1.31lbs), the Laowa 14mm T2.6 Zero-D VV Cine\u0026nbsp;is exceptionally lightweight and versatile, making it an ideal choice for a wide range of shooting setups. Whether mounted on gimbals, drones, handheld rigs, or other stabilizing equipment, its compact design ensures seamless integration and effortless maneuverability.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePerfect for on-the-go filmmaking, it enables dynamic shots and smooth camera movements, even in challenging environments. Additionally, its smaller form factor allows for greater flexibility in confined spaces, making it a practical and powerful tool in any scenario.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e117.8\u0026deg; Ultra Wide Perspective\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLaowa 14mm T2.6 Zero-D VV Cine\u003c\/strong\u003e\u0026nbsp;is the widest rectilinear full-frame lens available, delivering\u0026nbsp;\u003cstrong\u003ean expansive 117.8\u0026deg; diagonal field of view\u003c\/strong\u003e\u0026nbsp;on full-frame sensors. Its ultra-wide-angle design enhances cinematic and dramatic impact, while the vast field of view captures stunningly rich details.\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Oslash;46.5mm Image Circle\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a generous\u0026nbsp;\u003cstrong\u003e\u0026Oslash;46.5mm image circle\u003c\/strong\u003e, this lens ensures full coverage of most full-frame sensors, delivering exceptional image quality across the entire frame. Designed to meet the diverse needs of filmmakers\u0026mdash;from independent creators to large-scale productions, it combines versatility with precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe\u0026nbsp;\u003cstrong\u003e20\u003c\/strong\u003e\u003cstrong\u003ecm close focusing capability\u003c\/strong\u003e\u0026nbsp;of a wide-angle lens unlocks creative potential, allowing you to capture striking compositions with exaggerated depth and perspective. By getting close to your subject, you can highlight foreground details while maintaining a wide, immersive background, creating dynamic contrast and visual impact. This feature is especially valuable in tight spaces, enabling effective shooting without losing context.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026ldquo;Zero-Distortion\u0026rdquo;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you\u0026rsquo;re into shooting buildings or indoor spaces, you know how crucial it is to keep those lines looking straight and true. The Laowa 14mm VV Cine lens tackles this with a clever optical design that minimizes distortions\u0026nbsp; \u0026ndash;\u0026nbsp; \u0026ldquo;Close-to-Zero Distortion.\u0026rdquo;\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis makes it a fantastic pick for filming architecture or interiors, where you want everything to feel as real and natural as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding Image Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eLaowa 14mm VV Cine delivers exceptional sharpness across the entire frame, from the center to the edges. Additionally, the lenses are engineered to\u003cstrong\u003e\u0026nbsp;minimize chromatic aberration\u003c\/strong\u003e, effectively reducing color fringing around high-contrast edges, making this lens ideal for professional cinematography.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/laowacine.com\/wp-content\/uploads\/2025\/03\/06_14mm-Website_Focus-Throw.jpg\" style=\"height:641px; width:961px\" title=\"06_14mm Website_Focus Throw\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e304\u0026deg; Focus Throw\u003c\/strong\u003e\u0026nbsp;\u0026ndash; For Precise Focus Control\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/laowacine.com\/wp-content\/uploads\/2025\/03\/07_14mm-Website_08-ModGear.jpg\" style=\"height:641px; width:961px\" title=\"07_14mm Website_08 ModGear\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e0.8 Mod Gear\u003c\/strong\u003e\u0026nbsp;\u0026ndash; Industry Standard\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e77mm Filter Thread\u003c\/strong\u003e\u0026nbsp;\u0026ndash; Compatible with Screw-In Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecification\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003ctable style=\"width:981px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eLens\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eLaowa 14mm T2.6 Zero-D VV Cine\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e14mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAperture Range\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eT2.6 \u0026ndash; 22\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eFF \u0026amp; VV\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eImage Circle Diameter\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026Oslash; 46.5mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e117.8\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eLens Structure\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e16 Elements in 10 Groups\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAperture Blades\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e15\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eAperture Throw\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e76.9\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFocus Throw\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e304.4\u0026deg;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eMin. Focusing Distance\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e20cm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFocus Indicator\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMetric \u0026amp; Imperial (Dual Scale)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eIn-focus Driving Mode\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMF\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eMax. Magnification\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0.15X\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eGear Mod\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0.8M\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eDimensions for Filter Thread\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026Oslash; 77mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u0026Oslash; 80mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eE: \u0026Oslash;80 mm X 103mm\r\n\t\t\t\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\t\t\t\u003cp\u003ePL: \u0026Oslash;80mm X 69mm\u003c\/p\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eE: 638g\r\n\t\t\t\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\t\t\t\u003cp\u003ePL: 592g\u003c\/p\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eMounts\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eArri PL, Sony E, Nikon Z, Canon RF, Canon EF,\u0026nbsp; L mount\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":53586387108177,"sku":"VE1426VVRF","price":1879.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/IW2wsjm43pP5CUoxV7WnoowoAdD8EkGh.jpg?v=1776796394"},{"product_id":"обектив-canon-rf-20-50mm-f4-l-is-usm-pz","title":"Canon RF 20-50mm f4 L IS USM PZ","description":"\u003ch2\u003e\u003cspan\u003eZoom обектив, създаден за видео\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eБърз и лек power zoom обектив, Canon RF 20-50mm f\/4 L IS USM PZ е създаден за създаване на съдържание, предоставяйки отлична видео производителност с възможност за избор между power zoom и ръчен zoom контрол. Напълно съвместим с всички RF-mount тела, обективът предлага постоянна светлосила от f\/4 до f\/22 във всички фокусни разстояния, шест стопа оптична стабилизация и nano USM мотор за фокусиране, осигуряващи оптимални резултати независимо от обекта.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eИзключително чиста оптика\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFocus breathing ефектът е сведен до минимум за оптимална видео производителност. Предният елемент разполага с флуорно покритие, а корпусът на обектива е устойчив на прах и атмосферни влияния, като вътрешният zoom механизъм позволява работа във всякакви условия. Два асферични и три UD (ultralow dispersion) елемента работят заедно за постигане на остро изображение без изкривявания в целия zoom диапазон, а минималната дистанция за фокусиране от 9.5\" позволява детайлни close-up кадри.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePower Zoom управление\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eВграденият wide-to-tele rocker power zoom механизъм се задвижва от два nano USM мотора. Скоростта на zoom може да се контролира директно от менюто на камерата R6 V чрез отделни настройки за barrel speed, level speed, standby speed и recording speed. При zoom центърът на тежестта се променя минимално, което прави обектива идеален за работа с гимбали.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eДопълнително може да бъде закупено Bluetooth дистанционното BR-E2 за дистанционно управление на zoom функцията.\u003c\/span\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53783776198993,"sku":"7286C005AA","price":1519.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/1778662038_1970924.jpg?v=1778843853"}],"url":"https:\/\/dynaphos.com\/en\/collections\/vidieo-obiektivi-za-canon-rf.oembed?page=2","provider":"Dynaphos","version":"1.0","type":"link"}