{"title":"Sony a7S III и FX Cinema Line + Обективи Sony GM","description":null,"products":[{"product_id":"obiektiv-sony-fe-24mm-f1-4-gm","title":"Sony FE 24 mm f1.4 GM","description":"\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/9f95cda79636ab7721413e1bab273a2d?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStunning F1.4 resolution in a mobile prime lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nUnsparing application of leading-edge technology achieves refined G Master performance with consistently high resolution and soft, natural bokeh even at the widest F1.4 aperture setting. The lens is both compact and the lightest in its class3, maximizing the E-mount portability advantage. It also offers fast, precise AF drive, plus top-level control and reliability that make it an outstanding choice for professionals.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/44965a258fe274aebb0b90fdbfe67ffb?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent corner-to-corner resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo XA (extreme aspherical) elements, one used for the front element, effectively compensate for coma, field curvature, and astigmatism that can be problems with wide-angle large-aperture optics, providing excellent corner-to-corner resolution even when shooting wide open at F1.4.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/e88cbbc77914ca6be6e502da8e232c04?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eED glass elements control colour aberration\u003c\/strong\u003e\u003cbr \/\u003e\r\nThree ED (Extra-low Dispersion) glass elements are carefully incorporated in the lens\u0026rsquo;s optical path to minimize axial and lateral chromatic aberration, maintaining optimum sharpness throughout the image.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8052c4999c1932fe8833896dabef27d8?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eState-of-the-art optical design faithfully reproduces point sources\u003c\/strong\u003e\u003cbr \/\u003e\r\nState-of-the-art optical design incorporating two precision XA elements suppresses sagittal flare, a common aberration in large-aperture lenses. Sagittal flare is a phenomenon that results in an unnatural spreading of point light sources that appears somewhat like a bird spreading its wings and becomes more pronounced towards the image periphery. Natural reproduction of point sources is particularly important for scenes that include stars or city lights at night, for example. (1. A star shot with the FE 24mm F1.4 GM shows no sign of sagittal flare. 2. Pronounced sagittal flare on a star shot with a conventional 24mm f1.4 lens.)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8b90a7a2cb092b7d8cf619841090f1ab?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating enhances flare resistance\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating technology provides an effective solution, suppressing internal reflections that can lead to flare and ghosting so that optimum contrast and clarity are achieved in the widest possible range of shooting conditions. (1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/551d41d190203c15e044a954c664e71f?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA new optical design that reduces overall lens diameter by employing two XA elements, one for the front lens, combines with a newly developed DDSSM (Direct Drive SSM) focus drive system to achieve a remarkably light total weight of just 445 grams (15.7 oz.). The reduced size and weight of this lens makes it an ideal match for compact E-mount bodies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/4c18753edf0c61fb7161983edd3e435a?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e11 blades enhance bokeh beauty\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe lens\u0026rsquo;s aperture mechanism features 11 blades, the most used in \u0026alpha; lenses, and a circular design that maintains an almost perfectly circular aperture even when the lens is stopped down by up to 1 or 2 stops so that beautiful, round bokeh is easy to achieve. This contributes to soft, smooth background bokeh that really makes the subject stand out.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/6e70e4656e952c95770fcb7563628ac3?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-power DDSSM redesigned and optimized for the lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nA redesigned high-power DDSSM (Direct Drive SSM) focus drive system contributes to reduced size and weight while delivering approximately three times greater thrust than the previous system.The increased power of the new DDSSM system provides faster, more precise, quieter autofocus drive capability, for outstanding performance when shooting stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/4c0680e022639fe1402ba579b9fea20e?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy de-click for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn aperture ring provides the type of immediacy and response that professionals need for both still photography and videography. A Click ON\/OFF switch allows the aperture ring click stops to be engaged or disengaged as required. Engaging the click stops provides tactile feedback that can make it easier to gauge how much the ring has been adjusted by feel, and is therefore a good choice for still photography. When the click stops are disengaged the aperture ring moves smoothly and quietly, providing seamless, silent control for moviemaking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/494deb6c5e6372de9a7bac14304891fb?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, versatile operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus hold button is customizable from body menu. The user can directly access a secondary function assigned to the focus hold button, such as \u0026ldquo;Grid Lines\u0026rdquo; to check composition when shooting landscapes, or \u0026ldquo;White Balance\u0026rdquo; to adjust white balance to match current lighting conditions or create a specific atmosphere.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh reliability in harsh conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe focus ring feature a rubber material that makes control easy even in low temperatures, a lens hood lock button prevents unwanted detachment of the hood during transportation, and a dust and moisture resistant design enhances reliability for outdoor use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/1d8c4b87951dc08d60131a2b5089cb77?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile fingertip focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus mode switch makes it possible to quickly select auto or manual focus to match changing shooting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/597ce17bb6b0110e9b9f612b24119ab0?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine coated front element\u003c\/strong\u003e\u003cbr \/\u003e\r\nA fluorine coating on the front element resists fingerprints, dust, water, oil, and mud, and allows easy cleaning if such contaminants do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 24mm F1.4 GM\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/23b71552e3acb3e8cd4096f371c1d644?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent response and fine linear focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe focus ring features Linear Response MF for fine, responsive manual focus control. Focus changes linearly in response to focus ring rotation, giving the user the control immediacy needed for fast, accurate manual focusing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 24 mm F1.4 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Снимка на FE 24mm F1.4 GM\" class=\"iq-img on pd-image\" src=\"https:\/\/www.sony.bg\/image\/b1ff51d94332d12f996ff2ef9a1a6d79?fmt=png-alpha\u0026amp;wid=240\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584895967569,"sku":"SEL24F14GM.SYX","price":1635.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/ghrUtUV6LPO8sv3unK4OSQgrG6TgLSpg.jpg?v=1776797274"},{"product_id":"fotoaparat-sony-a7s-iii","title":"Sony a7S III","description":"\u003cp\u003e\u003cstrong\u003eNew image sensor with double the readout speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the \u0026alpha;7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew image-processing engine with up to 8x the processing performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera\u0026#39;s sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera\u0026#39;s high sensitivity and wide dynamic range expand your creative freedom during shoots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to Long GOP inter-frame compression, the \u0026alpha;7S III supports internal intra-frame (All-Intra) recording for the first time in an \u0026alpha;-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing. [1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-frame 4K recording at 120p\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the \u0026alpha;7S III\u0026#39;s compact size, it provides impressive scope for your creativity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording movies with 10-bit depth and 4:2:2 colour sampling\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHEVC codec with high compression efficiency\u003c\/strong\u003e\u003cbr \/\u003e\r\nAvailable for the first time, XAVC HS format recording using the MPEG-H HEVC\/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log2 and S-Log3 with 10bit 4:2:2 support\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony\u0026#39;s professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the \u0026alpha;7S III along with other pro cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003cbr \/\u003e\r\nFacilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the \u0026alpha; series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p\/50p\/29.97p\/25p\/23.98p frame rates and colour spaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced movie image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to the improved capabilities of the \u0026alpha;7S III\u0026#39;s new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the \u0026alpha;7S II.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF support in manual-focus mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s autofocus support can be useful even when you\u0026#39;re primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGame-changing tracking features to revolutionise movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you\u0026#39;re shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you\u0026#39;re shooting manually.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nInheriting technology and performance standards from Sony\u0026#39;s large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses\u0026#39; smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode optical image stabilisation for handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nRelying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera\u0026#39;s Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it\u0026#39;s possible to shoot with the camera only, taking advantage of the compact size and mobility of the \u0026alpha; system. [1] Track of camera shake [2] Standard [3] Active\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew heat-dissipation design for extended recording times\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s design has been optimised to prevent overheating even during extended recording sessions. A unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced audio quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nA digital audio interface is incorporated in the camera\u0026#39;s Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz\/16-bit 2-ch, 48 kHz\/24-bit 2-ch, and 48 kHz\/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDedicated settings menu for movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nA subset of the camera\u0026#39;s settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S\u0026amp;Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for still shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for smooth movie-making\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera\u0026#39;s top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-speed continuous shooting performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nMechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF\/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look feature to set the mood and atmosphere\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced image quality for stills\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with new CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew touch-driven menu with workflow-based navigation\u003c\/strong\u003e\u003cbr \/\u003e\r\nResponding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-definition 9.44 million-dot electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nBoasting the highest resolution in its class, the \u0026alpha;7S III\u0026#39;s viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41\u0026ordm; diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, durable construction\u003c\/strong\u003e\u003cbr \/\u003e\r\nTo maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz \/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera\u0026#39;s USB Type C\u0026reg; port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony\u0026#39;s Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB Power Delivery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera\u0026#39;s USB Type C\u0026reg; port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExternal flash control from the camera body\u003c\/strong\u003e\u003cbr \/\u003e\r\nIt is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; from high-end cinema camera colour science\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe inclusion of Sony\u0026rsquo;s acclaimed S-Cinetone, look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCapture One for Sony\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Desktop\u003c\/strong\u003e\u003cbr \/\u003e\r\nElevate your photography with Imaging Edge Desktop applications. Use \u0026lsquo;Remote\u0026rsquo; to control and monitor shooting live on your PC screen; \u0026lsquo;Viewer\u0026rsquo; to quickly preview, rate, and select photos from large image libraries; and \u0026lsquo;Edit\u0026rsquo; to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s In The Box:\u003c\/strong\u003e\u003cbr \/\u003e\r\nRechargeable Battery, NP-FZ100, Battery Charger BC-QZ1, Power cord, Cable Protector, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, USB-A to USB-C cable (USB 3.2)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-7sm3\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585013178705,"sku":"ILCE7SM3B.CEC","price":4289.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/Hk5vIhMwNSdLns5b6FNf3xHoKOtTWAuD.jpg?v=1776791322"},{"product_id":"sony-fx6-cinema-line-full-frame-dighitalna-kino-kamiera-4k-120p-xavc-i-4-2-2-10-bit-tialo","title":"Sony FX6 Full-Frame Cinema Camera (Body Only)","description":"\u003cp\u003eThe \u003cstrong\u003eFX6 Full-Frame Camera\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony\u0026#39;s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\u0026quot;, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\u0026quot; LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVersatile Addition to Sony Cinema Line\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs part of Sony\u0026#39;s Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIt matches the FX9\u0026#39;s video capture up to DCI 4K60\u003c\/li\u003e\r\n\t\u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices\u003c\/li\u003e\r\n\t\u003cli\u003eOutputs 16-bit raw like the FX9\u003c\/li\u003e\r\n\t\u003cli\u003eSony E lens mount\u003c\/li\u003e\r\n\t\u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003c\/li\u003e\r\n\t\u003cli\u003eAlso provides 2-channel XLR audio inputs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4K capture vs 6K\u003c\/li\u003e\r\n\t\u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9\u0026#39;s additional 3G-SDI port\u003c\/li\u003e\r\n\t\u003cli\u003eIncorporates a timecode port but lacks the FX9\u0026#39;s genlock connector\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9\u0026#39;s 320 to 102,400 range\u003c\/li\u003e\r\n\t\u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9\u0026#39;s top 1080p in HD\u003c\/li\u003e\r\n\t\u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9\u0026#39;s reliance on proprietary XQD cards and a single SD card option\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor\u0026#39;s fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e15+ Stops of Dynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide ISO Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronically Variable ND Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003eSet the FX6\u0026#39;s integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1\/4 to 1\/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced XAVC Codec Options\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigh Frame Rate Selections\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003c\/li\u003e\r\n\t\u003cli\u003e100 or 120 fps in HD through UHD 4K\u003c\/li\u003e\r\n\t\u003cli\u003e150, 180, 200, or 240 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60, 100, and 120 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eExpressive Cinematic Look\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony\u0026#39;s S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompatible with 50+ native Sony E-mount lenses, the FX6\u0026#39;s improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Stabilization and More with Catalyst and Metadata\u003c\/p\u003e\r\n\r\n\u003cp\u003ePair the FX6 with Sony\u0026#39;s Catalyst Prepare\/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen 3.5\u0026quot; LCD Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 3.5\u0026quot; LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReliable Design and Construction\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera\u0026#39;s dust and moisture resistance as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4-Channel Audio Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera\u0026#39;s top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional Input\/Output Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX6 input and output ports include a selectable 12G\/6G\/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCFexpress Media Slots and Multiple Recording Modes\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModular, Grab-and-Go Design\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\u0026quot; LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContent Browser Mobile Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6\u0026#39;s Wi-Fi function enables remote monitoring and focus\/iris\/zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording with Atomos Ninja V+ \u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony\u0026rsquo;s state of the art Exmor R CMOS full-frame 6K image sensor, using a single BNC cable to the camera\u0026rsquo;s 12G-SDI port.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. The recorded files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colours, ideal for both HDR and SDR (Rec.709) workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe back-illuminated CMOS image sensor also uses Sony\u0026rsquo;s Exmor R technology for improved sensitivity and noise reduction, leading to cleaner RAW images.\u003c\/p\u003e\r\n\r\n\u003ctable cellspacing=\"0\" style=\"-webkit-font-smoothing:antialiased; -webkit-tap-highlight-color:transparent; border-collapse:collapse; box-sizing:border-box; font-variant-ligatures:normal; max-width:100%; outline:none; text-decoration-color:initial; text-decoration-style:initial; text-decoration-thickness:initial; width:428px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:1px solid black; height:19px; vertical-align:bottom; white-space:nowrap; width:169px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupported Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:120px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:74px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFrame Rate\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:64px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAvailable\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRAW\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eResolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e120p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e100p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD Interlaced\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585057743185,"sku":"ILME-FX6","price":6639.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/u6N5NRwCbGJyd3N1r10chLE0jGAt3cMx.jpg?v=1776800717"},{"product_id":"obiektiv-sony-fe-35mm-f1-4-gm","title":"Sony FE 35mm f1.4 GM","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/335c37e5771476a592e0ae61346c9e8b.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePalm-size 35mm F1.4 prime\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s most advanced optical design and manufacturing technology delivers extraordinary resolution and gorgeous bokeh in a very compact lens. Offering G Master quality in an eminently portable lens for all occasions, this is a must-have for serious E-mount users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/dccfa815413c3618d20b204f0871b67d.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpectacular resolution in a compact design\u003c\/strong\u003e\u003cbr \/\u003e\r\nAdvanced optical technology takes advantage of the short mirrorless flange-back distance to reduce overall length and diameter in a surprisingly compact lens that delivers stunning contrast and resolution. Two XA (extreme aspherical) elements suppress sagittal coma flare so you can capture your subjects with extraordinary sharpness and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/dc387849776dad8f06e627f7950f28b0.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact mobility and easy handling\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis compact lens fits easily in the palm of your hand and weighs a mere 524g (18.5 oz), providing outstanding mobility and handling in the widest possible range of environments and shooting conditions. The FE 35mm F1.4 GM offers first-class quality that you can take anywhere.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/be2603696660130aaa3d5d57e7986ec5.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRefined bokeh and broad versatility\u003c\/strong\u003e\u003cbr \/\u003e\r\nStriking bokeh, a characteristic of the G Master series, can really make portrait and other subjects stand out. XA elements that effectively suppress onion ring bokeh, an 11-blade circular aperture mechanism, and painstaking spherical aberration control at the design and manufacturing stages add up to smooth, beautiful bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/7120cad5285ed01c506010706667f05f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClean, natural colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis compact lens is not only mobile and manageable, but performs admirably in difficult lighting as well. An ED (Extra-low Dispersion) glass element and other optical refinements effectively suppress chromatic aberration and purple fringing for clean, natural looking images and a fast, easy post-shoot editing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/059f59f8f0bd1c062ba8915519bed31f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile close-up capability\u003c\/strong\u003e\u003cbr \/\u003e\r\nXA lens elements and innovative optical design achieve a minimum focusing distance of just 27 cm (0.89 ft) and maximum magnification of 0.23x, making it possible to shoot impressive close-ups with smooth, creamy background bokeh. The flexibility to choose your shooting distance affords plenty of control for stills as well as movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/7ba71d821cb0c82877842481c77d2b69.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating II cuts flare and ghosting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe mobility of this compact 35mm lens means that it is likely to be used in wide variety of situations, including strong sunlight and backlighting. Sony\u0026rsquo;s new Nano AR Coating II is evenly applied to entire element surfaces, effectively minimise flare and ghosting for clear, crisp imagery even in challenging light.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/5c3697f598cb41981fa9de45088dcd45.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Linear Response MF is ideal for creative focusing effects when shooting stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/6c5e2b0d1bcbe7313d27f1a30b0bf9cf.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXD Linear Motors achieve fast, precise quiet AF and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s small-but-powerful XD Linear Motors contribute to fast, precise autofocus and tracking, maximising the AF performance capabilities of advanced E-mount bodies to capture meaningful moments in street snapshots, fleeting expressions in portraits, and much more. AF operation is quiet with minimal vibration.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/6438e5fac847df379ab4a010c071e453.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/048f91610a21ddf2ae39ce66b4cdd6e0.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy manual\/auto focus switching\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus mode switch that allows instant switching between auto and manual focus modes can be a great advantage when shooting subjects or situations that require fine manual focus adjustment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/f10b1d9323f06f4afa1a55aa0291eb55.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 35 mm F1.4 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/camera-lenses\/sel35f14gm\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585061380433,"sku":"SEL35F14GM.SYX","price":1249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/YRiAvrDCMUnOuOuYATJbVM1bCFTISNAB.jpg?v=1776797291"},{"product_id":"obiektiv-sony-fe-50mm-f1-2-gm","title":"Sony FE 50mm f1.2 GM","description":"\u003cp style=\"text-align:center\"\u003e\u003cstrong\u003eNew speed and resolution in an F1.2 lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis 50mm F1.2 G Master prime lens is a creator\u0026rsquo;s dream, with an F1.2 maximum aperture that not only allows shooting in a wider range of lighting conditions, but also provides an extraordinary combination of high resolution, luscious G Master bokeh, and blazing autofocus. It is also remarkably compact and lightweight, for new creative freedom.\u003c\/p\u003e\r\n\r\n\u003cp style=\"text-align:center\"\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/62c2bb18af37898e9d653ece597c068a.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e50mm F1.2 \u0026ldquo;standard\u0026rdquo; G Master prime lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith breathtaking G Master resolution and bokeh plus outstanding AF performance in a remarkably compact, lightweight design, the first 50mm F1.2 lens in the \u0026alpha; lineup is an excellent choice for day-to-day applications. Whether you\u0026rsquo;re shooting stills or movies, this lens can take your creativity and expression to new heights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/640a367e7af852e73b717a8f20962d0e.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage-wide sharpness from F1.2\u003c\/strong\u003e\u003cbr \/\u003e\r\nResolution and contrast are outstanding throughout the aperture range, right up to F1.2. Three XA (extreme aspherical) lens elements in an advanced optical path subdue overall aberration, and other advanced optical technologies minimize chromatic aberration in a lens that is surprisingly compact and lightweight.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/6cca5d6b440a046e6585276eaba66835.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact mobility means creative freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nLarge-aperture lenses are often large and heavy. The FE 50mm F1.2 GM is only 87 x 108 mm (3-1\/2 x 4-3\/8 in.) and weighs just 778 grams (27.5 oz.). State-of-the-art optics plus Sony\u0026rsquo;s amazing XD Linear Motors and mechanical design come together in a convenient, mobile lens for any shooting situation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/5d96ce1af63de38b57a6767f3c96386f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, refined G Master bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nThree XA (extreme aspherical) elements with 0.01-micron surface precision, plus painstaking spherical aberration control at the design and manufacturing stages, contribute to gorgeous G Master bokeh that can really make portrait and other subjects stand out, especially at the lens\u0026rsquo;s maximum F1.2 aperture.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/a8d389ab42c9075e76af22dc74ec8d96.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating II ensures clear images in backlit scenes\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s Nano AR Coating II helps to achieve clear, well-defined images even in strong sunlight and backlighting. This advanced coating is evenly applied to entire element surfaces, effectively minimizing internal reflections so that flare and ghosting do not occur.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/2fd5f2f3a2884776ebaa9a33e14e50ab.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBokeh-enhancing 11-blade circular aperture\u003c\/strong\u003e\u003cbr \/\u003e\r\nA new 11-blade circular aperture mechanism contributes to beautiful bokeh. Circular highlights are exquisitely rendered too, further enhancing the widely acclaimed beauty of G Master bokeh. Out-of-focus backgrounds are smoother and more pleasing in just about any situation and lighting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/43af3333c116fcd01fa8c954c5000a17.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClose-ups with stunning bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\n0.4 meter (1.32 ft) minimum focus and 0.17x maximum magnification deliver extra close-up flexibility for both stills and movies. XA (extreme aspherical) lens elements and a floating focus mechanism make it possible to achieve pinpoint sharpness while taking advantage of creamy F1.2 background bokeh at any focusing distance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/df568a9e036044462f8a1175236e6274.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Linear Response MF enhances manual focus control for both stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/28b86189adcc4fbb1ae9901dca3c9b3f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXD Linear Motors achieve fast, precise, quiet AF and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast, accurate focus is assured even with shallow F1.2 depth of field. Four XD (extreme dynamic) Linear Motors deliver high thrust to position the large, heavy focus groups for precision AF and tracking. High resolution is maintained at all focusing distances with the full AF speed and precision of E-mount bodies, for both stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/29a566064a12f93707238349a31df075.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomizable focus hold button and more for advanced control\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus hold buttons located on the top and side of the lens can be assigned to a number of other functions via a camera body menu, providing direct access to functions that are vital to the user\u0026rsquo;s personal workflow, including right\/left eye selection for Eye AF on bodies that support that feature.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/b290dfca42f4ca7b3b3906e3c9387cc2.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAperture ring with click on\/off switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn aperture ring is also provided for direct, intuitive aperture control. A handy switch allows the aperture ring click stops to be turned off for quiet movie shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/c023493033fcb44ba6fb970558d5d1b9.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL50F12GM\/3f7d43a4cf5c9fc1d259d5096ce6c29d.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 50mm F1.2 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/camera-lenses\/sel50f12gm\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585075601745,"sku":"SEL50F12GM.SYX","price":2349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/yb3YhPpovYzN7RfHUa93OxWS57pnp8uX.jpg?v=1776797303"},{"product_id":"obiektiv-sony-fe-70-200mm-f2-8-gm-oss-ii","title":"Sony FE 70-200mm f2.8 GM OSS II","description":"\u003cp\u003e\u003cstrong\u003eXA element for breathtaking resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nSuperior G Master resolution is achieved throughout the entire 70mm to 200mm zoom range at all focusing distances. Two aspherical lens elements, one an XA (extreme aspherical) type manufactured to 0.01-micron surface precision, effectively control distance-related aberration so that outstanding resolution is ensured throughout the image area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAberration controlled for superb images\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo spherical elements that use ED (Extra-low Dispersion) glass, plus two more that use Super ED glass significantly reduce chromatic aberration for sharp reproduction without colour bleeding. ED aspherical element is also used, simultaneously suppressing chromatic and spherical aberration that are common issues in telephoto lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens offers excellent close-up performance for a zoom. Minimum focus is 0.4 meters (1.32 ft) at 70mm and 0.82 (2.69 ft) meters at 200mm. Maximum magnification is 0.3x. Deep bokeh at F2.8 adds extra expressive close-up capability. Floating focus ensures pinpoint sharpness even at minimum focus distance, while inner focus makes it easy to get close.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStunning G Master bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, while precise spherical aberration control boosts bokeh quality. ED (extra-low dispersion) and Super ED glass spherical elements, plus one ED aspherical element, effectively minimise colour bleeding for beautiful bokeh without unnatural colouration.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew high-performance aperture unit\u003c\/strong\u003e\u003cbr \/\u003e\r\nEven the aperture unit in this lens has been refined to meet the highest G Master quality standards. A newly developed 11-blade aperture unit that remains almost perfectly circular from wide open to stopped down by two stops helps to deliver the kind of natural-looking circular bokeh users have come to expect from a G Master design.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating II for maximum clarity\u003c\/strong\u003e\u003cbr \/\u003e\r\nNano AR Coating II produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting. The lens\u0026rsquo;s optical design also effectively suppresses internal reflections that can reduce clarity when shooting landscapes or sports.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for refined movie imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest lens design technology reduces focus breathing, focus shift when zooming, and axis shift when zooming. XD Linear Motors and a newly developed aperture drive unit also contribute to quiet operation, greatly reducing noise and vibration that can interfere with movie recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-performance teleconverters\u003c\/strong\u003e\u003cbr \/\u003e\r\nOptional high-performance 1.4x and 2.0x teleconverters extend the lens\u0026rsquo;s focal length to a maximum of 400mm (600mm on an APS-C body) at F5.6. Full G Master quality is maintained when the teleconverters are in use. Maximum aperture with the 1.4x and 2.0x teleconverters is F4 and F5.6, respectively.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens works with \u0026alpha; series bodies to reliably focus on and smoothly track even fast-moving subjects. Four high-thrust XD Linear Motors and advanced control technology deliver up to 4x faster AF than the SEL70200GM. Focus tracking capability while zooming is improved by approximately 30% compared to the SEL70200GM.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile manual movie control\u003c\/strong\u003e\u003cbr \/\u003e\r\nIndependent control rings for focus, zoom, and iris, allow precise manual operation in movie applications. The aperture ring has a click on\/off switch that allows the aperture click switch stops to be turned ON for tactile feedback when shooting stills, or OFF for smooth, silent iris control when shooting movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIris lock stops unwanted exposure shifts\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn iris lock switch prevents unwanted exposure changes while shooting. When locked, the aperture is either locked at the [A] position or can be rotated between any of the manual settings from F2.8 to F22. When unlocked, the aperture ring can be rotated between [A] and any of the manual settings without limitation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe world\u0026rsquo;s lightest for superior handling\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis unique lens offers outstanding optical quality and AF in the world\u0026rsquo;s lightest F2.8 70-200mm zoom. XD Linear Motors and magnesium alloy barrel components result in an overall weight of just 1045 grams (36.9 oz) ; approximately 29% lighter than the previous model. Advanced design improves overall balance and handling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-time DMF supports pinpoint focus\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen the Full-time DMF is ON, manual focus is automatically engaged when the focus ring is operated, even in AF-C mode. This allows quick correction when autofocus targets the wrong subject, and is a great way to refine focus after initial autofocus. Full-time DMF is not affected by focus-range limiter switch settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptical image stabilization with MODE 3\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in optical image stabilisation makes it easy to shoot sharp images handheld. MODE 2 stabilization is optimized for panning shots, while MODE 3 emphasizes framing stability when shooting dynamic, unpredictable motion. 5-axis image stabilisation becomes available when the lens is mounted on an \u0026alpha; body that has in-body image stabilization.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually while shooting stills or movies. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree customisable focus hold buttons\u003c\/strong\u003e\u003cbr \/\u003e\r\nThree customisable focus hold buttons are provided 90\u0026deg; apart for easy access and convenient control when shooting in horizontal or vertical orientation, and just about any angle. One function can be assigned to the focus hold buttons from the body menus.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nDust and moisture resistance are notably improved compared to previous model. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount. The internal zoom mechanism further resists dust and moisture while maintaining a constant lens barrel length.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus-range limiter\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus-range limiter switch (FULL\/\u0026infin; ~ 3m) makes it possible to limit AF operation to a predetermined range to maximise AF speed and prevent focusing on unwanted objects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus-range limiter\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus-range limiter switch (FULL\/\u0026infin; ~ 3m) makes it possible to limit AF operation to a predetermined range to maximise AF speed and prevent focusing on unwanted objects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemovable tripod mount\u003c\/strong\u003e\u003cbr \/\u003e\r\nA removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew lens hood design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe supplied lens hood features an opening that allows convenient operation of circular polarizing or variable ND filters. It also has a flocked interior that is highly effective in preventing unwanted reflections. Silicone rubber is used on the circular front edge of the hood to enhance overall usability.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585132978513,"sku":"SEL70200GM2.SYX","price":3059.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/OJShbpae1AhjoVI9mCG94SC4VtiGpndH.jpg?v=1776797320"},{"product_id":"obiektiv-sony-fe-24-70mm-f2-8-gm-ii","title":"Sony FE 24-70mm f2.8 GM II","description":"\u003cp\u003e\u003cstrong\u003eHigh resolution rivals the best primes\u003c\/strong\u003e\u003cbr \/\u003e\r\nExcellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control aberration, for sharp, clear images at all zoom and aperture settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMinimal flare and ghosting\u003c\/strong\u003e\u003cbr \/\u003e\r\nNano AR Coating II technology produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting. The lens\u0026rsquo;s design suppresses internal reflections that can reduce clarity when shooting landscapes, sports, and a variety of other subjects. Excellent clarity is also an advantage for live streaming and similar events.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStunning G Master bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nBeautiful F2.8 bokeh extends throughout the zoom range thanks to advanced optics and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during both design and manufacture. Two precision XA elements suppress onion ring bokeh, while ED glass elements prevent color bleeding for natural-looking circular bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise AF and excellent response\u003c\/strong\u003e\u003cbr \/\u003e\r\nFour of Sony\u0026rsquo;s original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control achieve high AF precision and tracking. Shoot at up to 30 frames per second with a compatible camera body. A new aperture unit also contributes to high speed, enabling full AF tracking performance with the aperture stopped down\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nMinimum focusing distance is 0.21 meters at 24 mm and 0.30 meters at 70 mm, with maximum magnification of 0.32x. Deep bokeh at F2.8 is great for close ups. Floating focus ensures ideal sharpness throughout the zoom range and at all focusing distances, while inner focus enables impressive close-up stills or movies where space is limited.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMovie features refined for visual creators\u003c\/strong\u003e\u003cbr \/\u003e\r\nAdvanced lens design reduces focus breathing, focus shift and axial shift when zooming. Image and angle of view shifts are minimized for smooth movie imagery. XD Linear Motors and a new aperture unit contribute to quiet, low-vibration operation. The breathing compensation function provided in compatible \u0026alpha; series bodies is also supported\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, quiet AF for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus is critical for slow motion, 4K, or 8K movies. With \u0026alpha;-series bodies this lens reliably acquires focus and smoothly tracks moving subjects. Its four XD Linear Motors and advanced control technology achieve extraordinarily precise AF. Subjects are smoothly tracked, making it possible to leave focusing entirely to the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. It also provides precise repeatability. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmall, light, and versatile\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens is the smallest and lightest F2.8 24-70mm zoom in its class. It weighs just 695 grams\u0026nbsp; (24.6 oz), over 20% less than the previous model. It is 16 mm shorter, and overall volume has been reduced by approximately 18%. Excellent mobility makes it a great choice for professional or enthusiast still or movie use in a wide range of situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAperture click and iris lock switches\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn aperture ring provides direct, rapid control. The aperture ring click stops can be turned ON to provide tactile feedback when shooting stills, or OFF for smooth, silent control when shooting movies. There is also an iris lock switch that prevents the aperture ring from being accidentally moved between the [A] and F2.8 ~ F22 settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomizable focus hold buttons\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo customizable focus hold buttons are provided for easy access and convenient control when shooting in horizontal or vertical orientation, and just about any angle. An alternative function can be assigned to the focus hold buttons from the body menus.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZoom smoothness switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nZoom ring torque can be adjusted via a two-position switch. With the switch in the Tight position the barrel won\u0026rsquo;t extend unexpectedly during transportation or when the lens used on a tripod. The Smooth position provides light zoom operation for flexible, responsive shooting while also making it easy to produce smooth slow zoom for movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn updated dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions. Silicon seals around buttons and switches and a rubber gasket around the lens mount greatly reduce the likelihood of dust and moisture incursion.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLens hood with filter window\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe supplied lens hood features an opening that allows convenient operation of circular polarizing and variable ND filters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 24-70mm F2.8 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/camera-lenses\/sel2470gm2\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585178001745,"sku":"SEL2470GM2.SYX","price":2449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/SvEPyG88uO0ZwXJuyCL1JLi3Um7hx6eI.jpg?v=1776797274"},{"product_id":"obiektiv-sony-fe-50mm-f1-4-gm","title":"Sony FE 50mm f1.4 GM","description":"\u003cp\u003e\u003cstrong\u003eStunning images from a lightweight and compact lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s latest lens technology delivers extraordinary resolution and bokeh in a compact, lightweight 50 mm lens. With outstanding image-wide resolution and contrast from F1.4, this fast, responsive lens offers sharp realism for stills and movies that will satisfy users from advanced amateurs to the most discerning professionals.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eG Master\u0026trade; quality right out to the edges\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo high-precision XA (extreme aspherical) elements effectively correct distortion and most types of aberration so that high resolution is achieved right out to the image edges. This new optical design also employs an ED (extra-low dispersion) glass element to suppress chromatic aberration so that images are clear and sharp without colour bleeding.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUnrivalled G Master bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nInnovative optics and an F1.4 maximum aperture deliver magnificent bokeh. XA (extreme aspherical) elements prevent onion-ring bokeh, while spherical aberration optimisation during design and manufacture contributes to beautiful bokeh with reduced colour bleeding. An 11-blade circular aperture produces beautiful bokeh at maximum aperture.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating II for outstanding clarity\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating II process produces a thin, uniform coating on lens surfaces, dramatically reducing internal reflections that can cause flare and ghosting. Excellent contrast and clarity are achieved even when the sun or other strong light sources are within the frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXA lens elements for compact and lightweight\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s most advanced optical technology provides superb resolution in a compact, lightweight lens. XA (extreme aspherical) elements in an innovative design, high-thrust XD linear motors, and a compact circular aperture unit work together in a large-aperture lens that is only 80.6 mm in diameter and 96.0 mm in length while weighing just 516 grams (18.3 oz.) .\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet close for eye-opening detail\u003c\/strong\u003e\u003cbr \/\u003e\r\nMinimum focusing distance is 0.41 meters and maximum magnification is 0.16x when AF is used (0.38 meters and 0.18x for MF), providing extra flexibility for shooting stills and movies. XA (extreme aspherical) lens elements maintain sharpness at any focusing distance, while smooth, deep bokeh at F1.4 separates the subject from the background.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise, quiet AF and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis high-performance lens effectively maximises the speed potential of \u0026alpha; series bodies, quickly acquiring focus on subjects even when using shallow depth of field. Sony\u0026rsquo;s high-thrust XD (extreme dynamic) linear motors and an advanced control algorithm ensure smooth, responsive focus drive for stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive manual focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation immediately produces a corresponding change in focus, similar to the response of a mechanical focus system. Precise, intuitive control directly translates your creative ideas to impressive imagery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, quiet AF for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nXD linear motors and an advanced control algorithm optimise response to control signals so that focusing is precise and vibration is minimised for refined, quiet AF operation that can be a huge advantage when shooting movies, even at high frame rates. The breathing compensation function in compatible \u0026alpha; series bodies is also supported\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIndependent aperture ring\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn aperture ring with a click ON\/OFF switch offers direct, hands-on aperture control. An iris lock switch can be locked so that the aperture ring is either fixed at the \u0026ldquo;A\u0026rdquo; position, or can be manually set from F1.4 to F16. When unlocked the aperture ring can be seamlessly moved between all settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable focus hold button and more for advanced control\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus hold buttons and a focus mode switch provide extra shooting versatility. Customisable focus hold buttons in two locations can be assigned other functions from the body menus to match shooting needs. For example, the Focus Magnifier function could be assigned to these buttons so that it is available for quick focus checks while shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompatible with 67 mm filters\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens accepts standard 67 mm screw-on filters. Thanks to its internal focus system the front element does not rotate while focusing, facilitating the use of circular polarizing filters for landscape photography or variable ND filters for movies. The FE 24mm F1.4 GM and FE 35mm F1.4 GM lenses are also threaded for 67 mm filters, so filters can be shared.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels fingerprints, dust, water, oil, and other contaminants, while making it easier to wipe off any contaminants that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 50mm F1.4 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585250517329,"sku":"SEL50F14GM.SYX","price":1735.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/TRYdArKsg1RUZsyU9pg81mjzufCf1EFD.jpg?v=1776797306"},{"product_id":"obiektiv-sony-fe-16-35mm-f2-8-gm-ii","title":"Sony FE 16-35mm f2.8 GM II","description":"\u003cp\u003e\u003cstrong\u003eBreathtaking G Master resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nHigh spatial resolution results in detailed rendering of dynamic wide-angle scenes right out to the image edges throughout the 16-35 mm zoom range, even with the lens wide open. Five aspherical elements include three XA (extreme aspherical) elements, and aberration is controlled for a superb blend of high resolution and gorgeous bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary resolution and bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nSmooth, beautiful bokeh that can add depth to this remarkable lens\u0026rsquo;s outstanding resolution is made possible by a large F2.8 maximum aperture, innovative optical design, and an advanced 11-blade aperture unit. Gorgeous circular bokeh can add extra appeal and expressive impact to a wide range of images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRevealing close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FE 16-35mm F2.8 GM II offers outstanding close-up performance with a minimum focusing distance of 0.22 meters (0.73 ft) throughout the zoom range and a maximum magnification of 0.32x. This makes it possible to get close for dynamic perspectives while deep bokeh adds extra expressive capability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePerfectly balanced for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to being lightweight, the FE 16-35mm F2.8 GM II has been designed for ideal balance with minimal extension when zooming. A center of gravity that changes very little contributes to agile, stable maneuverability when shooting handheld, and eliminates the need for readjustment after changing the zoom setting when using a gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for refined movie imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest lens technology reduces focus breathing, focus shift, and axis shift when zooming. Image movement and angle of view variations are minimized for smooth movie imagery without distractions. XD (extreme dynamic) Linear Motors and an advanced aperture unit also reduce noise and vibration that can interfere with movie recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClarity with minimal flare and ghosting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlare and ghosting can occur when the sun or other strong light source is in the frame. Sony\u0026rsquo;s original Nano AR Coating II produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting in tricky lighting conditions. Internal reflections that can reduce clarity are also suppressed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, quiet AF for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus is especially critical when shooting slow motion or 4K\/8K movies. The FE 16-35mm F2.8 GM II works with \u0026alpha;-series bodies to reliably acquire focus and track even fast-moving subjects thanks to four XD Linear Motors and advanced control technology that achieve extraordinarily smooth, quiet, precise AF performance for movie shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF that is precise and fast\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a floating focus mechanism that includes four XD (extreme dynamic) Linear Motors and precise lens control, the FE 16-35mm F2.8 GM II achieves up to approximately 2x higher AF speed High-speed continuous shooting at up to 30 fps is possible with Sony\u0026rsquo;s \u0026alpha;1 body\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile hands-on aperture control\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FE 16-35mm F2.8 GM II features both a click ON\/OFF switch and an iris lock switch for quick, flexible aperture control. The aperture ring click stops can be turned ON to provide tactile feedback when shooting stills, or OFF for seamless, silent aperture control when shooting movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable focus hold buttons\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo customisable focus hold buttons are provided for easy access and convenient control when shooting in horizontal or vertical orientation. One function can be assigned to the focus hold buttons from the body menus.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmall, light, and versatile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAlthough the FE 16-35mm F2.8 GM II is the world\u0026rsquo;s smallest, lightest F2.8 16-35 mm zoom\u003cbr \/\u003e\r\n, it delivers superb image quality with XA elements and Super ED glass in an advanced optical design. Lightweight XD Linear Motors further contribute to a low weight of just 547 grams (19.3 oz.); 20% lighter than the FE 16-35mm F2.8 GM. Overall length is just 111.5 mm(4-1\/2 in.).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact lens hood design\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhile effectively blocking unwanted light, the new lens hood supplied with the FE 16-35mm F2.8 GM II is smaller than the lens hood supplied with the FE 16-35mm F2.8 GM, making it less obtrusive in use or when stored in a camera bag.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FE 16-35mm F2.8 GM II offers improved dust and moisture resistance. All seams feature structural sealing, buttons and switches are fitted with silicone rubber gaskets, and a rubber ring seals the lens mount. All of these refinements work together to minimize the possibility of dust and moisture incursion in challenging outdoor environments.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585349673297,"sku":"SEL1635GM2.SYX","price":2759.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/1aRac5444rU0HEN0GCyVtYEUMkE90Kdn.jpg?v=1776797258"},{"product_id":"obiektiv-sony-fe-85mm-f1-4-gm-ii","title":"Sony FE 85 mm f1.4 GM II","description":"\u003cp\u003e\u003cstrong\u003eВисоки оптични характеристики и красиво боке\u003c\/strong\u003e\u003cbr \/\u003e\r\nУсъвършенстваният оптичен дизайн на Sony FE 85 f\/1.4 G Master II го прави идеален избор за портретна фотография.\u003cbr \/\u003e\r\nОбективът е оборудван с два XA (изключително асферични) елемента и две ED лещи (с изключително ниско разсейване), с което ефективно потиска аберациите. Благодарение на тази комбинация се постига висока резолюция от край до край. Оригиналната технология за покритие AR Coating II на Sony успешно намалява нежеланите отблясъци и отражения за ясни и чисти кадри. Специалната кръгла апертура с 11 ламели и оптимизираните сферични аберации осигурява красивото, меко боке, запазена марка на серията G Master.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eБърз, прецизен и тих автофокус\u003c\/strong\u003e\u003cbr \/\u003e\r\nГъвкавият автофокус на Sony FE 85 f\/1.4 G Master II извлича максималното от предимството на скоростта, с която високият клас фотоапарати разполагат. За снимки той е до 3 пъти по-бърз\u0026nbsp; в сравнение с предходния модел\u0026nbsp; и прецизно проследява движещи се обекти. Той успява безпроблемно да поддържа скоростта на Alpha 9 III при серийно заснемане с 120fps , а характеристиките на проследяването на обекта са по-добри с цели 7 пътиii.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eЛек и стилен дизайн\u003c\/strong\u003e\u003cbr \/\u003e\r\nВ сравнение с предходния моделii, теглото на FE 85 f\/1.4 G Master II (642 грама) е приблизително 20% по-леко , а обемът е намален с 13%. Това се постига благодарение на най-новите механични технологии и подобрения в оптичния дизайн. FE 85 f\/1.4 G Master II е с диаметър на филтъра \u0026phi;77 mm, диаметър 84.7mm и дължина 107.3mm.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eФункции за кинематографско качество\u003c\/strong\u003e\u003cbr \/\u003e\r\nЗа създаване на видеоклипове с плавно преминаване на кадрите, при бленда F1.4, Sony FE 85 f\/1.4 G Master II използва XD линеен мотор. Изместването на фокуса при приближение (дишането) е минимално и се поддържа вградена компенсация на изместването . Обективът има и два бутона за задържане на фокуса и превключване между AF\/MF, които могат да бъдат настроени спрямо предпочитанията на снимащия. Отделен пръстен за управление на блендата и възможност за линейно управление на MF предоставят оптимално ниво на интуитивен контрол върху обектива.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eСъздаден да бъде издръжлив\u003c\/strong\u003e\u003cbr \/\u003e\r\nПредният елемент на обектива е с флуорно покритие за лесно отстраняване на пръстови отпечатъци, прах, мазнини или други замърсявания от повърхността на лещата. Степента на защита срещу прах и влага\u0026nbsp; осигурява необходимата надеждност при употреба навън, дори в неблагоприятни условия.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cstrong\u003eSony FE 85 mm F1.4 GM II Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585894080849,"sku":"SEL85F14GM2B.SYX","price":2139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/86xFiKLvQmWKasukzaH1o4G7j5Q1fPaY.jpg?v=1776797329"},{"product_id":"sony-fx2-cinema-line-plnoformatna-kamiera","title":"Sony FX2 Cinema Line Full-frame camera","description":"\u003cp\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R\u0026trade; CMOS sensor supported by a BIONZ XR\u0026trade; image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr \/\u003e\r\n7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony\u0026rsquo;s Creators\u0026rsquo; Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nPicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone\u0026trade;, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor creative flexibility, there are three modes available for Log recording \u0026mdash; Flexible ISO, Cine EI, and Cine EI Quick \u0026mdash; with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post　production to achieve your desired cinematic look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion\u003cbr \/\u003e\r\nat 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony\u0026rsquo;s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAttach a top handle for extra handling ease\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1\/4-20 screw holes for further accessory mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStabilisation for dynamic handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there\u0026rsquo;s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 \u0026deg; to +90\u0026deg; for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControl layout designed for professional use\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible vari-angle LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps and high visibility recording indication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you\u0026rsquo;re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code synchronisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi\/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable\u003cbr \/\u003e\r\n, and then to the second camera via a BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera\u0026rsquo;s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible network communication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera\u0026rsquo;s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time\u003cbr \/\u003e\r\nor up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera\u0026rsquo;s USB Type-C\u0026reg; terminal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nNumerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera\u0026rsquo;s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor \u0026amp; Control\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026#39; Cloud platform\u003c\/strong\u003e\u003cbr \/\u003e\r\nCreators\u0026#39; Cloud is a platform that supports creative work from shooting to production by combining Sony\u0026#39;s advanced camera technology and the cloud. It\u0026#39;s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecorded files can be directly uploaded to Creators\u0026rsquo; Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators\u0026rsquo; Cloud, data can be transferred to other cloud services such as Google Drive\u0026trade; or Adobe Lightroom to suit your workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAccessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s environmental plan \u0026quot;Road to Zero\u0026quot; aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586466308433,"sku":"ILMEFX2B.CEC","price":3249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/WvrCFsN5sY4GZhSwKhpEPzcQy3IXsTJR.jpg?v=1776800706"},{"product_id":"sony-fx2-cinema-line-plnoformatna-kamiera-xlr-drzhka","title":"Sony FX2 Cinema Line Full-frame camera + XLR handle unit","description":"\u003cp\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R\u0026trade; CMOS sensor supported by a BIONZ XR\u0026trade; image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr \/\u003e\r\n7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony\u0026rsquo;s Creators\u0026rsquo; Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nPicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone\u0026trade;, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor creative flexibility, there are three modes available for Log recording \u0026mdash; Flexible ISO, Cine EI, and Cine EI Quick \u0026mdash; with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post　production to achieve your desired cinematic look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion\u003cbr \/\u003e\r\nat 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony\u0026rsquo;s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAttach a top handle for extra handling ease\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1\/4-20 screw holes for further accessory mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStabilisation for dynamic handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there\u0026rsquo;s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 \u0026deg; to +90\u0026deg; for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControl layout designed for professional use\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible vari-angle LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps and high visibility recording indication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you\u0026rsquo;re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code synchronisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi\/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable\u003cbr \/\u003e\r\n, and then to the second camera via a BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera\u0026rsquo;s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible network communication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera\u0026rsquo;s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time\u003cbr \/\u003e\r\nor up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera\u0026rsquo;s USB Type-C\u0026reg; terminal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nNumerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera\u0026rsquo;s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor \u0026amp; Control\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026#39; Cloud platform\u003c\/strong\u003e\u003cbr \/\u003e\r\nCreators\u0026#39; Cloud is a platform that supports creative work from shooting to production by combining Sony\u0026#39;s advanced camera technology and the cloud. It\u0026#39;s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecorded files can be directly uploaded to Creators\u0026rsquo; Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators\u0026rsquo; Cloud, data can be transferred to other cloud services such as Google Drive\u0026trade; or Adobe Lightroom to suit your workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAccessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s environmental plan \u0026quot;Road to Zero\u0026quot; aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586467160401,"sku":"ILMEFX2.CEC","price":3779.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/xgfk5S26PFTfhf6KCMDr3tWcTkOhyX9c.jpg?v=1776800709"},{"product_id":"sony-fx3a-cinema-line-plnoformatna-kamiera","title":"Sony FX3A Cinema Line Full-frame camera","description":"\u003cp\u003e\u003cstrong\u003eImage sensor with blazingly fast readout speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe back-illuminated full-frame Exmor R\u0026trade; CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh performance image-processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XR\u0026trade; image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame sensor enables high sensitivity with low noise throughout the camera\u0026#39;s range by optimising the sensor\u0026rsquo;s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera\u0026#39;s high sensitivity and wide dynamic range expand your flexibility in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAcclaimed cinematic colour with S-Cinetone\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe inclusion of Sony\u0026rsquo;s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading. [1] Standard (Picture Profile OFF)\u0026nbsp; [2] S-Cinetone (Picture Profile 11)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I)\u0026nbsp; [2] Long-GOP\u0026nbsp; [3] Group of Pictures\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K High Frame Rate 120fps recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nYou can record full-frame 4K (QFHD) at up to 120fps, with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003cbr \/\u003e\r\nFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p\/50p\/29.97p\/25p\/23.98p).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHEVC codec with high compression efficiency\u003c\/strong\u003e\u003cbr \/\u003e\r\nXAVC HS format recording, using the MPEG-H HEVC\/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log2 and S-Log3 with 10-bit 4:2:2 support\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. For camera matching with other S-Log3 capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExpand your vision with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user\u0026#39;s preference, and you can also register your favourite settings as a custom look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.\u0026nbsp; [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible exposure mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, easy touch focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It\u0026#39;s fast, easy, and intuitive to perform rack focusing through touch operation\u0026mdash;ensuring you have full creative control of the FX3\u0026#39;s powerful AF technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, easy and reliable Real-time Tracking and Eye AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus control is fast and intuitive, to ensure you have full creative control of the FX3\u0026rsquo;s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject\u0026#39;s colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe handle of the FX3 includes two independent full-size XLR connectors (XLR\/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIn-body optical image stabilisation for handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nRelying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera\u0026#39;s Optical SteadyShot\u0026trade; Active Mode provides precise optical image compensation, for outstanding results for 4K video recording, even while walking. With this unprecedented level of stabilisation it\u0026#39;s possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHDMI Type-A output and monitoring options\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera\u0026#39;s LCD monitor, an HDMI-connected external recording or monitoring device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable buttons for professional movie creators\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customisable keys and menus deliver streamlined workflows in the field. It\u0026rsquo;s designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K 60p recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor uninterrupted 4K 60precording, the FX3 features an innovative heat dissipation structure, including a unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eREC lamps and highlighting during video recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThere is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.\u003cbr \/\u003e\r\n\u0026nbsp;\u003cbr \/\u003e\r\n\u003cstrong\u003eCage-free accessory mounting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFive 1\/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVarious zoom operations tailor your expression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle of view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary re-framing to purposeful cinematic zooms.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTouch-driven menu with workflow-based navigation\u003c\/strong\u003e\u003cbr \/\u003e\r\nResponding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers\u0026rsquo; work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible camera positioning with vari-angle monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, durable, and lightweight construction\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower for professional length\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type C\u0026reg; power supply or portable powerbank battery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable durability and weather resistance in tough situations\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWireless 5GHz \/2.4GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera\u0026#39;s USB Type C\u0026reg; terminal supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony\u0026#39;s Imaging Edge Desktop\u0026trade; application, or from a mobile device with Imaging Edge Mobile\u0026trade;. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s Catalyst Browse and Prepare software are ideal production partners for the FX3. The FX3 records two types of supplementary metadata: image stabilisation and camera rotation. These can be useful when previewing and preparing to edit in Sony\u0026rsquo;s free Catalyst Browse or cost-effective Catalyst Prepare desktop applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/professional-video-cameras\/ilme-fx3\/specifications?cpint=SG_PRODUCT_DETAILS_PRI-TOUT-PDP-ILME-FX3-EN_GL-2021-01-M01-NEWCINEMATIC#specifications\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586531058001,"sku":"ILMEFX3AB.CEC","price":4749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/YHFgcduaeK1sdmfFUf0xvjjiIOSKn0dT.jpg?v=1776800717"},{"product_id":"sony-fx5-cinema-line-пълноформатна-камера","title":"Sony FX5 Cinema Line Full-frame Camera","description":"\u003cp\u003e\u003cstrong\u003eОсветяваме пътя напред\u003c\/strong\u003e\u003cbr\u003eОсветявайки творческия им път, FX5 дава възможност на филмовите оператори и режисьори уверено да навлязат в следващия етап от своето професионално развитие. Съчетавайки усъвършенстван кинематографичен вид и подобрена управляемост в компактно тяло, тя дава на творците свободата да реализират визията си с по-голяма прецизност, контрол и потенциал за изразяване.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5K пълноформатен двуслоен CMOS сензор Exmor RS™ за скорост, детайлност и широк диапазон на експонацията\u003c\/strong\u003e\u003cbr\u003eПълноформатният двуслоен CMOS сензор Exmor RS дава възможност за бързо изчитане с цел запис с висока разделителна способност и висока кадрова честота. Широкият диапазон на експонацията и ниският шум гарантират плавна градация и естествени текстури дори при висококонтрастни сцени.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBIONZ XR2™ с интегрирана AI обработка за подобрена помощ при заснемане\u003c\/strong\u003e\u003cbr\u003eСистемата BIONZ XR2 осигурява драматични подобрения на изображението, звука, комуникацията, управляемостта и други. Интегрираната в нея AI обработка поддържа усъвършенствано разпознаване на обекти и базирана на дълбоко обучение оценка на осветеността за по-точно автоматично проследяване на баланса на бялото (ATW) и по-надеждна помощ при заснемане в трудни условия.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOpen Gate и други режими за сканиране на изображения\u003c\/strong\u003e\u003cbr\u003eFX5 предлага пълноформатен Open Gate запис – за първи път в серията Cinema Line FX. С 5K до 120 fps (3:2 пълноформатно), 4K до 240 fps (с изрязване) и други тя ви дава свободата да регулирате кадрирането, скоростта и работния процес, за да реализирате дори най-амбициозните визии.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВътрешен запис на компресирано RAW видео във формат X-OCN\u003c\/strong\u003e\u003cbr\u003eЗаписвайте вътрешно в 16-битов X-OCN формат с линейно кодиране на сцените, без необходимост от външен рекордер на RAW данни. С кодеците LT, C1 и C2 можете да балансирате качеството на изображението, размера на файловете и гъвкавостта на работния процес в RAW формат в зависимост от продукцията.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eГолям диапазон на експонацията с над 15 стъпки с нисък шум\u003c\/strong\u003e\u003cbr\u003eШирокият диапазон на експонация от над 15 стъпки помага за заснемането на най-светлите детайли и тези в тъмните области с плавна, естествена градация. Ниското ниво на шум в тъмните области съхранява яснотата, текстурата и атмосферата и така сцените запазват по-убедително усещане за дълбочина и настроение, като същевременно ви осигуряват заснет материал, който е по-лесен и гъвкав за градиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eТри настройки на базовото ISO за ефективен контрол на шума в каквато и да е обстановка\u003c\/strong\u003e\u003cbr\u003eМожете да избирате според обстановката по време на снимане измежду три настройки на базовото ISO: ISO 800 (стандартно), ISO 4000 (средна чувствителност) и ISO 12 800 (висока чувствителност) за слаба светлина. Заснемайте тъмните участъци чисто и с широк диапазон на експонация при различни условия на осветеност – за яснота, която е винаги поразителна.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЗаснемане с двойно усилване (Dual Gain) – за първи път в серията камери Cinema Line FX\u003c\/strong\u003e\u003cbr\u003eЗаснемането с двойно усилване (Dual Gain) увеличава максимално диапазона на експонацията и същевременно намалява шума с цел подобряване на детайлите в сенките. Тази технология използва пълноценно възможностите на сензора и осигурява плавни, естествени градиенти за по-голяма гъвкавост при редактиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЗаснемане с висока кадрова честота, включително 5K с до 120 fps\u003c\/strong\u003e\u003cbr\u003eВисоките кадрови честоти разкриват удивителни възможности за забавен каданс. FX5 записва до 5K при 120 fps и 4K при 240 fps, давайки на творците възможност да заснемат бързи действия с впечатляващи детайли и яснота, което е идеално за всичко – от кинематографични истории до ясни спортни и документални материали.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПрецизен, надежден автофокус и проследяване с базирано на AI разпознаване на обекти\u003c\/strong\u003e\u003cbr\u003eБлагодарение на вградената обработка с AI системата BIONZ XR2 разпознава точно очите на хората, животните и птиците (автофокус по око в реално време). Бързият хибриден автофокус използва до 759 точки за по-уверено фокусиране в трудни ситуации, включително при по-тъмни сцени. Проследяването в реално време също помага за плавното и прецизно проследяване на обекта от камерата дори когато дълбочината на рязкостта е малка.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВградена корекция на анаморфната компресия (de-squeeze) за анаморфно заснемане\u003c\/strong\u003e\u003cbr\u003eВградената корекция на анаморфната компресия (de-squeeze) улеснява анаморфното заснемане на снимачната площадка. С настройки за 1,3x, 1,5x, 1,6x, 1,8x и 2,0x, FX5 работи гладко с голям набор от анаморфни обективи.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОценка на осветеността, базирана на дълбоко обучение\u003c\/strong\u003e\u003cbr\u003eБазираната на дълбоко обучение оценка на осветяването постига безпрецедентна точност на автоматичното проследяване на баланса на бялото (ATW) дори при сложни сцени. Тя осигурява точно възпроизвеждане на цветовете дори при условия на осветеност, които преди често водеха до появата на нежелани цветови оттенъци.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eТри режима S-Log3 за гъвкави работни процеси\u003c\/strong\u003e\u003cbr\u003eОт кинематографични кадри до снимане в движение – изберете Cine EI, Cine EI Quick или Flexible ISO, за да заснемате кадри с максимален диапазон на експонация. Можете също да импортирате до 16 потребителски LUT файла, което ви позволява да наблюдавате желания вид, докато снимате.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS-Cinetone™ за изискан кинематографичен вид\u003c\/strong\u003e\u003cbr\u003eS-Cinetone пренася цветовото майсторство на кинокамерите Sony в FX5, осигурявайки естествени тонове на кожата, плавна градация и завършен вид направо от камерата.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eШирока цветова гама за повече контрол при градиране\u003c\/strong\u003e\u003cbr\u003eС цветови гами, надхвърлящи както BT.2020, така и DCI-P3, S-Gamut3 и S-Gamut3.Cine запазват информацията за цветовете в широк спектър за по-прецизно градиране и по-лесно цветово съпоставяне с VENICE 2 при снимане с няколко камери. Плавните преходи между тоновете и стабилното възпроизвеждане на цветовете също ви помагат да постигнете желания вид с по-голяма точност.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5-осова стабилизация за по-стабилно заснемане от ръка\u003c\/strong\u003e\u003cbr\u003eПрецизният стабилизатор и жироскопните сензори заедно осигуряват оптична 5-осова вградена стабилизация. Усъвършенстваният стабилизатор разширява компенсацията при завъртане с до 2 пъти, като ефективно намалява трептенето при завъртане от ръка. Динамичният активен режим добавя допълнителна електронна стабилизация, а вградените метаданни за движението могат да се използват и в постпродукцията за по-контролиран краен резултат.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЛек, компактен дизайн за мобилност на снимачната площадка\u003c\/strong\u003e\u003cbr\u003eКомпактният корпус, който е плосък отгоре, и стабилният захват са създадени за удобна работа при заснемане от ръка. В комбинация с компактните обективи на Sony, FX5 се превръща в мобилна система за гъвкавост при заснемане със стабилизатори, в тесни пространства и при динамични продукции.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВисококачествен аудио запис във формат 96 kHz\/32 бита float\u003c\/strong\u003e\u003cbr\u003eXLR дръжката поддържа два XLR\/TRS входа, 3,5 мм стерео мини жак и аудио запис до 96 kHz\/32 бита float. С до четири канала за висококачествен запис, тя също така поддържа независим запис във формат 32-битов float WAV успоредно с аудиото от видеото за по-гъвкави работни процеси на снимачната площадка, свързани със звука.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBIG6 (HOME) екран за по-бързо управление на снимачната площадка\u003c\/strong\u003e\u003cbr\u003eНаследен от камерите Sony CineAlta от висок клас, екранът BIG6 (HOME) показва шест основни параметъра – кадрова честота, EI\/ISO\/Gain, затвор, бленда, LUT и баланс на бялото – на един ясен начален екран за по-бърза работа. Сензорното управление, многофункционалният диск и контролът на кадровата честота (фиксирана\/променлива) от CineAlta помагат на екипите да работят бързо, като същевременно критичноважните настройки се виждат само с един поглед.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОпционален OLED визьор DVF-EL1 за по-лесен мониторинг на открито\u003c\/strong\u003e\u003cbr\u003eДобавете опционалния OLED визьор за по-непосредствен мониторинг на места със силна светлина. Неговият панел тип 3.5 разполага с приблизително 7,07 милиона точки, еквивалентна на DCI-P3 цветова гама, 10-битов дисплей, поддръжка на HDR мониторинг и 0,90x увеличение, а дизайнът с накланяне от 0° до 90° и избираемите режими на дисплея помагат за адаптиране на мониторинга към различни стилове на заснемане.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eМонитор тип 3.5 с 4-осов вариоъгълен дизайн\u003c\/strong\u003e\u003cbr\u003eМониторът от тип 3.5 с формат 16:9 се накланя на 98° нагоре, 40° надолу и 180° настрани и се завърта на до 270°, когато е отворен. Панелът с голяма яркост и 15 стъпки на яркостта, финият контрол на показването с инверсия на изображението и добре подредената на екрана информация за заснемането спомагат за по-голяма яснота и гъвкавост на мониторинга на снимачната площадка.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЯсна видимост на индикаторните лампи за запис\u003c\/strong\u003e\u003cbr\u003eС конфигурируемите индикаторни лампи за запис отпред и отзад по-лесно се вижда статусът (REC\/STANDBY), а на монитора може да се показва и червена рамка по време на запис. Това ви помага да сте сигурни какъв е статусът на записването само с един поглед дори когато оборудването или стабилизаторът затрудняват пряката видимост към екрана.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПоддръжка на мониторинг за прецизно заснемане\u003c\/strong\u003e\u003cbr\u003eИнструментите за експонация и фокус, включително Waveform Monitor, Histogram, False Color и Focus Map, помагат по-бързо да взимате решения на снимачната площадка. Те ви помагат уверено да се справяте с най-светлите акценти, сенките, тоновете на кожата и критичното фокусиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eМенюта и бутони с приоритет филми\u003c\/strong\u003e\u003cbr\u003eОт настройките в менютата до многофункционалния диск в стил CineAlta – FX5 е проектирана специално за производство на филми. Най-често използваните бутони са концентрирани около захвата и горния панел, а многофункционалният диск може да се върти и натиска за по-бърз достъп до ключовите настройки по време на снимане.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClear Image Zoom за по-плавно и интуитивно кадриране\u003c\/strong\u003e\u003cbr\u003eClear Image Zoom добавя режим [Smooth Priority] за варио без преходи — от широкоъгълния край на оптичния обхват до 2x цифрово приближение. [Optical Zoom Priority] е режим на вариото, при който приоритетът е върху качеството на изображението. Когато оптичното приближение достигне до своя дългофокусен край, се включва Clear Image Zoom. Вариото без преходи може да се управлява и от пръстена на вариото на съвместими обективи за по-интуитивно, стабилно кадриране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eМощност, която не изостава при продължителни снимки\u003c\/strong\u003e\u003cbr\u003eБатерията NP-SA100 с голям капацитет от 2670 mAh може да осигури до 170 минути време на запис. Оптимизираното управление на захранването, подобрената скорост на зареждане, USB Power Delivery и дисплеят за състоянието на батерията опростяват дългите снимачни дни и улесняват преценката кога е необходимо да се смени батерията.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДва слота за CFexpress Type A\/SD карти за гъвкави работни процеси с носители\u003c\/strong\u003e\u003cbr\u003eДвата слота за CFexpress Type A поддържат последователен, едновременен и отделен запис, като могат да работят и с SDXC (UHS-II\/UHS-I) карти. Основните и прокси файловете могат да бъдат записвани на различни слотове, което дава на продукциите по-голяма гъвкавост по отношение на избора на носители, стратегията за архивиране и работата с файлове.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eГъвкави точки за монтаж\u003c\/strong\u003e\u003cbr\u003eПо корпуса са предвидени пет отвора за винтов монтаж на аксесоари, както и две точки за монтиране на статив в долната част. Резултатът е тяло, което е по-лесно за директно оборудване и разширяване с основни аксесоари.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОхлаждане, проектирано за 170 минути непрекъснат запис\u003c\/strong\u003e\u003cbr\u003eЕфикасната система за охлаждане с вентилатор и усъвършенстваният дизайн осигуряват до 3 пъти по-голям въздушен поток и така камерата не загрява дори когато LCD мониторът е затворен. Трите режима на вентилатора – [Auto], [Minimum] и [OFF in REC] – ви дават възможност да съобразите охлаждането и шума от работата със средата и продукцията.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eИздръжлива, уплътнена конструкция на корпуса\u003c\/strong\u003e\u003cbr\u003eЦялостните подобрения максимално увеличават устойчивостта на вода и прах за висока надеждност при трудни условия. Външните снадки и капака на батерията са уплътнени, за да се предотврати проникването на влага и прах, а охлаждащият вентилатор се намира в отделен отсек за допълнителна защита.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eГъвкаво свързване за мониторинг, захранване и времеви код\u003c\/strong\u003e\u003cbr\u003eИзходният порт HDMI Type A поддържа гъвкав външен мониторинг с възможност за показване на информация за заснемането както на LCD дисплея на камерата, така и на външен монитор, или за отделяне на информацията за статуса от изходния видеосигнал. Двата USB Type-C® порта поддържат захранване и вход на времеви код чрез опционален адаптерен кабел.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПриложение Monitor \u0026amp; Control за дистанционно управление от мобилни устройства\u003c\/strong\u003e\u003cbr\u003eС приложението Monitor \u0026amp; Control всеки смартфон, таблет или Mac се превръща в гъвкав втори екран за мониторинг и за настройване и работа с камерата. Това е лесен начин да разширите контрола при самостоятелна работа, при компактни ригове и при други продукции, при които има полза от гъвкава работа от дистанция.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalyst Prepare и Catalyst Prepare Plugin\u003c\/strong\u003e\u003cbr\u003eCatalyst Prepare и Catalyst Prepare Plugin използват метаданните от камерата за бърз преглед и корекция на заснетия материал. Те предоставят поддръжка на формати, включително X-OCN LT\/C1\/C2, както и ключови функции като стабилизация, компенсация на дишането на обектива, инструменти за цветовете\/LUT и транскодирано експортиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eКабелна и безжична LAN свързаност за работни процеси от дистанция\u003c\/strong\u003e\u003cbr\u003eВисокоскоростната кабелна LAN свързаност и вграденият Wi-Fi 802.11ax с 2×2 MIMO на честоти 6\/5\/2,4 GHz осигуряват по-плавно дистанционно управление, пренос на файлове и свързване на работните процеси. Поддръжката на кабелна LAN мрежа с 2.5GBASE-T, 1000BASE-T и 100BASE-TX също помага на FX5 да се вписва по-лесно в съвременни продукции с много устройства, както и в мрежови среди за работа.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eФункции за достъпност за повече творци\u003c\/strong\u003e\u003cbr\u003eПоддръжката на екранен четец, функцията за увеличаване на менютата и другите помощни средства за достъпност правят FX5 по-лесна за използване от повече творци. Индексът за байонета на обектива, дискът за избор на различни функции и бутоните са проектирани така, че лесно да бъдат намирани с допир, което допринася за по-уверена работа.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПланирана поддръжка след пускане в продажба\u003c\/strong\u003e\u003cbr\u003eПланирани са актуализации за добавяне на поддръжка на заснемане с висока кадрова честота до 240 fps в X-OCN, запис в XAVC S-I в съотношение 3:2 с пълно изчитане на сензора, оптимизиране на потребителския интерфейс за вертикално заснемане и функция за извличане на отделни кадри.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eРециклирани материали в камерите и фотоапаратите\u003c\/strong\u003e\u003cbr\u003eПланът „Road to Zero“ на Sony има за цел постигане на нулев отпечатък върху околната среда до 2050 г. Когато е възможно, използваме нашия издръжлив, висококачествен рециклиран пластмасов материал SORPLAS™, за да намалим въздействието върху околната среда, без да се прави компромис с работните показатели. Повече от 30% от този продукт са направени от рециклирана пластмаса, включително SORPLAS. Съоръженията ни за производство на продукти за създаване на изображения в Тайланд и Китай също така работят със 100% възобновяема енергия\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОпаковъчни материали без пластмаса\u003c\/strong\u003e\u003cbr\u003eSony се стреми да използва опаковъчни материали без пластмаса, които осигуряват достатъчна защита от удари и сътресения. За продуктите използваме торбички от нетъкан текстил на растителна основа, за да намалим още повече употребата на пластмаса и да сведем до минимум въздействието върху околната среда.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":54389000208721,"sku":"ILMEFX5BB.CEC","price":5399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/1784716472_1989701.jpg?v=1784737515"},{"product_id":"sony-fx5-cinema-line-пълноформатна-камера-xlr-handle-unit-kit","title":"Sony FX5 Cinema Line Full-frame Camera + XLR Handle Unit Kit","description":"\u003cp\u003e\u003cstrong\u003eОсветяваме пътя напред\u003c\/strong\u003e\u003cbr\u003eОсветявайки творческия им път, FX5 дава възможност на филмовите оператори и режисьори уверено да навлязат в следващия етап от своето професионално развитие. Съчетавайки усъвършенстван кинематографичен вид и подобрена управляемост в компактно тяло, тя дава на творците свободата да реализират визията си с по-голяма прецизност, контрол и потенциал за изразяване.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5K пълноформатен двуслоен CMOS сензор Exmor RS™ за скорост, детайлност и широк диапазон на експонацията\u003c\/strong\u003e\u003cbr\u003eПълноформатният двуслоен CMOS сензор Exmor RS дава възможност за бързо изчитане с цел запис с висока разделителна способност и висока кадрова честота. Широкият диапазон на експонацията и ниският шум гарантират плавна градация и естествени текстури дори при висококонтрастни сцени.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBIONZ XR2™ с интегрирана AI обработка за подобрена помощ при заснемане\u003c\/strong\u003e\u003cbr\u003eСистемата BIONZ XR2 осигурява драматични подобрения на изображението, звука, комуникацията, управляемостта и други. Интегрираната в нея AI обработка поддържа усъвършенствано разпознаване на обекти и базирана на дълбоко обучение оценка на осветеността за по-точно автоматично проследяване на баланса на бялото (ATW) и по-надеждна помощ при заснемане в трудни условия.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOpen Gate и други режими за сканиране на изображения\u003c\/strong\u003e\u003cbr\u003eFX5 предлага пълноформатен Open Gate запис – за първи път в серията Cinema Line FX. С 5K до 120 fps (3:2 пълноформатно), 4K до 240 fps (с изрязване) и други тя ви дава свободата да регулирате кадрирането, скоростта и работния процес, за да реализирате дори най-амбициозните визии.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВътрешен запис на компресирано RAW видео във формат X-OCN\u003c\/strong\u003e\u003cbr\u003eЗаписвайте вътрешно в 16-битов X-OCN формат с линейно кодиране на сцените, без необходимост от външен рекордер на RAW данни. С кодеците LT, C1 и C2 можете да балансирате качеството на изображението, размера на файловете и гъвкавостта на работния процес в RAW формат в зависимост от продукцията.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eГолям диапазон на експонацията с над 15 стъпки с нисък шум\u003c\/strong\u003e\u003cbr\u003eШирокият диапазон на експонация от над 15 стъпки помага за заснемането на най-светлите детайли и тези в тъмните области с плавна, естествена градация. Ниското ниво на шум в тъмните области съхранява яснотата, текстурата и атмосферата и така сцените запазват по-убедително усещане за дълбочина и настроение, като същевременно ви осигуряват заснет материал, който е по-лесен и гъвкав за градиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eТри настройки на базовото ISO за ефективен контрол на шума в каквато и да е обстановка\u003c\/strong\u003e\u003cbr\u003eМожете да избирате според обстановката по време на снимане измежду три настройки на базовото ISO: ISO 800 (стандартно), ISO 4000 (средна чувствителност) и ISO 12 800 (висока чувствителност) за слаба светлина. Заснемайте тъмните участъци чисто и с широк диапазон на експонация при различни условия на осветеност – за яснота, която е винаги поразителна.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЗаснемане с двойно усилване (Dual Gain) – за първи път в серията камери Cinema Line FX\u003c\/strong\u003e\u003cbr\u003eЗаснемането с двойно усилване (Dual Gain) увеличава максимално диапазона на експонацията и същевременно намалява шума с цел подобряване на детайлите в сенките. Тази технология използва пълноценно възможностите на сензора и осигурява плавни, естествени градиенти за по-голяма гъвкавост при редактиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЗаснемане с висока кадрова честота, включително 5K с до 120 fps\u003c\/strong\u003e\u003cbr\u003eВисоките кадрови честоти разкриват удивителни възможности за забавен каданс. FX5 записва до 5K при 120 fps и 4K при 240 fps, давайки на творците възможност да заснемат бързи действия с впечатляващи детайли и яснота, което е идеално за всичко – от кинематографични истории до ясни спортни и документални материали.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПрецизен, надежден автофокус и проследяване с базирано на AI разпознаване на обекти\u003c\/strong\u003e\u003cbr\u003eБлагодарение на вградената обработка с AI системата BIONZ XR2 разпознава точно очите на хората, животните и птиците (автофокус по око в реално време). Бързият хибриден автофокус използва до 759 точки за по-уверено фокусиране в трудни ситуации, включително при по-тъмни сцени. Проследяването в реално време също помага за плавното и прецизно проследяване на обекта от камерата дори когато дълбочината на рязкостта е малка.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВградена корекция на анаморфната компресия (de-squeeze) за анаморфно заснемане\u003c\/strong\u003e\u003cbr\u003eВградената корекция на анаморфната компресия (de-squeeze) улеснява анаморфното заснемане на снимачната площадка. С настройки за 1,3x, 1,5x, 1,6x, 1,8x и 2,0x, FX5 работи гладко с голям набор от анаморфни обективи.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОценка на осветеността, базирана на дълбоко обучение\u003c\/strong\u003e\u003cbr\u003eБазираната на дълбоко обучение оценка на осветяването постига безпрецедентна точност на автоматичното проследяване на баланса на бялото (ATW) дори при сложни сцени. Тя осигурява точно възпроизвеждане на цветовете дори при условия на осветеност, които преди често водеха до появата на нежелани цветови оттенъци.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eТри режима S-Log3 за гъвкави работни процеси\u003c\/strong\u003e\u003cbr\u003eОт кинематографични кадри до снимане в движение – изберете Cine EI, Cine EI Quick или Flexible ISO, за да заснемате кадри с максимален диапазон на експонация. Можете също да импортирате до 16 потребителски LUT файла, което ви позволява да наблюдавате желания вид, докато снимате.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS-Cinetone™ за изискан кинематографичен вид\u003c\/strong\u003e\u003cbr\u003eS-Cinetone пренася цветовото майсторство на кинокамерите Sony в FX5, осигурявайки естествени тонове на кожата, плавна градация и завършен вид направо от камерата.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eШирока цветова гама за повече контрол при градиране\u003c\/strong\u003e\u003cbr\u003eС цветови гами, надхвърлящи както BT.2020, така и DCI-P3, S-Gamut3 и S-Gamut3.Cine запазват информацията за цветовете в широк спектър за по-прецизно градиране и по-лесно цветово съпоставяне с VENICE 2 при снимане с няколко камери. Плавните преходи между тоновете и стабилното възпроизвеждане на цветовете също ви помагат да постигнете желания вид с по-голяма точност.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5-осова стабилизация за по-стабилно заснемане от ръка\u003c\/strong\u003e\u003cbr\u003eПрецизният стабилизатор и жироскопните сензори заедно осигуряват оптична 5-осова вградена стабилизация. Усъвършенстваният стабилизатор разширява компенсацията при завъртане с до 2 пъти, като ефективно намалява трептенето при завъртане от ръка. Динамичният активен режим добавя допълнителна електронна стабилизация, а вградените метаданни за движението могат да се използват и в постпродукцията за по-контролиран краен резултат.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЛек, компактен дизайн за мобилност на снимачната площадка\u003c\/strong\u003e\u003cbr\u003eКомпактният корпус, който е плосък отгоре, и стабилният захват са създадени за удобна работа при заснемане от ръка. В комбинация с компактните обективи на Sony, FX5 се превръща в мобилна система за гъвкавост при заснемане със стабилизатори, в тесни пространства и при динамични продукции.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВисококачествен аудио запис във формат 96 kHz\/32 бита float\u003c\/strong\u003e\u003cbr\u003eXLR дръжката поддържа два XLR\/TRS входа, 3,5 мм стерео мини жак и аудио запис до 96 kHz\/32 бита float. С до четири канала за висококачествен запис, тя също така поддържа независим запис във формат 32-битов float WAV успоредно с аудиото от видеото за по-гъвкави работни процеси на снимачната площадка, свързани със звука.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBIG6 (HOME) екран за по-бързо управление на снимачната площадка\u003c\/strong\u003e\u003cbr\u003eНаследен от камерите Sony CineAlta от висок клас, екранът BIG6 (HOME) показва шест основни параметъра – кадрова честота, EI\/ISO\/Gain, затвор, бленда, LUT и баланс на бялото – на един ясен начален екран за по-бърза работа. Сензорното управление, многофункционалният диск и контролът на кадровата честота (фиксирана\/променлива) от CineAlta помагат на екипите да работят бързо, като същевременно критичноважните настройки се виждат само с един поглед.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОпционален OLED визьор DVF-EL1 за по-лесен мониторинг на открито\u003c\/strong\u003e\u003cbr\u003eДобавете опционалния OLED визьор за по-непосредствен мониторинг на места със силна светлина. Неговият панел тип 3.5 разполага с приблизително 7,07 милиона точки, еквивалентна на DCI-P3 цветова гама, 10-битов дисплей, поддръжка на HDR мониторинг и 0,90x увеличение, а дизайнът с накланяне от 0° до 90° и избираемите режими на дисплея помагат за адаптиране на мониторинга към различни стилове на заснемане.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eМонитор тип 3.5 с 4-осов вариоъгълен дизайн\u003c\/strong\u003e\u003cbr\u003eМониторът от тип 3.5 с формат 16:9 се накланя на 98° нагоре, 40° надолу и 180° настрани и се завърта на до 270°, когато е отворен. Панелът с голяма яркост и 15 стъпки на яркостта, финият контрол на показването с инверсия на изображението и добре подредената на екрана информация за заснемането спомагат за по-голяма яснота и гъвкавост на мониторинга на снимачната площадка.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЯсна видимост на индикаторните лампи за запис\u003c\/strong\u003e\u003cbr\u003eС конфигурируемите индикаторни лампи за запис отпред и отзад по-лесно се вижда статусът (REC\/STANDBY), а на монитора може да се показва и червена рамка по време на запис. Това ви помага да сте сигурни какъв е статусът на записването само с един поглед дори когато оборудването или стабилизаторът затрудняват пряката видимост към екрана.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПоддръжка на мониторинг за прецизно заснемане\u003c\/strong\u003e\u003cbr\u003eИнструментите за експонация и фокус, включително Waveform Monitor, Histogram, False Color и Focus Map, помагат по-бързо да взимате решения на снимачната площадка. Те ви помагат уверено да се справяте с най-светлите акценти, сенките, тоновете на кожата и критичното фокусиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eМенюта и бутони с приоритет филми\u003c\/strong\u003e\u003cbr\u003eОт настройките в менютата до многофункционалния диск в стил CineAlta – FX5 е проектирана специално за производство на филми. Най-често използваните бутони са концентрирани около захвата и горния панел, а многофункционалният диск може да се върти и натиска за по-бърз достъп до ключовите настройки по време на снимане.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClear Image Zoom за по-плавно и интуитивно кадриране\u003c\/strong\u003e\u003cbr\u003eClear Image Zoom добавя режим [Smooth Priority] за варио без преходи — от широкоъгълния край на оптичния обхват до 2x цифрово приближение. [Optical Zoom Priority] е режим на вариото, при който приоритетът е върху качеството на изображението. Когато оптичното приближение достигне до своя дългофокусен край, се включва Clear Image Zoom. Вариото без преходи може да се управлява и от пръстена на вариото на съвместими обективи за по-интуитивно, стабилно кадриране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eМощност, която не изостава при продължителни снимки\u003c\/strong\u003e\u003cbr\u003eБатерията NP-SA100 с голям капацитет от 2670 mAh може да осигури до 170 минути време на запис. Оптимизираното управление на захранването, подобрената скорост на зареждане, USB Power Delivery и дисплеят за състоянието на батерията опростяват дългите снимачни дни и улесняват преценката кога е необходимо да се смени батерията.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДва слота за CFexpress Type A\/SD карти за гъвкави работни процеси с носители\u003c\/strong\u003e\u003cbr\u003eДвата слота за CFexpress Type A поддържат последователен, едновременен и отделен запис, като могат да работят и с SDXC (UHS-II\/UHS-I) карти. Основните и прокси файловете могат да бъдат записвани на различни слотове, което дава на продукциите по-голяма гъвкавост по отношение на избора на носители, стратегията за архивиране и работата с файлове.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eГъвкави точки за монтаж\u003c\/strong\u003e\u003cbr\u003eПо корпуса са предвидени пет отвора за винтов монтаж на аксесоари, както и две точки за монтиране на статив в долната част. Резултатът е тяло, което е по-лесно за директно оборудване и разширяване с основни аксесоари.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОхлаждане, проектирано за 170 минути непрекъснат запис\u003c\/strong\u003e\u003cbr\u003eЕфикасната система за охлаждане с вентилатор и усъвършенстваният дизайн осигуряват до 3 пъти по-голям въздушен поток и така камерата не загрява дори когато LCD мониторът е затворен. Трите режима на вентилатора – [Auto], [Minimum] и [OFF in REC] – ви дават възможност да съобразите охлаждането и шума от работата със средата и продукцията.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eИздръжлива, уплътнена конструкция на корпуса\u003c\/strong\u003e\u003cbr\u003eЦялостните подобрения максимално увеличават устойчивостта на вода и прах за висока надеждност при трудни условия. Външните снадки и капака на батерията са уплътнени, за да се предотврати проникването на влага и прах, а охлаждащият вентилатор се намира в отделен отсек за допълнителна защита.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eГъвкаво свързване за мониторинг, захранване и времеви код\u003c\/strong\u003e\u003cbr\u003eИзходният порт HDMI Type A поддържа гъвкав външен мониторинг с възможност за показване на информация за заснемането както на LCD дисплея на камерата, така и на външен монитор, или за отделяне на информацията за статуса от изходния видеосигнал. Двата USB Type-C® порта поддържат захранване и вход на времеви код чрез опционален адаптерен кабел.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПриложение Monitor \u0026amp; Control за дистанционно управление от мобилни устройства\u003c\/strong\u003e\u003cbr\u003eС приложението Monitor \u0026amp; Control всеки смартфон, таблет или Mac се превръща в гъвкав втори екран за мониторинг и за настройване и работа с камерата. Това е лесен начин да разширите контрола при самостоятелна работа, при компактни ригове и при други продукции, при които има полза от гъвкава работа от дистанция.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalyst Prepare и Catalyst Prepare Plugin\u003c\/strong\u003e\u003cbr\u003eCatalyst Prepare и Catalyst Prepare Plugin използват метаданните от камерата за бърз преглед и корекция на заснетия материал. Те предоставят поддръжка на формати, включително X-OCN LT\/C1\/C2, както и ключови функции като стабилизация, компенсация на дишането на обектива, инструменти за цветовете\/LUT и транскодирано експортиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eКабелна и безжична LAN свързаност за работни процеси от дистанция\u003c\/strong\u003e\u003cbr\u003eВисокоскоростната кабелна LAN свързаност и вграденият Wi-Fi 802.11ax с 2×2 MIMO на честоти 6\/5\/2,4 GHz осигуряват по-плавно дистанционно управление, пренос на файлове и свързване на работните процеси. Поддръжката на кабелна LAN мрежа с 2.5GBASE-T, 1000BASE-T и 100BASE-TX също помага на FX5 да се вписва по-лесно в съвременни продукции с много устройства, както и в мрежови среди за работа.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eФункции за достъпност за повече творци\u003c\/strong\u003e\u003cbr\u003eПоддръжката на екранен четец, функцията за увеличаване на менютата и другите помощни средства за достъпност правят FX5 по-лесна за използване от повече творци. Индексът за байонета на обектива, дискът за избор на различни функции и бутоните са проектирани така, че лесно да бъдат намирани с допир, което допринася за по-уверена работа.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПланирана поддръжка след пускане в продажба\u003c\/strong\u003e\u003cbr\u003eПланирани са актуализации за добавяне на поддръжка на заснемане с висока кадрова честота до 240 fps в X-OCN, запис в XAVC S-I в съотношение 3:2 с пълно изчитане на сензора, оптимизиране на потребителския интерфейс за вертикално заснемане и функция за извличане на отделни кадри.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eРециклирани материали в камерите и фотоапаратите\u003c\/strong\u003e\u003cbr\u003eПланът „Road to Zero“ на Sony има за цел постигане на нулев отпечатък върху околната среда до 2050 г. Когато е възможно, използваме нашия издръжлив, висококачествен рециклиран пластмасов материал SORPLAS™, за да намалим въздействието върху околната среда, без да се прави компромис с работните показатели. Повече от 30% от този продукт са направени от рециклирана пластмаса, включително SORPLAS. Съоръженията ни за производство на продукти за създаване на изображения в Тайланд и Китай също така работят със 100% възобновяема енергия\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОпаковъчни материали без пластмаса\u003c\/strong\u003e\u003cbr\u003eSony се стреми да използва опаковъчни материали без пластмаса, които осигуряват достатъчна защита от удари и сътресения. За продуктите използваме торбички от нетъкан текстил на растителна основа, за да намалим още повече употребата на пластмаса и да сведем до минимум въздействието върху околната среда.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":54389000307025,"sku":"ILMEFX5B.CEC","price":5999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/1784716598_1989703.jpg?v=1784738198"}],"url":"https:\/\/dynaphos.com\/en\/collections\/sony-a7s-iii-%d0%b8-fx-cinema-line-%d0%be%d0%b1%d0%b5%d0%ba%d1%82%d0%b8%d0%b2%d0%b8-sony-gm.oembed","provider":"Dynaphos","version":"1.0","type":"link"}