{"title":"Sony Promo (09.2026)","description":null,"products":[{"product_id":"sd-karta-pamiet-sony-tough-128gb-uhs-ii-sf-g128t-r-300-w-299","title":"SD Memory Card Sony Tough 128GB UHS-II SF-G128T (R:300 W:299)","description":"\u003cp\u003e\u003cstrong\u003eWorld\u0026rsquo;s toughest SD card\u003c\/strong\u003e\u003cbr \/\u003e\r\nSF-G series TOUGH specification cards are designed for dependability. The one-piece moulding body with high hardness materials is 18 times more bend resistant than the SD standard, impact resistant for drops up to 5 m and highest level dustproof and waterproof (IP68).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFragile parts designed out\u003c\/strong\u003e\u003cbr \/\u003e\r\nBy designing out the weak parts of conventional SD cards - the ribs and write-protect switch - reliability is vastly improved. This reduces risk of difficulty in recording data if broken.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuperior water and dust proofing\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe fully-sealed one-piece moulding meets the highest specifications for both waterproofing and dust proofing. With an IP68 rating, the SF-G series TOUGH specification cards can withstand fine dust, mud, grime and immersion in 5m of water for up to 72 hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWorld\u0026rsquo;s fastest SD card\u003c\/strong\u003e\u003cbr \/\u003e\r\nTake burst-shooting and high resolution video recording to the next level with ultra-fast write speeds up to 299 MB\/s3 - fast enough for even the highest performance DSLRs with a UHS-II interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eV90 for capturing high-resolution video\u003c\/strong\u003e\u003cbr \/\u003e\r\nSupport for the latest V90 Video Speed Class makes this card perfect for high-resolution video recording. V90 is the highest grade of Video speed class which guarantees minimum write speed of 90 MB\/s, so you can feel confident there won\u0026#39;t be any dropped frames or caching, even when capturing up to 8K video.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFaster Transfer to PC\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to 300 MB\/s read speed, you can transfer large files such as 4K video or a bunch of high-resolution images to a PC in seconds. Less time waiting, more time doing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSD Scan Utility\u003c\/strong\u003e\u003cbr \/\u003e\r\nIt would be a disaster if your camera suddenly stopped storing images. Over time all SD memory wears out and the card stops recording data reliably. Sony\u0026rsquo;s SD Scan Utility regularly and automatically scans your SD memory card and lets you know when it\u0026rsquo;s about time to replace it with a fresh card. Disaster avoided. Available for PC and Mac.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable in all conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to top rating dust and water proofing, TOUGH specification cards are resistant to X-rays (ISO7816-1), magnetic fields, UV, and temperature extremes. All while retaining broad compatibility with cameras and other SD card readers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFile Rescue\u003c\/strong\u003e\u003cbr \/\u003e\r\nSometimes things go wrong and you accidentally delete files and photos. File Rescue is a powerful and easy-to-use tool that recovers data. Available as a free download for Sony memory card customers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCapacity\u003c\/strong\u003e\u003cbr \/\u003e\r\n128GB\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransfer Speed (read)\u003c\/strong\u003e\u003cbr \/\u003e\r\nUp to 300MB\/s (HD312), Up to 95MB\/s (SDR104)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransfer Speed (Write)\u003c\/strong\u003e\u003cbr \/\u003e\r\nUp to 299MB\/s (HD312), Up to 90MB\/s (SDR104)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpeed Class\u003c\/strong\u003e\u003cbr \/\u003e\r\nClass 10 (SD Speed Class), Class 3 (UHS Speed Class), V90 (Video Speed Class)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterface\u003c\/strong\u003e\u003cbr \/\u003e\r\nUHS-II\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584895836497,"sku":"SFG1TG","price":379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/MA9j24whCORpvaHB8IXYJvLPUsGnLXkB.jpg?v=1776799807"},{"product_id":"sd-karta-pamiet-sony-128gb-uhs-ii-sf-m128-tough-r-277-w-150","title":"SD Memory Card Sony 128GB UHS-II SF-M128 TOUGH (R:277 W:150)","description":"\u003cp\u003e\u003cstrong\u003eBlazing fast performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast write speed suppoprts longer burst shooting of high resolution photos as long as cameras can continue. Also ready to capture 4K Ultra HD, with UHS Speed Class 3 (U3) and Class 10.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFile Rescue\u003c\/strong\u003e\u003cbr \/\u003e\r\nSometimes things go wrong and data such as photos and files accidentaly deleted. File Rescue is a powerful tool for recovering data that is simple enough for anyone to use. Available as a free download to memory card customers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuperior Reliability\u003c\/strong\u003e\u003cbr \/\u003e\r\nSuperior reliability and durability even in intense use: X-ray proof, Waterproof, Temperature resistant and shock-proof.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFaster Transfer to PC\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its faster read speed up to 260MB\/s, transfer even large media files to your PC in seconds. You can spend less time waiting and more time doing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003cbr \/\u003e\r\n5 years\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupporting Interface\u003c\/strong\u003e\u003cbr \/\u003e\r\nSupports UHS-II interface for maximum performance. 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Sony\u0026#39;s industry-leading image technology is packed into a new Super 35 format (20.1 megapixel) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; for a cinematic look without grading\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 incorporates S-Cinetone, based on the colour science behind the highly regarded colour and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it\u0026#39;s easy to achieve a beautiful cinematic look without the necessity of post-production grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording formats for image quality and\u0026nbsp; post-production\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, for even better image quality and manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Base ISO for cleaner images in low light\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximise the FX30\u0026rsquo;s dynamic range when shooting in both bright or low-light conditions. What\u0026#39;s more, a wide 14+ stops of latitude minimises the risk of blown highlights or blocked shadows over a wide range of lighting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording for smooth cinematic colour grading\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when colour grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality colour reproduction over a wide latitude, and special care has been taken to adjust the camera\u0026#39;s output to ensure that the highest image quality can be easily achieved during post processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew Log shooting modes for optimised image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nThree modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony\u0026#39;s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera\u0026#39;s Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony\u0026#39;s s709 has been added to the available LUT presets.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSee an accurate preview of the final image with user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customisable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDependable, highly accurate autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nSophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds and animals), while Real-time Tracking provides reliable tracking based on Sony\u0026#39;s unique, AI-based subject recognition.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSophisticated focus functions to handle any situation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualise depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimising the field-of-view shift that can occur with some lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible motion with up to 4K \/ 120p recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation supports handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode is an optical in-body 5-axis image stabilisation mode that provides increased stabilisation for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilisation, breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony\u0026#39;s free Catalyst Browse or purchased Catalyst Prepare software\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew Main menu for quick access to frequently used items\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026rsquo;s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStill image shooting function\u003c\/strong\u003e\u003cbr \/\u003e\r\nBecause the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMulti-thread body makes a cage unnecessary\u003c\/strong\u003e\u003cbr \/\u003e\r\nDesigned for mobility and efficiency, the body of the FX30 features five thread holes (1\/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible, high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMovie standby screen\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe layout of the information and icon overlay that appears in standby mode has been optimised for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBroad connectivity for a wide range of shooting needs\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C\u0026reg; , Multi\/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVertical aspect markers\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXLR connectors for high-quality external audio input\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code sync\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 can be synchronised (TC-IN) to a second camera that has a time code output terminal by connecting the FX30\u0026rsquo;s Multi\/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned to resist dust and moisture\u003c\/strong\u003e\u003cbr \/\u003e\r\nDust and moisture resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K 60p recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised the camera\u0026rsquo;s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Mobile\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nImaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious without compromising performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Sony Group continues to accelerate our \u0026quot;Road to Zero\u0026quot; environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSturdy magnesium alloy body\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026rsquo;s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585210474833,"sku":"ILMEFX30B.CEC","price":1849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/fh1pdbiBHyJbGYziam9kZpP0eH3r4i3P.jpg?v=1776800710"},{"product_id":"sony-fx30-cinema-line-aps-c-kamiera-xlr-handle-unit-kit","title":"Sony FX30 Cinema Line APS-C camera + XLR Handle Unit Kit","description":"\u003cp\u003e\u003cstrong\u003eMemorable imagery from the Exmor R\u0026trade; CMOS sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30\u0026#39;s back-illuminated Exmor R APS-C CMOS sensor is ready to deliver memorable imagery with outstanding resolution and a shallow depth of field. Sony\u0026#39;s industry-leading image technology is packed into a new Super 35 format (20.1 megapixel) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; for a cinematic look without grading\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 incorporates S-Cinetone, based on the colour science behind the highly regarded colour and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it\u0026#39;s easy to achieve a beautiful cinematic look without the necessity of post-production grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording formats for image quality and\u0026nbsp; post-production\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, for even better image quality and manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Base ISO for cleaner images in low light\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximise the FX30\u0026rsquo;s dynamic range when shooting in both bright or low-light conditions. What\u0026#39;s more, a wide 14+ stops of latitude minimises the risk of blown highlights or blocked shadows over a wide range of lighting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording for smooth cinematic colour grading\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when colour grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality colour reproduction over a wide latitude, and special care has been taken to adjust the camera\u0026#39;s output to ensure that the highest image quality can be easily achieved during post processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew Log shooting modes for optimised image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nThree modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony\u0026#39;s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera\u0026#39;s Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony\u0026#39;s s709 has been added to the available LUT presets.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSee an accurate preview of the final image with user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customisable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDependable, highly accurate autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nSophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds and animals), while Real-time Tracking provides reliable tracking based on Sony\u0026#39;s unique, AI-based subject recognition.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSophisticated focus functions to handle any situation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualise depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimising the field-of-view shift that can occur with some lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible motion with up to 4K \/ 120p recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation supports handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode is an optical in-body 5-axis image stabilisation mode that provides increased stabilisation for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilisation, breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony\u0026#39;s free Catalyst Browse or purchased Catalyst Prepare software\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew Main menu for quick access to frequently used items\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026rsquo;s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStill image shooting function\u003c\/strong\u003e\u003cbr \/\u003e\r\nBecause the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMulti-thread body makes a cage unnecessary\u003c\/strong\u003e\u003cbr \/\u003e\r\nDesigned for mobility and efficiency, the body of the FX30 features five thread holes (1\/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible, high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMovie standby screen\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe layout of the information and icon overlay that appears in standby mode has been optimised for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBroad connectivity for a wide range of shooting needs\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C\u0026reg; , Multi\/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVertical aspect markers\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXLR connectors for high-quality external audio input\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code sync\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX30 can be synchronised (TC-IN) to a second camera that has a time code output terminal by connecting the FX30\u0026rsquo;s Multi\/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned to resist dust and moisture\u003c\/strong\u003e\u003cbr \/\u003e\r\nDust and moisture resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K 60p recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised the camera\u0026rsquo;s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Mobile\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nImaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious without compromising performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Sony Group continues to accelerate our \u0026quot;Road to Zero\u0026quot; environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSturdy magnesium alloy body\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026rsquo;s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilme-fx30\/specifications\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585211162961,"sku":"ILMEFX30.CEC","price":2349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/W2SujPivmjs5CiGSck48REDETeETckw6.jpg?v=1776800714"},{"product_id":"sd-karta-pamiet-sony-tough-256gb-uhs-ii-sf-g256t-r-300-w-299","title":"SD Memory Card Sony Tough 256GB UHS-II SF-G256T (R:300 W:299)","description":"\u003cp\u003e\u003cstrong\u003eWorld\u0026rsquo;s toughest SD card\u003c\/strong\u003e\u003cbr \/\u003e\r\nSF-G series TOUGH specification cards are designed for dependability. The one-piece moulding body with high hardness materials is 18 times more bend resistant than the SD standard, impact resistant for drops up to 5 m and highest level dustproof and waterproof (IP68).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFragile parts designed out\u003c\/strong\u003e\u003cbr \/\u003e\r\nBy designing out the weak parts of conventional SD cards - the ribs and write-protect switch - reliability is vastly improved. This reduces risk of difficulty in recording data if broken.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuperior water and dust proofing\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe fully-sealed one-piece moulding meets the highest specifications for both waterproofing and dust proofing. With an IP68 rating, the SF-G series TOUGH specification cards can withstand fine dust, mud, grime and immersion in 5m of water for up to 72 hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWorld\u0026rsquo;s fastest SD card\u003c\/strong\u003e\u003cbr \/\u003e\r\nTake burst-shooting and high resolution video recording to the next level with ultra-fast write speeds up to 299 MB\/s3 - fast enough for even the highest performance DSLRs with a UHS-II interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eV90 for capturing high-resolution video\u003c\/strong\u003e\u003cbr \/\u003e\r\nSupport for the latest V90 Video Speed Class makes this card perfect for high-resolution video recording. V90 is the highest grade of Video speed class which guarantees minimum write speed of 90 MB\/s, so you can feel confident there won\u0026#39;t be any dropped frames or caching, even when capturing up to 8K video.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFaster Transfer to PC\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to 300 MB\/s read speed, you can transfer large files such as 4K video or a bunch of high-resolution images to a PC in seconds. Less time waiting, more time doing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSD Scan Utility\u003c\/strong\u003e\u003cbr \/\u003e\r\nIt would be a disaster if your camera suddenly stopped storing images. Over time all SD memory wears out and the card stops recording data reliably. Sony\u0026rsquo;s SD Scan Utility regularly and automatically scans your SD memory card and lets you know when it\u0026rsquo;s about time to replace it with a fresh card. Disaster avoided. Available for PC and Mac.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable in all conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to top rating dust and water proofing, TOUGH specification cards are resistant to X-rays (ISO7816-1), magnetic fields, UV, and temperature extremes. All while retaining broad compatibility with cameras and other SD card readers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFile Rescue\u003c\/strong\u003e\u003cbr \/\u003e\r\nSometimes things go wrong and you accidentally delete files and photos. File Rescue is a powerful and easy-to-use tool that recovers data. Available as a free download for Sony memory card customers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCapacity\u003c\/strong\u003e\u003cbr \/\u003e\r\n256GB\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransfer Speed (read)\u003c\/strong\u003e\u003cbr \/\u003e\r\nUp to 300MB\/s (HD312), Up to 95MB\/s (SDR104)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransfer Speed (Write)\u003c\/strong\u003e\u003cbr \/\u003e\r\nUp to 299MB\/s (HD312), Up to 90MB\/s (SDR104)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpeed Class\u003c\/strong\u003e\u003cbr \/\u003e\r\nClass 10 (SD Speed Class), Class 3 (UHS Speed Class), V90 (Video Speed Class)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterface\u003c\/strong\u003e\u003cbr \/\u003e\r\nUHS-II\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585265197393,"sku":"SFG256T.SYM","price":659.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/9kGkbu9EJXACct8AANczup8Zaxvx5TEm.jpg?v=1776799807"},{"product_id":"fotoaparat-sony-a6400-obiektiv-sony-e-18-135mm-f3-5-5-6-oss","title":"Sony a6400 + Sony E 18-135mm f3.5-5.6 OSS","description":"\u003cp\u003e\u003cstrong\u003eInnovation in service to your creativity\u003c\/strong\u003e\u003cbr \/\u003e\r\nUnleash your creative potential with high-level performance and advanced features such as AI-powered Real-time Eye AF; new, high-precision Real-time Tracking; high-speed continuous shooting and 4K HDR (HLG) movie-shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/af77fe1d75b7ab0c6bccdae233c932b9?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUnparalleled AF performance is the key to beautiful shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast and accurate autofocus lets you capture fleeting moments in stunning detail, thanks to a combination of innovative technologies. A total of 425 phase-detection AF points work in conjunction with contrast-detection AF to achieve a remarkable 0.02 sec. speed, while High-density AF Tracking Technology follows even erratically moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/7bf6d4e021ebc3429bb56e359105ba61?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore accurate autofocus in dim lighting\u003c\/strong\u003e\u003cbr \/\u003e\r\nHighly accurate autofocus is now possible even in dark settings, thanks to advances in the AF algorithm. With this model, the lower limit on the AF detection brightness range has been reduced to EV-2 when in AF-S mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/1236daf474435f2c206a77c4276e2952?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF in Focus Magnifier for finer focus adjustment\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen extra-accurate autofocus is called for, such as when you\u0026#39;re taking macro shots, you can display a magnified view of the general area you want to focus on, then finely adjust the exact point of focus in the viewfinder or on the LCD screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/71a4f8c5c008cdce3282a54dcf303b6c?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced Real-time Eye AF supports portrait shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Eye AF detects and autofocuses on the eyes of your subjects when you half-press the shutter. Either the left eye, the right eye, or auto can be specified, and when AF-C is set it maintains a stable focus even when part of the face is hidden, the face is backlit or the subject is facing downwards.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8cb62680ede5ff3e875af7d93b40ef76?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasier manual focus with an improved peaking function\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s peaking function colour-highlights the most sharply focused section of the entire image area when you\u0026#39;re using manual focus. Now blue has been added to the display\u0026#39;s other peaking colours (red, yellow and white) to improve the visibility of the focus peak areas when you\u0026#39;re doing the delicate focusing required for macro or portrait shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/dba20c86d1cc86a531ff03afa446be89?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking holds the focus on tracked subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen you\u0026#39;re tracking a fast-moving subject, the camera\u0026#39;s improved automatic subject motion tracker uses a newly developed subject recognition algorithm that draws on colour, pattern (brightness), subject distance (depth) and face\/eye information to recognise, and hold onto, your subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/582d0d02db1da5e18c05bd785ee44d1f?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary image quality, low noise and a wider ISO range\u003c\/strong\u003e\u003cbr \/\u003e\r\nMaximum standard ISO sensitivity has been increased to ISO 32000 (expanded to ISO 102400 for stills), while improved imaging algorithms, detail reproduction technology and area-division noise reduction result in more realistic textures, better detail in shadow regions, and more lifelike colours, including human skin tones and natural plant colours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/08f21dd759df5527c2aa2c48c2d88ad3?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn innovative image-processing system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s APS-C size, 24.2-megapixel ExmorTMCMOS sensor provides a wide sensitivity range and excellent low-noise performance. In conjunction with the new-generation BIONZ XTMimage processing engine, it delivers beautiful, high-resolution images with superb image clarity and texture reproduction.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/05e8f082c5d6a02fdbd58a6b141922fe?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh speed continuous shooting with AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture all the action with continuous shooting at up to 11fps (with after view), or 8fps (with silent shutter) and 8fps (for live view). Display lag has been minimised, and up to 116 JPEG (Standard) images can be shot, with group display available. Camera operability and access to various features while writing data have also been greatly improved.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/97655d807f88c4a57cc4f809c395c201?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K movie recording in high-bit-rate XAVC S format\u003c\/strong\u003e\u003cbr \/\u003e\r\nSuper 35mm format, 4K movie recording with full pixel readout and no pixel binning allows oversampling with approx. 2.4x as much information as is required for 4K (QFHD: 3840 x 2160), adding up to the equivalent of 6K and giving these images more realistic depth. High-bit-rate (max. 100Mbps) XAVC S format, a consumer-friendly version of a format for professional use, plus HLG support result in better-looking movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/27001e88c62ded90812c75adb98ac6f4?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNewly added 1:1 aspect ratio for easier social-media shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to 3:2 and 16:9 aspect (width-to-height) ratios, the 1:1 aspect ratio used by social media platforms is now offered as an option. This eliminates the need for cumbersome hand-trimming of images after shooting in preparation for posting on social media.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/a84447287d202a4b03468cb711d1f112?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e14-bit RAW output with rich tonal gradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen you\u0026#39;re shooting in RAW format, the 14-bit digital signals that are converted from analog in the image sensor are passed to the front-end LSI and BIONZ X, where they undergo 16-bit processing before converting back to 14-bit RAW image output. This leads to smoother, more natural tonal gradation in these images. [1] Image Sensor [2] The latest high-speed front-end LSI [3] 16-bit Image processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/d7eebe331651e7c17fb35daf5870e1eb?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSlow and Quick motion, and high-speed 120fps recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nSlow motion (up to 5x) and quick motion (up to 60x) can be recorded in camera in high-quality Full HD, and no PC-based post-processing is required to view your slow-motion and quick-motion footage. Additionally, high bit-rate recordings of up to 100Mbps in Full HD can be used to create high-image-quality slow-motion movies in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/86e951b4d13b41627f8460ac4464d4c7?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSteady, precise AF tracking for better movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. AF tracking sensitivity can be adjusted for either stable focus or responsive refocusing, depending on the nature of the scene, and Touch Tracking lets you initiate tracking of a moving subject simply by touching the LCD screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8be8fe46197f3ba37f2250ea810e14c8?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Gamut\/S-Log shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log shooting gives you flexibility to make more expressive movies by performing colour grading in post-production. The S-Log3 and S-Log2 gamma curves feature a wide dynamic range (up to 1300%) that can help minimise blown highlights and blocked shadows. The S-Log3 gamma setting also provides an impressive 14-stop latitude.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/f9e6088fc23d40d1b0d9c81bc0bb10cc?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterval shooting for the creation of time-lapse movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous shooting with a set interval between 1 and 60 seconds is now available within the camera, and the resulting still images can be edited into a time-lapse movie on a PC using the Viewer application from the Imaging EdgeTMdesktop applications. A simple variable-speed preview function allows you to see an image, on the camera, of how the finished movie will look.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eSophisticated features for easier movie-making\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;6400 facilitates the workflow of professional videographers with a wide range of functions, including clean HDMI output, time code \/ user bits (TC\/UB), rec. control, marker display\/setting, zebra function, Slow \u0026amp; Quick Motion21, simultaneous proxy movie recording, extraction and separate storage of a still from a movie, Gamma Display Assist function, and in-monitor display of current ISO value when shooting with ISO Auto, among others.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/89923b6e9afff8d7dbd2e7310ef577eb?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupport for professional-quality mic and audio input\u003c\/strong\u003e\u003cbr \/\u003e\r\nExternal microphones can be attached via the microphone jack, and there is also an option for line input via XLR connectors using the camera\u0026#39;s separately available XLR adaptor kit, which enables connection with various high-end microphones for professional-level audio.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/446bf8a3ba178ae8f98e827fc1bfd2d9?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustom functions for greater operability\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s eight keys and controls can be custom-assigned to any of 89 shooting and replay functions, and frequently used functions can also be assigned to the control dial and control wheel with My Dial. My Menu allows flexible assignment of 30 menu items, and the custom settings screen helps keep track of everything. Help displays are available on the menu screen via a single button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/a1be27ed29155351b541bfb8bfc246cd?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e180\u0026deg;-tiltable LCD screen with versatile touch functions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-resolution 921k-dot LCD has a 3.0-type screen and tilts upward a full 180\u0026deg; for easy framing of self-portraits and vlogs. The LCD\u0026#39;s intuitive touch operations include Touch Pad (smoothly move the focus point), Touch Focus (set the focus point), Touch Shutter (release the shutter), and Touch Tracking (activate Real-Time AF).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/aa9b14f9d6862ad8560fe7f46af9553c?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth display on the OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-contrast, high-resolution XGA OLED Tru-FinderTM provides high visibility, fine details even in dark areas, accurate colours and smooth displays at either 60fps or 120fps, with the framerate selectable for smoother viewing. Standard and High quality settings are available for both the viewfinder and the LCD monitor.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eUser-interface improvements for efficient settings control\u003c\/strong\u003e\u003cbr \/\u003e\r\nA new feature displays frequently used ISO ranges on the ISO setting screen, and another displays frequently used focus-area types on the AF area-setting screen. And when using Flexible Spot mode you can now cycle the AF area up, down, right and left \u0026ndash; useful when shooting sporting scenes where the subject moves frequently within the AF area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/aa1eb6e195121a84095b1a50ccc41aa0?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore versatile flash functions\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting with compatible wireless flash units, rear-curtain sync and slow sync can now be selected, increasing your creative options for lighting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/3c6f7726332761fe388f7adccdc1ee47?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasier ratings and protection from deletion\u003c\/strong\u003e\u003cbr \/\u003e\r\nStill images can be given a rating or protected from deletion, and both functions can be accessed via pre-assigned custom keys.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/debbff13956c5336c232763fc13661dc?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater control over white-balance settings\u003c\/strong\u003e\u003cbr \/\u003e\r\nIf set in advance, auto white balance can now be locked or unlocked at any time, for more consistent colour tones when there are multiple light sources. Custom setting of white balance has been simplified, and you can now select an AWB priority setting when shooting with incandescent lighting \u0026ndash; either warmer Atmosphere Priority, or White Priority for purer whites.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/14aaa0b4616ace659266587a2d562ffd?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOne-touch remote, One-touch sharing, Location Information Link\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe One-touch remote feature turns your mobile device into a viewfinder and remote control, while One-touch sharing allows photos and videos to be transferred to your device for social media sharing. The camera can also acquire location data via Bluetooth\u0026reg;. (These mobile device features are available via Sony\u0026#39;s Imaging Edge Mobile app.)\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eSturdy, durable construction for robust operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s low-vibration shutter mechanism is designed and tested to withstand around 200,000 shutter cycles, and the body, top cover and front cover use a light but highly rigid magnesium alloy. Major buttons and dials are sealed, and casing components have an interlocked double-layer structure to resist dust and moisture.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eAdvances in remote camera control\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen doing remote shooting using the Remote app from the Imaging Edge desktop applications, you can now use the overlay display to make precise adjustments to focus and composition while checking the live view on your PC screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/099b6f8517680ba41860e6fd29d4ecc3?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge desktop applications\u003c\/strong\u003e\u003cbr \/\u003e\r\nElevate your photography with the Imaging Edge desktop applications. Use \u0026ldquo;Remote\u0026rdquo; to control and monitor shooting live on your PC screen; \u0026ldquo;Viewer\u0026rdquo; to quickly preview, rate, and select photos from large image libraries; and \u0026ldquo;Edit\u0026rdquo; to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s in the box\u003c\/strong\u003e:\u003cbr \/\u003e\r\nSEL18135, AC Adaptor: AC-UUE12, Accessory shoe cap, Body cap, Eyepiece cup, Micro USB cable, Rechargeable Battery NP-FW50, Shoulder strap, Lens cap, Lens hood, Lens rear cap\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-6400\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpecifications:\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586326487377,"sku":"ILCE6400AMB.CEC","price":1149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/cD84zeVgzH3QC6C3wA280pXr361IjrGB.jpg?v=1776791238"},{"product_id":"fotoaparat-sony-a6400-obiektiv-sony-e-pz-16-50mm-f3-5-5-6-oss-ii","title":"Sony a6400 + Sony E PZ 16-50mm f3.5-5.6 OSS II","description":"\u003cp\u003e\u003cstrong\u003eInnovation in service to your creativity\u003c\/strong\u003e\u003cbr \/\u003e\r\nUnleash your creative potential with high-level performance and advanced features such as AI-powered Real-time Eye AF; new, high-precision Real-time Tracking; high-speed continuous shooting and 4K HDR (HLG) movie-shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/af77fe1d75b7ab0c6bccdae233c932b9?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUnparalleled AF performance is the key to beautiful shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast and accurate autofocus lets you capture fleeting moments in stunning detail, thanks to a combination of innovative technologies. A total of 425 phase-detection AF points work in conjunction with contrast-detection AF to achieve a remarkable 0.02 sec. speed, while High-density AF Tracking Technology follows even erratically moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/7bf6d4e021ebc3429bb56e359105ba61?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore accurate autofocus in dim lighting\u003c\/strong\u003e\u003cbr \/\u003e\r\nHighly accurate autofocus is now possible even in dark settings, thanks to advances in the AF algorithm. With this model, the lower limit on the AF detection brightness range has been reduced to EV-2 when in AF-S mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/1236daf474435f2c206a77c4276e2952?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF in Focus Magnifier for finer focus adjustment\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen extra-accurate autofocus is called for, such as when you\u0026#39;re taking macro shots, you can display a magnified view of the general area you want to focus on, then finely adjust the exact point of focus in the viewfinder or on the LCD screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/71a4f8c5c008cdce3282a54dcf303b6c?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced Real-time Eye AF supports portrait shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Eye AF detects and autofocuses on the eyes of your subjects when you half-press the shutter. Either the left eye, the right eye, or auto can be specified, and when AF-C is set it maintains a stable focus even when part of the face is hidden, the face is backlit or the subject is facing downwards.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8cb62680ede5ff3e875af7d93b40ef76?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasier manual focus with an improved peaking function\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s peaking function colour-highlights the most sharply focused section of the entire image area when you\u0026#39;re using manual focus. Now blue has been added to the display\u0026#39;s other peaking colours (red, yellow and white) to improve the visibility of the focus peak areas when you\u0026#39;re doing the delicate focusing required for macro or portrait shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/dba20c86d1cc86a531ff03afa446be89?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking holds the focus on tracked subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen you\u0026#39;re tracking a fast-moving subject, the camera\u0026#39;s improved automatic subject motion tracker uses a newly developed subject recognition algorithm that draws on colour, pattern (brightness), subject distance (depth) and face\/eye information to recognise, and hold onto, your subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/582d0d02db1da5e18c05bd785ee44d1f?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary image quality, low noise and a wider ISO range\u003c\/strong\u003e\u003cbr \/\u003e\r\nMaximum standard ISO sensitivity has been increased to ISO 32000 (expanded to ISO 102400 for stills), while improved imaging algorithms, detail reproduction technology and area-division noise reduction result in more realistic textures, better detail in shadow regions, and more lifelike colours, including human skin tones and natural plant colours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/08f21dd759df5527c2aa2c48c2d88ad3?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn innovative image-processing system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s APS-C size, 24.2-megapixel ExmorTMCMOS sensor provides a wide sensitivity range and excellent low-noise performance. In conjunction with the new-generation BIONZ XTMimage processing engine, it delivers beautiful, high-resolution images with superb image clarity and texture reproduction.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/05e8f082c5d6a02fdbd58a6b141922fe?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh speed continuous shooting with AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture all the action with continuous shooting at up to 11fps (with after view), or 8fps (with silent shutter) and 8fps (for live view). Display lag has been minimised, and up to 116 JPEG (Standard) images can be shot, with group display available. Camera operability and access to various features while writing data have also been greatly improved.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/97655d807f88c4a57cc4f809c395c201?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K movie recording in high-bit-rate XAVC S format\u003c\/strong\u003e\u003cbr \/\u003e\r\nSuper 35mm format, 4K movie recording with full pixel readout and no pixel binning allows oversampling with approx. 2.4x as much information as is required for 4K (QFHD: 3840 x 2160), adding up to the equivalent of 6K and giving these images more realistic depth. High-bit-rate (max. 100Mbps) XAVC S format, a consumer-friendly version of a format for professional use, plus HLG support result in better-looking movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/27001e88c62ded90812c75adb98ac6f4?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNewly added 1:1 aspect ratio for easier social-media shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to 3:2 and 16:9 aspect (width-to-height) ratios, the 1:1 aspect ratio used by social media platforms is now offered as an option. This eliminates the need for cumbersome hand-trimming of images after shooting in preparation for posting on social media.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/a84447287d202a4b03468cb711d1f112?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e14-bit RAW output with rich tonal gradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen you\u0026#39;re shooting in RAW format, the 14-bit digital signals that are converted from analog in the image sensor are passed to the front-end LSI and BIONZ X, where they undergo 16-bit processing before converting back to 14-bit RAW image output. This leads to smoother, more natural tonal gradation in these images. [1] Image Sensor [2] The latest high-speed front-end LSI [3] 16-bit Image processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/d7eebe331651e7c17fb35daf5870e1eb?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSlow and Quick motion, and high-speed 120fps recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nSlow motion (up to 5x) and quick motion (up to 60x) can be recorded in camera in high-quality Full HD, and no PC-based post-processing is required to view your slow-motion and quick-motion footage. Additionally, high bit-rate recordings of up to 100Mbps in Full HD can be used to create high-image-quality slow-motion movies in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/86e951b4d13b41627f8460ac4464d4c7?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSteady, precise AF tracking for better movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. AF tracking sensitivity can be adjusted for either stable focus or responsive refocusing, depending on the nature of the scene, and Touch Tracking lets you initiate tracking of a moving subject simply by touching the LCD screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8be8fe46197f3ba37f2250ea810e14c8?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Gamut\/S-Log shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log shooting gives you flexibility to make more expressive movies by performing colour grading in post-production. The S-Log3 and S-Log2 gamma curves feature a wide dynamic range (up to 1300%) that can help minimise blown highlights and blocked shadows. The S-Log3 gamma setting also provides an impressive 14-stop latitude.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/f9e6088fc23d40d1b0d9c81bc0bb10cc?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterval shooting for the creation of time-lapse movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous shooting with a set interval between 1 and 60 seconds is now available within the camera, and the resulting still images can be edited into a time-lapse movie on a PC using the Viewer application from the Imaging EdgeTMdesktop applications. A simple variable-speed preview function allows you to see an image, on the camera, of how the finished movie will look.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eSophisticated features for easier movie-making\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;6400 facilitates the workflow of professional videographers with a wide range of functions, including clean HDMI output, time code \/ user bits (TC\/UB), rec. control, marker display\/setting, zebra function, Slow \u0026amp; Quick Motion21, simultaneous proxy movie recording, extraction and separate storage of a still from a movie, Gamma Display Assist function, and in-monitor display of current ISO value when shooting with ISO Auto, among others.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/89923b6e9afff8d7dbd2e7310ef577eb?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupport for professional-quality mic and audio input\u003c\/strong\u003e\u003cbr \/\u003e\r\nExternal microphones can be attached via the microphone jack, and there is also an option for line input via XLR connectors using the camera\u0026#39;s separately available XLR adaptor kit, which enables connection with various high-end microphones for professional-level audio.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/446bf8a3ba178ae8f98e827fc1bfd2d9?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustom functions for greater operability\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s eight keys and controls can be custom-assigned to any of 89 shooting and replay functions, and frequently used functions can also be assigned to the control dial and control wheel with My Dial. My Menu allows flexible assignment of 30 menu items, and the custom settings screen helps keep track of everything. Help displays are available on the menu screen via a single button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/a1be27ed29155351b541bfb8bfc246cd?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e180\u0026deg;-tiltable LCD screen with versatile touch functions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-resolution 921k-dot LCD has a 3.0-type screen and tilts upward a full 180\u0026deg; for easy framing of self-portraits and vlogs. The LCD\u0026#39;s intuitive touch operations include Touch Pad (smoothly move the focus point), Touch Focus (set the focus point), Touch Shutter (release the shutter), and Touch Tracking (activate Real-Time AF).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/aa9b14f9d6862ad8560fe7f46af9553c?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth display on the OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-contrast, high-resolution XGA OLED Tru-FinderTM provides high visibility, fine details even in dark areas, accurate colours and smooth displays at either 60fps or 120fps, with the framerate selectable for smoother viewing. Standard and High quality settings are available for both the viewfinder and the LCD monitor.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eUser-interface improvements for efficient settings control\u003c\/strong\u003e\u003cbr \/\u003e\r\nA new feature displays frequently used ISO ranges on the ISO setting screen, and another displays frequently used focus-area types on the AF area-setting screen. And when using Flexible Spot mode you can now cycle the AF area up, down, right and left \u0026ndash; useful when shooting sporting scenes where the subject moves frequently within the AF area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/aa1eb6e195121a84095b1a50ccc41aa0?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore versatile flash functions\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting with compatible wireless flash units, rear-curtain sync and slow sync can now be selected, increasing your creative options for lighting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/3c6f7726332761fe388f7adccdc1ee47?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasier ratings and protection from deletion\u003c\/strong\u003e\u003cbr \/\u003e\r\nStill images can be given a rating or protected from deletion, and both functions can be accessed via pre-assigned custom keys.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/debbff13956c5336c232763fc13661dc?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater control over white-balance settings\u003c\/strong\u003e\u003cbr \/\u003e\r\nIf set in advance, auto white balance can now be locked or unlocked at any time, for more consistent colour tones when there are multiple light sources. Custom setting of white balance has been simplified, and you can now select an AWB priority setting when shooting with incandescent lighting \u0026ndash; either warmer Atmosphere Priority, or White Priority for purer whites.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/14aaa0b4616ace659266587a2d562ffd?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOne-touch remote, One-touch sharing, Location Information Link\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe One-touch remote feature turns your mobile device into a viewfinder and remote control, while One-touch sharing allows photos and videos to be transferred to your device for social media sharing. The camera can also acquire location data via Bluetooth\u0026reg;. (These mobile device features are available via Sony\u0026#39;s Imaging Edge Mobile app.)\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eSturdy, durable construction for robust operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s low-vibration shutter mechanism is designed and tested to withstand around 200,000 shutter cycles, and the body, top cover and front cover use a light but highly rigid magnesium alloy. Major buttons and dials are sealed, and casing components have an interlocked double-layer structure to resist dust and moisture.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eAdvances in remote camera control\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen doing remote shooting using the Remote app from the Imaging Edge desktop applications, you can now use the overlay display to make precise adjustments to focus and composition while checking the live view on your PC screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/099b6f8517680ba41860e6fd29d4ecc3?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge desktop applications\u003c\/strong\u003e\u003cbr \/\u003e\r\nElevate your photography with the Imaging Edge desktop applications. Use \u0026ldquo;Remote\u0026rdquo; to control and monitor shooting live on your PC screen; \u0026ldquo;Viewer\u0026rdquo; to quickly preview, rate, and select photos from large image libraries; and \u0026ldquo;Edit\u0026rdquo; to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s in the box\u003c\/strong\u003e:\u003cbr \/\u003e\r\nSELP1650, AC Adaptor: AC-UUE12, Accessory shoe cap, Body cap, Eyepiece cup, Micro USB cable, Rechargeable Battery NP-FW50, Shoulder strap, Lens cap\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-6400\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpecifications:\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586397921617,"sku":"ILCE6400AKB.CEC","price":949.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/aP6FgssIRNb46Uax1VcZxboOrE5X8xIn.jpg?v=1776791244"},{"product_id":"sony-fx2-cinema-line-plnoformatna-kamiera","title":"Sony FX2 Cinema Line Full-frame camera","description":"\u003cp\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R\u0026trade; CMOS sensor supported by a BIONZ XR\u0026trade; image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr \/\u003e\r\n7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony\u0026rsquo;s Creators\u0026rsquo; Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nPicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone\u0026trade;, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor creative flexibility, there are three modes available for Log recording \u0026mdash; Flexible ISO, Cine EI, and Cine EI Quick \u0026mdash; with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post　production to achieve your desired cinematic look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion\u003cbr \/\u003e\r\nat 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony\u0026rsquo;s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAttach a top handle for extra handling ease\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1\/4-20 screw holes for further accessory mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStabilisation for dynamic handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there\u0026rsquo;s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 \u0026deg; to +90\u0026deg; for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControl layout designed for professional use\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible vari-angle LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps and high visibility recording indication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you\u0026rsquo;re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code synchronisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi\/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable\u003cbr \/\u003e\r\n, and then to the second camera via a BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera\u0026rsquo;s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible network communication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera\u0026rsquo;s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time\u003cbr \/\u003e\r\nor up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera\u0026rsquo;s USB Type-C\u0026reg; terminal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nNumerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera\u0026rsquo;s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor \u0026amp; Control\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026#39; Cloud platform\u003c\/strong\u003e\u003cbr \/\u003e\r\nCreators\u0026#39; Cloud is a platform that supports creative work from shooting to production by combining Sony\u0026#39;s advanced camera technology and the cloud. It\u0026#39;s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecorded files can be directly uploaded to Creators\u0026rsquo; Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators\u0026rsquo; Cloud, data can be transferred to other cloud services such as Google Drive\u0026trade; or Adobe Lightroom to suit your workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAccessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s environmental plan \u0026quot;Road to Zero\u0026quot; aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586466308433,"sku":"ILMEFX2B.CEC","price":2749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/WvrCFsN5sY4GZhSwKhpEPzcQy3IXsTJR.jpg?v=1776800706"},{"product_id":"sony-fx2-cinema-line-plnoformatna-kamiera-xlr-drzhka","title":"Sony FX2 Cinema Line Full-frame camera + XLR handle unit","description":"\u003cp\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R\u0026trade; CMOS sensor supported by a BIONZ XR\u0026trade; image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr \/\u003e\r\n7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony\u0026rsquo;s Creators\u0026rsquo; Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nPicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone\u0026trade;, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor creative flexibility, there are three modes available for Log recording \u0026mdash; Flexible ISO, Cine EI, and Cine EI Quick \u0026mdash; with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post　production to achieve your desired cinematic look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion\u003cbr \/\u003e\r\nat 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony\u0026rsquo;s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAttach a top handle for extra handling ease\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1\/4-20 screw holes for further accessory mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStabilisation for dynamic handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there\u0026rsquo;s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 \u0026deg; to +90\u0026deg; for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControl layout designed for professional use\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible vari-angle LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps and high visibility recording indication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you\u0026rsquo;re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code synchronisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi\/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable\u003cbr \/\u003e\r\n, and then to the second camera via a BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera\u0026rsquo;s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible network communication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera\u0026rsquo;s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time\u003cbr \/\u003e\r\nor up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera\u0026rsquo;s USB Type-C\u0026reg; terminal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nNumerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera\u0026rsquo;s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor \u0026amp; Control\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026#39; Cloud platform\u003c\/strong\u003e\u003cbr \/\u003e\r\nCreators\u0026#39; Cloud is a platform that supports creative work from shooting to production by combining Sony\u0026#39;s advanced camera technology and the cloud. It\u0026#39;s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecorded files can be directly uploaded to Creators\u0026rsquo; Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators\u0026rsquo; Cloud, data can be transferred to other cloud services such as Google Drive\u0026trade; or Adobe Lightroom to suit your workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAccessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s environmental plan \u0026quot;Road to Zero\u0026quot; aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586467160401,"sku":"ILMEFX2.CEC","price":3249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/xgfk5S26PFTfhf6KCMDr3tWcTkOhyX9c.jpg?v=1776800709"},{"product_id":"sony-fx3a-cinema-line-plnoformatna-kamiera","title":"Sony FX3A Cinema Line Full-frame camera","description":"\u003cp\u003e\u003cstrong\u003eImage sensor with blazingly fast readout speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe back-illuminated full-frame Exmor R\u0026trade; CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh performance image-processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XR\u0026trade; image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame sensor enables high sensitivity with low noise throughout the camera\u0026#39;s range by optimising the sensor\u0026rsquo;s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera\u0026#39;s high sensitivity and wide dynamic range expand your flexibility in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAcclaimed cinematic colour with S-Cinetone\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe inclusion of Sony\u0026rsquo;s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading. [1] Standard (Picture Profile OFF)\u0026nbsp; [2] S-Cinetone (Picture Profile 11)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I)\u0026nbsp; [2] Long-GOP\u0026nbsp; [3] Group of Pictures\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K High Frame Rate 120fps recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nYou can record full-frame 4K (QFHD) at up to 120fps, with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003cbr \/\u003e\r\nFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p\/50p\/29.97p\/25p\/23.98p).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHEVC codec with high compression efficiency\u003c\/strong\u003e\u003cbr \/\u003e\r\nXAVC HS format recording, using the MPEG-H HEVC\/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log2 and S-Log3 with 10-bit 4:2:2 support\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. For camera matching with other S-Log3 capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExpand your vision with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user\u0026#39;s preference, and you can also register your favourite settings as a custom look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.\u0026nbsp; [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible exposure mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, easy touch focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It\u0026#39;s fast, easy, and intuitive to perform rack focusing through touch operation\u0026mdash;ensuring you have full creative control of the FX3\u0026#39;s powerful AF technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, easy and reliable Real-time Tracking and Eye AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus control is fast and intuitive, to ensure you have full creative control of the FX3\u0026rsquo;s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject\u0026#39;s colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe handle of the FX3 includes two independent full-size XLR connectors (XLR\/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIn-body optical image stabilisation for handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nRelying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera\u0026#39;s Optical SteadyShot\u0026trade; Active Mode provides precise optical image compensation, for outstanding results for 4K video recording, even while walking. With this unprecedented level of stabilisation it\u0026#39;s possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHDMI Type-A output and monitoring options\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera\u0026#39;s LCD monitor, an HDMI-connected external recording or monitoring device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable buttons for professional movie creators\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customisable keys and menus deliver streamlined workflows in the field. It\u0026rsquo;s designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K 60p recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor uninterrupted 4K 60precording, the FX3 features an innovative heat dissipation structure, including a unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eREC lamps and highlighting during video recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThere is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.\u003cbr \/\u003e\r\n\u0026nbsp;\u003cbr \/\u003e\r\n\u003cstrong\u003eCage-free accessory mounting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFive 1\/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVarious zoom operations tailor your expression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle of view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary re-framing to purposeful cinematic zooms.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTouch-driven menu with workflow-based navigation\u003c\/strong\u003e\u003cbr \/\u003e\r\nResponding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers\u0026rsquo; work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible camera positioning with vari-angle monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, durable, and lightweight construction\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower for professional length\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type C\u0026reg; power supply or portable powerbank battery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable durability and weather resistance in tough situations\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWireless 5GHz \/2.4GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera\u0026#39;s USB Type C\u0026reg; terminal supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony\u0026#39;s Imaging Edge Desktop\u0026trade; application, or from a mobile device with Imaging Edge Mobile\u0026trade;. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s Catalyst Browse and Prepare software are ideal production partners for the FX3. The FX3 records two types of supplementary metadata: image stabilisation and camera rotation. These can be useful when previewing and preparing to edit in Sony\u0026rsquo;s free Catalyst Browse or cost-effective Catalyst Prepare desktop applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/professional-video-cameras\/ilme-fx3\/specifications?cpint=SG_PRODUCT_DETAILS_PRI-TOUT-PDP-ILME-FX3-EN_GL-2021-01-M01-NEWCINEMATIC#specifications\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586531058001,"sku":"ILMEFX3AB.CEC","price":4199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/YHFgcduaeK1sdmfFUf0xvjjiIOSKn0dT.jpg?v=1776800717"},{"product_id":"fotoaparat-sony-a6400-tialo","title":"Sony a6400 Body","description":"\u003cp\u003e\u003cstrong\u003eInnovation in service to your creativity\u003c\/strong\u003e\u003cbr \/\u003e\r\nUnleash your creative potential with high-level performance and advanced features such as AI-powered Real-time Eye AF; new, high-precision Real-time Tracking; high-speed continuous shooting and 4K HDR (HLG) movie-shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/af77fe1d75b7ab0c6bccdae233c932b9?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUnparalleled AF performance is the key to beautiful shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast and accurate autofocus lets you capture fleeting moments in stunning detail, thanks to a combination of innovative technologies. A total of 425 phase-detection AF points work in conjunction with contrast-detection AF to achieve a remarkable 0.02 sec. speed, while High-density AF Tracking Technology follows even erratically moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/7bf6d4e021ebc3429bb56e359105ba61?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore accurate autofocus in dim lighting\u003c\/strong\u003e\u003cbr \/\u003e\r\nHighly accurate autofocus is now possible even in dark settings, thanks to advances in the AF algorithm. With this model, the lower limit on the AF detection brightness range has been reduced to EV-2 when in AF-S mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/1236daf474435f2c206a77c4276e2952?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF in Focus Magnifier for finer focus adjustment\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen extra-accurate autofocus is called for, such as when you\u0026#39;re taking macro shots, you can display a magnified view of the general area you want to focus on, then finely adjust the exact point of focus in the viewfinder or on the LCD screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/71a4f8c5c008cdce3282a54dcf303b6c?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced Real-time Eye AF supports portrait shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Eye AF detects and autofocuses on the eyes of your subjects when you half-press the shutter. Either the left eye, the right eye, or auto can be specified, and when AF-C is set it maintains a stable focus even when part of the face is hidden, the face is backlit or the subject is facing downwards.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8cb62680ede5ff3e875af7d93b40ef76?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasier manual focus with an improved peaking function\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s peaking function colour-highlights the most sharply focused section of the entire image area when you\u0026#39;re using manual focus. Now blue has been added to the display\u0026#39;s other peaking colours (red, yellow and white) to improve the visibility of the focus peak areas when you\u0026#39;re doing the delicate focusing required for macro or portrait shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/dba20c86d1cc86a531ff03afa446be89?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking holds the focus on tracked subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen you\u0026#39;re tracking a fast-moving subject, the camera\u0026#39;s improved automatic subject motion tracker uses a newly developed subject recognition algorithm that draws on colour, pattern (brightness), subject distance (depth) and face\/eye information to recognise, and hold onto, your subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/582d0d02db1da5e18c05bd785ee44d1f?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary image quality, low noise and a wider ISO range\u003c\/strong\u003e\u003cbr \/\u003e\r\nMaximum standard ISO sensitivity has been increased to ISO 32000 (expanded to ISO 102400 for stills), while improved imaging algorithms, detail reproduction technology and area-division noise reduction result in more realistic textures, better detail in shadow regions, and more lifelike colours, including human skin tones and natural plant colours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/08f21dd759df5527c2aa2c48c2d88ad3?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn innovative image-processing system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s APS-C size, 24.2-megapixel ExmorTMCMOS sensor provides a wide sensitivity range and excellent low-noise performance. In conjunction with the new-generation BIONZ XTMimage processing engine, it delivers beautiful, high-resolution images with superb image clarity and texture reproduction.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/05e8f082c5d6a02fdbd58a6b141922fe?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh speed continuous shooting with AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture all the action with continuous shooting at up to 11fps (with after view), or 8fps (with silent shutter) and 8fps (for live view). Display lag has been minimised, and up to 116 JPEG (Standard) images can be shot, with group display available. Camera operability and access to various features while writing data have also been greatly improved.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/97655d807f88c4a57cc4f809c395c201?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K movie recording in high-bit-rate XAVC S format\u003c\/strong\u003e\u003cbr \/\u003e\r\nSuper 35mm format, 4K movie recording with full pixel readout and no pixel binning allows oversampling with approx. 2.4x as much information as is required for 4K (QFHD: 3840 x 2160), adding up to the equivalent of 6K and giving these images more realistic depth. High-bit-rate (max. 100Mbps) XAVC S format, a consumer-friendly version of a format for professional use, plus HLG support result in better-looking movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/27001e88c62ded90812c75adb98ac6f4?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNewly added 1:1 aspect ratio for easier social-media shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to 3:2 and 16:9 aspect (width-to-height) ratios, the 1:1 aspect ratio used by social media platforms is now offered as an option. This eliminates the need for cumbersome hand-trimming of images after shooting in preparation for posting on social media.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/a84447287d202a4b03468cb711d1f112?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e14-bit RAW output with rich tonal gradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen you\u0026#39;re shooting in RAW format, the 14-bit digital signals that are converted from analog in the image sensor are passed to the front-end LSI and BIONZ X, where they undergo 16-bit processing before converting back to 14-bit RAW image output. This leads to smoother, more natural tonal gradation in these images. [1] Image Sensor [2] The latest high-speed front-end LSI [3] 16-bit Image processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/d7eebe331651e7c17fb35daf5870e1eb?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSlow and Quick motion, and high-speed 120fps recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nSlow motion (up to 5x) and quick motion (up to 60x) can be recorded in camera in high-quality Full HD, and no PC-based post-processing is required to view your slow-motion and quick-motion footage. Additionally, high bit-rate recordings of up to 100Mbps in Full HD can be used to create high-image-quality slow-motion movies in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/86e951b4d13b41627f8460ac4464d4c7?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSteady, precise AF tracking for better movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. AF tracking sensitivity can be adjusted for either stable focus or responsive refocusing, depending on the nature of the scene, and Touch Tracking lets you initiate tracking of a moving subject simply by touching the LCD screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8be8fe46197f3ba37f2250ea810e14c8?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Gamut\/S-Log shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log shooting gives you flexibility to make more expressive movies by performing colour grading in post-production. The S-Log3 and S-Log2 gamma curves feature a wide dynamic range (up to 1300%) that can help minimise blown highlights and blocked shadows. The S-Log3 gamma setting also provides an impressive 14-stop latitude.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/f9e6088fc23d40d1b0d9c81bc0bb10cc?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterval shooting for the creation of time-lapse movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous shooting with a set interval between 1 and 60 seconds is now available within the camera, and the resulting still images can be edited into a time-lapse movie on a PC using the Viewer application from the Imaging EdgeTMdesktop applications. A simple variable-speed preview function allows you to see an image, on the camera, of how the finished movie will look.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eSophisticated features for easier movie-making\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;6400 facilitates the workflow of professional videographers with a wide range of functions, including clean HDMI output, time code \/ user bits (TC\/UB), rec. control, marker display\/setting, zebra function, Slow \u0026amp; Quick Motion21, simultaneous proxy movie recording, extraction and separate storage of a still from a movie, Gamma Display Assist function, and in-monitor display of current ISO value when shooting with ISO Auto, among others.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/89923b6e9afff8d7dbd2e7310ef577eb?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupport for professional-quality mic and audio input\u003c\/strong\u003e\u003cbr \/\u003e\r\nExternal microphones can be attached via the microphone jack, and there is also an option for line input via XLR connectors using the camera\u0026#39;s separately available XLR adaptor kit, which enables connection with various high-end microphones for professional-level audio.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/446bf8a3ba178ae8f98e827fc1bfd2d9?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustom functions for greater operability\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s eight keys and controls can be custom-assigned to any of 89 shooting and replay functions, and frequently used functions can also be assigned to the control dial and control wheel with My Dial. My Menu allows flexible assignment of 30 menu items, and the custom settings screen helps keep track of everything. Help displays are available on the menu screen via a single button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/a1be27ed29155351b541bfb8bfc246cd?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e180\u0026deg;-tiltable LCD screen with versatile touch functions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-resolution 921k-dot LCD has a 3.0-type screen and tilts upward a full 180\u0026deg; for easy framing of self-portraits and vlogs. The LCD\u0026#39;s intuitive touch operations include Touch Pad (smoothly move the focus point), Touch Focus (set the focus point), Touch Shutter (release the shutter), and Touch Tracking (activate Real-Time AF).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/aa9b14f9d6862ad8560fe7f46af9553c?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth display on the OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-contrast, high-resolution XGA OLED Tru-FinderTM provides high visibility, fine details even in dark areas, accurate colours and smooth displays at either 60fps or 120fps, with the framerate selectable for smoother viewing. Standard and High quality settings are available for both the viewfinder and the LCD monitor.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eUser-interface improvements for efficient settings control\u003c\/strong\u003e\u003cbr \/\u003e\r\nA new feature displays frequently used ISO ranges on the ISO setting screen, and another displays frequently used focus-area types on the AF area-setting screen. And when using Flexible Spot mode you can now cycle the AF area up, down, right and left \u0026ndash; useful when shooting sporting scenes where the subject moves frequently within the AF area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/aa1eb6e195121a84095b1a50ccc41aa0?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore versatile flash functions\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting with compatible wireless flash units, rear-curtain sync and slow sync can now be selected, increasing your creative options for lighting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/3c6f7726332761fe388f7adccdc1ee47?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasier ratings and protection from deletion\u003c\/strong\u003e\u003cbr \/\u003e\r\nStill images can be given a rating or protected from deletion, and both functions can be accessed via pre-assigned custom keys.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/debbff13956c5336c232763fc13661dc?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater control over white-balance settings\u003c\/strong\u003e\u003cbr \/\u003e\r\nIf set in advance, auto white balance can now be locked or unlocked at any time, for more consistent colour tones when there are multiple light sources. Custom setting of white balance has been simplified, and you can now select an AWB priority setting when shooting with incandescent lighting \u0026ndash; either warmer Atmosphere Priority, or White Priority for purer whites.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/14aaa0b4616ace659266587a2d562ffd?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOne-touch remote, One-touch sharing, Location Information Link\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe One-touch remote feature turns your mobile device into a viewfinder and remote control, while One-touch sharing allows photos and videos to be transferred to your device for social media sharing. The camera can also acquire location data via Bluetooth\u0026reg;. (These mobile device features are available via Sony\u0026#39;s Imaging Edge Mobile app.)\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eSturdy, durable construction for robust operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s low-vibration shutter mechanism is designed and tested to withstand around 200,000 shutter cycles, and the body, top cover and front cover use a light but highly rigid magnesium alloy. Major buttons and dials are sealed, and casing components have an interlocked double-layer structure to resist dust and moisture.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eAdvances in remote camera control\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen doing remote shooting using the Remote app from the Imaging Edge desktop applications, you can now use the overlay display to make precise adjustments to focus and composition while checking the live view on your PC screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of α6400 E-mount camera with APS-C Sensor\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/099b6f8517680ba41860e6fd29d4ecc3?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge desktop applications\u003c\/strong\u003e\u003cbr \/\u003e\r\nElevate your photography with the Imaging Edge desktop applications. Use \u0026ldquo;Remote\u0026rdquo; to control and monitor shooting live on your PC screen; \u0026ldquo;Viewer\u0026rdquo; to quickly preview, rate, and select photos from large image libraries; and \u0026ldquo;Edit\u0026rdquo; to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s in the box\u003c\/strong\u003e:\u003cbr \/\u003e\r\nAC Adaptor: AC-UUЕ12, Accessory shoe cap, Body cap, Eyepiece cup, Micro USB cable, Rechargeable Battery NP-FW50, Shoulder strap\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-6400\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpecifications:\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586615206225,"sku":"ILCE6400AB.CEC","price":849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/cDEerEZRfKSyPwG1i6k6Upen3NhGQ2uJ.jpg?v=1776791243"}],"url":"https:\/\/dynaphos.com\/en\/collections\/sony-promo-09-2026.oembed","provider":"Dynaphos","version":"1.0","type":"link"}