{"title":"Sony Петък 13 носи късмет - 2026 Фотоапарати","description":null,"products":[{"product_id":"fotoaparat-sony-a7s-iii","title":"Sony a7S III","description":"\u003cp\u003e\u003cstrong\u003eNew image sensor with double the readout speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the \u0026alpha;7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew image-processing engine with up to 8x the processing performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera\u0026#39;s sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera\u0026#39;s high sensitivity and wide dynamic range expand your creative freedom during shoots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to Long GOP inter-frame compression, the \u0026alpha;7S III supports internal intra-frame (All-Intra) recording for the first time in an \u0026alpha;-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing. [1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-frame 4K recording at 120p\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the \u0026alpha;7S III\u0026#39;s compact size, it provides impressive scope for your creativity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording movies with 10-bit depth and 4:2:2 colour sampling\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHEVC codec with high compression efficiency\u003c\/strong\u003e\u003cbr \/\u003e\r\nAvailable for the first time, XAVC HS format recording using the MPEG-H HEVC\/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log2 and S-Log3 with 10bit 4:2:2 support\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony\u0026#39;s professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the \u0026alpha;7S III along with other pro cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003cbr \/\u003e\r\nFacilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the \u0026alpha; series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p\/50p\/29.97p\/25p\/23.98p frame rates and colour spaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced movie image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to the improved capabilities of the \u0026alpha;7S III\u0026#39;s new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the \u0026alpha;7S II.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF support in manual-focus mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s autofocus support can be useful even when you\u0026#39;re primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGame-changing tracking features to revolutionise movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you\u0026#39;re shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you\u0026#39;re shooting manually.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nInheriting technology and performance standards from Sony\u0026#39;s large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses\u0026#39; smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode optical image stabilisation for handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nRelying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera\u0026#39;s Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it\u0026#39;s possible to shoot with the camera only, taking advantage of the compact size and mobility of the \u0026alpha; system. [1] Track of camera shake [2] Standard [3] Active\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew heat-dissipation design for extended recording times\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s design has been optimised to prevent overheating even during extended recording sessions. A unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced audio quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nA digital audio interface is incorporated in the camera\u0026#39;s Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz\/16-bit 2-ch, 48 kHz\/24-bit 2-ch, and 48 kHz\/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDedicated settings menu for movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nA subset of the camera\u0026#39;s settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S\u0026amp;Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for still shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for smooth movie-making\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera\u0026#39;s top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-speed continuous shooting performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nMechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF\/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look feature to set the mood and atmosphere\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced image quality for stills\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with new CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew touch-driven menu with workflow-based navigation\u003c\/strong\u003e\u003cbr \/\u003e\r\nResponding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-definition 9.44 million-dot electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nBoasting the highest resolution in its class, the \u0026alpha;7S III\u0026#39;s viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41\u0026ordm; diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, durable construction\u003c\/strong\u003e\u003cbr \/\u003e\r\nTo maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz \/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera\u0026#39;s USB Type C\u0026reg; port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony\u0026#39;s Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB Power Delivery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera\u0026#39;s USB Type C\u0026reg; port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExternal flash control from the camera body\u003c\/strong\u003e\u003cbr \/\u003e\r\nIt is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; from high-end cinema camera colour science\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe inclusion of Sony\u0026rsquo;s acclaimed S-Cinetone, look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCapture One for Sony\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Desktop\u003c\/strong\u003e\u003cbr \/\u003e\r\nElevate your photography with Imaging Edge Desktop applications. Use \u0026lsquo;Remote\u0026rsquo; to control and monitor shooting live on your PC screen; \u0026lsquo;Viewer\u0026rsquo; to quickly preview, rate, and select photos from large image libraries; and \u0026lsquo;Edit\u0026rsquo; to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s In The Box:\u003c\/strong\u003e\u003cbr \/\u003e\r\nRechargeable Battery, NP-FZ100, Battery Charger BC-QZ1, Power cord, Cable Protector, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, USB-A to USB-C cable (USB 3.2)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-7sm3\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585013178705,"sku":"ILCE7SM3B.CEC","price":3789.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/Hk5vIhMwNSdLns5b6FNf3xHoKOtTWAuD.jpg?v=1776791322"},{"product_id":"fotoaparat-sony-a9-ii","title":"Sony a9 II","description":"\u003cp\u003e\u003cstrong\u003eFull-frame stacked CMOS sensor with integral memory\u003c\/strong\u003e\u003cbr \/\u003e\r\n\u0026alpha;9 II is the mirrorless camera that delivers next-generation high-speed performance far exceeding SLRs. It\u0026rsquo;s equipped with the outstanding 35 mm stacked CMOS image sensor with integral memory for impressively fast overall readout speed. This 24.2 MP image sensor achieves high sensitivity of up to ISO 204800 (extended) with the design of back-illuminated structure.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-speed BIONZ X image processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s image-processing algorithms represent the latest generation of advancements, allowing higher levels of natural tonal gradations and more stable AWB for continuous shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUncompromised image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe combination of a 24.2 effective megapixel, integral-memory full-frame stacked CMOS image sensor and the latest-generation BIONZ X make possible high-sensitivity performance up to ISO 51200, high dynamic range, and support for 14-bit RAW output and 16-bit image processing. Together, they help capture maximum detail and image quality while reproducing rich tonal gradations and natural colour, such as human skin.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackout-free Shooting with Quad-VGA OLED Tru-FinderTM\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn continuous shooting, the electronic shutter system banishes blackout interruption typical of optical viewfinders, and the high-speed image sensor eliminates distracting EVF display lag. A high 120fps refresh rate minimises display blurring of moving subjects, and, the Quad-VGA OLED Tru-Finder with approx. 3.68 million-dot high resolution, employs ZEISS\u0026reg; T* Coating to reduce reflections, and a dirt-repelling fluorine coating on the outer lens to enhance usability on location. (A) Blackout-free Shooting (B) Shooting with blackouts\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIncredibly fast continuous shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to the \u0026alpha;9 II\u0026rsquo;s incredible speed, continuous shooting is possible at up to 20fps with the electronic shutter and 10fps with the mechanical shutter, to capture fast-moving subjects with either shutter mode, and even at its highest speed, the flash can be synchronised with the mechanical shutter.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF\/AE calculations up to 60 times\/sec.\u003c\/strong\u003e\u003cbr \/\u003e\r\nAF\/AE is calculated up to 60 times per second and is virtually uninterrupted, both while composing the image and even upon releasing the shutter. Continuous AF\/AE\u0026mdash;operated on the image sensor\u0026mdash;locks onto and tracks erratically moving subjects with high speed, precision, and reliability. Additionally, AWB Lock capability, makes it possible to lock\/unlock auto white balance operation at any time, which is useful in mixed lighting situations where natural and man-made light sources coexist. (1) AF\/AE calculations (2) 60 times\/sec (3) 20 frames\/sec\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-speed 1\/32000 sec. Anti-distortion shutter\u003c\/strong\u003e\u003cbr \/\u003e\r\nA result of Sony\u0026rsquo;s image sensor innovation, this shutter achieves speeds up to 1\/32000 sec. beyond the limits of mechanical systems. Additionally, the high curtain speed of the electronic shutter suppresses rolling shutter effect to excellently capture moving subjects during sports and other fast-moving activities\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSilent shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nExplore the advantages of high-speed silent shooting, with a shutter that is fully digital\u0026mdash;without a physical mechanism. The electronic shutter allows silent shooting without mechanical mirror and shutter noise. It\u0026#39;s ideal for sports and subjects that demand quiet operation, greatly expanding camera versatility.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4D FOCUS: from AF wide coverage, speed, and tracking stability\u003c\/strong\u003e\u003cbr \/\u003e\r\n4D FOCUS means highly accurate subject detection, reliable rapid autofocusing, and continuous tracking of subjects in motion, based on uninterrupted AF and an optimised AF algorithm as well as the approximately 93% AF coverage from 693 focal-plane phase-detection AF points that track random subject motion even during shutter release.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnti-flicker shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlicker from fluorescent and other artificial lighting is automatically detected and shutter action is timed to minimise the effect of flicker on still images. This suppresses exposure and colour anomalies at the top and bottom of images shot at high shutter speeds, as well as exposure and colour inconsistency between continuous shots, so you can take images indoors with more confidence. (1) Anti-flicker ON (2) Anti-flicker OFF\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Real-time Tracking technology uses AI to detect moving subjects from the wealth of information captured by the image sensor. Spatial data consisting of colour, pattern (brightness) and distance information are processed in parallel at high speed, and human and animal face and eye location data are detected continuously in real time using AI, realising high-accuracy with automatic detection and tracking performance for moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePrecision AF effective down to EV-3 brightness\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-light AF detection extends to EV-3, at ISO 100. The \u0026lsquo;Focus Priority in Aperture Drive\u0026rsquo; option enables more accurate focusing in dim lighting and when the aperture is stopped down with the result that the precision AF system will function properly even when shooting dimly lit scenes. This opens up new possibilities in low-light and night shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Eye AF for humans and animals\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Eye AF relies on advanced AI to continuously analyse and detect eyes from the image sensor\u0026rsquo;s copious data, with left or right eye preference possible with a simple toggle. By half-pressing the shutter button, even animal eyes are detected. Team it up with Real-time Tracking for superior tracking performance of live subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF\/AE-tracking continuous shooting with A-mount lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe body\u0026rsquo;s 693-point focal-plane phase-detection AF provides wide-area coverage, fast response, and high tracking performance, not only for E-mount but also for A-mount lenses with use of a mount adaptor (LA-EA3). Continuous shooting of up to 10fps with AF tracking is possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShutter durability and image shake suppression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe shutter has been tested for durability in excess of 500,000 shutter-release cycles, and incorporates an internal damper structure to absorb the impact of shutter motion for minimum shutter vibration and noise, helping to realise more sharply resolved imaging, as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBody-integrated 5-axis optical image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe body-integrated image stabilisation system is fine-tuned to compensate accurately for 5-axis camera shake that can compromise handheld shooting. This gives you extremely high performance in both stills and movies, whether shooting at longer focal lengths, in close-ups, or at night. It is equivalent to using a 5.5-step faster shutter speed, allowing stable determination of composition when capturing subjects in high-speed motion. Real-time effects can be monitored via live view. (1) Yaw (2) Pitch (3) Roll\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUser selectable focus area circulation and customisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA new setting allows the focus area to be rotated through the upper, lower, left, and right edges of the frame to select an appropriate focus area for sports or other situations where the subject frequently moves through the frame. AF area and ISO display limiting makes it possible to display only the most frequently used focus area and ISO settings for quicker, easier selection for faster, more efficient shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProfessional-level operating stamina\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 II employs the large-capacity NP-FZ100 battery and a highly energy-efficient circuit design to double operation longevity to professional session lengths. The robust VG-C4EM vertical-position grip is available for greater operability and even longer hours of shooting. In addition to other optional accessories, USB Type-C\u0026trade; and Multi\/Micro USB ports allow external mobile batteries to power the camera for further extended recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual media slots, both supporting UHS-II\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 II provides two media slots for SD cards, both SLOT 1 and SLOT 2 are now compatible with UHS-I and UHS-II for fast mass-volume data writing. Two cards in the slots can be used to simultaneously record or relay record data, separate RAW data from JPEG data, or stills from movies, and copy data from one card to the other. A slide lock structure prevents the memory card cover from being opened unintentionally.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable durability and weather resistance in tough situations\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 II brings you further enhanced body durability, with full use of lightweight, high-rigidity magnesium alloy for covers and internal frame, keeping the camera highly rigid and light. In response to pro opinions, enhanced sealing is applied to the battery cover, terminal cover and all joints in the chassis. A double-sealed sliding mechanism replaces the hinge to the media compartment lid for better moisture resistance . Routes to dust and moisture entry have been re-examined, and a cushion around the lens mount has been added to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdd voice memo to your images\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 II brings higher efficiency to work delivery tasks with a new Voice Memo function that allows you to record up to 60-sec audio files (.wav) describing shooting conditions or image content with automatic transcription into text, which is then attached to images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFaster FTP transfer\u003c\/strong\u003e\u003cbr \/\u003e\r\nYou can directly transfer images to an FTP server with significantly higher speed via the camera\u0026#39;s LAN terminal that supports the Ethernet 1000BASE-T standard. It is also possible to upload images to an FTP server through an available wireless access point, and the camera supports either transfer mode in the background while shooting. Up to nine servers may be pre-registered for fast menu selection.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRedesigned controls for confident and comfortable operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA refined multi-selector, with a new surface texture for enhanced button response, lets you shift point of focus quickly and intuitively. With a thought for pro users, an improved grip shape reduces fatigue, and there is a new Exposure Compensation Dial Lock Button to increase operational security. In addition, the location and the AF-ON and other key buttons have been analysed for better feel and response. These improvements enhance your concentration on shutter release to \u0026quot;capture the moment\u0026quot; instantly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtending operability with Remote Camera Tool\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is compatible with updated Remote Camera Tool application, which, after pairing to assure a secure connection, handles remote single or multi-camera shooting using wired LAN connection in venues like sports stadiums. Remote switching of the camera\u0026rsquo;s FTP server settings is also possible, as well as remote control of the saving and loading of settings to\/from an SD memory card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-resolution 4K movie recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is capable of 4K movie recording with full-pixel readout without pixel binning. You can enjoy detail-rich, full-frame movies via the oversampling effect achieved by condensing approximately 2.4 times the amount of data required for 4K (6K equivalent) for 4K output (QFHD: 3840 x 2160). Additionally, the XAVC-S format is supported at bit rates as high as 100 Mbps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupport for faster data transfer; 5GHz Wi-Fi\u0026reg; and USB 3.2 Gen 1\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnectivity has been improved, with new support for the IEEE 802.11ac 5GHz band Wi-Fi\u0026reg; when the camera is connected in wireless mode, along with the camera\u0026#39;s USB Type-CTM terminal that supports USB 3.2 Gen 1.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile movie recording functions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 II provides a wide array of functions to facilitate movie shooting workflows, including interval recording, clean HDMI output, time code\/user bits (TC\/UB), REC Control, marker display\/setting, zebra function, Slow and Quick Motion, simultaneous proxy movie recording, and extraction and separate storage of a still from a movie, among others. A combination with the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit, via the new digital audio interface, enables clear sound recording with minimised quality deterioration by sending a digital audio signal to the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImprovement of camera settings saving function\u003c\/strong\u003e\u003cbr \/\u003e\r\nNow, a dramatically increased number of camera settings can be stored in the memory card, and saved settings can be read by other cameras of the same model. Moreover, up to 10 sets of camera settings can be stored in a memory card, thanks to the Save\/Load Setting function. Camera setups can also be imported to the Imaging Edge Mobile application while imported setups can be exported to other cameras of the same model.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF improvements for movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting 4K movies, the camera provides control of high speed, precision, and tracking performance, via adjustable tracking sensitivity, for smooth, stable AF movie shooting. More pronounced slow focus effects are now possible, and Real-time Eye AF is now also applicable when shooting movies, detecting and tracking eyes with high focus accuracy, which is critical when shooting 4K.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRating function and Image Jump Setting\u003c\/strong\u003e\u003cbr \/\u003e\r\nRatings from 1 to 5 stars can be applied to still images and maintained as the images are imported into the Imaging EdgeTM desktop application (Viewer) running on a PC. This function and a protect function to prevent accidental image deletion can each be assigned to a custom button (C3 by default for protect). Ratings and protection can be applied via review playback display and continuous groups can be reviewed, protected, and deleted while you\u0026rsquo;re on location or travelling. With the Image Jump Setting, you can now also review large photo collections in 10 or 100 frame jumps, and group-review continuous burst shots for swift, efficient image evaluation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisability for maximised efficiency\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to My Dial, three sets of menu options can be assigned through the front\/rear dials and the control wheel. By assigning frequently used functions to these dials, they become instantly available for fingertip control while a custom button is held. Function sets can be assigned individually for stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCapture One (for Sony)\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) can be bought for even more editing tools and tethered shooting capability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Remote, Viewer, and Edit desktop apps\u003c\/strong\u003e\u003cbr \/\u003e\r\nElevate your photography with Imaging Edge desktop applications. Use \u0026lsquo;Remote\u0026rsquo; to control and monitor shooting live on your PC screen; \u0026lsquo;Viewer\u0026rsquo; to quickly preview, rate, and select photos from large image libraries; and \u0026lsquo;Edit\u0026rsquo; to develop RAW data into high-quality photos for delivery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWorks with iMovie and Final Cut Pro X\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis product is compatible with Final Cut Pro X and iMovie.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s In The Box:\u003c\/strong\u003e\u003cbr \/\u003e\r\nPower cord, Rechargeable Battery NP-FZ100, Cable Protector, Battery Charger BC-QZ1, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, USB Type-C(TM) cable\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-9m2\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585070948689,"sku":"ILCE9M2.CEC","price":3999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/cbokWfNICjXwC81Ng8Kpn3YR5RdaIkrV.jpg?v=1776791322"},{"product_id":"fotoaparat-sony-a1","title":"Sony a1","description":"\u003cp\u003e\u003cstrong\u003e50.1 megapixel Exmor RS\u0026trade; image sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 features a full-frame stacked back-illuminated CMOS Exmor RS\u0026trade; sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the \u0026alpha;1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the \u0026alpha; series. Unprecedented performance for a new era of image making.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced BIONZ XR engine boosts speed by up to 8x\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous shooting at up to 30 fps\u003c\/strong\u003e\u003cbr \/\u003e\r\nHigh speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images or 155 full-frame compressed RAW images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUp to 120 calculations per second for smooth AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high sensor readout speed of the \u0026alpha;1 allows up to 120 AF\/AE calculations per second at the focal plane, even while shooting continuously at up to 30 fps. Complex, erratic subject motion is tracked with higher precision than ever, and exposure can be automatically adjusted even through sudden brightness changes. AF response latency is as low as 0.033 second for consistently accurate exposure. (1) 120 times\/sec. AE\/AF calculation (2) 30 fps (3) Frames\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSilent, vibration-free electronic shutter\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe electronic shutter operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackout-free shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 240 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing. (A) Blackout-free Shooting (B) Shooting with blackouts\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh resolution and sensitivity with 15-stop dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnti-flicker shooting with electronic shutter\u003c\/strong\u003e\u003cbr \/\u003e\r\nHigh-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time. This enables blackout-free shooting, up to 120 AF\/AE tracking calculations per second, up to 30 fps continuous shooting, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light. Anti-flicker [1] ON [2] OFF\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eElectronic shutter flash sync + high-speed mechanical sync\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor the first time in an \u0026alpha; camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1\/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1\/400 sec. (1\/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUse Creative Look to create moods in camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nA selection of new Creative Looks makes it easy to create interesting moods for stills and movies right in the camera. 10 Creative Looks are provided as presets with different combinations of colour, colour depth, brightness, contrast, sharpness, and more. The presets can be used as they are or customised by the user. Customised Creative Looks can be stored as Custom Looks for later recall and use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e5-axis optical in-body image stabilization for a 5.5-step shutter speed advantage\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera\u0026rsquo;s 50.1-megapixel sensor. The \u0026alpha;1 also features an Active Mode that offers outstanding stabilization for handheld movie shooting. [1] Yaw [2] Pitch [3] Roll\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide sensitivity range\u003c\/strong\u003e\u003cbr \/\u003e\r\nEven with this sensor\u0026rsquo;s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~102400.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 includes AI-based Real-time Tracking that automatically maintains accurate focuswhile the shutter button is half-pressed. A newly developed subject recognition algorithm uses colour, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed. \u0026alpha;1 Real-time Tracking is faster, more accurate, and more tenacious than ever before.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e759 point full-area phase detection AF\u003c\/strong\u003e\u003cbr \/\u003e\r\n759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area, ensuring accuracy and unfailing focus in scenes where focusing might otherwise be difficult. The 759-point focal plane phase-detection AF system works with a 425-point contrast AF system to ensure precise AF operation in any environment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew Real-time Eye AF bird mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to Real-time Eye AF for humans and animals, the \u0026alpha;1 employs high-level subject recognition technology to provide Real-time Eye AF for birds. Select the bird to be tracked, and the camera will automatically detect and focus on that bird\u0026rsquo;s eye whether the bird is still or in flight. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K movie recording at up to 120 frames per second\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 offers in-camera 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at 4K resolution provides new expressive capability. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull pixel readout without binning for high-res 4K\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull frame and Super 35 formats can be selected for 4K movie recording. Full pixel readout in the Super 35 mode (approx. APS-C 16:9), without the need for pixel binning, makes it possible to condense approximately 2.3 times the amount of data required for 4K movies, resulting in high-resolution, high-detail 4K with minimal moir\u0026eacute; and jaggies. Bit rates up to 600 Mbps can be used for 4K XAVC HS, XAVC S, and XAVC S-I recording. (A) 2.3 times information\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStunning realism with 8K 30p movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor the first time in the \u0026alpha; series, the \u0026alpha;1 offers 8K 30p XAVC HS recording with 8.6K oversampling for extraordinary resolution and realism. Combined with superior \u0026alpha;1 AF, gradation, and colour reproduction performance, 8K resolution brings the world to life. 8K footage is also ideally suited to flexible 4K editing. Low-bit-rate proxy files with HD resolution can be recorded simultaneously with 8K.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW output\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 allows 16-bit RAW output to an external recorder via HDMI for maximum post-production flexibility. Full-frame 4332 x 2448 16-bit image output easily covers 4096 x 2048 DCI-4K, with a choice of frame rates (59.94p\/50p\/29.97p\/25p\/23.98p) and colour spaces. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat-dissipation for extended recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nA newly developed heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K\/30p or 4K\/60p videos10-bit 4:2:0 video continuously for more than 30 minutes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log3 and 10-bit HLG deliver extra depth\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match \u0026alpha;1 footage with footage shot on the VENICE digital cinema camera, PXW-FX9, and other professional camcorders. An HLG (Hybrid Log-Gamma) picture profile is also provided, allowing direct playback on an HDR (HLG) compatible TV without the need for colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePan shots with electronic shutter\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON when shooting at a shutter speed lower than 1\/60 to insert blackout frames at an appropriate frame rate to improve display response and make it easier to follow the subject without display lag.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSeamlessly switch full-frame and APS-C formats\u003c\/strong\u003e\u003cbr \/\u003e\r\nM and S size images have the same number of pixels in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:M21] and APS-C [M:M21], for example, while shooting the same scene. And because the full array of 759 phase detection points is available in APS-C mode as well as full-frame mode, you get the same smooth AF performance. [1] Full Frame [2] APS-C\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone for that expressive cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 includes S-Cinetone, the same colour matrix that produces the highly regarded FX9 and FX6 colour and skin tones. Based on technology acquired through development of Cinema Line cameras such as FX9, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights. S-Cinetone responds to a growing need for more expressive depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIndependent still and movie settings\u003c\/strong\u003e\u003cbr \/\u003e\r\nA subset of the camera\u0026rsquo;s shooting settings now change according to the selected shooting mode. This can be an advantage when you want to use different aperture, shutter speed, and other settings for shooting stills and movies. The available settings are: Aperture, Shutter Speed, Exposure Compensation, ISO Sensitivity, Metering Mode, White Balance, and Picture Profile.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt-in Wi-Fi supports 2x2 MIMO\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in wireless LAN allows communication on the 2.4 GHz and 5 GHz bands, the latter with 2x2 MIMO support (IEEE 802.11a\/b\/g\/n\/ac) for industry-leading speed. Dual antennas ensure reliable communication, even with the camera\u0026rsquo;s durable magnesium alloy chassis. 5 GHz communication can be a notable advantage for news and sports shooters who need to deliver with reliable speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-resolution viewfinder with the widest view in its class\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers the highest resolution in its class. It also offers 0.90x viewfinder magnification, a 41\u0026deg; diagonal FOV, and a 25mm high eyepoint for clear, low-distortion viewing from corner to corner. This advanced viewfinder also features up to 240 fps refresh rate with UXGA FOV for super-smooth display.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast USB Type-C and 1000BASE-T network connections\u003c\/strong\u003e\u003cbr \/\u003e\r\nA USB Type-C\u0026reg; connector that supports fast SuperSpeed USB 10Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The \u0026alpha;1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL\/TLS) is supported, allowing SSL or TLS encryption for increased data security.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHEIF: High compression with excellent image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to a versatile range of RAW and JPEG formats, the \u0026alpha;1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. The advanced compression technology used by the HEIF format also maintains image quality that is on a par with the best JPEGs, with approximately twice the compression.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLossless compression plus \u0026ldquo;Light\u0026rdquo; JPEG\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to compressed and uncompressed RAW, The \u0026alpha;1 includes efficient lossless compression with minimal quality degradation. There is also a new \u0026ldquo;Light\u0026rdquo; JPEG size setting that results in smaller files than the \u0026ldquo;Standard\u0026rdquo; setting, allowing faster deliver for news and sports photographers who depend on speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 has two media slots that both support UHS-I and UHS-II SDXC\/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read\/write speeds. CFexpress Type A cards are ideally suited to high-speed continuous still shooting as well as high-resolution, high-bitrate movie recording. Recorded stills and movies can be saved to the memory media in numerous ways, to match a wide range of applications and needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImproved dust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nSealing is provided at all body seams and the battery cover. The media slots have a double sliding cover and lock that keep water out. A lens lock button and mount cushion help too.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComprehensive touch operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA revised menu structure provides easier navigation, and touch-responsive menu operation offers faster, more intuitive control. All main and function menus are touch responsive. Even more intuitive control is provided by Touch Focus and Touch Tracking. With Touch Tracking enabled, all you have to do is touch a subject on the monitor to initiate Real-time Tracking for that subject, for both stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-capacity Z-series Battery for extended recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nShoot up to 530 stills per charge. Components and circuitry have also been designed to optimize power use. Get more capacity with two Z batteries in the VG-C4EM grip.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nA light, rigid magnesium alloy enhances the durability of the top, front, and rear covers as well as the internal frame. 6 lens mount attachment screws add even more strength and rigidity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s In The Box:\u003c\/strong\u003e\u003cbr \/\u003e\r\nPower cord, Rechargeable Battery NP-FZ100, Cable Protector, Battery Charger BC-QZ1, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, USB Type-C(TM) cable\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-1\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585100702033,"sku":"ILCE1B.CEC","price":5445.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/jhh31NXLu3Tw5ZuPSdJHEvoT26UaUIOd.jpg?v=1776791224"},{"product_id":"fotoaparat-sony-a7-iv","title":"Sony a7 IV","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/7129ba77b35f931b3056e36cbf6986dc.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNewly developed 33.0MP back-illuminated CMOS image sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame Exmor R\u0026trade; CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording at up to 60p . The sensor also provides improved colour reproducibility, low-noise performance at all sensitivities, 15-stop dynamic range on stills, and increased AF precision and focal stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/ab5e5cef2a0740d61cf2c97778d974df.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR\u0026trade; image processor for up to 8x processing speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XR engine, also used in the flagship \u0026alpha;1 and \u0026alpha;7S III models, provides up to an 8x increase in processing speed. The engine concentrates real-time processing of AF, image recognition and image quality adjustment to minimise processing latency, for greatly increased movie and still processing power. User interface, network, and file management processing is distributed in order to deliver fast response regardless of real-time processing load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/a6bb8ff9d86948b80d7ed47f6d47ff2e.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBeautiful image rendering with low noise\u003c\/strong\u003e\u003cbr \/\u003e\r\nVisible benefits of the powerful new 33.0MP sensor and engine go beyond mere numbers. They include soft, natural-looking human skin textures, a stunning level of detail in landscapes and scenery, and better colour reproduction, with higher subjective resolution resulting from improved algorithms. The standard sensitivity range of ISO 100-51200 is expandable to ISO 50-204800 for stills and ISO 100-102400 for movies, with low-noise performance throughout.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/34242b00e6f726cbe3b6e66f3b2b7246.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSet the mood, in-camera, with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nBroaden your creative palette with a selection of ten Creative Look presets. You can easily impart a particular mood in your still images, movies and live streaming, and all preset selections are available in-camera without post-editing, so you can share your vision immediately after shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/93dcefdcaa2de17227794ebdfc348c28.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K 60p recording, 4:2:2 10-bit recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p recording, and when recording 4K movies at 30p, full-frame 7K oversampling produces high-resolution, highly detailed 4K. 10-bit 4:2:2 video can be recorded internally, allowing fuller, more natural gradations and greater editing freedom. The XAVC HS\u0026trade; file format provides roughly twice the coding efficiency of MPEG-4 AVC\/H.264.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/1f05a064a1eaa8906ba8aef548c5c32c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmoother gradation rendering with 10-bit HEIF recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV offers HEIF (High Efficiency Image File) still-image encoding, in addition to conventional RAW and JPEG. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects, and the use of 10-bit depth minimises degradation of image quality when editing. HEIF still images recorded in HLG mode can be played back on a compatible BRAVIA 4K TV, via an HDMI connection, to display images with an extraordinarily wide dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/bf4ea4ac44b74e0dfac446235d9ef57d.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBeautiful colour expression made simple, with S-Cinetone\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV supports S-Cinetone, based on expertise gained through development of the VENICE CineAlta camera. This look is responsible for the beautiful skin tones for which Cinema Line cameras like the FX9, FX6 and FX3 are widely acclaimed. It delivers natural mid-tones for healthy-looking skin colour, plus soft colours and gorgeous highlights. Because it\u0026#39;s in-camera, it\u0026#39;s easy to create a more expressive look for your movie imagery without post-editing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/2fbc004f1f47c0fc9932564c1777dc4a.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSoft Skin Effect for bright and beautiful skin appearance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe built-in Soft Skin Effect makes skin look more beautiful, softening wrinkles, blemishes and dull patches while preserving liveliness in eye and mouth areas. Complementing the capabilities of the full-frame sensor, this feature can add appeal to live-streamed sessions as well as enhancing still shots and movies. Four level settings are available , so you can adjust the degree of the effect as you wish.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/d79e56ce2863778f234d688de03391e2.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log for colour matching with professional video equipment\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV provides S-Log2 and S-Log3 gamma curves, with the latter allowing capture of 15+ stops of dynamic range. The S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match \u0026alpha;7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting S-Log is ISO 800, and it can be lowered by as much as two stops (ISO 200-640) below the standard range to achieve extra low noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/b21845203d86cc052b8c43faa51fdad3.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptical 5-axis in-body image stabilisation for 5.5-step compensation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV\u0026#39;s high-precision stabilisation unit and gyro sensors work with stabilisation algorithms to achieve up to 5.5 steps of shutter-speed compensation, to maximise the performance of the camera\u0026#39;s 33.0MP sensor. This in-body stabilisation allows effective use with a wide range of lenses. The live monitor view shows the stabilised still image while the shutter button is half-pressed, an especially helpful feature when using a telephoto or macro lens, and it can be used in conjunction with the MF Assist and Focus Magnifier features.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/571853cfca2e8bbd0623c50f60bf46b2.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHand-held movie shooting with Active Mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode uses the camera\u0026#39;s stabilisation unit, gyro sensors and sophisticated algorithms for highly effective in-camera optical image stabilisation during movie shoots. The powerful processing engine precisely detects the required amount of compensation for smooth stabilisation in all formats, including 4K, without compromising the \u0026alpha;7 IV\u0026#39;s compact size and mobility. And, because the gyro data is also recorded alongside the video, even more effective post-production stabilisation can be applied for ultra smooth shots using Catalyst Browse\/Prepare software.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/1cef73b5f670c854804b514798519092.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuffer memory supports continuous shooting and recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nBoth the mechanical and electronic shutters allow continuous shooting at up to 10 fps with AF\/AE tracking. The latest powerful processing engine and increased buffer memory allow faster writing to memory cards, so you can shoot more than 800 uncompressed RAW+JPEG frames (more than 1600 altogether), or more than 1000 compressed RAW+JPEG frames (more than 2000 altogether, up to a full memory card). Increased processing power also allows you to change menu settings even while data is being written to the memory card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/6c63112529b5b1b471021ac2b4f48b44.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF with improved speed, precision and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing a combination of phase-detection AF and contrast-detection AF, Fast Hybrid AF focuses precisely even on small subjects or on people posed in front of a nighttime background. A wide, dense AF area covers roughly 94% of the image area for both still and movie shooting with 759 phase-detection points, while the contrast-detection AF system uses 425 points. This vast collection of data is analysed in real time by the latest powerful processing engine to achieve the AF system\u0026#39;s impressive results.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/52092e3423b08dc87ba53d2e0abad04c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBird mode for Real-time Eye AF, now available in movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Real-time Eye AF function is now capable of detecting the eyes of birds and tracking them in real time, for both still shots and movies. The BIONZ XR engine runs optimised AF and tracking algorithms to ensure uninterrupted tracking even for birds in flight, whose movement is hard to predict. Once you\u0026#39;ve selected a bird, the camera will automatically detect and precisely track that bird\u0026#39;s eye, whether the bird is perched or in flight.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/eba075185c86a65865eafd0c37ae2cda.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Eye AF and Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe superior processing power of the BIONZ XR engine has led to improvements in both Real-time Eye AF and Real-time Tracking features. Improved face detection translates into 30% better eye-detection accuracy, while faster image processing yields higher accuracy when the subject is looking up, down, or sideways. Real-time Tracking allows you to select your subject and then leave tracking to the camera, relying on the latest subject recognition algorithm and high-speed analysis of spatial data by the processing engine.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/8d61b5658032b3154c52c15ffd3fc9b9.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF control through touch operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nTouch Tracking lets you select a subject to track simply by touching the LCD screen, even while using the viewfinder, for more intuitive AF control for both still shots and movies. Easier focus operation is particularly helpful when you\u0026#39;re shooting movies alone or using a gimbal, allowing you to concentrate on composing your shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/5fb184442a72d53c4351ad37745a2b89.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF Assist for seamless transitions to manual focus\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe AF Assist function, inherited from the Cinema Line FX6, lets you seamlessly switch to and from manual focus during movie shoots. When this feature has been turned on, rotating the focus ring temporarily switches operation from autofocus to manual focus to allow you to deliberately shift your focus to a different subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/22e4eb5c767fb9d9531e7ecacc4b6009.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisualise depth of field during movie shoots with Focus Map\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new Focus Map overlays focus information onto a live real-time display to show which areas are in or out of focus. Being able to clearly visualise depth of field in this way makes it easier to quickly set up your ideal focus point and depth of field during rehearsal. As a result you can use the camera\u0026#39;s excellent video definition and fast lenses to create impressive shots with shallow depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/6efc0e8bd78d5cad1426ddab528570e4.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing Compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor the first time in the \u0026alpha; series, the \u0026alpha;7 IV provides compensation for focus breathing. Focus breathing is any change in a lens\u0026#39;s angle of view that corresponds to changes in focus. Sony\u0026#39;s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view, for more movie-like focus transitions. This feature can be used in conjunction with Active Mode image stabilisation to shoot stable, consistent imagery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStill\/Movie\/S\u0026amp;Q dial for quick access to hybrid capabilities\u003c\/strong\u003e\u003cbr \/\u003e\r\nBefitting the \u0026alpha;7 IV\u0026#39;s status as a true hybrid camera, it comes equipped with a dedicated Still\/Movie\/S\u0026amp;Q dial to instantly switch between movies and stills. The dial switches the menus, functions, and custom settings of various controls between still and movie mode, and settings such as aperture and shutter speed are also maintained separately for stills and movies. S\u0026amp;Q mode can also be selected, for fast access to slow-motion or quick-motion shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/115f22bdf269d49e29b6b9cd00bc437e.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe latest mode-specific menus and customisable Rear dial R\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV\u0026#39;s menus are specific to either stills or movies, and for easier navigation menus are configured to show three levels of hierarchy at once. Separate functions for stills and for movies can be assigned to various buttons and dials, including the new, freely customisable Rear dial R. With controls tailored to whichever shooting mode you are currently using, the flexible access provided by the Rear dial R contributes to greatly enhanced still and movie shooting efficiency.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/4b7de207e80b358c839a46a7d25d4793.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle LCD monitor for greater freedom when shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe large, side-opening 3.0-type 1.03-megadot touch-panel LCD monitor offers ample brightness for clear viewing in outdoor settings, and its 3:2 aspect ratio makes efficient use of the display area. The vari-angle mechanism allows flexible positioning and framing for handheld shots, gimbal-mounted or documentary-style self-shooting, or very low ground-level shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/9e5ec7ae4bc2bc206961e4373a69c065.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e3.68 megadot high-definition Quad-VGA OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV\u0026#39;s Quad-VGA OLED viewfinder provides roughly 1.6 times the resolution of the \u0026alpha;7 III viewfinder, with a 37.3\u0026deg; FOV and a 23mm high eyepoint. With high resolution, improved electronic viewfinder image quality, and fogging and dust resistance (including significantly improved internal fogging resistance relative to the \u0026alpha;7 III), it is designed for clear and comfortable viewing in a wide range of shooting environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/fc79870f2dea03284ea87464313ee82a.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCommunication features for easy sharing and distribution\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV is equipped with robust wired and wireless communication features for more comfortable sharing and distribution. In-body wireless LAN uses a 5GHz band in addition to the 2.4GHz band, for fast data transfer. Background FTP transfer of files can be set to occur automatically while shooting continues, and a USB Type-C\u0026reg; connector supports fast SuperSpeed USB 10Gbps (USB 3.2 Gen 2) data transfer.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/6f13b34b3c53213882ae8f1a4885a7db.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInstant real-time live streaming via USB connection\u003c\/strong\u003e\u003cbr \/\u003e\r\nLive streaming is as easy as connecting to a computer through a USB connection, and you can choose from four different output formats, including high-resolution 4K video. You can select whichever configuration is best for current network conditions and the devices used, and simultaneous internal recording is also available, giving you broad flexibility to cover a wide variety of needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/7dd4e2311dd7af1f2747d29b46e1f304.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-capacity Z batteries and USB Power Delivery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV relies on a high-capacity Z battery (NP-FZ100), along with external power options that include USB power supplies and AC adaptors. Battery drain can be minimised by adding a high-capacity mobile battery for outdoor shooting. A USB charger or mobile battery that supports USB PD can be connected to the camera\u0026#39;s USB Type-C\u0026reg; port, for extended recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/5d9b443f1b658efff68ad0dce945509c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHeat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nTo allow extended continuous recording, efficient heat dissipation is provided by Sony\u0026#39;s proprietary \u0026Sigma; (sigma)-shaped thermal mounting. The mounting, which is also used on flagship models, is constructed from a graphite material with excellent thermal conduction properties. This structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while heat is efficiently dissipated.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/c8cf0634938e629d255031ce1411445e.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual media slots, with CFexpress Type A support\u003c\/strong\u003e\u003cbr \/\u003e\r\nDual media slots allow you to continue shooting even if one memory card fills up. One of the slots supports high-performance CFexpress Type A cards, and both slots support UHS-I and UHS-II SDXC\/SDHC cards. With their fast write speeds, CFexpress Type A cards are particularly suited to high-speed continuous still shooting as well as high-resolution, high-bitrate 4K movie recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/80fdfc189b505541cbc8bdc8a641cec0.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, robust engineering\u003c\/strong\u003e\u003cbr \/\u003e\r\nWe have improved the dust and moisture resistance of the \u0026alpha;7 IV to provide outstanding reliability even in challenging outdoor shooting environments. Design refinements include more sealing at body seams and the battery compartment cover (compared to the \u0026alpha;7 III), a redesigned lens lock button, and extra cushioning around the mount. A lightweight, high-rigidity magnesium alloy used for the camera\u0026#39;s top cover, front cover, and internal frame provides excellent durability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/bdba1eb470f044433f511e577ba46ac6.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsideration for the environment and resource conservation\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s \u0026quot;Road to Zero\u0026quot; environmental plan was launched in 2010 with the ultimate goal of achieving a zero environmental footprint. Currently nearly all plastic packaging materials for the \u0026alpha;7 IV are recycled. Recyclable materials are also used for camera bodies whenever possible, reducing environmental burden without compromising functionality. While retaining state-of-the-art performance, we aim to further reduce energy and resource consumption to reduce the burden on the environment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/31def129a74de6cbe2ef506a673dd2d6.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Desktop\u0026trade; \/ Imaging Edge Mobile\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nExpand your creative horizons with Imaging Edge Desktop and Imaging Edge Mobile. The Imaging Edge Desktop PC application lets you control and monitor shoots directly from your PC screen, preview photos, and develop RAW\/HEIF data into high-quality photos for delivery. Imaging Edge Mobile applications use the Wi-Fi and Bluetooth\u0026reg; functionality of the \u0026alpha;7 IV to provide a wide variety of convenient shooting and sharing functions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-7m4\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585133994321,"sku":"ILCE7M4B.CEC","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/3Fp6oiNkRJJ6VBKmY52MAIBtApJoBg2B.jpg?v=1776791261"},{"product_id":"fotoaparat-sony-a7-iv-obiektiv-sony-fe-28-70mm-f3-5-5-6-oss","title":"Sony a7 IV + FE 28-70mm f3.5-5.6 OSS","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/7129ba77b35f931b3056e36cbf6986dc.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNewly developed 33.0MP back-illuminated CMOS image sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame Exmor R\u0026trade; CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording at up to 60p . The sensor also provides improved colour reproducibility, low-noise performance at all sensitivities, 15-stop dynamic range on stills, and increased AF precision and focal stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/ab5e5cef2a0740d61cf2c97778d974df.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR\u0026trade; image processor for up to 8x processing speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XR engine, also used in the flagship \u0026alpha;1 and \u0026alpha;7S III models, provides up to an 8x increase in processing speed. The engine concentrates real-time processing of AF, image recognition and image quality adjustment to minimise processing latency, for greatly increased movie and still processing power. User interface, network, and file management processing is distributed in order to deliver fast response regardless of real-time processing load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/a6bb8ff9d86948b80d7ed47f6d47ff2e.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBeautiful image rendering with low noise\u003c\/strong\u003e\u003cbr \/\u003e\r\nVisible benefits of the powerful new 33.0MP sensor and engine go beyond mere numbers. They include soft, natural-looking human skin textures, a stunning level of detail in landscapes and scenery, and better colour reproduction, with higher subjective resolution resulting from improved algorithms. The standard sensitivity range of ISO 100-51200 is expandable to ISO 50-204800 for stills and ISO 100-102400 for movies, with low-noise performance throughout.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/34242b00e6f726cbe3b6e66f3b2b7246.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSet the mood, in-camera, with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nBroaden your creative palette with a selection of ten Creative Look presets. You can easily impart a particular mood in your still images, movies and live streaming, and all preset selections are available in-camera without post-editing, so you can share your vision immediately after shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/93dcefdcaa2de17227794ebdfc348c28.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K 60p recording, 4:2:2 10-bit recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p recording, and when recording 4K movies at 30p, full-frame 7K oversampling produces high-resolution, highly detailed 4K. 10-bit 4:2:2 video can be recorded internally, allowing fuller, more natural gradations and greater editing freedom. The XAVC HS\u0026trade; file format provides roughly twice the coding efficiency of MPEG-4 AVC\/H.264.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/1f05a064a1eaa8906ba8aef548c5c32c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmoother gradation rendering with 10-bit HEIF recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV offers HEIF (High Efficiency Image File) still-image encoding, in addition to conventional RAW and JPEG. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects, and the use of 10-bit depth minimises degradation of image quality when editing. HEIF still images recorded in HLG mode can be played back on a compatible BRAVIA 4K TV, via an HDMI connection, to display images with an extraordinarily wide dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/bf4ea4ac44b74e0dfac446235d9ef57d.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBeautiful colour expression made simple, with S-Cinetone\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV supports S-Cinetone, based on expertise gained through development of the VENICE CineAlta camera. This look is responsible for the beautiful skin tones for which Cinema Line cameras like the FX9, FX6 and FX3 are widely acclaimed. It delivers natural mid-tones for healthy-looking skin colour, plus soft colours and gorgeous highlights. Because it\u0026#39;s in-camera, it\u0026#39;s easy to create a more expressive look for your movie imagery without post-editing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/2fbc004f1f47c0fc9932564c1777dc4a.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSoft Skin Effect for bright and beautiful skin appearance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe built-in Soft Skin Effect makes skin look more beautiful, softening wrinkles, blemishes and dull patches while preserving liveliness in eye and mouth areas. Complementing the capabilities of the full-frame sensor, this feature can add appeal to live-streamed sessions as well as enhancing still shots and movies. Four level settings are available , so you can adjust the degree of the effect as you wish.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/d79e56ce2863778f234d688de03391e2.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log for colour matching with professional video equipment\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV provides S-Log2 and S-Log3 gamma curves, with the latter allowing capture of 15+ stops of dynamic range. The S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match \u0026alpha;7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting S-Log is ISO 800, and it can be lowered by as much as two stops (ISO 200-640) below the standard range to achieve extra low noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/b21845203d86cc052b8c43faa51fdad3.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptical 5-axis in-body image stabilisation for 5.5-step compensation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV\u0026#39;s high-precision stabilisation unit and gyro sensors work with stabilisation algorithms to achieve up to 5.5 steps of shutter-speed compensation, to maximise the performance of the camera\u0026#39;s 33.0MP sensor. This in-body stabilisation allows effective use with a wide range of lenses. The live monitor view shows the stabilised still image while the shutter button is half-pressed, an especially helpful feature when using a telephoto or macro lens, and it can be used in conjunction with the MF Assist and Focus Magnifier features.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/571853cfca2e8bbd0623c50f60bf46b2.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHand-held movie shooting with Active Mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode uses the camera\u0026#39;s stabilisation unit, gyro sensors and sophisticated algorithms for highly effective in-camera optical image stabilisation during movie shoots. The powerful processing engine precisely detects the required amount of compensation for smooth stabilisation in all formats, including 4K, without compromising the \u0026alpha;7 IV\u0026#39;s compact size and mobility. And, because the gyro data is also recorded alongside the video, even more effective post-production stabilisation can be applied for ultra smooth shots using Catalyst Browse\/Prepare software.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/1cef73b5f670c854804b514798519092.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuffer memory supports continuous shooting and recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nBoth the mechanical and electronic shutters allow continuous shooting at up to 10 fps with AF\/AE tracking. The latest powerful processing engine and increased buffer memory allow faster writing to memory cards, so you can shoot more than 800 uncompressed RAW+JPEG frames (more than 1600 altogether), or more than 1000 compressed RAW+JPEG frames (more than 2000 altogether, up to a full memory card). Increased processing power also allows you to change menu settings even while data is being written to the memory card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/6c63112529b5b1b471021ac2b4f48b44.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF with improved speed, precision and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing a combination of phase-detection AF and contrast-detection AF, Fast Hybrid AF focuses precisely even on small subjects or on people posed in front of a nighttime background. A wide, dense AF area covers roughly 94% of the image area for both still and movie shooting with 759 phase-detection points, while the contrast-detection AF system uses 425 points. This vast collection of data is analysed in real time by the latest powerful processing engine to achieve the AF system\u0026#39;s impressive results.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/52092e3423b08dc87ba53d2e0abad04c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBird mode for Real-time Eye AF, now available in movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Real-time Eye AF function is now capable of detecting the eyes of birds and tracking them in real time, for both still shots and movies. The BIONZ XR engine runs optimised AF and tracking algorithms to ensure uninterrupted tracking even for birds in flight, whose movement is hard to predict. Once you\u0026#39;ve selected a bird, the camera will automatically detect and precisely track that bird\u0026#39;s eye, whether the bird is perched or in flight.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/eba075185c86a65865eafd0c37ae2cda.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Eye AF and Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe superior processing power of the BIONZ XR engine has led to improvements in both Real-time Eye AF and Real-time Tracking features. Improved face detection translates into 30% better eye-detection accuracy, while faster image processing yields higher accuracy when the subject is looking up, down, or sideways. Real-time Tracking allows you to select your subject and then leave tracking to the camera, relying on the latest subject recognition algorithm and high-speed analysis of spatial data by the processing engine.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/8d61b5658032b3154c52c15ffd3fc9b9.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF control through touch operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nTouch Tracking lets you select a subject to track simply by touching the LCD screen, even while using the viewfinder, for more intuitive AF control for both still shots and movies. Easier focus operation is particularly helpful when you\u0026#39;re shooting movies alone or using a gimbal, allowing you to concentrate on composing your shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/5fb184442a72d53c4351ad37745a2b89.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF Assist for seamless transitions to manual focus\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe AF Assist function, inherited from the Cinema Line FX6, lets you seamlessly switch to and from manual focus during movie shoots. When this feature has been turned on, rotating the focus ring temporarily switches operation from autofocus to manual focus to allow you to deliberately shift your focus to a different subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/22e4eb5c767fb9d9531e7ecacc4b6009.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisualise depth of field during movie shoots with Focus Map\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new Focus Map overlays focus information onto a live real-time display to show which areas are in or out of focus. Being able to clearly visualise depth of field in this way makes it easier to quickly set up your ideal focus point and depth of field during rehearsal. As a result you can use the camera\u0026#39;s excellent video definition and fast lenses to create impressive shots with shallow depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/6efc0e8bd78d5cad1426ddab528570e4.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing Compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor the first time in the \u0026alpha; series, the \u0026alpha;7 IV provides compensation for focus breathing. Focus breathing is any change in a lens\u0026#39;s angle of view that corresponds to changes in focus. Sony\u0026#39;s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view, for more movie-like focus transitions. This feature can be used in conjunction with Active Mode image stabilisation to shoot stable, consistent imagery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStill\/Movie\/S\u0026amp;Q dial for quick access to hybrid capabilities\u003c\/strong\u003e\u003cbr \/\u003e\r\nBefitting the \u0026alpha;7 IV\u0026#39;s status as a true hybrid camera, it comes equipped with a dedicated Still\/Movie\/S\u0026amp;Q dial to instantly switch between movies and stills. The dial switches the menus, functions, and custom settings of various controls between still and movie mode, and settings such as aperture and shutter speed are also maintained separately for stills and movies. S\u0026amp;Q mode can also be selected, for fast access to slow-motion or quick-motion shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/115f22bdf269d49e29b6b9cd00bc437e.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe latest mode-specific menus and customisable Rear dial R\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV\u0026#39;s menus are specific to either stills or movies, and for easier navigation menus are configured to show three levels of hierarchy at once. Separate functions for stills and for movies can be assigned to various buttons and dials, including the new, freely customisable Rear dial R. With controls tailored to whichever shooting mode you are currently using, the flexible access provided by the Rear dial R contributes to greatly enhanced still and movie shooting efficiency.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/4b7de207e80b358c839a46a7d25d4793.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle LCD monitor for greater freedom when shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe large, side-opening 3.0-type 1.03-megadot touch-panel LCD monitor offers ample brightness for clear viewing in outdoor settings, and its 3:2 aspect ratio makes efficient use of the display area. The vari-angle mechanism allows flexible positioning and framing for handheld shots, gimbal-mounted or documentary-style self-shooting, or very low ground-level shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/9e5ec7ae4bc2bc206961e4373a69c065.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e3.68 megadot high-definition Quad-VGA OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV\u0026#39;s Quad-VGA OLED viewfinder provides roughly 1.6 times the resolution of the \u0026alpha;7 III viewfinder, with a 37.3\u0026deg; FOV and a 23mm high eyepoint. With high resolution, improved electronic viewfinder image quality, and fogging and dust resistance (including significantly improved internal fogging resistance relative to the \u0026alpha;7 III), it is designed for clear and comfortable viewing in a wide range of shooting environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/fc79870f2dea03284ea87464313ee82a.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCommunication features for easy sharing and distribution\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV is equipped with robust wired and wireless communication features for more comfortable sharing and distribution. In-body wireless LAN uses a 5GHz band in addition to the 2.4GHz band, for fast data transfer. Background FTP transfer of files can be set to occur automatically while shooting continues, and a USB Type-C\u0026reg; connector supports fast SuperSpeed USB 10Gbps (USB 3.2 Gen 2) data transfer.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/6f13b34b3c53213882ae8f1a4885a7db.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInstant real-time live streaming via USB connection\u003c\/strong\u003e\u003cbr \/\u003e\r\nLive streaming is as easy as connecting to a computer through a USB connection, and you can choose from four different output formats, including high-resolution 4K video. You can select whichever configuration is best for current network conditions and the devices used, and simultaneous internal recording is also available, giving you broad flexibility to cover a wide variety of needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/7dd4e2311dd7af1f2747d29b46e1f304.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-capacity Z batteries and USB Power Delivery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 IV relies on a high-capacity Z battery (NP-FZ100), along with external power options that include USB power supplies and AC adaptors. Battery drain can be minimised by adding a high-capacity mobile battery for outdoor shooting. A USB charger or mobile battery that supports USB PD can be connected to the camera\u0026#39;s USB Type-C\u0026reg; port, for extended recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/5d9b443f1b658efff68ad0dce945509c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHeat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nTo allow extended continuous recording, efficient heat dissipation is provided by Sony\u0026#39;s proprietary \u0026Sigma; (sigma)-shaped thermal mounting. The mounting, which is also used on flagship models, is constructed from a graphite material with excellent thermal conduction properties. This structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while heat is efficiently dissipated.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/c8cf0634938e629d255031ce1411445e.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual media slots, with CFexpress Type A support\u003c\/strong\u003e\u003cbr \/\u003e\r\nDual media slots allow you to continue shooting even if one memory card fills up. One of the slots supports high-performance CFexpress Type A cards, and both slots support UHS-I and UHS-II SDXC\/SDHC cards. With their fast write speeds, CFexpress Type A cards are particularly suited to high-speed continuous still shooting as well as high-resolution, high-bitrate 4K movie recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/80fdfc189b505541cbc8bdc8a641cec0.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, robust engineering\u003c\/strong\u003e\u003cbr \/\u003e\r\nWe have improved the dust and moisture resistance of the \u0026alpha;7 IV to provide outstanding reliability even in challenging outdoor shooting environments. Design refinements include more sealing at body seams and the battery compartment cover (compared to the \u0026alpha;7 III), a redesigned lens lock button, and extra cushioning around the mount. A lightweight, high-rigidity magnesium alloy used for the camera\u0026#39;s top cover, front cover, and internal frame provides excellent durability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/bdba1eb470f044433f511e577ba46ac6.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsideration for the environment and resource conservation\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s \u0026quot;Road to Zero\u0026quot; environmental plan was launched in 2010 with the ultimate goal of achieving a zero environmental footprint. Currently nearly all plastic packaging materials for the \u0026alpha;7 IV are recycled. Recyclable materials are also used for camera bodies whenever possible, reducing environmental burden without compromising functionality. While retaining state-of-the-art performance, we aim to further reduce energy and resource consumption to reduce the burden on the environment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/A7M4\/31def129a74de6cbe2ef506a673dd2d6.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Desktop\u0026trade; \/ Imaging Edge Mobile\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nExpand your creative horizons with Imaging Edge Desktop and Imaging Edge Mobile. The Imaging Edge Desktop PC application lets you control and monitor shoots directly from your PC screen, preview photos, and develop RAW\/HEIF data into high-quality photos for delivery. Imaging Edge Mobile applications use the Wi-Fi and Bluetooth\u0026reg; functionality of the \u0026alpha;7 IV to provide a wide variety of convenient shooting and sharing functions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-7m4\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585134059857,"sku":"ILCE7M4KB.CEC","price":2199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/ACfitNg1o2KRRU32htTuKBABLnsHAZhf.jpg?v=1776791263"},{"product_id":"fotoaparat-sony-a7r-v","title":"Sony a7R V","description":"\u003cp\u003e\u003cstrong\u003eA newly developed AI processing unit\u003c\/strong\u003e\u003cbr \/\u003e\r\nState-of-the-art AI processing with deep learning uses detailed information about human forms and poses to dramatically improve the camera\u0026rsquo;s subject recognition accuracy and make full use of its potential resolution. AI subject recognition has been expanded to include a number of new subject types, including vehicles and insects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA new level of resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis newest generation of the \u0026alpha;7R series continues the pursuit of high image resolution, delivering the highest resolution at low sensitivity in the series thus far. The 35mm full-frame back-illuminated Exmor R\u0026trade; CMOS image sensor with 61.0 million\u003cbr \/\u003e\r\npixels and the latest BIONZ XR\u0026trade; image processing engine are used to their fullest potential to deliver extraordinary resolution and fine subject detail.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced optical 5-axis image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe entire image stabilisation system has been updated with a high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms. Camera shake is precisely detected and corrected by the image stabilisation unit, significantly expanding the range of shooting situations in which reliable stabilisation can be achieved. The body alone provides 8-step stabilisation\u003cbr \/\u003e\r\nfor the first time in the \u0026alpha; series. [1] Yaw\u0026nbsp; [2] Roll\u0026nbsp; [3] Pitch\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePixel Shift Multi Shooting responds to changing conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nPixel Shift Multi Shooting takes advantage of precision in-body image stabilisation system control, capturing up to 16 pixel-shifted shots to be later composited on a computer to achieve outstanding resolution in a single image. With the latest version of Imaging Edge Desktop\u0026trade; software, small pixel-level movements are automatically detected and corrected.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression allows more high-quality images to be shot in continuous bursts, with a choice of three lossless-compression image sizes. The M and S sizes have the same number of pixels (26M\/15M) whether shot in full-frame or APS-C mode, making it possible to seamlessly switch between full frame and APS-C angles of view within the same scene while maintaining the same image resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePrecise, versatile external flash control\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen a compatible Sony external flash unitis used with the camera\u0026#39;s auto white balance function, the white balance is adjusted to produce natural skin tones on faces based on the balance between the flash output and ambient light. Flash control also works with face detection to deliver the optimum flash level for the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Recognition AF for human\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the \u0026alpha;7R V can use Real-time Recognition AF to accurately recognise movements of people, providing an approximately 60% improvement in human eye recognition compared to the \u0026alpha;7R IV. Human pose estimation technology uses learned human forms and poses to recognise not just eyes but body and head position with high precision, making it possible to lock onto and track a subject facing away from the camera or wearing a mask.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFaster, more precise AF system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe immense processing power of the new BIONZ XR engine and updated algorithms achieve notably improved AF performance, drawing on the huge amount of data generated by the image sensor and the wide-area, high-density AF system. Up to 693 phase detection points cover approximately 79% of the image area. The wider AF area also allows greater framing freedom, for example when shooting portraits in vertical orientation. High AF precision is achieved down to light levels as low as EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Recognition AF for wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to humans, animals, and birds, the camera can now recognise insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. More types of birds are recognised, and animal recognition has been expanded to cover some grazing and small animals in addition to dogs, cats, and similarly featured animals, with up to 40% greater precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nEven with the high resolution of the \u0026alpha;7R V, continuous shooting at up to 10 fps with full AF\/AE tracking is possible with the mechanical shutter. This level of speed and tracking reliability makes it easy to capture the most photogenic moments and expressions with moving subjects. Up to 583 compressed RAW images can be continuously shot at 10 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus bracketing\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7R V will automatically shoot up to 299 images with sequentially shifted focus points using intervals and a sequence that you specify. The best image can then be selected from the sequence, or a computer application can combine the focus bracketed images to create focus-stacked composites with deeply synthesised depth of field that take advantage of the camera\u0026#39;s high resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-time DMF\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting stills with AF-C or AF-S autofocus, the lens\u0026rsquo;s focus ring can be rotated to switch to manual focus mode at any time. This makes it easy to return focus to the original subject if AF switches to a different subject, for example, by simply rotating the focus ring.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-pixel readout for 8K movies with incredible resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe XAVC HS format enables in-camera recording of high-resolution 8K 24p (25p) movies with efficient HEVC\/H.265 compression, bringing out the very best in Sony\u0026#39;s lenses and taking full advantage of the potential resolution provided by the sensor and full-pixel readout. Even the finest subject details are faithfully captured. The ability to reframe 8K footage in post-production for 4K delivery affords invaluable editing flexibility as well\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW output for enhanced editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\n\u0026nbsp;In response to the increasing demand for RAW recording capability, the \u0026alpha;7R V provides 16-bit RAW output to an external recorder via an HDMI cable. Full-frame 3848 x 2168 (16:9 aspect ratio) output is available with a choice of frame rates. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding 4K movie recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame and Super 35mm formats can be selected for 4K movie recording, as can 4K 60p (50p) recording. Full pixel readout in the Super 35mm mode without the need for pixel binning makes 2.6x oversampling possible for 4K movies. The XAVC S-I (All-Intra), or the XAVC HS format is supported, as is 10-bit 4:2:2 colour sampling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log3 gamma curve with 14+ stops of latitude\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-gray (18% gray), achieving up to 14+ stops of latitude. Three colour gamut settings are provided: S-Gamut, S-Gamut3, and S-Gamut3.Cine. These advanced settings make it easy to match footage shot on the \u0026alpha;7R V with footage shot on VENICE and VENICE 2 digital cinema cameras or FX series cameras equipped with S-Log3 gamma curve settings, for smooth, efficient editing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation for handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode provides strong image stabilisation for handheld movie shooting. In addition to in-body stabilisation, compatible lenses with their own built-in image stabilisation coordinate with the camera body for highly effective control, allowing even handheld telephoto shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to substantial improvements in subject recognition, the camera can provide more reliable Real-time Tracking, keeping track of specified subjects with precise focus, including focus on the subject\u0026#39;s eyes. Subject recognition is now enabled for movie shoots as well as still-image photography, for fast, stable focus when shooting. Even with subject recognition OFF, touch operation allows subjects to be acquired and tracked based on colour, pattern (luminance) and distance (depth).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUnique 4-axis LCD monitor for enhanced shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s newly developed 4-axis multi-angle monitor combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility. It allows greater flexibility in shooting by providing unrestricted angle adjustment in both horizontal and vertical orientations\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTouch operations when shooting or during playback\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Touch Focus, Touch Tracking and Touch Shutter functions can be quickly activated or deactivated by touching an icon on the shooting display. During playback images can be selected by touch, and pinch-out\/pinch-in gestures can be used to enlarge or reduce the selected image. Touch sensitivity can be adjusted for optimum control response.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for smooth movie making\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus Map makes it easier to visualise depth of field when shooting movies. In addition, a bold, clearly visible red frame appears on screen when recording is in progress. Shot Marks can be added to recorded movie clips in-camera to identify particular scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePC Remote shooting via wireless LAN (Wi-Fi)\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera can be connected to a computer via Wi-Fi for wireless PC Remote (tethered) shooting using the \u0026ldquo;Remote\u0026rdquo; function of Sony\u0026rsquo;s latest Imaging Edge Desktop application, giving the user greater freedom of movement on location or in the studio. 2.4 GHz or 5GHz Wi-Fi bands can be selected as required. In addition to wirelessly connecting the camera directly to the PC, the ability to connect via a wireless access point adds the flexibility needed to work in a variety of network environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat dissipation for extended recording times\u003c\/strong\u003e\u003cbr \/\u003e\r\nHeat generated by the image sensor, image processor, and AI processing unit is effectively dissipated to prevent overheating. One element of this is the graphite material formed into a unique \u0026Sigma; (sigma) shape and built into the image stabilisation unit. This structure allows the image sensor, a major source of heat inside the body, to move freely during stabilisation while effectively conducting heat away, achieving five times better heat dissipation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Wi-Fi for PC tethering, FTP and smartphone transfers\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in Wi-Fi (IEEE 802.11a\/b\/g\/n\/ac) allows communication on the 2.4 GHz and 5 GHz bands. 802.11ac provides 2x2 MIMO support for fast and stable data transfer and reliable communication.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eQXGA viewfinder with the highest resolution in its class\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 9.44 million-dot OLED electronic viewfinder delivers the highest resolution, with approximately 1.6 times the resolution of previous UXGA Tru-Finder\u0026trade; viewfinders. It also features significantly improved optics and mechanical design, achieving world-record 0.90x viewfinder magnification, and a 41\u0026deg; diagonal FOV (approx. 43\u0026deg; for the entire display area).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7R V has two media slots that support CFexpress Type A memory cards as well as UHS-I and UHS-II SDXC\/SDHC, for high capacity and fast read\/write speeds. The same data can be simultaneously recorded to both slots for backup, or the user can choose to separate stills\/movies or JPEG (HEIF)\/RAW formats. There is also a relay mode in which still image or movie recording will automatically switch to the second media card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis, reliable mechanical shutter\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame, and rear cover, with durable construction that keeps the camera operating smoothly in hard-working environments. A shutter unit with a fast-response motor minimises mechanical shutter vibration that can cause blur, while allowing high-speed continuous shooting at up to 10 fps. The shutter is quiet and has been tested for durability in excess of 500 000 shutter cycles.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB PD (Power Delivery) supports fast charging\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7R V supports USB PD (Power Delivery), allowing higher power to be supplied from an external source. A USB charger or mobile battery that supports USB PD can be connected to the camera\u0026#39;s USB Type-C\u0026reg; port, supplying power or charging the internal battery at three to four times the rate of the previous model.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecycled materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials, with plant-based non-woven fabrics as well as recyclable materials. As for the camera itself, no non-recyclable resources are used in our SORPLAS\u0026trade; material, which is repeatedly recyclable, durable, and high in quality. Recyclable plastics are also used as much as possible, reducing stress on the environment without compromising performance or functionality in any way.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-7rm5\/specifications#specifications\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585221517649,"sku":"ILCE7RM5B.CEC","price":3599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/oknNWUhMoDJHBNYdi48MvZZnCaf5AVJm.jpg?v=1776791309"},{"product_id":"fotoaparat-za-vloghingh-sony-zv-e1-chierien","title":"Vlog camera Sony ZV-E1 (Black)","description":"\u003cp\u003e\u003cstrong\u003eExpressive imagery that emphasises your subject\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s cutting-edge technologies answer the demands of vloggers for uncompromising image expression. The CMOS Exmor R\u0026trade; full-frame sensor delivers wide latitude, low noise, gorgeous full-frame bokeh, and high sensitivity. And with up to 8x more processing power, the latest BIONZ XR\u0026trade; performs extremely fast real-time image processing and supports 4K 60p, 120p-upgradable recording, with improvements in gradation rendering, colour reproduction and low-noise imaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eChoose from a variety of lenses to express yourself\u003c\/strong\u003e\u003cbr \/\u003e\r\nBecause it features Sony\u0026rsquo;s E-mount, the ZV-E1 can be used with all E-mount lenses including the superlative G Master series with stunning resolution and world-class bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural skin tones, Soft Skin Effect and background bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe colours and textures of human skin and foliage are rendered consistently, even in challenging lighting conditions. Improved gradation rendering produces better skin tones and highlight roll-off in portraits, while the Soft Skin Effect smoothes out small wrinkles and blemishes and adds clarity around the eyes and mouth. When you want to emphasise your main subject, a press of the Bokeh Switch creates impressive full-frame bokeh in the background.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFraming Stabilizer maintains a constant subject position\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Framing Stabilizer feature automatically keeps the subject\u0026#39;s position in the frame constant, which can be particularly useful when walking alongside the subject. Advanced AI-based subject recognition technology works with the camera\u0026#39;s Dynamic active Mode image stabilisation to reliably keep the subject in the frame during handheld shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate memorable imagery with Cinematic Vlog Setting\u003c\/strong\u003e\u003cbr \/\u003e\r\nCinematic Vlog Setting provides an intuitive way to create scenes that look like feature movies. By choosing a Look, Mood and AF transition speed, anyone can create cinematic vlog footage that ideally matches the scene and creative intent. The Cinematic Vlog Setting includes \u0026quot;Look\u0026quot; options such as S-Cinetone that can enhance skin tones, \u0026quot;Mood\u0026quot; options that can emphasise specific colours, and the AF transition speed that determines how quickly autofocus will switch between subjects. The overall cinematic feel is further enhanced by the use of a 24 fps frame rate and the widescreen Cinemascope aspect ratio (2.35:1) with black bands above and below the image.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDynamic active Mode stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision stabilisation unit and gyro sensors built into the camera, plus optimised image stabilisation algorithms, allow advanced electronic stabilisation to work in conjunction with the camera\u0026rsquo;s 5-axis optical in-body image stabilisation system in a new Dynamic active Mode. The Dynamic active Mode is approximately 30% more effective than the Active Mode provided in previous models. This makes it easier than ever to shoot smooth, stable vlog footage while moving around for bold, dynamic expression.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Auto Framing for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator, even though the camera is mounted on a tripod. In addition to the camera automatically recognising a subject and initialising tracking, any other subject can be selected for tracking by touching it on the camera\u0026rsquo;s monitor or the Creators\u0026#39; App on a smartphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1\u0026#39;s AI-based Real-time Tracking will leave you free to concentrate on framing and composition. Subject recognition performance has improved greatly, offering higher tracking reliability from the moment the function is initiated and making it more useful in a wider range of shooting situations. Even people wearing helmets or masks, or animals facing away from the camera, can be accurately detected and tracked in real time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI plus leading technology achieves precision focus\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the ZV-E1 can accurately recognise a subject to focus on. In addition to people, animals and birds, the AI unit now makes it possible to recognise insects, cars, trains, and airplanes as subjects. With Real-time Tracking, the recognised subject can be tracked in real time at high speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProduct Showcase Setting\u003c\/strong\u003e\u003cbr \/\u003e\r\nfor product review videos. The Product Showcase Setting makes it easy to shoot product review videos. The camera will smoothly switch focus from your face to a product held in front of the lens and then back to your face when the product is moved away. Product Showcase Setting can be turned on or off simply by pressing the dedicated button provided.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple Face Recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith this feature the camera will automatically adjust bokeh and focus on multiple recognised faces in group shots, so you don\u0026#39;t have to worry that only people in the foreground are in focus while the faces of people in the back are out of focus. No manual aperture adjustment is required, so you can go with the flow of the moment to capture natural expressions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuppress image shifts while focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 includes a Breathing Compensation function that minimises focus breathing \u0026ndash; changes in angle of view caused by changes in the lens\u0026#39;s focus \u0026ndash; that can occur when focusing while recording movies. Sony\u0026#39;s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view when focusing, making it possible to achieve smooth, dramatic focusing effects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntelligent 3 Capsule Microphone\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 features a high-performance 3-capsule microphone with variable directivity that is capable of picking up clear audio in outdoor situations where wind and environmental noise can be a problem. The microphone is designed to clearly capture the voice of your main subject, and depending on your shoot you can set the microphone\u0026#39;s directivity to Front, Rear, All Directions or Auto.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSlow and Quick Motion\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor astonishing slow motion, S\u0026amp;Q modes record every detail using bit rates up to 600 Mbps (4:2:2 10-bit, XAVC S-I 60p), or up to 240 fps capture (Full HD) for 10x slower playback. S\u0026amp;Q modes let you capture fresh new perspectives on dynamic sport and other action.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative zoom control\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe zoom lever located on top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. Real-time Recognition AF, Real-time Tracking, and focus area settings remain active while zooming digitally or with Clear Image Zoom, ensuring that the full precision and speed of the camera\u0026rsquo;s phase-detection AF system is realised even during digital zoom operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePicture Profile with imported LUT files\u003c\/strong\u003e\u003cbr \/\u003e\r\nCustom user LUT files (.cube format) can be imported into the camera and assigned to Picture Profiles. This makes it easy to use LUTs to create specific looks when shooting in modes other than preset looks. The look is recorded in-camera, so colour correction in post processing can be minimised or eliminated altogether.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced movie recording modes: 10-bit 4:2:2\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while providing greater editing freedom.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Gamut3.Cine\/S-Log3 and S-Gamut3\/S-Log3\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log3 offers enhanced reproduction of shadow to mid-tone (18% grey) gradations. Colour spaces include S-Gamut3, with even better colour reproduction than S-Gamut, and S-Gamut3.Cine, a colour space that has been designed to provide a look similar to scanned cinema film. The combination of S-Gamut3.Cine, which has a slightly wider colour gamut than DCI-P3 digital cinema, and S-Log3 allows easier colour grading for the DCI-P3 or 709 video colour space.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmallest and lightest in the world in its class\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 is the world\u0026#39;s most compact, lightweight vlog camera with a full-frame CMOS sensor and lens interchangeability. Its small size and light weight make it ideal for handheld shooting as well as for gimbal and drone mounting, for extraordinary mobility that gives vloggers new capabilities for creative expression.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible ISO for greater exposure setting freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexible ISO is an S-Log3 shooting mode that allows ISO sensitivity to change according to the brightness of the scene, while aperture and shutter speed are set manually. ISO can be set to AUTO or manually set between 640 and 102400 (160 and 409600 in expanded ISO mode) as required for optimum exposure.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSimple operation for stress-free shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe side-opening vari-angle LCD screen and the positioning of major controls have been designed for convenient shooting of selfies and vlogs. The LCD screen makes it easy to check framing while shooting from just about any angle, while the REC button, Still\/Movie\/S\u0026amp;Q selector, custom buttons and other controls on the camera\u0026#39;s top panel are laid out for easy access and operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eQuick access to frequently used menu items\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 provides quick access to frequently used items such as frame rate, shutter speed and other essential shooting parameters via a list-style main menu. Display of this menu can be assigned to a custom button so that parameters can be quickly checked and edited prior to shooting. Separate main menus optimised for movies and stills are available.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive touch operations\u003c\/strong\u003e\u003cbr \/\u003e\r\nSwiping the left or right edge of the monitor display reveals touch function icons at the top that control the shooting mode, Cinematic Vlog Setting, and more. Additionally, the function (Fn) menu can be displayed by swiping up on the monitor. Other refinements include exposure compensation and white balance touch-control icons that have been added to the existing F-stop, shutter speed, and ISO icons at the bottom of the monitor display\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust- and moisture-resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nSealing is provided around all buttons and dials, while all body seams incorporate a tongue-and-groove structure for double protection. Effective sealing throughout the body contributes to outstanding resistance to dust and moisture in challenging outdoor conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConvenient features for confident shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nShoot with confidence while the ZV-E1 backs you up with a range of helpful features. These include a recording lamp on the front of the camera, so you can clearly see when recording is in progress. There is also a self-timer for movie shooting, with a countdown indicator prominently displayed in the centre of the screen, making it easier to record only required footage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZ-series battery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 uses Sony\u0026rsquo;s high-capacity Z battery. For even better power performance the image processing engine, image sensor, and related circuitry have been designed to optimise power economy under all shooting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptional accessories to make the most of vlogging\u003c\/strong\u003e\u003cbr \/\u003e\r\nYou can boost your vlog\u0026#39;s sound with an optional external microphone, attached easily to the ZV-E1\u0026#39;s microphone jack. And smooth, one-handed operation is yours with the optional GP-VPT2BT Shooting Grip with Wireless Remote Commander. The grip features easily accessible zoom and still\/movie shooting controls, and it can also be used as a tripod.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-quality live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 makes it possible to do live streaming at 4K 30p, with UVC\/UAC support. Connected to a personal computer or smartphone via USB, the camera can function as a 4K (2160p) webcam. Add a new dimension to online meetings, live events or even simple conversations with family and friends, as you take advantage of features like narrow depth of field, optical zoom, the Intelligent 3 Capsule Microphone, Face Priority AE and Eye AF.\u003cbr \/\u003e\r\nUpgrade from 4K 60p to 4K 120p\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe ZV-E1 offers in-camera 4K recording at up to 120 frames per second.\u003c\/strong\u003e\u003cbr \/\u003e\r\nExtraordinarily smooth 5x (max.) slow-motion imagery at QFHD resolution with autofocus provides new expressive capability. When using the XAVC S format, up to 10x slow motion with Full HD resolution is possible at 240 fps (24p recording), providing fresh perspectives on dynamic sports and other types of action.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, stable smartphone connectivity\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App on a smartphone has been greatly improved, as transfers continue in the background even if the smartphone display sleeps or a different app is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironment-friendly packaging\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe outer packaging of the ZV-E1 employs Sony\u0026rsquo;s \u0026quot;Original Blend Material\u0026quot; consisting of bamboo, sugar cane, and recycled paper. It contains no plastics. This special material produces recyclable packaging of high quality and durability that has low environmental impact.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecycled materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nNo non-recyclable resources are used in our repeatedly recyclable, durable, high quality SORPLAS\u0026trade; material. SORPLAS and other recyclable materials are used in camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/zv-e1\/specifications#features\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585265099089,"sku":"ZVE1BDI.EU","price":2359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/JcmFG2zUB2Uwz8zV4SXmWs3DpPXV9rWK.jpg?v=1776791350"},{"product_id":"fotoaparat-za-vloghingh-sony-zv-e1-fe-28-60mm-f4-5-6-oss-chierien","title":"Vlog camera Sony ZV-E1 + FE 28-60mm f4-5.6 OSS (Black)","description":"\u003cp\u003e\u003cstrong\u003eExpressive imagery that emphasises your subject\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s cutting-edge technologies answer the demands of vloggers for uncompromising image expression. The CMOS Exmor R\u0026trade; full-frame sensor delivers wide latitude, low noise, gorgeous full-frame bokeh, and high sensitivity. And with up to 8x more processing power, the latest BIONZ XR\u0026trade; performs extremely fast real-time image processing and supports 4K 60p, 120p-upgradable recording, with improvements in gradation rendering, colour reproduction and low-noise imaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eChoose from a variety of lenses to express yourself\u003c\/strong\u003e\u003cbr \/\u003e\r\nBecause it features Sony\u0026rsquo;s E-mount, the ZV-E1 can be used with all E-mount lenses including the superlative G Master series with stunning resolution and world-class bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural skin tones, Soft Skin Effect and background bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe colours and textures of human skin and foliage are rendered consistently, even in challenging lighting conditions. Improved gradation rendering produces better skin tones and highlight roll-off in portraits, while the Soft Skin Effect smoothes out small wrinkles and blemishes and adds clarity around the eyes and mouth. When you want to emphasise your main subject, a press of the Bokeh Switch creates impressive full-frame bokeh in the background.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFraming Stabilizer maintains a constant subject position\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Framing Stabilizer feature automatically keeps the subject\u0026#39;s position in the frame constant, which can be particularly useful when walking alongside the subject. Advanced AI-based subject recognition technology works with the camera\u0026#39;s Dynamic active Mode image stabilisation to reliably keep the subject in the frame during handheld shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate memorable imagery with Cinematic Vlog Setting\u003c\/strong\u003e\u003cbr \/\u003e\r\nCinematic Vlog Setting provides an intuitive way to create scenes that look like feature movies. By choosing a Look, Mood and AF transition speed, anyone can create cinematic vlog footage that ideally matches the scene and creative intent. The Cinematic Vlog Setting includes \u0026quot;Look\u0026quot; options such as S-Cinetone that can enhance skin tones, \u0026quot;Mood\u0026quot; options that can emphasise specific colours, and the AF transition speed that determines how quickly autofocus will switch between subjects. The overall cinematic feel is further enhanced by the use of a 24 fps frame rate and the widescreen Cinemascope aspect ratio (2.35:1) with black bands above and below the image.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDynamic active Mode stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision stabilisation unit and gyro sensors built into the camera, plus optimised image stabilisation algorithms, allow advanced electronic stabilisation to work in conjunction with the camera\u0026rsquo;s 5-axis optical in-body image stabilisation system in a new Dynamic active Mode. The Dynamic active Mode is approximately 30% more effective than the Active Mode provided in previous models. This makes it easier than ever to shoot smooth, stable vlog footage while moving around for bold, dynamic expression.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Auto Framing for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator, even though the camera is mounted on a tripod. In addition to the camera automatically recognising a subject and initialising tracking, any other subject can be selected for tracking by touching it on the camera\u0026rsquo;s monitor or the Creators\u0026#39; App on a smartphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1\u0026#39;s AI-based Real-time Tracking will leave you free to concentrate on framing and composition. Subject recognition performance has improved greatly, offering higher tracking reliability from the moment the function is initiated and making it more useful in a wider range of shooting situations. Even people wearing helmets or masks, or animals facing away from the camera, can be accurately detected and tracked in real time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI plus leading technology achieves precision focus\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the ZV-E1 can accurately recognise a subject to focus on. In addition to people, animals and birds, the AI unit now makes it possible to recognise insects, cars, trains, and airplanes as subjects. With Real-time Tracking, the recognised subject can be tracked in real time at high speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProduct Showcase Setting\u003c\/strong\u003e\u003cbr \/\u003e\r\nfor product review videos. The Product Showcase Setting makes it easy to shoot product review videos. The camera will smoothly switch focus from your face to a product held in front of the lens and then back to your face when the product is moved away. Product Showcase Setting can be turned on or off simply by pressing the dedicated button provided.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple Face Recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith this feature the camera will automatically adjust bokeh and focus on multiple recognised faces in group shots, so you don\u0026#39;t have to worry that only people in the foreground are in focus while the faces of people in the back are out of focus. No manual aperture adjustment is required, so you can go with the flow of the moment to capture natural expressions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuppress image shifts while focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 includes a Breathing Compensation function that minimises focus breathing \u0026ndash; changes in angle of view caused by changes in the lens\u0026#39;s focus \u0026ndash; that can occur when focusing while recording movies. Sony\u0026#39;s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view when focusing, making it possible to achieve smooth, dramatic focusing effects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntelligent 3 Capsule Microphone\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 features a high-performance 3-capsule microphone with variable directivity that is capable of picking up clear audio in outdoor situations where wind and environmental noise can be a problem. The microphone is designed to clearly capture the voice of your main subject, and depending on your shoot you can set the microphone\u0026#39;s directivity to Front, Rear, All Directions or Auto.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSlow and Quick Motion\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor astonishing slow motion, S\u0026amp;Q modes record every detail using bit rates up to 600 Mbps (4:2:2 10-bit, XAVC S-I 60p), or up to 240 fps capture (Full HD) for 10x slower playback. S\u0026amp;Q modes let you capture fresh new perspectives on dynamic sport and other action.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative zoom control\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe zoom lever located on top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. Real-time Recognition AF, Real-time Tracking, and focus area settings remain active while zooming digitally or with Clear Image Zoom, ensuring that the full precision and speed of the camera\u0026rsquo;s phase-detection AF system is realised even during digital zoom operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePicture Profile with imported LUT files\u003c\/strong\u003e\u003cbr \/\u003e\r\nCustom user LUT files (.cube format) can be imported into the camera and assigned to Picture Profiles. This makes it easy to use LUTs to create specific looks when shooting in modes other than preset looks. The look is recorded in-camera, so colour correction in post processing can be minimised or eliminated altogether.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced movie recording modes: 10-bit 4:2:2\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while providing greater editing freedom.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Gamut3.Cine\/S-Log3 and S-Gamut3\/S-Log3\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log3 offers enhanced reproduction of shadow to mid-tone (18% grey) gradations. Colour spaces include S-Gamut3, with even better colour reproduction than S-Gamut, and S-Gamut3.Cine, a colour space that has been designed to provide a look similar to scanned cinema film. The combination of S-Gamut3.Cine, which has a slightly wider colour gamut than DCI-P3 digital cinema, and S-Log3 allows easier colour grading for the DCI-P3 or 709 video colour space.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmallest and lightest in the world in its class\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 is the world\u0026#39;s most compact, lightweight vlog camera with a full-frame CMOS sensor and lens interchangeability. Its small size and light weight make it ideal for handheld shooting as well as for gimbal and drone mounting, for extraordinary mobility that gives vloggers new capabilities for creative expression.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible ISO for greater exposure setting freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexible ISO is an S-Log3 shooting mode that allows ISO sensitivity to change according to the brightness of the scene, while aperture and shutter speed are set manually. ISO can be set to AUTO or manually set between 640 and 102400 (160 and 409600 in expanded ISO mode) as required for optimum exposure.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSimple operation for stress-free shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe side-opening vari-angle LCD screen and the positioning of major controls have been designed for convenient shooting of selfies and vlogs. The LCD screen makes it easy to check framing while shooting from just about any angle, while the REC button, Still\/Movie\/S\u0026amp;Q selector, custom buttons and other controls on the camera\u0026#39;s top panel are laid out for easy access and operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eQuick access to frequently used menu items\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 provides quick access to frequently used items such as frame rate, shutter speed and other essential shooting parameters via a list-style main menu. Display of this menu can be assigned to a custom button so that parameters can be quickly checked and edited prior to shooting. Separate main menus optimised for movies and stills are available.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive touch operations\u003c\/strong\u003e\u003cbr \/\u003e\r\nSwiping the left or right edge of the monitor display reveals touch function icons at the top that control the shooting mode, Cinematic Vlog Setting, and more. Additionally, the function (Fn) menu can be displayed by swiping up on the monitor. Other refinements include exposure compensation and white balance touch-control icons that have been added to the existing F-stop, shutter speed, and ISO icons at the bottom of the monitor display\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust- and moisture-resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nSealing is provided around all buttons and dials, while all body seams incorporate a tongue-and-groove structure for double protection. Effective sealing throughout the body contributes to outstanding resistance to dust and moisture in challenging outdoor conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConvenient features for confident shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nShoot with confidence while the ZV-E1 backs you up with a range of helpful features. These include a recording lamp on the front of the camera, so you can clearly see when recording is in progress. There is also a self-timer for movie shooting, with a countdown indicator prominently displayed in the centre of the screen, making it easier to record only required footage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZ-series battery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 uses Sony\u0026rsquo;s high-capacity Z battery. For even better power performance the image processing engine, image sensor, and related circuitry have been designed to optimise power economy under all shooting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptional accessories to make the most of vlogging\u003c\/strong\u003e\u003cbr \/\u003e\r\nYou can boost your vlog\u0026#39;s sound with an optional external microphone, attached easily to the ZV-E1\u0026#39;s microphone jack. And smooth, one-handed operation is yours with the optional GP-VPT2BT Shooting Grip with Wireless Remote Commander. The grip features easily accessible zoom and still\/movie shooting controls, and it can also be used as a tripod.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-quality live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ZV-E1 makes it possible to do live streaming at 4K 30p, with UVC\/UAC support. Connected to a personal computer or smartphone via USB, the camera can function as a 4K (2160p) webcam. Add a new dimension to online meetings, live events or even simple conversations with family and friends, as you take advantage of features like narrow depth of field, optical zoom, the Intelligent 3 Capsule Microphone, Face Priority AE and Eye AF.\u003cbr \/\u003e\r\nUpgrade from 4K 60p to 4K 120p\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe ZV-E1 offers in-camera 4K recording at up to 120 frames per second.\u003c\/strong\u003e\u003cbr \/\u003e\r\nExtraordinarily smooth 5x (max.) slow-motion imagery at QFHD resolution with autofocus provides new expressive capability. When using the XAVC S format, up to 10x slow motion with Full HD resolution is possible at 240 fps (24p recording), providing fresh perspectives on dynamic sports and other types of action.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, stable smartphone connectivity\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App on a smartphone has been greatly improved, as transfers continue in the background even if the smartphone display sleeps or a different app is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironment-friendly packaging\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe outer packaging of the ZV-E1 employs Sony\u0026rsquo;s \u0026quot;Original Blend Material\u0026quot; consisting of bamboo, sugar cane, and recycled paper. It contains no plastics. This special material produces recyclable packaging of high quality and durability that has low environmental impact.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecycled materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nNo non-recyclable resources are used in our repeatedly recyclable, durable, high quality SORPLAS\u0026trade; material. SORPLAS and other recyclable materials are used in camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/zv-e1\/specifications#features\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585265164625,"sku":"ZVE1LBDI.EU","price":2659.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/rCouLNUFbPFo7ixZ1D7669mReDc8Nd5p.jpg?v=1776791356"},{"product_id":"fotoaparat-sony-a7cr-chierien","title":"Sony a7CR (Black)","description":"\u003cp\u003e\u003cstrong\u003eStunning image quality from a compact, lightweight body\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest BIONZ XR\u0026trade; image processing engine and class-leading\u003cbr \/\u003e\r\nfull-frame image sensor deliver fine subject detail in a compact, lightweight body. With a 61.0 effective megapixel, back-illuminated Exmor R\u0026trade; CMOS image sensor \u0026ndash; adapted from our acclaimed \u0026alpha;7R V \u0026ndash; it delivers extraordinary resolution into new spaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExmor RTM image sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe back-illuminated sensor\u0026#39;s noise reduction, gapless on-chip lenses, anti-reflection optical coating, elimination of the optical low-pass filter that is usually positioned in front of the sensor and other original technologies deliver high resolution, high sensitivity, low noise, and wide dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR image processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to eight times more processing power than previous types, the latest BIONZ XR image processing engine minimises processing latency while markedly boosting movie and still image processing power. The BIONZ XR image processing engine helps to deliver natural gradations, realistic colour, low noise, and generally superior image quality while fast, stress-free menu response is maintained regardless of the real-time processing load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest processing engine and AE algorithm are capable of detecting the skin area in faces and controlling exposure accordingly when shooting stills and movies. Auto exposure is accurate even in backlit situations when the subject\u0026rsquo;s face is dark, when the subject\u0026rsquo;s face is over-illuminated in direct sunlight, or when the subject is not directly facing the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity and high dynamic range with low noise\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to delivering stunning 61.0-megapixel resolution, advanced sensor technologies from Sony allow sensitivity settings from ISO 100 to ISO 32000 for both stills and movies. Dynamic range at lower sensitivities is an impressively wide 15 stops so that smooth, realistic gradations are achieved from deep shadows to highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced in-body optical 5-axis 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms effectively detect and correct camera shake. 7.0-step in-body optical image stabilisation\u003cbr \/\u003e\r\nis a huge advantage for handheld shooting. The new stabilisation algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor\u0026rsquo;s 61.0-megapixel resolution to bring out the finest subject details.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look supports varied expression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of \u0026ldquo;looks\u0026rdquo; to help creators fine-tune the mood of their stills or movies in-camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePixel Shift Multi Shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nresponds to changing conditions Pixel Shift Multi Shooting uses the precision in-body image stabilisation system to capture multiple pixel-shifted images that are later composited on a PC to achieve overwhelming resolution in a single image. 16-image composites with approximately 240.8 million pixels (19008 x 12672 pixels)\u003cbr \/\u003e\r\ncan be produced from data that is equivalent to approximately 963.2 million pixels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eArtificial lighting flicker suppression\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting stills with the mechanical shutter, flicker from artificial light sources is automatically detected, and the timing of image capture is adjusted to minimise its effects. When shooting stills or movies under LED lighting using the silent electronic shutter, the Var. Shutter function reduces high-frequency flicker problems by allowing the shutter speed to be finely controlled.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficiency with no loss in image quality, allowing more images to be shot in continuous bursts. Three image sizes (L\/M\/S) can be selected to suit the application. M and S sizes have the same numbers of pixels (26M\/15M) in full-frame and APS-C modes, allowing seamless switching while maintaining the same image resolution. A new \u0026quot;Light\u0026quot; image quality selection, with smaller file sizes for easy sharing, is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR is equipped with an AI processing unit specifically designed for more accurate recognition of subjects and recognition of a wider range of subject types\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman recognition using pose tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with an AI processing unit, the \u0026alpha;7CR uses skeletal information and pose estimation technology to recognise subject configuration and movement with high accuracy, allowing it to recognise the positions of not only the eyes but also the human body and head with even greater precision. This makes it possible to lock onto and track a subject facing away from the camera or with their face partly obscured by a helmet or sunglasses, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with AI-based Real-time Tracking that can be activated by specifying the subject and half-pressing the shutter button. The camera will then automatically track the subject, leaving the user free to concentrate on framing and composition. Subject recognition performance has been greatly improved, offering higher tracking reliability from the moment the function is initiated and making it more useful in a wider range of shooting situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe AI processing unit supports recognition of many subject types. Animal recognition now recognises the eyes of some grazing and small animals as well as eyes, heads and faces of dogs, cats and similar animals. Bird recognition now more easily pinpoints the eyes of various birds as well as faces and bodies. A new Animal\/Bird setting eliminates the need to switch. The whole or the end of Car\/Train and Airplane subjects, and the heads of Insect subjects, are recognised when those subjects are selected.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide, high-density AF reliably captures subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe immense processing speed and power of the BIONZ XR engine and updated algorithms achieve notably improved AF performance. Up to 693 phase detection points cover approximately 79% of the image area in a high-density array, accurately acquiring focus even when the subject only occupies a small part of the frame. The \u0026alpha;7CR includes both phase detection and contrast AF systems, with phase detection emphasised to ensure fast, stable focus acquisition even in single AF (AF-S) mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-frame 4K 60\/50p\u003c\/strong\u003e\u003cbr \/\u003e\r\nrecording The latest BIONZ XR processing engine and updated algorithms achieve notably improved movie image quality. The powerful processor enables 60\/50p frame rates, to capture motion fluidly and precisely, and increase post-production flexibility. In addition to focus support, the camera\u0026rsquo;s advanced AI processing unit is also used to achieve accurate white balance, even in tricky situations where the subject is in shade.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous shooting at up to 8 fps with AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous shooting with AF\/AE tracking is possible at up to 8 fps with the mechanical shutter, or 7 fps during silent shooting, capturing even momentary movements or expression changes in exquisite detail. The power of the BIONZ XR engine allows continuous shooting of over 1000 JPEG images, letting you capture every vital moment. Even when shooting or cropping closer to APS-C, 26M resolution and high image quality are maintained, allowing continuous shooting of birds in flight with AF\/AE tracking, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e6.2k oversampled video, for stunning 4K imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame and Super 35mm formats can be selected for 4K movie recording. Full pixel readout in the Super 35mm mode without pixel binning makes it possible to condense approximately 2.6 times the amount of data required for 4K movies (QFHD: 3840 x 2160) into high-resolution, high-detail 4K with minimal moir\u0026eacute; and jaggies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; makes it easy to create a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s S-Cinetone picture profile provides the same colour science that delivers more faithful colour reproduction and skin tones throughout the highly regarded Cinema Line. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. This lets creators concentrate on shooting while achieving a cinematic look without the need for colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording and LUT\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR features an S-Log3 gamma curve to maximise its 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided for further post processing control, and user-selected LUTs (Look Up Table) can be applied to preview how processed footage will look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus breathing compensation for consistent angle of view\u003c\/strong\u003e\u003cbr \/\u003e\r\nBreathing compensation suppresses focus breathing (change in a lens\u0026rsquo;s angle of view with changes in focus) when shooting movies. Sony\u0026rsquo;s Clear Image Zoom technology is used to automatically maintain a consistent angle of view through focus changes with compatible lenses, for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare software application during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking also supports focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nAI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. A custom button assigned to [Tracking-On] or [Tracking-On Hold] can be used to temporarily track a selected subject regardless of the subject\u0026rsquo;s position in the frame and the focus area setting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality plus broad visual expression\u003c\/strong\u003e\u003cbr \/\u003e\r\n16-bit RAW video can be output to an external recorder via an HDMI cable while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available. 10-bit 4:2:2 video can be recorded internally using Long GOP or Intra compression, for more natural gradations and greater editing freedom. An HLG (Hybrid Log Gamma) picture profile preset supports the BT.2020 colour space with 10-bit depth for smooth, natural gradations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation supports handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode provides a precision stabilisation unit, advanced gyro sensors, and a state-of-the-art optimised stabilisation algorithm for movie shooting. Camera shake is precisely detected, and the algorithm controls the optical stabilisation system for exceedingly smooth, stable movie footage. In addition, compatible lenses that include built-in image stabilisation sync with the body to provide highly effective control, stable framing and smooth handheld footage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eApprox. 2.36 million-dot XGA OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast. Viewfinder brightness is approximately the same as the \u0026alpha;7R V for bright, clear, easy viewing. When shooting stills, the [Finder Frame Rate] can be set to [Standard (60 fps)] or [Fast (120 fps)] for a smooth viewfinder image with minimal motion blur.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupplied grip extension\u003c\/strong\u003e\u003cbr \/\u003e\r\nA supplied grip extension provides an even better hold for maximum comfort and minimum fatigue through long shooting sessions, even with heavy large-aperture or telephoto lenses. The grip extension does not interfere with battery replacement or tripod mounting. The grip extension can be left off for normal shooting, and then attached for improved handling when a large lens is to be used for an extended period of time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle and touch menu for greater shooting freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe vari-angle LCD monitor allows for framing in any position or angle, regardless of whether you are shooting stills or movies. The menu and function menus can be operated by touch. Either long-pressing menu items or pressing the Delete key allows frequently-used functions and settings to be registered in My Menu, letting you efficiently call up those functions and settings that you use most often.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, stable transfers to smartphone\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application\u003cbr \/\u003e\r\non a smartphone has been greatly improved. Once started, transfers continue in the background even if the smartphone display sleeps or another application is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame, and rear cover, ensuring that the camera operates reliably in hard-working professional environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, high-quality live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a PC or smartphone via USB, the \u0026alpha;7CR can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create unique imagery. Advanced AF functions such as Eye AF can also be used to great advantage for online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585346691409,"sku":"ILCE7CRB.CEC","price":3379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/AxM1jMmO2RhBCHd8LG7W5ZHQhQJCLhdQ.jpg?v=1776791311"},{"product_id":"fotoaparat-sony-a7cr-sriebrist","title":"Sony a7CR (Silver)","description":"\u003cp\u003e\u003cstrong\u003eStunning image quality from a compact, lightweight body\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest BIONZ XR\u0026trade; image processing engine and class-leading\u003cbr \/\u003e\r\nfull-frame image sensor deliver fine subject detail in a compact, lightweight body. With a 61.0 effective megapixel, back-illuminated Exmor R\u0026trade; CMOS image sensor \u0026ndash; adapted from our acclaimed \u0026alpha;7R V \u0026ndash; it delivers extraordinary resolution into new spaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExmor RTM image sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe back-illuminated sensor\u0026#39;s noise reduction, gapless on-chip lenses, anti-reflection optical coating, elimination of the optical low-pass filter that is usually positioned in front of the sensor and other original technologies deliver high resolution, high sensitivity, low noise, and wide dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR image processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to eight times more processing power than previous types, the latest BIONZ XR image processing engine minimises processing latency while markedly boosting movie and still image processing power. The BIONZ XR image processing engine helps to deliver natural gradations, realistic colour, low noise, and generally superior image quality while fast, stress-free menu response is maintained regardless of the real-time processing load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest processing engine and AE algorithm are capable of detecting the skin area in faces and controlling exposure accordingly when shooting stills and movies. Auto exposure is accurate even in backlit situations when the subject\u0026rsquo;s face is dark, when the subject\u0026rsquo;s face is over-illuminated in direct sunlight, or when the subject is not directly facing the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity and high dynamic range with low noise\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to delivering stunning 61.0-megapixel resolution, advanced sensor technologies from Sony allow sensitivity settings from ISO 100 to ISO 32000 for both stills and movies. Dynamic range at lower sensitivities is an impressively wide 15 stops so that smooth, realistic gradations are achieved from deep shadows to highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced in-body optical 5-axis 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms effectively detect and correct camera shake. 7.0-step in-body optical image stabilisation\u003cbr \/\u003e\r\nis a huge advantage for handheld shooting. The new stabilisation algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor\u0026rsquo;s 61.0-megapixel resolution to bring out the finest subject details.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look supports varied expression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of \u0026ldquo;looks\u0026rdquo; to help creators fine-tune the mood of their stills or movies in-camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePixel Shift Multi Shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nresponds to changing conditions Pixel Shift Multi Shooting uses the precision in-body image stabilisation system to capture multiple pixel-shifted images that are later composited on a PC to achieve overwhelming resolution in a single image. 16-image composites with approximately 240.8 million pixels (19008 x 12672 pixels)\u003cbr \/\u003e\r\ncan be produced from data that is equivalent to approximately 963.2 million pixels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eArtificial lighting flicker suppression\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting stills with the mechanical shutter, flicker from artificial light sources is automatically detected, and the timing of image capture is adjusted to minimise its effects. When shooting stills or movies under LED lighting using the silent electronic shutter, the Var. Shutter function reduces high-frequency flicker problems by allowing the shutter speed to be finely controlled.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficiency with no loss in image quality, allowing more images to be shot in continuous bursts. Three image sizes (L\/M\/S) can be selected to suit the application. M and S sizes have the same numbers of pixels (26M\/15M) in full-frame and APS-C modes, allowing seamless switching while maintaining the same image resolution. A new \u0026quot;Light\u0026quot; image quality selection, with smaller file sizes for easy sharing, is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR is equipped with an AI processing unit specifically designed for more accurate recognition of subjects and recognition of a wider range of subject types\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman recognition using pose tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with an AI processing unit, the \u0026alpha;7CR uses skeletal information and pose estimation technology to recognise subject configuration and movement with high accuracy, allowing it to recognise the positions of not only the eyes but also the human body and head with even greater precision. This makes it possible to lock onto and track a subject facing away from the camera or with their face partly obscured by a helmet or sunglasses, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with AI-based Real-time Tracking that can be activated by specifying the subject and half-pressing the shutter button. The camera will then automatically track the subject, leaving the user free to concentrate on framing and composition. Subject recognition performance has been greatly improved, offering higher tracking reliability from the moment the function is initiated and making it more useful in a wider range of shooting situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe AI processing unit supports recognition of many subject types. Animal recognition now recognises the eyes of some grazing and small animals as well as eyes, heads and faces of dogs, cats and similar animals. Bird recognition now more easily pinpoints the eyes of various birds as well as faces and bodies. A new Animal\/Bird setting eliminates the need to switch. The whole or the end of Car\/Train and Airplane subjects, and the heads of Insect subjects, are recognised when those subjects are selected.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide, high-density AF reliably captures subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe immense processing speed and power of the BIONZ XR engine and updated algorithms achieve notably improved AF performance. Up to 693 phase detection points cover approximately 79% of the image area in a high-density array, accurately acquiring focus even when the subject only occupies a small part of the frame. The \u0026alpha;7CR includes both phase detection and contrast AF systems, with phase detection emphasised to ensure fast, stable focus acquisition even in single AF (AF-S) mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-frame 4K 60\/50p\u003c\/strong\u003e\u003cbr \/\u003e\r\nrecording The latest BIONZ XR processing engine and updated algorithms achieve notably improved movie image quality. The powerful processor enables 60\/50p frame rates, to capture motion fluidly and precisely, and increase post-production flexibility. In addition to focus support, the camera\u0026rsquo;s advanced AI processing unit is also used to achieve accurate white balance, even in tricky situations where the subject is in shade.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous shooting at up to 8 fps with AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous shooting with AF\/AE tracking is possible at up to 8 fps with the mechanical shutter, or 7 fps during silent shooting, capturing even momentary movements or expression changes in exquisite detail. The power of the BIONZ XR engine allows continuous shooting of over 1000 JPEG images, letting you capture every vital moment. Even when shooting or cropping closer to APS-C, 26M resolution and high image quality are maintained, allowing continuous shooting of birds in flight with AF\/AE tracking, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e6.2k oversampled video, for stunning 4K imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame and Super 35mm formats can be selected for 4K movie recording. Full pixel readout in the Super 35mm mode without pixel binning makes it possible to condense approximately 2.6 times the amount of data required for 4K movies (QFHD: 3840 x 2160) into high-resolution, high-detail 4K with minimal moir\u0026eacute; and jaggies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; makes it easy to create a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s S-Cinetone picture profile provides the same colour science that delivers more faithful colour reproduction and skin tones throughout the highly regarded Cinema Line. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. This lets creators concentrate on shooting while achieving a cinematic look without the need for colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording and LUT\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR features an S-Log3 gamma curve to maximise its 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided for further post processing control, and user-selected LUTs (Look Up Table) can be applied to preview how processed footage will look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus breathing compensation for consistent angle of view\u003c\/strong\u003e\u003cbr \/\u003e\r\nBreathing compensation suppresses focus breathing (change in a lens\u0026rsquo;s angle of view with changes in focus) when shooting movies. Sony\u0026rsquo;s Clear Image Zoom technology is used to automatically maintain a consistent angle of view through focus changes with compatible lenses, for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare software application during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking also supports focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nAI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. A custom button assigned to [Tracking-On] or [Tracking-On Hold] can be used to temporarily track a selected subject regardless of the subject\u0026rsquo;s position in the frame and the focus area setting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality plus broad visual expression\u003c\/strong\u003e\u003cbr \/\u003e\r\n16-bit RAW video can be output to an external recorder via an HDMI cable while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available. 10-bit 4:2:2 video can be recorded internally using Long GOP or Intra compression, for more natural gradations and greater editing freedom. An HLG (Hybrid Log Gamma) picture profile preset supports the BT.2020 colour space with 10-bit depth for smooth, natural gradations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation supports handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode provides a precision stabilisation unit, advanced gyro sensors, and a state-of-the-art optimised stabilisation algorithm for movie shooting. Camera shake is precisely detected, and the algorithm controls the optical stabilisation system for exceedingly smooth, stable movie footage. In addition, compatible lenses that include built-in image stabilisation sync with the body to provide highly effective control, stable framing and smooth handheld footage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eApprox. 2.36 million-dot XGA OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast. Viewfinder brightness is approximately the same as the \u0026alpha;7R V for bright, clear, easy viewing. When shooting stills, the [Finder Frame Rate] can be set to [Standard (60 fps)] or [Fast (120 fps)] for a smooth viewfinder image with minimal motion blur.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupplied grip extension\u003c\/strong\u003e\u003cbr \/\u003e\r\nA supplied grip extension provides an even better hold for maximum comfort and minimum fatigue through long shooting sessions, even with heavy large-aperture or telephoto lenses. The grip extension does not interfere with battery replacement or tripod mounting. The grip extension can be left off for normal shooting, and then attached for improved handling when a large lens is to be used for an extended period of time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle and touch menu for greater shooting freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe vari-angle LCD monitor allows for framing in any position or angle, regardless of whether you are shooting stills or movies. The menu and function menus can be operated by touch. Either long-pressing menu items or pressing the Delete key allows frequently-used functions and settings to be registered in My Menu, letting you efficiently call up those functions and settings that you use most often.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, stable transfers to smartphone\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application\u003cbr \/\u003e\r\non a smartphone has been greatly improved. Once started, transfers continue in the background even if the smartphone display sleeps or another application is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame, and rear cover, ensuring that the camera operates reliably in hard-working professional environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, high-quality live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a PC or smartphone via USB, the \u0026alpha;7CR can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create unique imagery. Advanced AF functions such as Eye AF can also be used to great advantage for online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585347674449,"sku":"ILCE7CRS.CEC","price":3379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/DodMr4m6y4tTz1dHhHLZ6Wk1ysCNBF5O.jpg?v=1776791312"},{"product_id":"fotoaparat-sony-a7c-ii-chierien","title":"Sony a7C II (Black)","description":"\u003cp\u003e\u003cstrong\u003e33.0 megapixel full-frame CMOS sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nDelivering excellent image quality in both stills and movies, the \u0026alpha;7C II\u0026rsquo;s 33.0 megapixel\u003cbr \/\u003e\r\nExmor R\u0026trade; CMOS image sensor marks a significant step-up from its predecessor. The enhanced AF performance and improved noise reduction are supported by an impressively wide 15-stop dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced BIONZ XR\u0026trade; engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe advanced BIONZ XR processing engine delivers up to eight times more processing power than its predecessor. It minimises processing latency while boosting movie and still image processing power, achieving natural gradations, realistic colour, low noise, superior image quality and fast menu response.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is equipped with an AI processing unit that can handle significant amounts of data, enabling more accurate recognition of subjects and recognition of a wider range of subject types.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficient compression for smaller file sizes with no loss in image quality, enabling the camera to shoot up to 27 frames in continuous bursts. There are three lossless-compression image sizes to suit any application, and a Light image quality selection that generates less data is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRealise your vision with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSet the visual mood with Creative Look, which offers 10 customisable presets so you can capture the world the way you want. The presets can be used as they are or eight parameters can be adjusted, including contrast, saturation, and shadows, allowing you to create instantaneously shareable stills and movies in-camera without the need for post-production editing. Customised Creative Look settings can be stored as Custom Look selections for later recall and use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new high-powered BIONZ XR processing engine works with an advanced AE algorithm to detect the skin area of faces and adjust exposure accordingly for both stills and movies. This achieves consistent exposure control even in challenging shooting conditions when the subject is backlit, in shadow, over-illuminated in direct sunlight, or not directly facing the camera. It also produces more natural human skin tones and sky and foliage colours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording with LUT previews\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts an S-Log3 gamma curve that emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided. You can also apply a custom LUT (Look Up Table) to the camera\u0026rsquo;s monitor image while recording with a Log gamma curve, providing a preview of how the footage will look after processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 10-bit 4:2:2 video encoding\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn-camera 10-bit 4:2:2 recording is available when using Long GOP or All-Intra compression, making it easier to achieve smooth, natural gradations during editing and colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; for a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nUtilising the same colour science from Sony\u0026rsquo;s highly regarded Cinema Line, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin tones, plus soft colours and gorgeous highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a powerful AI processing unit, capable of human, animal, bird, insect, car\/train and airplane\u003cbr \/\u003e\r\nrecognition. Animal recognition now recognises the eyes of some grazing and small animals, in addition to the eyes and heads of dogs, cats and similarly featured animals. It can even recognise these animals when their eyes are obscured from view. The camera also comes with bird recognition, enabling it to pinpoint the eyes of a variety of bird types, as well as recognising birds\u0026rsquo; heads and bodies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull pixel readout without binning for 4K movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to its full pixel readout capabilities, the lightweight \u0026alpha;7C II can record 4K movies with outstanding resolution and quality, delivering natural gradations and beautiful colour reproduction. The Super 35mm mode allows 4K\u0026nbsp; 60p\/50p\u003cbr \/\u003e\r\nrecording with smooth, natural-looking capture of fast-moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman pose estimation for more accurate subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the \u0026alpha;7C II can accurately recognise human movement. Human pose estimation technology recognises not just eyes, but also body and head positions with high precision, enabling it to lock onto and track a subject facing away from the camera or with their face partially obscured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the breathing compensation function turned on, the \u0026alpha;7C II employs Sony\u0026rsquo;s original Clear Image Zoom technology to suppress focus breathing, enabling professional-quality rack and refocussing. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare Plugin software during post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts greatly improved subject recognition, offering higher reliability in a wider range of shooting situations. Specify a subject and half-press the shutter button to prompt the camera to start tracking, leaving you free to concentrate on framing and composition.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Auto Framing for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing AI-based subject recognition technology, the Auto Framing feature automatically crops for optimum framing when shooting movies. Even when the camera is mounted on a tripod, the framing is continually adjusted so that the recorded footage looks like the subject was being followed by a camera operator. Accurate tracking is possible even when the camera is being operated remotely via the Creators\u0026rsquo; App\u003cbr \/\u003e\r\non a smartphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide-area, high-density AF offers speed and precision\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II achieves notably improved AF performance through the immense processing speed and power of the BIONZ XR engine and updated algorithms. It uses up to 759 phase detection points in a high-density array that cover approximately 94% of the image area when shooting stills, enabling it to recognise your subject even when they only occupy a small area of the frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nimage stabilisation supports handheld movie shooting Handheld movie shooting got even smoother with the \u0026alpha;7C II\u0026rsquo;s Active Mode\u003cbr \/\u003e\r\nthat provides enhanced image stabilisation. A precision image stabilisation unit, advanced gyro sensors, and an optimised image stabilisation algorithm work together for exceedingly smooth, stable movie footage.\u0026nbsp; In addition to this in-body stabilisation, compatible lenses with their own built-in image stabilisation coordinate with the camera body for highly effective control, delivering more stable footage, even when shooting while walking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 5-axis and 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nHandheld shooting for stills got even better, thanks to the \u0026alpha;7C II\u0026rsquo;s high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms that effectively correct camera shake, achieving 7.0-step stabilisation. Compatible lenses with built-in image stabilisation combine with improved synchronisation between the body and lens to provide even more stable framing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContinuous still shooting at up to 10 fps with AF\/AE tracking\u003cbr \/\u003e\r\nThe \u0026alpha;7C II\u0026rsquo;s mechanical and electronic shutters allow continuous shooting at up to 10 fps, or up to 8 fps in live view mode, making it easier to capture the most photogenic moments and expressions, even with moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAccurate AF in low EV -4.0 light\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with the latest AF algorithms, the \u0026alpha;7C II achieves high AF precision down to light levels as low as EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). It also includes a Focus Priority mode that provides more reliable AF in low light or when using smaller apertures.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata facilitates editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nMetadata embedded in recorded footage can be used by Sony\u0026rsquo;s Catalyst Browse\/Prepare\/Prepare Plugin software, significantly speeding up post production, allowing for more accurate correction during editing, and providing a more efficient workflow. Shot marks can be easily added to clips during or after recording to mark favourite takes or scenes, allowing you to quickly locate them during playback in the camera or editing with compatible software.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e2.36 million-dot (approx.) XGA OLED electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast for clear viewing, even in bright sunlight. The finder frame rate can be set to [High] (120 fps), twice the normal frame rate, for a smooth viewfinder image with minimum display motion blur when tracking and shooting moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControls designed for smooth, efficient shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a new Still\/Movie\/S\u0026amp;Q dial, allowing fast, independent selection. It\u0026rsquo;s conveniently located next to the mode dial, which can then be used to easily select the exposure mode and other key settings for each shooting mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive touch control menus\u003c\/strong\u003e\u003cbr \/\u003e\r\nSimply swipe in from the left or right edge of the shooting display to reveal touch icons that allow quick changes to the shooting mode and more. The function (Fn) menu can be displayed by swiping up on the monitor. Assign frequently used still and movie parameters to the function menu to access them with a simple swipe. Long-press an icon on the display to jump to the related custom setup settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle monitor enhances shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nA side-opening vari-angle monitor provides excellent positioning and framing freedom for handheld and gimbal-mounted shooting. It offers a huge advantage when shooting in challenging professional environments, where very low ground-level or other shots may be required. The large 3.0 type touch-panel monitor also incorporates 1.03 million-dot (approx.) resolution with a 3:2 aspect ratio, providing ample brightness for clear and easy viewing in bright outdoor settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt for reliability in professional working environments, the \u0026alpha;7C II is protected by a lightweight, high-rigidity magnesium alloy used for the top cover, front cover, internal frame, and rear cover.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is well sealed at critical buttons and dials, and interlocking body seams add double protection, providing excellent resistance to dust and moisture in challenging outdoor conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage sensor anti-dust system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with an anti-dust system through a charge protection coating on its optical filter and an image sensor shift mechanism. There\u0026rsquo;s also a Shutter When Power Off function that closes the shutter when the camera\u0026rsquo;s power is turned off, protecting the image sensor from dust and particles while changing lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStable smartphone connectivity\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application on a smartphone has been greatly improved. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStream top-quality live content\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a personal computer or smartphone via USB, the \u0026alpha;7C II can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create striking images, and advanced AF functions such as Eye AF support online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585348460881,"sku":"ILCE7CM2B.CEC","price":2099.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/vckfGhPr0oGYVKPKcwuz6FjePBRkxaMg.jpg?v=1776791288"},{"product_id":"fotoaparat-sony-a7c-ii-sriebrist","title":"Sony a7C II (Silver)","description":"\u003cp\u003e\u003cstrong\u003e33.0 megapixel full-frame CMOS sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nDelivering excellent image quality in both stills and movies, the \u0026alpha;7C II\u0026rsquo;s 33.0 megapixel\u003cbr \/\u003e\r\nExmor R\u0026trade; CMOS image sensor marks a significant step-up from its predecessor. The enhanced AF performance and improved noise reduction are supported by an impressively wide 15-stop dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced BIONZ XR\u0026trade; engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe advanced BIONZ XR processing engine delivers up to eight times more processing power than its predecessor. It minimises processing latency while boosting movie and still image processing power, achieving natural gradations, realistic colour, low noise, superior image quality and fast menu response.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is equipped with an AI processing unit that can handle significant amounts of data, enabling more accurate recognition of subjects and recognition of a wider range of subject types.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficient compression for smaller file sizes with no loss in image quality, enabling the camera to shoot up to 27 frames in continuous bursts. There are three lossless-compression image sizes to suit any application, and a Light image quality selection that generates less data is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRealise your vision with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSet the visual mood with Creative Look, which offers 10 customisable presets so you can capture the world the way you want. The presets can be used as they are or eight parameters can be adjusted, including contrast, saturation, and shadows, allowing you to create instantaneously shareable stills and movies in-camera without the need for post-production editing. Customised Creative Look settings can be stored as Custom Look selections for later recall and use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new high-powered BIONZ XR processing engine works with an advanced AE algorithm to detect the skin area of faces and adjust exposure accordingly for both stills and movies. This achieves consistent exposure control even in challenging shooting conditions when the subject is backlit, in shadow, over-illuminated in direct sunlight, or not directly facing the camera. It also produces more natural human skin tones and sky and foliage colours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording with LUT previews\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts an S-Log3 gamma curve that emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided. You can also apply a custom LUT (Look Up Table) to the camera\u0026rsquo;s monitor image while recording with a Log gamma curve, providing a preview of how the footage will look after processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 10-bit 4:2:2 video encoding\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn-camera 10-bit 4:2:2 recording is available when using Long GOP or All-Intra compression, making it easier to achieve smooth, natural gradations during editing and colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; for a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nUtilising the same colour science from Sony\u0026rsquo;s highly regarded Cinema Line, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin tones, plus soft colours and gorgeous highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a powerful AI processing unit, capable of human, animal, bird, insect, car\/train and airplane\u003cbr \/\u003e\r\nrecognition. Animal recognition now recognises the eyes of some grazing and small animals, in addition to the eyes and heads of dogs, cats and similarly featured animals. It can even recognise these animals when their eyes are obscured from view. The camera also comes with bird recognition, enabling it to pinpoint the eyes of a variety of bird types, as well as recognising birds\u0026rsquo; heads and bodies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull pixel readout without binning for 4K movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to its full pixel readout capabilities, the lightweight \u0026alpha;7C II can record 4K movies with outstanding resolution and quality, delivering natural gradations and beautiful colour reproduction. The Super 35mm mode allows 4K\u0026nbsp; 60p\/50p\u003cbr \/\u003e\r\nrecording with smooth, natural-looking capture of fast-moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman pose estimation for more accurate subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the \u0026alpha;7C II can accurately recognise human movement. Human pose estimation technology recognises not just eyes, but also body and head positions with high precision, enabling it to lock onto and track a subject facing away from the camera or with their face partially obscured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the breathing compensation function turned on, the \u0026alpha;7C II employs Sony\u0026rsquo;s original Clear Image Zoom technology to suppress focus breathing, enabling professional-quality rack and refocussing. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare Plugin software during post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts greatly improved subject recognition, offering higher reliability in a wider range of shooting situations. Specify a subject and half-press the shutter button to prompt the camera to start tracking, leaving you free to concentrate on framing and composition.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Auto Framing for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing AI-based subject recognition technology, the Auto Framing feature automatically crops for optimum framing when shooting movies. Even when the camera is mounted on a tripod, the framing is continually adjusted so that the recorded footage looks like the subject was being followed by a camera operator. Accurate tracking is possible even when the camera is being operated remotely via the Creators\u0026rsquo; App\u003cbr \/\u003e\r\non a smartphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide-area, high-density AF offers speed and precision\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II achieves notably improved AF performance through the immense processing speed and power of the BIONZ XR engine and updated algorithms. It uses up to 759 phase detection points in a high-density array that cover approximately 94% of the image area when shooting stills, enabling it to recognise your subject even when they only occupy a small area of the frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nimage stabilisation supports handheld movie shooting Handheld movie shooting got even smoother with the \u0026alpha;7C II\u0026rsquo;s Active Mode\u003cbr \/\u003e\r\nthat provides enhanced image stabilisation. A precision image stabilisation unit, advanced gyro sensors, and an optimised image stabilisation algorithm work together for exceedingly smooth, stable movie footage.\u0026nbsp; In addition to this in-body stabilisation, compatible lenses with their own built-in image stabilisation coordinate with the camera body for highly effective control, delivering more stable footage, even when shooting while walking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 5-axis and 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nHandheld shooting for stills got even better, thanks to the \u0026alpha;7C II\u0026rsquo;s high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms that effectively correct camera shake, achieving 7.0-step stabilisation. Compatible lenses with built-in image stabilisation combine with improved synchronisation between the body and lens to provide even more stable framing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContinuous still shooting at up to 10 fps with AF\/AE tracking\u003cbr \/\u003e\r\nThe \u0026alpha;7C II\u0026rsquo;s mechanical and electronic shutters allow continuous shooting at up to 10 fps, or up to 8 fps in live view mode, making it easier to capture the most photogenic moments and expressions, even with moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAccurate AF in low EV -4.0 light\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with the latest AF algorithms, the \u0026alpha;7C II achieves high AF precision down to light levels as low as EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). It also includes a Focus Priority mode that provides more reliable AF in low light or when using smaller apertures.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata facilitates editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nMetadata embedded in recorded footage can be used by Sony\u0026rsquo;s Catalyst Browse\/Prepare\/Prepare Plugin software, significantly speeding up post production, allowing for more accurate correction during editing, and providing a more efficient workflow. Shot marks can be easily added to clips during or after recording to mark favourite takes or scenes, allowing you to quickly locate them during playback in the camera or editing with compatible software.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e2.36 million-dot (approx.) XGA OLED electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast for clear viewing, even in bright sunlight. The finder frame rate can be set to [High] (120 fps), twice the normal frame rate, for a smooth viewfinder image with minimum display motion blur when tracking and shooting moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControls designed for smooth, efficient shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a new Still\/Movie\/S\u0026amp;Q dial, allowing fast, independent selection. It\u0026rsquo;s conveniently located next to the mode dial, which can then be used to easily select the exposure mode and other key settings for each shooting mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive touch control menus\u003c\/strong\u003e\u003cbr \/\u003e\r\nSimply swipe in from the left or right edge of the shooting display to reveal touch icons that allow quick changes to the shooting mode and more. The function (Fn) menu can be displayed by swiping up on the monitor. Assign frequently used still and movie parameters to the function menu to access them with a simple swipe. Long-press an icon on the display to jump to the related custom setup settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle monitor enhances shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nA side-opening vari-angle monitor provides excellent positioning and framing freedom for handheld and gimbal-mounted shooting. It offers a huge advantage when shooting in challenging professional environments, where very low ground-level or other shots may be required. The large 3.0 type touch-panel monitor also incorporates 1.03 million-dot (approx.) resolution with a 3:2 aspect ratio, providing ample brightness for clear and easy viewing in bright outdoor settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt for reliability in professional working environments, the \u0026alpha;7C II is protected by a lightweight, high-rigidity magnesium alloy used for the top cover, front cover, internal frame, and rear cover.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is well sealed at critical buttons and dials, and interlocking body seams add double protection, providing excellent resistance to dust and moisture in challenging outdoor conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage sensor anti-dust system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with an anti-dust system through a charge protection coating on its optical filter and an image sensor shift mechanism. There\u0026rsquo;s also a Shutter When Power Off function that closes the shutter when the camera\u0026rsquo;s power is turned off, protecting the image sensor from dust and particles while changing lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStable smartphone connectivity\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application on a smartphone has been greatly improved. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStream top-quality live content\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a personal computer or smartphone via USB, the \u0026alpha;7C II can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create striking images, and advanced AF functions such as Eye AF support online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585348919633,"sku":"ILCE7CM2S.CEC","price":2099.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/AWw5L38kBn4psSNziorgrfz1CQt8FjJJ.jpg?v=1776791298"},{"product_id":"fotoaparat-sony-a7c-ii-chierien-fe-28-60mm-f4-5-6-oss","title":"Sony a7C II (Black) + FE 28-60mm f4-5.6 OSS","description":"\u003cp\u003e\u003cstrong\u003e33.0 megapixel full-frame CMOS sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nDelivering excellent image quality in both stills and movies, the \u0026alpha;7C II\u0026rsquo;s 33.0 megapixel\u003cbr \/\u003e\r\nExmor R\u0026trade; CMOS image sensor marks a significant step-up from its predecessor. The enhanced AF performance and improved noise reduction are supported by an impressively wide 15-stop dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced BIONZ XR\u0026trade; engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe advanced BIONZ XR processing engine delivers up to eight times more processing power than its predecessor. It minimises processing latency while boosting movie and still image processing power, achieving natural gradations, realistic colour, low noise, superior image quality and fast menu response.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is equipped with an AI processing unit that can handle significant amounts of data, enabling more accurate recognition of subjects and recognition of a wider range of subject types.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficient compression for smaller file sizes with no loss in image quality, enabling the camera to shoot up to 27 frames in continuous bursts. There are three lossless-compression image sizes to suit any application, and a Light image quality selection that generates less data is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRealise your vision with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSet the visual mood with Creative Look, which offers 10 customisable presets so you can capture the world the way you want. The presets can be used as they are or eight parameters can be adjusted, including contrast, saturation, and shadows, allowing you to create instantaneously shareable stills and movies in-camera without the need for post-production editing. Customised Creative Look settings can be stored as Custom Look selections for later recall and use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new high-powered BIONZ XR processing engine works with an advanced AE algorithm to detect the skin area of faces and adjust exposure accordingly for both stills and movies. This achieves consistent exposure control even in challenging shooting conditions when the subject is backlit, in shadow, over-illuminated in direct sunlight, or not directly facing the camera. It also produces more natural human skin tones and sky and foliage colours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording with LUT previews\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts an S-Log3 gamma curve that emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided. You can also apply a custom LUT (Look Up Table) to the camera\u0026rsquo;s monitor image while recording with a Log gamma curve, providing a preview of how the footage will look after processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 10-bit 4:2:2 video encoding\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn-camera 10-bit 4:2:2 recording is available when using Long GOP or All-Intra compression, making it easier to achieve smooth, natural gradations during editing and colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; for a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nUtilising the same colour science from Sony\u0026rsquo;s highly regarded Cinema Line, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin tones, plus soft colours and gorgeous highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a powerful AI processing unit, capable of human, animal, bird, insect, car\/train and airplane\u003cbr \/\u003e\r\nrecognition. Animal recognition now recognises the eyes of some grazing and small animals, in addition to the eyes and heads of dogs, cats and similarly featured animals. It can even recognise these animals when their eyes are obscured from view. The camera also comes with bird recognition, enabling it to pinpoint the eyes of a variety of bird types, as well as recognising birds\u0026rsquo; heads and bodies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull pixel readout without binning for 4K movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to its full pixel readout capabilities, the lightweight \u0026alpha;7C II can record 4K movies with outstanding resolution and quality, delivering natural gradations and beautiful colour reproduction. The Super 35mm mode allows 4K\u0026nbsp; 60p\/50p\u003cbr \/\u003e\r\nrecording with smooth, natural-looking capture of fast-moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman pose estimation for more accurate subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the \u0026alpha;7C II can accurately recognise human movement. Human pose estimation technology recognises not just eyes, but also body and head positions with high precision, enabling it to lock onto and track a subject facing away from the camera or with their face partially obscured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the breathing compensation function turned on, the \u0026alpha;7C II employs Sony\u0026rsquo;s original Clear Image Zoom technology to suppress focus breathing, enabling professional-quality rack and refocussing. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare Plugin software during post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts greatly improved subject recognition, offering higher reliability in a wider range of shooting situations. Specify a subject and half-press the shutter button to prompt the camera to start tracking, leaving you free to concentrate on framing and composition.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Auto Framing for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing AI-based subject recognition technology, the Auto Framing feature automatically crops for optimum framing when shooting movies. Even when the camera is mounted on a tripod, the framing is continually adjusted so that the recorded footage looks like the subject was being followed by a camera operator. Accurate tracking is possible even when the camera is being operated remotely via the Creators\u0026rsquo; App\u003cbr \/\u003e\r\non a smartphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide-area, high-density AF offers speed and precision\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II achieves notably improved AF performance through the immense processing speed and power of the BIONZ XR engine and updated algorithms. It uses up to 759 phase detection points in a high-density array that cover approximately 94% of the image area when shooting stills, enabling it to recognise your subject even when they only occupy a small area of the frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nimage stabilisation supports handheld movie shooting Handheld movie shooting got even smoother with the \u0026alpha;7C II\u0026rsquo;s Active Mode\u003cbr \/\u003e\r\nthat provides enhanced image stabilisation. A precision image stabilisation unit, advanced gyro sensors, and an optimised image stabilisation algorithm work together for exceedingly smooth, stable movie footage.\u0026nbsp; In addition to this in-body stabilisation, compatible lenses with their own built-in image stabilisation coordinate with the camera body for highly effective control, delivering more stable footage, even when shooting while walking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 5-axis and 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nHandheld shooting for stills got even better, thanks to the \u0026alpha;7C II\u0026rsquo;s high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms that effectively correct camera shake, achieving 7.0-step stabilisation. Compatible lenses with built-in image stabilisation combine with improved synchronisation between the body and lens to provide even more stable framing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContinuous still shooting at up to 10 fps with AF\/AE tracking\u003cbr \/\u003e\r\nThe \u0026alpha;7C II\u0026rsquo;s mechanical and electronic shutters allow continuous shooting at up to 10 fps, or up to 8 fps in live view mode, making it easier to capture the most photogenic moments and expressions, even with moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAccurate AF in low EV -4.0 light\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with the latest AF algorithms, the \u0026alpha;7C II achieves high AF precision down to light levels as low as EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). It also includes a Focus Priority mode that provides more reliable AF in low light or when using smaller apertures.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata facilitates editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nMetadata embedded in recorded footage can be used by Sony\u0026rsquo;s Catalyst Browse\/Prepare\/Prepare Plugin software, significantly speeding up post production, allowing for more accurate correction during editing, and providing a more efficient workflow. Shot marks can be easily added to clips during or after recording to mark favourite takes or scenes, allowing you to quickly locate them during playback in the camera or editing with compatible software.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e2.36 million-dot (approx.) XGA OLED electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast for clear viewing, even in bright sunlight. The finder frame rate can be set to [High] (120 fps), twice the normal frame rate, for a smooth viewfinder image with minimum display motion blur when tracking and shooting moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControls designed for smooth, efficient shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a new Still\/Movie\/S\u0026amp;Q dial, allowing fast, independent selection. It\u0026rsquo;s conveniently located next to the mode dial, which can then be used to easily select the exposure mode and other key settings for each shooting mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive touch control menus\u003c\/strong\u003e\u003cbr \/\u003e\r\nSimply swipe in from the left or right edge of the shooting display to reveal touch icons that allow quick changes to the shooting mode and more. The function (Fn) menu can be displayed by swiping up on the monitor. Assign frequently used still and movie parameters to the function menu to access them with a simple swipe. Long-press an icon on the display to jump to the related custom setup settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle monitor enhances shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nA side-opening vari-angle monitor provides excellent positioning and framing freedom for handheld and gimbal-mounted shooting. It offers a huge advantage when shooting in challenging professional environments, where very low ground-level or other shots may be required. The large 3.0 type touch-panel monitor also incorporates 1.03 million-dot (approx.) resolution with a 3:2 aspect ratio, providing ample brightness for clear and easy viewing in bright outdoor settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt for reliability in professional working environments, the \u0026alpha;7C II is protected by a lightweight, high-rigidity magnesium alloy used for the top cover, front cover, internal frame, and rear cover.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is well sealed at critical buttons and dials, and interlocking body seams add double protection, providing excellent resistance to dust and moisture in challenging outdoor conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage sensor anti-dust system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with an anti-dust system through a charge protection coating on its optical filter and an image sensor shift mechanism. There\u0026rsquo;s also a Shutter When Power Off function that closes the shutter when the camera\u0026rsquo;s power is turned off, protecting the image sensor from dust and particles while changing lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStable smartphone connectivity\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application on a smartphone has been greatly improved. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStream top-quality live content\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a personal computer or smartphone via USB, the \u0026alpha;7C II can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create striking images, and advanced AF functions such as Eye AF support online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585348952401,"sku":"ILCE7CM2LB.CEC","price":2399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/ucaS1UdGeCO1WX2SRBCGAPxj2gazp1Ao.jpg?v=1776791293"},{"product_id":"fotoaparat-sony-a7c-ii-sriebrist-fe-28-60mm-f4-5-6-oss","title":"Sony a7C II (Silver) + FE 28-60mm f4-5.6 OSS","description":"\u003cp\u003e\u003cstrong\u003e33.0 megapixel full-frame CMOS sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nDelivering excellent image quality in both stills and movies, the \u0026alpha;7C II\u0026rsquo;s 33.0 megapixel\u003cbr \/\u003e\r\nExmor R\u0026trade; CMOS image sensor marks a significant step-up from its predecessor. The enhanced AF performance and improved noise reduction are supported by an impressively wide 15-stop dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced BIONZ XR\u0026trade; engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe advanced BIONZ XR processing engine delivers up to eight times more processing power than its predecessor. It minimises processing latency while boosting movie and still image processing power, achieving natural gradations, realistic colour, low noise, superior image quality and fast menu response.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is equipped with an AI processing unit that can handle significant amounts of data, enabling more accurate recognition of subjects and recognition of a wider range of subject types.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficient compression for smaller file sizes with no loss in image quality, enabling the camera to shoot up to 27 frames in continuous bursts. There are three lossless-compression image sizes to suit any application, and a Light image quality selection that generates less data is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRealise your vision with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSet the visual mood with Creative Look, which offers 10 customisable presets so you can capture the world the way you want. The presets can be used as they are or eight parameters can be adjusted, including contrast, saturation, and shadows, allowing you to create instantaneously shareable stills and movies in-camera without the need for post-production editing. Customised Creative Look settings can be stored as Custom Look selections for later recall and use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new high-powered BIONZ XR processing engine works with an advanced AE algorithm to detect the skin area of faces and adjust exposure accordingly for both stills and movies. This achieves consistent exposure control even in challenging shooting conditions when the subject is backlit, in shadow, over-illuminated in direct sunlight, or not directly facing the camera. It also produces more natural human skin tones and sky and foliage colours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording with LUT previews\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts an S-Log3 gamma curve that emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided. You can also apply a custom LUT (Look Up Table) to the camera\u0026rsquo;s monitor image while recording with a Log gamma curve, providing a preview of how the footage will look after processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 10-bit 4:2:2 video encoding\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn-camera 10-bit 4:2:2 recording is available when using Long GOP or All-Intra compression, making it easier to achieve smooth, natural gradations during editing and colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; for a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nUtilising the same colour science from Sony\u0026rsquo;s highly regarded Cinema Line, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin tones, plus soft colours and gorgeous highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a powerful AI processing unit, capable of human, animal, bird, insect, car\/train and airplane\u003cbr \/\u003e\r\nrecognition. Animal recognition now recognises the eyes of some grazing and small animals, in addition to the eyes and heads of dogs, cats and similarly featured animals. It can even recognise these animals when their eyes are obscured from view. The camera also comes with bird recognition, enabling it to pinpoint the eyes of a variety of bird types, as well as recognising birds\u0026rsquo; heads and bodies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull pixel readout without binning for 4K movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to its full pixel readout capabilities, the lightweight \u0026alpha;7C II can record 4K movies with outstanding resolution and quality, delivering natural gradations and beautiful colour reproduction. The Super 35mm mode allows 4K\u0026nbsp; 60p\/50p\u003cbr \/\u003e\r\nrecording with smooth, natural-looking capture of fast-moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman pose estimation for more accurate subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the \u0026alpha;7C II can accurately recognise human movement. Human pose estimation technology recognises not just eyes, but also body and head positions with high precision, enabling it to lock onto and track a subject facing away from the camera or with their face partially obscured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the breathing compensation function turned on, the \u0026alpha;7C II employs Sony\u0026rsquo;s original Clear Image Zoom technology to suppress focus breathing, enabling professional-quality rack and refocussing. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare Plugin software during post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II boasts greatly improved subject recognition, offering higher reliability in a wider range of shooting situations. Specify a subject and half-press the shutter button to prompt the camera to start tracking, leaving you free to concentrate on framing and composition.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Auto Framing for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing AI-based subject recognition technology, the Auto Framing feature automatically crops for optimum framing when shooting movies. Even when the camera is mounted on a tripod, the framing is continually adjusted so that the recorded footage looks like the subject was being followed by a camera operator. Accurate tracking is possible even when the camera is being operated remotely via the Creators\u0026rsquo; App\u003cbr \/\u003e\r\non a smartphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide-area, high-density AF offers speed and precision\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II achieves notably improved AF performance through the immense processing speed and power of the BIONZ XR engine and updated algorithms. It uses up to 759 phase detection points in a high-density array that cover approximately 94% of the image area when shooting stills, enabling it to recognise your subject even when they only occupy a small area of the frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nimage stabilisation supports handheld movie shooting Handheld movie shooting got even smoother with the \u0026alpha;7C II\u0026rsquo;s Active Mode\u003cbr \/\u003e\r\nthat provides enhanced image stabilisation. A precision image stabilisation unit, advanced gyro sensors, and an optimised image stabilisation algorithm work together for exceedingly smooth, stable movie footage.\u0026nbsp; In addition to this in-body stabilisation, compatible lenses with their own built-in image stabilisation coordinate with the camera body for highly effective control, delivering more stable footage, even when shooting while walking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 5-axis and 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nHandheld shooting for stills got even better, thanks to the \u0026alpha;7C II\u0026rsquo;s high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms that effectively correct camera shake, achieving 7.0-step stabilisation. Compatible lenses with built-in image stabilisation combine with improved synchronisation between the body and lens to provide even more stable framing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContinuous still shooting at up to 10 fps with AF\/AE tracking\u003cbr \/\u003e\r\nThe \u0026alpha;7C II\u0026rsquo;s mechanical and electronic shutters allow continuous shooting at up to 10 fps, or up to 8 fps in live view mode, making it easier to capture the most photogenic moments and expressions, even with moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAccurate AF in low EV -4.0 light\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with the latest AF algorithms, the \u0026alpha;7C II achieves high AF precision down to light levels as low as EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). It also includes a Focus Priority mode that provides more reliable AF in low light or when using smaller apertures.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata facilitates editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nMetadata embedded in recorded footage can be used by Sony\u0026rsquo;s Catalyst Browse\/Prepare\/Prepare Plugin software, significantly speeding up post production, allowing for more accurate correction during editing, and providing a more efficient workflow. Shot marks can be easily added to clips during or after recording to mark favourite takes or scenes, allowing you to quickly locate them during playback in the camera or editing with compatible software.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e2.36 million-dot (approx.) XGA OLED electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast for clear viewing, even in bright sunlight. The finder frame rate can be set to [High] (120 fps), twice the normal frame rate, for a smooth viewfinder image with minimum display motion blur when tracking and shooting moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControls designed for smooth, efficient shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II features a new Still\/Movie\/S\u0026amp;Q dial, allowing fast, independent selection. It\u0026rsquo;s conveniently located next to the mode dial, which can then be used to easily select the exposure mode and other key settings for each shooting mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive touch control menus\u003c\/strong\u003e\u003cbr \/\u003e\r\nSimply swipe in from the left or right edge of the shooting display to reveal touch icons that allow quick changes to the shooting mode and more. The function (Fn) menu can be displayed by swiping up on the monitor. Assign frequently used still and movie parameters to the function menu to access them with a simple swipe. Long-press an icon on the display to jump to the related custom setup settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle monitor enhances shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nA side-opening vari-angle monitor provides excellent positioning and framing freedom for handheld and gimbal-mounted shooting. It offers a huge advantage when shooting in challenging professional environments, where very low ground-level or other shots may be required. The large 3.0 type touch-panel monitor also incorporates 1.03 million-dot (approx.) resolution with a 3:2 aspect ratio, providing ample brightness for clear and easy viewing in bright outdoor settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt for reliability in professional working environments, the \u0026alpha;7C II is protected by a lightweight, high-rigidity magnesium alloy used for the top cover, front cover, internal frame, and rear cover.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7C II is well sealed at critical buttons and dials, and interlocking body seams add double protection, providing excellent resistance to dust and moisture in challenging outdoor conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage sensor anti-dust system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with an anti-dust system through a charge protection coating on its optical filter and an image sensor shift mechanism. There\u0026rsquo;s also a Shutter When Power Off function that closes the shutter when the camera\u0026rsquo;s power is turned off, protecting the image sensor from dust and particles while changing lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStable smartphone connectivity\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application on a smartphone has been greatly improved. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStream top-quality live content\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a personal computer or smartphone via USB, the \u0026alpha;7C II can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create striking images, and advanced AF functions such as Eye AF support online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585349149009,"sku":"ILCE7CM2LS.CEC","price":2399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/2oFvw8n1KFYDoJULbmV0zkjgdntt4yvP.jpg?v=1776791298"},{"product_id":"fotoaparat-sony-a9-iii","title":"Sony a9 III Mirrorless Camera","description":"\u003cp\u003e\u003cstrong\u003eNewly developed full-frame stacked 24.6 MP Exmor RS\u0026trade; image sensor with global shutter\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 III features a ground-breaking full-frame global shutter image sensor with approximately 24.6 million effective pixels, a stacked CMOS architecture and integral memory, offering high resolution and overwhelming speed. It\u0026#39;s capable of capturing fast-moving subjects with absolutely no distortion, and the sensor\u0026#39;s stacked structure and advanced A\/D conversion enable high-speed processing to proceed with minimal delay. Also boasting an advanced BIONZ XR\u0026trade; processing engine, the \u0026alpha;9 III can shoot continuous bursts at up to 120 frames per second keeping all the action in focus thanks to formidable AI, dense phase-detect AF and wide subject recognition.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR image processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to eight times, more processing power than previous versions, the BIONZ XR image processing engine minimises processing latency while markedly boosting image processing power, producing images with high colour gradation, realistic colour reproduction and low-noise. It\u0026#39;s able to process the high volume of data generated by the newly developed Exmor RS image sensor in real-time, even while shooting continuous bursts at up to 120 fps, and it can capture high-quality 14-bit RAW images in all still shooting modes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackout-free shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nNever miss a moment thanks to the blackout-free viewfinder, which does not black out even during fast-paced continuous shooting. This allows seamless capture of all the action, and is especially useful for shooting fast-moving subjects such as athletes, or for portraits, when even the briefest of facial expressions can make the difference between an average and great shot.\u0026nbsp; (1) Blackout-free shooting\u0026nbsp; (2) Shooting with blackout\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous Shooting Speed Boost\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous Shooting Speed Boost temporarily boosts the shooting speed while shooting bursts, enabling the user to raise the frame rate to 120 fps, for example, when the key moment approaches. Best used when shooting sports and other fast-paced activities when the timing of the desired action can be roughly predicted.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCapture essential moments with innovative high-speed burst support\u003c\/strong\u003e\u003cbr \/\u003e\r\nNever miss a key event with Pre-Capture, which makes it possible to capture moments that occurred before the shutter was released. Data (up to 120 images per second) is temporarily stored while the shutter button is half-pressed, and up to 1 second before can be captured once the shutter is fully pressed. This makes it easier to capture split-second moments, such as images of birds taking flight, even if actual shutter release is a little late.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUltra-fast 1\/80000 second shutter speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture all the fast-paced action at sporting events and more. The global shutter sensor allows for an ultra-fast maximum shutter speed of 1\/80000 second for still images, making it possible to even capture a bullet leaving the barrel of a rifle at a shooting competition, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide, fast, precise autofocus and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 III packs a Fast Hybrid AF system that combines the speed and tracking performance of phase-detection AF with the precision of contrast-detection AF, reliably locking onto and tracking subjects that move rapidly and\/or erratically. It now features 759 phase-detection points in a high-density focal plane phase-detection AF system that covers approximately 95.6% of the image area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe AI processing unit supports enhanced Human, Animal, Bird, Insect, Car\/Train and Airplane\u003cbr \/\u003e\r\nrecognition. In the Car\/Train category, it is now capable of recognising helmets, such as those worn by the drivers of formula race cars. Animal recognition can recognise the eyes of some grazing and small animals, in addition to the eyes, heads, and bodies of dogs, cats, and similarly featured animals. Bird recognition has also been updated, more easily pinpointing the eyes of a variety of bird types as well as recognising bird bodies. Plus, a new Animal\/Bird setting eliminates the need to switch between two settings to shoot animals or birds.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman pose estimation using a skeleton-based model\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the \u0026alpha;9 III can use subject form data to accurately recognise movement. Human pose estimation technology recognises not just eyes but also body and head position with high precision. This makes it possible to lock onto and track a subject facing away from the camera or whose face is covered. A distant human subject that occupies only a small area of the frame (even smaller than in previous Real-time Recognition AF iterations) can be recognised if the subject is near the focus area when the shutter is half-pressed while shooting with continuous AF. This can speed up focus acquisition on an athlete approaching from a distance at a track-and-field or ski event, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComposite RAW Shooting reduces noise\u003c\/strong\u003e\u003cbr \/\u003e\r\nComposite RAW Shooting captures multiple images (4, 8, 16, or 32, selectable) which can then be merged using Sony\u0026#39;s Imaging Edge Desktop\u0026trade; computer application software to create full-resolution images with very low noise. This makes it possible to shoot wildlife at high shutter speeds or portraits in low light, achieving exceptionally high image quality with low noise, even at higher ISO settings. What\u0026#39;s more, when shooting at low sensitivity levels, the \u0026alpha;9 III can take advantage of camera shake that occurs during handheld shooting and use Composite RAW to create images with reduced false colour and jaggies.\u0026nbsp; (1) Standard (2) Composite RAW\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced optical 5-axis image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nShoot handheld with confidence. The \u0026alpha;9 III is packed with a high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms to effectively detect and correct camera shake, offering 8.0-step stabilisation. This is further supported by compatible lenses with built-in image stabilisation and improved communication between the body and lenses, providing effective control for blur-free shooting even at telephoto focal lengths.\u0026nbsp; [1] Yaw [2] Roll [3] Pitch\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUp to 120 AF\/AE tracking calculations per second\u003c\/strong\u003e\u003cbr \/\u003e\r\nLet the camera keep track \u0026mdash; the high-speed readout of the new image sensor enables the \u0026alpha;9 III to make up to 120 AF\/AE tracking calculations per second, twice that of its predecessor. AF tracks complex subject motions and predicts sudden movements with greater precision than ever before, while AE easily responds to sudden brightness variations. The \u0026alpha;9 III continues to track even during continuous shooting, also contributing to greater precision.\u0026nbsp; (1) AF\/AE calculations\u0026nbsp; (2) 120 frames\/sec\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced image sensor with global shutter system for distortion-free movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe newly developed 24.6-megapixel full-frame global-shutter Exmor RS image sensor with stacked CMOS architecture offers immense benefits for moviemaking as well as still photography. Rolling shutter distortion is non-existent, so natural-looking footage can be captured regardless of subject or camera movement, even when shooting from a fast-moving vehicle or panning the camera quickly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K 120p without cropping for the first time in an Alpha body\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor the first time in the Alpha line-up from Sony, the \u0026alpha;9 III offers 4K (3840 x 2160) 120p movie recording without cropping, allowing users to utilise the full angle of view provided by any lens. For example, 4K footage shot in slow motion 120p and footage shot at normal speed 24p within the same scene will have the same angle of view and can be easily edited together without the need for reframing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlash sync at all shutter speeds\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a compatible flash unit from Sony (such as the HVL-F60RM2 or HVL-F46RM), the \u0026alpha;9 III can perform full flash synchronisation right up to the maximum 1\/80000 second shutter speed. This allows flash to be used for extra subject illumination when shooting outdoors in bright daylight with a high shutter speed, reducing the need for large lighting setups and vastly expanding creative shooting possibilities.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing compensation for consistent angle of view when focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus breathing compensation effectively reduces focus breathing when shooting movies. Sony\u0026#39;s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view throughout focus changes for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare software application during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDynamic active Mode stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision stabilisation unit and gyro sensors built into the camera, supported by optimised image stabilisation algorithms, allow advanced electronic stabilisation to work in conjunction with the camera\u0026#39;s 5-axis optical in-body image stabilisation system. Dynamic active Mode improves stabilisation by more than 30% over the existing Active Mode (approx.)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; for a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s S-Cinetone picture profile provides the same colour science that delivers beautiful colours and skin tones throughout the highly regarded Cinema Line range. S-Cinetone produces natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. This lets creators concentrate on shooting while achieving a cinematic look without the need for colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDrive Mode and Focus Mode dials\u003c\/strong\u003e\u003cbr \/\u003e\r\nIndependently operable stacked drive mode and focus mode dials allow fast access and selection. The user can quickly select the single or continuous drive mode, or the single AF or continuous AF focus mode, without having to access menus via buttons. Both dials are lockable, preventing unwanted mode changes during use. What\u0026#39;s more, as a new feature, the drive mode dial can be deactivated and assigned to the FN menu or a custom button instead \u0026mdash; a useful set-up if shooting in the dark or with a rain cover that might obscure the dial.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew front custom button provides greater flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn update to the Sony\u0026#39;s Alpha design, the \u0026alpha;9 III comes with a custom button on the front for faster, easier operation while holding the grip. This makes it even more adaptable to different shooting styles and needs. For example, assign the Continuous Speed Shooting Boost function to the front button to allow instant speed boost when shooting bursts.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eErgonomic grip design enhances operability while reducing fatigue\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 III features a grip with a new shape that improves hold and reduces physical stress on the user, even when shooting with heavy telephoto lenses or for long periods of time. An ergonomically refined contour ensures that the grip fills the user\u0026#39;s hand for a secure hold that does not cause fatigue.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent viewfinder specs and performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe 9.44 million-dot (approx.) OLED viewfinder includes 0.90x magnification with a 41\u0026deg; FOV for a clear, wide view, and an updated structure that results in a 25 mm high eyepoint. An original optical design minimises aberration that can be distracting when looking around the viewfinder image, providing a more consistent viewing experience. Viewfinder and monitor lag time have also been reduced to allow more stable framing, especially during continuous shooting. The finder frame rate can be set to Standard (60 fps), High (120 fps), or Higher (240 fps). The 240 fps setting provides an extremely smooth viewfinder image with minimum motion blur when shooting moving subjects, and greatly reduces motion blur when panning or tilting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptional VG-C5 Vertical Grip\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe optional VG-C5 Vertical Grip provides outstanding comfort and operability for long shooting sessions. The grip and shutter button feature the same ergonomic design as the camera body. Control access is similar too, with an independent front custom button (C5), a front dial, rear L and R dials, and a lock function on the R dial. The VG-C5 Vertical Grip can house two NP-FZ100 batteries for extended shooting sessions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony\u0026#39;s original 4-axis mechanism for enhanced shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 III features a 4-axis multi-angle monitor that combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility, allowing for unrestricted angle adjustment whether shooting vertically or horizontally. Slim, unobtrusive, and robust, the mechanism enables the monitor to be pulled away from the rear of the body and tilted upward by up to 98\u0026deg;, downward by up to 40\u0026deg;, and swung sideways by up to 180\u0026deg;. The touch sensitive, 3.2 type LCD monitor is optimised for outdoor shooting, providing 2.1 million dot resolution, a wide colour gamut and ample brightness for clear and easy viewing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShading curtain closed on power-off\u003c\/strong\u003e\u003cbr \/\u003e\r\nA shading curtain protects the image sensor from dust and particles while changing lenses. When set to ON, it automatically closes when the camera\u0026#39;s power is turned off.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRobust and durable for challenging professional environments\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith lightweight, high-rigidity magnesium alloy for its top cover, front cover, internal frame, and rear cover, the \u0026alpha;9 III boasts high body durability, high shock resistance and effective heat dissipation. It\u0026#39;s built to withstand challenging professional environments while remaining relatively compact and lightweight.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRugged reliability in the field\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;9 III features outstanding dust and moisture resistance, thanks to design refinements with silicone rubber packing around buttons, lens-lock button, cushioning around the lens mount, and other areas. An improved EVF design effectively seals the viewfinder\u0026#39;s optical path, achieving the same effect as a double glass structure. Combined with dust and moisture resistant lenses, flash units, and\/or the optional VG-C5 Vertical Grip, the \u0026alpha;9 III becomes the core of a rugged dust and moisture resistant system\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImproved group display\u003c\/strong\u003e\u003cbr \/\u003e\r\nWorkflow efficiency gets a drastic boost thanks to image groups. Images taken at up to 120 fps\u003cbr \/\u003e\r\nin continuous bursts can be defined as \u0026quot;groups,\u0026quot; making it easier to quickly flip through and locate a specific image within a large group of images. These groups can also be assigned a rating, which can then be used for filtering and searching, and the rating is embedded for images imported into a computer editing application. This greatly simplifies data management and speeds the workflow process.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFn Menu Settings\u003c\/strong\u003e\u003cbr \/\u003e\r\nIf Playback Fn Menu is assigned to the Fn button in advance, it provides quick access to control protect status, smartphone transfer, FTP transfer, and other functions during playback. It can also be used to select and initiate functions for a filtered batch of images, enabling quick delivery via FTP transfer, for example. During single image review, the Fn menu can be accessed simply by swiping up on the LCD display\u003cbr \/\u003e\r\nand is available during single playback, index playback, calendar\/folder playback, and the image selection display.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlayback Filter Condition\u003c\/strong\u003e\u003cbr \/\u003e\r\nSearch filtering can be applied during review playback. Even for vast image libraries, images can be quickly filtered according to date, folder, still\/movie, rating, protect status, FTP, and other parameters, making it easier than ever to find specific images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemote Camera Tool\u003c\/strong\u003e\u003cbr \/\u003e\r\nRemote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN. Once the camera is connected to a computer or switching hub connected to a computer, Remote Camera Tool can be used to change camera settings and shoot images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt-in Wi-Fi for FTP and smartphone transfers plus PC Remote tethering\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in Wi-Fi (IEEE 802.11ac) with 2x2 MIMO support allows high-speed data transfer, enabling the \u0026alpha;9 III to transfer data up to twice as fast as its predecessor. 5 GHz communication offers maximum speed and stability, essential for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nAs well as UHS-I and UHS-II SD cards, the \u0026alpha;9 III\u0026#39;s media slots support CFexpress Type A cards. These are ideally suited to high-speed continuous still shooting at up to 120 fps and provide high write speeds to quickly clear the buffers of cameras that generate high volumes of still image and movie data. The \u0026alpha;9 III also allows stills and movies to be recorded to memory media in numerous ways, including saving data to different media slots according to file type, image size, and image quality, and a relay record mode, all helping to streamline workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony\u0026#39;s cloud services\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s cloud services support shooting through to production. The Creators\u0026#39; App mobile application\u003cbr \/\u003e\r\nallows users to remotely control the camera and transfer stills and movies straight to the device. For editing, Sony\u0026#39;s Creators\u0026#39; Cloud provides access to a range of useful production support tools. Master Cut (Beta), for example, uses camera metadata and cloud AI to efficiently create rough movie edits, while Ci Media Cloud makes it easy for teams to cooperate on production. Get further inspiration from the networking service Discover, which brings creators together, helps them promote their activities, and provides access to useful articles about Sony Ambassador shooting and production methods, alongside other invaluable advice.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585432052049,"sku":"ILCE9M3B.CEC","price":7149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/tt7Krr7hAmyU08p4mY1KrwXFwoE58HBk.jpg?v=1776791323"},{"product_id":"fotoaparat-sony-a1-ii","title":"Sony a1 II","description":"\u003cp\u003e\u003cstrong\u003eA fusion of leading technologies delivers overwhelming performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe massive volume of data from the 50.1 megapixel full-frame Exmor RS\u0026trade; image sensor is processed in real time by Sony\u0026rsquo;s BIONZ XR\u0026trade; image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognise a wide range of subjects. These state-of-the-art technologies make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF\/AE tracking at up to 30 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn advanced AI processing unit achieves high-level subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 II features a dedicated AI processing unit that helps to recognise people more accurately based on human pose estimation, and also supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman eye recognition improved by up to approximately 30%\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time REcognition AF has improved human eye recognition by approximately 30%, and its human pose estimation technology also delivers precise recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, so approaching subjects are recognised and tracked sooner. Subjects can also be tracked better across occlusions among many people.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman eye recognition improved by up to approximately 30%\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time REcognition AF has improved human eye recognition by approximately 30%, and its human pose estimation technology also delivers precise recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, so approaching subjects are recognised and tracked sooner. Subjects can also be tracked better across occlusions among many people.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 II features AI-based Real-time Tracking. If the subject cannot be recognised for some reason, or subject recognition AF is not turned ON, Sony\u0026rsquo;s original subject recognition algorithm will process colour, pattern, and spatial data to ensure that the subject is reliably acquired and tracked. If [Touch Tracking] is engaged, touching a subject on the monitor will instantly select it for tracking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF tracking response settable to match subject speed changes\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast Hybrid AF combines phase detection and contrast detection for superb speed, precision and tracking performance. 759 phase-detection points cover 92% of the image sensor. The AF tracking response for stills can now be selected from [Stable], [Standard], and [Responsive] to suit the likely subject motion, useful for example in bird photography. High AF precision is achieved right down to light levels as low as EV-4.0 in AF-S mode, with improved contrast AF response.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible focus area settings\u003c\/strong\u003e\u003cbr \/\u003e\r\nXL and XS focus area spot sizes are now available in addition to the existing L, M, and S. XS can be useful to avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of specified size and aspect ratio, useful in situations like a track event where athletes are lined up side-by-side and you want to focus on the leading runner.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-speed continuous shooting at full 50.1 MP resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nHigh-speed continuous shooting at up to 30 fps with full AF\/AE tracking is possible at a stunning 50.1 MP resolution, with up to 120 AF\/AE calculations per second on the data from the image sensor. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePre-Capture and Continuous Shooting Speed Boost\u003c\/strong\u003e\u003cbr \/\u003e\r\nPre-capture retroactively captures moments that occurred before the shutter was released, without compromising resolution, even when shooting continuously at up to 30 fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced high-resolution burst stamina\u003c\/strong\u003e\u003cbr \/\u003e\r\nA large buffer memory and increased overall system speed allow continuous shooting at full resolution. Up to 159 JPEG images or 153 compressed RAW images can be captured in one continuous 30 fps burst. Up to 400 JPEG images can be captured in one 20 fps burst. This can be a huge confidence-booster when timing is critical for sports, wildlife, and other moving subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable release time lag\u003c\/strong\u003e\u003cbr \/\u003e\r\nSelectable release time lag modes are available via the [Release Lag] \/ [Start Display] menu. With blackout occurring on only the first image in a continuous burst, [Fastest Release\/On] provides the shortest possible release time lag, while [Stable Release\/On] minimises variations in release time lag making it easier to release the shutter at the intended moment. The default [Auto\/Off] setting gives no blackout when shooting is started.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStunning resolution with 50.1 megapixels\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor\u0026rsquo;s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image size and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nCompressed, Uncompressed, and high-compression Lossless Compressed RAW still images are provided. Compressed RAW images can be shot continuously at up to 30 fps. Three Lossless Compressed RAW image sizes can be selected to suit the application: L, M, and S. Lossless Compressed RAW, JPEG, and HEIF images in M and S size have the same number of pixels whether shot in the full-frame or APS-C mode, making it possible to seamlessly switch modes while maintaining the same image resolution. JPEG and RAW sizes can be freely mixed and matched to meet the needs of the application.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity, low noise, and wide dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nFeedback from professionals has been taken into account to create noise reduction that is highly effective without sacrificing image detail, so users can shoot clear images of indoor sports at mid to high sensitivity without hesitation. Dynamic range at lower sensitivities is an impressively wide 15 stops for smooth, realistic gradations.\u0026nbsp; [1] \u0026alpha;1,\u0026nbsp; ISO 6400, 1\/1600s, F2.8\u0026nbsp; [2] \u0026alpha;1 II,\u0026nbsp; ISO 6400, 1\/1600s, F2.8\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nExposure and colour reproduction are notably improved compared to the \u0026alpha;1. The AE algorithm detects faces and optimises exposure for stills and movies. Exposure stability has been improved by approximately 20%, even when the face is backlit and dark, or over-illuminated in direct sunlight, or not facing the camera. Working with a \u0026ldquo;Visible Light and IR Sensor\u0026rdquo; on the front of the body, the advanced AI processing unit helps to achieve accurate white balance even where the subject is in shade.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptical 5-axis image stabilisation achieves 8.5-step performance at the centre\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision image stabilisation unit, advanced gyro sensors, and leading-edge algorithms detect and correct camera shake, achieving a groundbreaking up to 8.5-step effect at the centre and 7.0-step at the periphery, and transforming handheld shooting with precision down to the single-pixel level and the finest subject details. With compatible lenses that include built-in stabilisation, improved body-lens synchronisation provides effective blur control even at otherwise problematic telephoto focal lengths. [1] Yaw [2] Roll [3] Pitch\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComposite RAW modes for lower noise and higher resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe NR Shooting Settings mode captures between 4 and 32 RAW images which can then be composited using Sony\u0026rsquo;s Imaging Edge Desktop\u0026trade; application to create a full-resolution image with very low noise even at mid to high sensitivities. Pixel Shift Multi Shooting captures 4 or 16 pixel-shifted images that are later composited with the same PC application to achieve overwhelming resolution in a single image.\u0026nbsp; [1] Single RAW image, ISO 12800\u0026nbsp; [2] NR composite RAW (32 images), ISO 12800\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Recognition AF for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Recognition AF utilises advanced AI-based human pose estimation technology that recognises and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognised with AI assistance, for both movies and stills, has been expanded relative to the \u0026alpha;1, and now includes birds in movies for example. Other subjects are acquired and tracked in real time by processing colour, pattern, and spatial data.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-resolution 8K\/4K recording for impressive realism\u003c\/strong\u003e\u003cbr \/\u003e\r\n4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35mm size oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh frame rate recording at up to 120p\u003c\/strong\u003e\u003cbr \/\u003e\r\n4K can be recorded at up to 120p right in the camera. 4K footage can be played back in up to 5x slow motion. The Slow \u0026amp; Quick Motion (S\u0026amp;Q) mode makes it convenient to play recorded footage back at slow or high speed in the camera. Full HD footage recorded at 240 fps offers even greater range: up to 10x slow motion (24p) to create impressive sports movies, for example. The frame rate setup menu allows intuitive selection of frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBetter S-Log matching with Cinema Line cameras\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey). Minimum ISO when shooting S-Log is 800, while the expanded ISO range is 200 - 640. Compared to the \u0026alpha;1, detail reproduction has been improved and footage can be more easily matched with the output from digital cinema cameras that also offer S-Log3 such as Sony\u0026rsquo;s VENICE and BURANO. The ability to import User LUTs into the camera makes it easy to get an idea of the final post-edit look right in the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBreathing compensation\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus breathing compensation effectively reduces focus breathing when shooting movies. Sony\u0026rsquo;s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view throughout focus changes for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Catalyst Prepare\/ Catalyst Prepare Plugin software application during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFeatures for smooth focusing\u003c\/strong\u003e\u003cbr \/\u003e\r\nA range of focusing tools support intuitive and professional movie making. AF Assist for temporary switching to manual focus, focus peaking display, and AF transition speed and sensitivity settings all help the user when shooting movies. Focus Map overlays a visual depth-of-field map on the live view display. Real-time Recognition AF, Real-time Tracking, and Focus Area are now available during digital zoom and Clear Image Zoom operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAuto Framing automatically adjusts composition for the subject\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsing AI-based subject recognition technology, Auto Framing automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator. The timing at which Auto Framing begins, the size of the subject in the frame, and the tracking speed can be controlled. Auto Framing can be ideal for recording interviews, music performance, cooking, and much more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFraming Stabilizer automatically maintains subject position\u003c\/strong\u003e\u003cbr \/\u003e\r\nFraming Stabilizer automatically maintains subject location within the frame when the camera operator is moving alongside the subject or in other situations where maintaining consistent framing can be difficult. AI-based subject recognition and Dynamic active image stabilisation maintain the composition and achieve stable imagery even when shooting handheld. [Center] mode automatically keeps the subject in the centre of the frame, while [Manual] mode lets subject position be freely specified.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible LCD monitor positioning\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe 4-axis multi-angle monitor can be positioned for optimal viewing in horizontal or vertical orientation. The extended monitor can be tilted upward by approximately 98\u0026deg; and downward by approximately 40\u0026deg; to the camera back, and sideways by a full 180\u0026deg;. The hinge is unobtrusive but robust. The large 3.2 type 2.1 million dot display panel is touch sensitive, has a wide colour gamut, and is designed for clear outdoor viewing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-performance electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers clear viewing. Magnification is 0.90x with a 41\u0026deg; FOV for a clear, wide view, the updated structure giving a 25 mm high eyepoint. Time lag has been reduced for more stable framing. The finder frame rate for shooting stills can be set to [Standard] (60 fps), [High] (120 fps), or [Higher] (240 fps). Overall image quality has been significantly improved and aberration minimised.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStandard and deep viewfinder eyecups provided\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 II is supplied with two viewfinder eyecups: the standard FDA-EP19 type and a deep FDA-EP21 type that the user can choose according to ambient conditions or personal preference. The new FPA-EP21 design is deeper than the standard FDA-EP19 type, enhancing viewing clarity by effectively blocking extraneous light that can enter between the eye and eyecup in bright shooting environments. The soft, close-fitting material and design enhance viewing comfort.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced grip hold and ease of use\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe improved grip ergonomics ensure comfortable and stable shooting over long sessions with a shape that allows firm holding in the palm of the hand. A C5 custom button has also been added, and the grip design is replicated for prolonged vertical shooting with the optional VG-C5 Vertical Grip, which additionally offers extended battery life over the previous model.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupplied charger charges two NP-FZ100 batteries in 155 minutes\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe supplied BC-ZD1 quick charger can simultaneously charge two NP-FZ100 batteries in approximately 155 minutes. when used with an AC adaptor providing USB PD (Power Delivery) power. This charger is ideal for charging two batteries for use at events or in other applications that require continuous operation over extended periods of time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual slots support CFexpress Type A memory cards\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 II has two media slots that both support CFexpress Type A memory cards as well as UHS-I and UHS-II SD cards. CFexpress Type A cards are ideal for recording the huge volume of data produced by the image sensor, allowing 30 fps continuous still shooting and high-bitrate 8K and 4K movie recording. The same data can be simultaneously recorded to both cards, or files can be separated by type and size. A \u0026ldquo;relay\u0026rdquo; mode automatically switches recording to the second card when the first becomes full.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage playback functions that support immediate-delivery workflows\u003c\/strong\u003e\u003cbr \/\u003e\r\nMultiple media playback lets you seamlessly display all images on two memory cards by selecting all slots as the display target during playback. Group display of images such as those shot continuously or with interval shooting is also supported. And if set in advance, a rating can automatically be applied to the first image in continuous burst or Pre-Capture groups, or a divider image inserted before the first image in groups, enabling quick scrolling through and location of groups using the custom dial during playback.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDedicated microphone for clear voice memos\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dedicated voice memo microphone is built into the rear panel, making it easy to record clear voice memos even in noisy environments. These can be transferred to an FTP server along with the corresponding images, allowing the photographer to communicate effectively to the editor, or the Transfer \u0026amp; Tagging mobile application can be used to convert the voice memos to text prior to transfer. Either approach can significantly speed up the delivery workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIPTC metadata embedding and presets\u003c\/strong\u003e\u003cbr \/\u003e\r\nIPTC (International Press Telecommunications Council) metadata can be added to still images. IPTC information can be written to IPTC metadata presets and loaded into the camera via a memory card. The \u0026alpha;1 II can internally store up to 20 presets that can then be quickly selected when needed. This can be extremely useful at multi-sports events, for example, where different IPTC information is required for different competitions. The appropriate preset can be easily selected in-camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEfficient data transfer by high-speed wired LAN and wireless LAN\u003c\/strong\u003e\u003cbr \/\u003e\r\nStill image and movie files can be directly transferred from the camera to a specified remote FTP server via wired and wireless LAN. 2.5GBASE-T wired LAN connectivity allowing data transfer at up to 2.5 Gbps is now provided for stable, high-speed transfer of still and movie data from the camera to an FTP server and stable communication for PC Remote shooting. Built-in Wi-Fi (IEEE 802.11a\/b\/g\/n\/ac) with 2x2 MIMO support allows high-speed 5 GHz wireless communication with maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB Type-C \u0026reg; connector supports SuperSpeed USB 10 Gbps (USB 3.2)\u003c\/strong\u003e\u003cbr \/\u003e\r\nA USB Type-C \u0026reg; connector that supports fast SuperSpeed USB 10 Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTools that support professional workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;1 II is compatible with Transfer \u0026amp; Tagging and Remote Camera Tools. Transfer \u0026amp; Tagging is a smartphone application that can speed up still-image workflows for professional sports and news photographers, allowing background FTP transfers to smartphone as well as fast tag\/caption attachment, while Remote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026#39; Cloud platform\u003c\/strong\u003e\u003cbr \/\u003e\r\nCreators\u0026#39; Cloud is a platform that supports creative work from shooting to production by combining Sony\u0026#39;s advanced camera technology and the cloud. It\u0026#39;s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAccessibility features such as Screen Reader that reads menu screen text aloud, Enlarged Menu Display, and others make it easier for everyone to enjoy shooting and playback using the \u0026alpha;1 II. Furthermore, advanced features like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony\u0026#39;s goal: zero environmental footprint\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s environmental plan \u0026#39;Road to Zero\u0026#39; is designed to reduce the Group\u0026#39;s environmental footprint to zero by 2050. Avoiding non-renewable resources, we actively use recycled plastics in cameras, including our durable, high-quality SORPLAS\u0026trade; material. Sony is also moving away from plastic packaging. The \u0026alpha;1 II is the first high-end \u0026alpha;-series product to be shipped in a plastic-free package made of Sony\u0026rsquo;s \u0026ldquo;Original Blended Material\u0026rdquo; that can be recycled as paper.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586033443153,"sku":"ILCE1M2B.CEC","price":7659.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/RfFFPxaI3otxnHVOzdYVDtkgQ9eDzwch.jpg?v=1776791227"},{"product_id":"sony-fx2-cinema-line-plnoformatna-kamiera","title":"Sony FX2 Cinema Line Full-frame camera","description":"\u003cp\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R\u0026trade; CMOS sensor supported by a BIONZ XR\u0026trade; image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr \/\u003e\r\n7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony\u0026rsquo;s Creators\u0026rsquo; Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nPicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone\u0026trade;, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor creative flexibility, there are three modes available for Log recording \u0026mdash; Flexible ISO, Cine EI, and Cine EI Quick \u0026mdash; with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post　production to achieve your desired cinematic look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion\u003cbr \/\u003e\r\nat 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony\u0026rsquo;s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAttach a top handle for extra handling ease\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1\/4-20 screw holes for further accessory mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStabilisation for dynamic handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there\u0026rsquo;s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 \u0026deg; to +90\u0026deg; for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControl layout designed for professional use\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible vari-angle LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps and high visibility recording indication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you\u0026rsquo;re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code synchronisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi\/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable\u003cbr \/\u003e\r\n, and then to the second camera via a BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera\u0026rsquo;s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible network communication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera\u0026rsquo;s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time\u003cbr \/\u003e\r\nor up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera\u0026rsquo;s USB Type-C\u0026reg; terminal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nNumerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera\u0026rsquo;s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor \u0026amp; Control\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026#39; Cloud platform\u003c\/strong\u003e\u003cbr \/\u003e\r\nCreators\u0026#39; Cloud is a platform that supports creative work from shooting to production by combining Sony\u0026#39;s advanced camera technology and the cloud. It\u0026#39;s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecorded files can be directly uploaded to Creators\u0026rsquo; Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators\u0026rsquo; Cloud, data can be transferred to other cloud services such as Google Drive\u0026trade; or Adobe Lightroom to suit your workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAccessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s environmental plan \u0026quot;Road to Zero\u0026quot; aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586466308433,"sku":"ILMEFX2B.CEC","price":2749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/WvrCFsN5sY4GZhSwKhpEPzcQy3IXsTJR.jpg?v=1776800706"},{"product_id":"sony-fx2-cinema-line-plnoformatna-kamiera-xlr-drzhka","title":"Sony FX2 Cinema Line Full-frame camera + XLR handle unit","description":"\u003cp\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R\u0026trade; CMOS sensor supported by a BIONZ XR\u0026trade; image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr \/\u003e\r\n7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony\u0026rsquo;s Creators\u0026rsquo; Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nPicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone\u0026trade;, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor creative flexibility, there are three modes available for Log recording \u0026mdash; Flexible ISO, Cine EI, and Cine EI Quick \u0026mdash; with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post　production to achieve your desired cinematic look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion\u003cbr \/\u003e\r\nat 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony\u0026rsquo;s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAttach a top handle for extra handling ease\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1\/4-20 screw holes for further accessory mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStabilisation for dynamic handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there\u0026rsquo;s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2\u0026#39;s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 \u0026deg; to +90\u0026deg; for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControl layout designed for professional use\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible vari-angle LCD monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTally lamps and high visibility recording indication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you\u0026rsquo;re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4:2:2 10-bit or 16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTime code synchronisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi\/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable\u003cbr \/\u003e\r\n, and then to the second camera via a BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera\u0026rsquo;s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible network communication\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera\u0026rsquo;s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time\u003cbr \/\u003e\r\nor up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera\u0026rsquo;s USB Type-C\u0026reg; terminal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nNumerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera\u0026rsquo;s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor \u0026amp; Control\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026#39; Cloud platform\u003c\/strong\u003e\u003cbr \/\u003e\r\nCreators\u0026#39; Cloud is a platform that supports creative work from shooting to production by combining Sony\u0026#39;s advanced camera technology and the cloud. It\u0026#39;s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr \/\u003e\r\nRecorded files can be directly uploaded to Creators\u0026rsquo; Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators\u0026rsquo; Cloud, data can be transferred to other cloud services such as Google Drive\u0026trade; or Adobe Lightroom to suit your workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAccessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s environmental plan \u0026quot;Road to Zero\u0026quot; aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586467160401,"sku":"ILMEFX2.CEC","price":3249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/xgfk5S26PFTfhf6KCMDr3tWcTkOhyX9c.jpg?v=1776800709"},{"product_id":"sony-fx3a-cinema-line-plnoformatna-kamiera","title":"Sony FX3A Cinema Line Full-frame camera","description":"\u003cp\u003e\u003cstrong\u003eImage sensor with blazingly fast readout speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe back-illuminated full-frame Exmor R\u0026trade; CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh performance image-processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XR\u0026trade; image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame sensor enables high sensitivity with low noise throughout the camera\u0026#39;s range by optimising the sensor\u0026rsquo;s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera\u0026#39;s high sensitivity and wide dynamic range expand your flexibility in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAcclaimed cinematic colour with S-Cinetone\u0026trade;\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe inclusion of Sony\u0026rsquo;s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading. [1] Standard (Picture Profile OFF)\u0026nbsp; [2] S-Cinetone (Picture Profile 11)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I)\u0026nbsp; [2] Long-GOP\u0026nbsp; [3] Group of Pictures\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4K High Frame Rate 120fps recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nYou can record full-frame 4K (QFHD) at up to 120fps, with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003cbr \/\u003e\r\nFacilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p\/50p\/29.97p\/25p\/23.98p).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHEVC codec with high compression efficiency\u003c\/strong\u003e\u003cbr \/\u003e\r\nXAVC HS format recording, using the MPEG-H HEVC\/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log2 and S-Log3 with 10-bit 4:2:2 support\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. For camera matching with other S-Log3 capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nLow bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExpand your vision with Creative Look\u003c\/strong\u003e\u003cbr \/\u003e\r\nLooks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user\u0026#39;s preference, and you can also register your favourite settings as a custom look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.\u0026nbsp; [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible exposure mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, easy touch focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nTouch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It\u0026#39;s fast, easy, and intuitive to perform rack focusing through touch operation\u0026mdash;ensuring you have full creative control of the FX3\u0026#39;s powerful AF technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, easy and reliable Real-time Tracking and Eye AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus control is fast and intuitive, to ensure you have full creative control of the FX3\u0026rsquo;s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject\u0026#39;s colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe handle of the FX3 includes two independent full-size XLR connectors (XLR\/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIn-body optical image stabilisation for handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nRelying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera\u0026#39;s Optical SteadyShot\u0026trade; Active Mode provides precise optical image compensation, for outstanding results for 4K video recording, even while walking. With this unprecedented level of stabilisation it\u0026#39;s possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHDMI Type-A output and monitoring options\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera\u0026#39;s LCD monitor, an HDMI-connected external recording or monitoring device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable buttons for professional movie creators\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customisable keys and menus deliver streamlined workflows in the field. It\u0026rsquo;s designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K 60p recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor uninterrupted 4K 60precording, the FX3 features an innovative heat dissipation structure, including a unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eREC lamps and highlighting during video recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThere is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.\u003cbr \/\u003e\r\n\u0026nbsp;\u003cbr \/\u003e\r\n\u003cstrong\u003eCage-free accessory mounting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFive 1\/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVarious zoom operations tailor your expression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle of view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary re-framing to purposeful cinematic zooms.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTouch-driven menu with workflow-based navigation\u003c\/strong\u003e\u003cbr \/\u003e\r\nResponding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers\u0026rsquo; work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlexible camera positioning with vari-angle monitor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, durable, and lightweight construction\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower for professional length\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type C\u0026reg; power supply or portable powerbank battery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable durability and weather resistance in tough situations\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWireless 5GHz \/2.4GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera\u0026#39;s USB Type C\u0026reg; terminal supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony\u0026#39;s Imaging Edge Desktop\u0026trade; application, or from a mobile device with Imaging Edge Mobile\u0026trade;. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s Catalyst Browse and Prepare software are ideal production partners for the FX3. The FX3 records two types of supplementary metadata: image stabilisation and camera rotation. These can be useful when previewing and preparing to edit in Sony\u0026rsquo;s free Catalyst Browse or cost-effective Catalyst Prepare desktop applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/professional-video-cameras\/ilme-fx3\/specifications?cpint=SG_PRODUCT_DETAILS_PRI-TOUT-PDP-ILME-FX3-EN_GL-2021-01-M01-NEWCINEMATIC#specifications\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586531058001,"sku":"ILMEFX3AB.CEC","price":3799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/YHFgcduaeK1sdmfFUf0xvjjiIOSKn0dT.jpg?v=1776800717"},{"product_id":"fotoaparat-sony-a7-v","title":"Sony a7 V","description":"\u003cp\u003e\u003cstrong\u003eFull-frame partially stacked Exmor RS\u0026trade; CMOS sensor with 33.0 effective megapixels\u003c\/strong\u003e\u003cbr \/\u003e\r\nFeaturing the latest technology, the \u0026alpha;7 V is equipped with a partially stacked Exmor RS CMOS image sensor featuring high-speed circuitry above and below the sensing layer. Readout is approximately 4.5x faster than the \u0026alpha;7 IV, providing a maximum shutter speed of 1\/16000 sec., blackout-free bursts at up to 30 fps with full AF\/AE tracking, and video recording at 4K 120p. The advanced sensor technology delivers up to an unprecedented 16 stops of dynamic range with smooth gradations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR2\u0026trade; with integrated AI processing unit\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XR2 processing engine which integrates the AI processing unit of the latest \u0026alpha;\u0026trade; series delivers vast improvements in image and sound quality, and overall operation. It incorporates AI-based Real-time Recognition AF and Real-time Tracking, plus accurate, stable colour reproduction. In an upgrade from its predecessor, the \u0026alpha;7 V includes a lightweight RAW format, while user interface, networking, and file management functions have all been refined.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new 33.0 effective megapixels sensor and BIONZ XR2 processing engine deliver up to 16 stops of dynamic range. Smooth gradations from shadows to highlights enable highly effective HDR processing when needed, and effective noise reduction applied at all sensitivities achieves high resolution throughout the ISO 100-51200 still and movie range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComposite RAW support\u003c\/strong\u003e\u003cbr \/\u003e\r\nComposite RAW shooting automatically captures multiple RAW images that can then be transferred to a computer and composited. The enhanced [NR Shooting] setting produces low-noise images while maintaining high resolution even at mid to high sensitivities. [Shooting for HDR] captures high dynamic range, with options for the simultaneous capture of 4, 8, or 16 images at 30 fps.\u0026nbsp; [1] Composite RAW [Shooting for HDR]\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDeep learning-based light source estimation for accurate white balance\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnjoy improved auto white balance (AWB) performance thanks to deep learning technology for light source colour estimation. The \u0026alpha;7 V offers more accurate, stable white balance in settings that can be challenging for conventional AWB systems, such as those that include a mix of skin tones, vegetation, shade and more.\u0026nbsp; [1] Shot on \u0026alpha;7 IV\u0026nbsp; [2] Shot on \u0026alpha;7 V\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look creates visual moods in-camera\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Creative Look function makes it easy to create visual moods in-camera. 12 presets are provided, including [FL2] and [FL3] selections. The presets can be used as they are or edited to create custom looks. Use seven parameters to adjust contrast, saturation, highlights, shadows and more while viewing the results on the monitor display. Custom Looks can be saved for later use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore efficient, lightweight RAW format\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight RAW format achieves high image quality in smaller files that are easier to manage. The [Compressed (HQ)] format provides even greater compression in lightweight RAW files while prioritising image quality, and the [Compressed] format allows for extended shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e5-axis optical stabilisation for up to 7.5-step central and 6.5-step peripheral stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn advanced optical stabilisation unit, gyro sensors, and algorithm accurately detect and correct image shake. Up to 7.5-step central and 6.5-step peripheral stabilisation allow handheld shooting without the need to boost sensitivity. Take advantage of compatible lenses for better stabilisation, with the camera effectively suppressing shake even when shooting at telephoto focal lengths.\u0026nbsp; [1] Yaw\u0026nbsp; [2] Roll\u0026nbsp; [3] Pitch\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtended RAW Processing offers enhanced RAW development\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Imaging Edge Desktop application now includes an Extended RAW Processing feature that allows you to take full advantage of the large amount of information in RAW image files for enhanced RAW development, particularly with moving subjects. Use the [Extended NR] for extremely low noise while maintaining full resolution or try [Extended Hi-Res] for 4x the normal pixel count and reduced noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Recognition AF: Human pose estimation technology\u003c\/strong\u003e\u003cbr \/\u003e\r\nAI processing in the new BIONZ XR2 processing engine improves recognition by approximately 30% over the \u0026alpha;7 IV. Human pose estimation technology uses detailed form and pose data to achieve reliable human eye recognition as well as body and head position, even with challenging subjects. Multiple subjects can also be recognised, making it possible to track the desired subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-density 759-point focal plane phase-detection AF\u003c\/strong\u003e\u003cbr \/\u003e\r\n759 AF points in a high-density focal plane phase-detection AF system cover approximately 94% of the image area for precise focusing. The processing engine processes the large amount of data from the image sensor in real time to ensure ideal focus even in challenging situations, such as when shooting small subjects or night scenes where focus often falls on the background.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nAI-based Real-time Tracking accurately focuses on and tracks the selected subject when the shutter button is half-pressed. If the subject cannot be recognised or subject recognition AF is OFF, Sony\u0026rsquo;s original algorithm processes colour, pattern, and spatial data at high speed for reliable focus and tracking. If [Touch Tracking] is engaged, simply touch a subject on the monitor to instantly select it for tracking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePre-Capture for moments prior to shutter release\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture that decisive moment, even if it\u0026rsquo;s in the past. With this feature, half-pressing the shutter button to set focus enables the camera to capture a series of images, starting from up to one second before the shutter button is fully deployed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpeed boost for critical action shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nUse one-button Continuous Shooting Speed Boost to temporarily change the continuous shooting speed at any time while shooting a continuous burst. For example, you can instantly switch from the standard burst rate to a higher rate when the key moment approaches. This function is best used when you can roughly predict the timing of the desired shot, and it\u0026rsquo;s now available even while shooting single frames.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePrecise AF in low light\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest AF algorithms achieve high AF precision down to light levels as low as EV-4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens) so that AF is precise and reliable even in low light.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtreme stabilisation with Dynamic active Mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Dynamic active Mode adds electronic stabilisation to the optical stabilisation system for even greater effect. This improves stabilisation approximately 30% more than just Active Mode, making it possible to shoot smooth, stable images even when running around with the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAuto Framing automatically adjusts composition\u003c\/strong\u003e\u003cbr \/\u003e\r\nAuto Framing uses AI-based subject recognition to automatically keep the subject in a prominent position when shooting movies, even when the camera is stationary\u0026mdash;ideal for shooting interviews, music performance, cooking and much more. You can also set the timing at which Auto Framing will begin, the size of the subject in the frame and the tracking speed.\u0026nbsp; [1] LCD monitor\u0026nbsp; [2] Recorded footage\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e7K oversampled 4K 60p recording with full pixel readout and no pixel binning\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new BIONZ XR2 processor and Exmor RS sensor enable full pixel readout with no pixel binning when recording full-frame. This allows 3.3x the data required for 4K (QFHD: 3840 x 2160) to be compressed into spectacularly detailed 4K 60p images with minimal moir\u0026eacute; and jaggies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShot Marks facilitate still image extraction\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnable this function before shooting so that any frames marked with Shot Marks during movie recording are automatically extracted and saved as stills when recording has finished. You can also extract and save any other frames as stills after recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e4-axis monitor maximises shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe 4-axis multi-angle monitor adjusts upward by 98\u0026deg;, downward by 40\u0026deg;, and sideways by 180\u0026deg;, and when open, it can rotate up to 270\u0026ordm;. Its 3.2-type 2.1 million dot (3:2 aspect ratio) touch sensitive display panel has a wide colour gamut and provides clear viewing even in bright conditions. [Monitor Low Bright] reduces brightness and battery drain when the camera has not been used for a pre-settable amount of time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log3 supports post-production workflows\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe S-Log3 gamma curve helps to maintain smooth, natural gradations from shadows to mid-grey (18% grey), making it easier to grade for high image quality in post-production. S-Gamut3 and S-Gamut3.Cine colour spaces are supported. Imported user LUTs (.cube) can be used as alternatives to the preset picture profiles (PPLUT 1 through 4) to provide the final graded output.\u0026nbsp; [1] Before grading\u0026nbsp; [2] Graded\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for comfort\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7 V has been refined for improved hold and manageability to minimise fatigue, particularly when using heavy telephoto lenses or shooting for long periods of time. The grip fits comfortably in the palm of the hand while the location and angle of the shutter button have been carefully designed for effortless access.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat dissipation\u003c\/strong\u003e\u003cbr \/\u003e\r\nEffective heat dissipation allows 4K 60p 4:2:0 8bit video to be recorded continuously for approximately 90 minutes. A unique \u0026Sigma; (sigma) shaped graphite component built into the image stabilisation unit allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while effectively conducting heat away for extremely efficient heat dissipation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame and rear cover. The grip and front cover are manufactured as a single unit for high rigidity, while the mount is attached by six screws for extra strength. This provides maximum durability on shoots requiring a variety of large, heavy lenses, like super-telephoto lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo USB Type-C\u0026reg; ports\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn an upgrade from its predecessor, the \u0026alpha;7 V includes two USB Type-C ports support USB PD (Power Delivery) so that you can connect a compatible charger or mobile battery to supply power or charge the internal battery. Power Delivery capacity is now 3-4x higher than the \u0026alpha;7 IV. PORT 1 supports SuperSpeed USB 10Gbps (USB 3.2) for high-speed backups and PC remote connection, while PORT 2 supports Hi-Speed USB 480 Mbps (USB 2.0) for USB communication.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced Wi-Fi for wireless transfers and remote tethering\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in Wi-Fi (IEEE 802.11ax) with 2x2 MIMO support provides high-speed wireless communication that has been significantly improved over the \u0026alpha;7 IV. Communication on the 5 GHz and 6 GHz bands offers maximum speed and stability with minimum interference for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreators\u0026rsquo; App\u003c\/strong\u003e\u003cbr \/\u003e\r\nA smartphone application for file transfer, remote shooting, cloud storage management and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Desktop\u003c\/strong\u003e\u003cbr \/\u003e\r\nA desktop application that enhances the quality and efficiency of production work such as remote shooting and RAW development.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCamera Authenticity Solution (paid service)\u003c\/strong\u003e\u003cbr \/\u003e\r\nAddressing concerns about fake images generated by AI, this system verifies image\/video authenticity using unique meta-information from Sony cameras. This enables confirmation that an image was taken with a specific camera, accurately identifies real subjects, and ensures transparency in editing history per the C2PA format.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr \/\u003e\r\nAt Sony, we want everyone to enjoy digital imaging. The \u0026alpha;7 V is equipped with accessibility features, such as a menu magnifier and a Screen Reader that reads an expanded range of menu items aloud. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformation on security updates\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhere a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony\u0026#39;s goal: zero environmental footprint\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s \u0026quot;Road to Zero\u0026quot; environmental plan aims to achieve a zero environmental footprint by 2050. To achieve that goal, we continue to refine every stage of our camera and accessory manufacturing and distribution cycle to minimise environmental stress, from development through production, packaging and transport.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586736906577,"sku":"ILCE7M5B.CEC","price":2799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/3OG6hZZc9iV0bOpHrPH0UMzUSmBxIXkV.jpg?v=1776791271"},{"product_id":"фотоапарат-sony-a7-iv-обектив-sony-fe-28-70mm-f3-5-5-6-oss-ii","title":"Sony a7 IV + FE 28-70mm f3.5-5.6 OSS II","description":"\u003cp\u003e\u003cstrong\u003eНоворазработен 33-мегапикселов сензор CMOS с подсветка\u003c\/strong\u003e\u003cbr\u003eПълноформатният сензор Exmor R™ CMOS осигурява изключителна скорост и превъзходно качество на изображението. Използването на медни проводници допринася за по-високи скорости на предаване и по-бързо преобразуване на AD, докато бързото изчитане от сензора позволява 10-битов 4:2:2 4K запис до 60p. Сензорът също така осигурява подобрена възпроизводимост на цветовете, ниско ниво на шум при всяка чувствителност, динамичен обхват от над 15 бленди при снимки и повишена прецизност на автофокуса и фокусната стабилност.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПроцесор BIONZ Xr™ за до 8x скорост на обработка\u003c\/strong\u003e\u003cbr\u003eСистемата BIONZ XR, използвана също във флагманските модели α1 и α7S III, осигурява до 8x увеличение в скоростта на обработката. Системата концентрира обработката на AF в реално време, разпознаването на изображения и настройката на качеството на изображението, за да сведе до минимум забавянето на обработката, за значително увеличаване на обработваща мощност на видеата и снимките. Обработката на потребителския интерфейс, мрежата и управлението на файлове е разпределена с цел поддържане на бърза реакция независимо от натоварването при обработката в реално време.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eКрасиво рендиране на изображения с нисък шум\u003c\/strong\u003e\u003cbr\u003eВидимите ползи от мощния нов 33-мегапикселов сензор и система надминават простите цифри. Те включват меки, естествено изглеждащи текстури на човешка кожа, зашеметяващо ниво на детайлност в пейзажи и сцени и по-добро възпроизвеждане на цветовете с по-висока субективна разделителна способност в резултат на подобрените алгоритми. Стандартният диапазон на чувствителност на ISO 100-51200 е разширен до ISO 50-204800 за снимки и ISO 100-102400 за видеа с нисък шум през целия диапазон.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K 60p запис, 4:2:2 10-битов запис\u003c\/strong\u003e\u003cbr\u003eα7 IV ви предоставя впечатляваща гама от опции за видеозапис. Пълно прочитане на пикселите без групиране позволява 4K 60p запис и когато се записват 4K видеа при 30p, пълноформатно 7K презапасяване създава високодетайлно 4K с висока резолюция. 10-битово 4:2:2 видео може да бъде записано вътрешно, което позволява по-пълни, по-естествени градации и по-голяма свобода на редактиране. Файловият формат XAVC HS™ осигурява приблизително двойна ефективност на кодиране от MPEG-4 AVC\/H.264.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЗадайте настроението с вградения Creative Look\u003c\/strong\u003e\u003cbr\u003eРазширете вашата творческа палитра с избор от десет предварително зададени настройки Creative Look. Можете лесно да придадете определено настроение на вашите снимки, видеа и поточно предаване на живо, а всички предварително зададени селекции са достъпни във фотоапарата без последващо редактиране, така че можете да споделите визията си веднага след заснемането.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eРендиране с по-плавна градация с 10-битов HEIF запис\u003c\/strong\u003e\u003cbr\u003eα7 IV предлага HEIF (High Efficiency Image File) кодиране на снимки в допълнение към конвенционалните RAW и JPEG. Плавните 10-битови градации осигуряват по-реалистично възпроизвеждане на небето и портретни обекти, а използването на 10-битова дълбочина минимизира влошаването на качеството на изображението при редактиране. HEIF изображения, записани в HLG режим, може да се възпроизвеждат на съвместим BRAVIA 4K TV чрез HDMI връзка за показване на изображения с изключително широк динамичен обхват.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЕфект \"Гладка кожа\" за светъл и красив вид на кожата\u003c\/strong\u003e\u003cbr\u003eВграденият ефект \"Гладка кожа\" прави кожата по-красива, омекотява бръчките, петната и тъмните участъци, като същевременно запазва жизнеността в зоните около очите и устата. Допълвайки възможностите на пълноформатния сензор, тази функция може да добави привлекателност към сесии с поточно предаване, както и да подобри снимки и видеа. Налични са четири настройки на нивото, така че можете да регулирате степента на ефекта по желания начин.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПрекрасната цветна изразителност вече е лесна, с S-Cinetone™\u003c\/strong\u003e\u003cbr\u003eα7 IV поддържа S-Cinetone, базиран на експертен опит, придобит чрез разработването на фотоапарата VENICE CineAlta. Този вид е отговорен за красивите тонове на кожата, с които са прочути камерите Cinema Line, като FX9, FX6 и FX3. Той осигурява естествени средни тонове за здрав цвят на кожата, плюс меки цветове и превъзходни осветени части. Тъй като е вграден във фотоапарата, е лесно да създадете по-изразителен вид на вашите видео изображения без последваща редакция.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS-Log за цветово съотнасяне с професионално видео оборудване\u003c\/strong\u003e\u003cbr\u003eα7 IV осигурява S-Log2 и S-Log3 криви на гамата, като последната позволява динамичен обхват от над 15 спирания. С настройките на цветовите гами S-Gamut3 и S-Gamut3.Cine е лесно да се съотнасят кадри с α7 IV с кадри от цифровите кинокамери VENICE или камерите Cinema Line, като FX6 и FX3. Основната чувствителност при снимане със S-Log е ISO 800 и тя може да бъде намалена до две бленди (ISO 200 – 640) под стандартния обхват за достигане до още по-нисък шум.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eБуферната памет поддържа серийно заснемане и запис\u003c\/strong\u003e\u003cbr\u003eКакто механичните, така и електронните затвори позволяват серийно заснемане със скорост до 10 fps с AF\/AE проследяване. Най-новият мощен процесор и увеличената буферна памет позволяват по-бързо записване на карти с памет, така че можете да заснемете повече от 800 некомпресирани RAW + JPEG кадри (общо повече от 1600) или повече от 1000 компресирани RAW + JPEG кадри (общо повече от 2000, до пълна карта с памет). Повишената обработваща мощност също ви позволява да променяте настройките на менюто дори когато данните се записват на картата с памет.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5-осова вградена стабилизация за 5,5-стъпкова компенсация\u003c\/strong\u003e\u003cbr\u003eСтабилизаторът и жиросензорите на α7 IV работят с алгоритми за стабилизиране, за да постигнат до 5,5 стъпкова скоростна компенсация на затвора, за да се увеличи максималната производителност на 33,0-мегапикселовия сензор на фотоапарата. Тази вградена стабилизация позволява ефективно използване с широка гама от обективи. Изгледът на проследяването на живо показва стабилизираната снимка, докато бутонът на затвора е наполовина натиснат, което е особено полезна функция при използване на обектив за телефотография или макрообектив и може да се използва заедно с функцията за MF асистент и увеличителя за ръчния фокус.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЗаснемане на видео от ръка с активен режим\u003c\/strong\u003e\u003cbr\u003eАктивният режим използва блока за стабилизиране на фотоапарата, жиро сензорите и сложните алгоритми за високоефективна, вградена оптична стабилизация на изображението по време на заснемане на видео. Мощният процесор прецизно открива необходимото количество компенсация за плавна стабилизация във всички формати, включително 4K, без да се компрометират компактният размер и мобилността на α7 IV. И тъй като данните за жироскопа също се записват заедно с видеото, постпродукционно може да се приложи още по-ефективна стабилизация за ултра гладки снимки чрез софтуера Catalyst Browse\/Prepare\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eБърз хибриден AF с подобрена скорост, прецизност и проследяване\u003c\/strong\u003e\u003cbr\u003eИзползвайки комбинация от AF с фазово засичане и AF със засичане на контраст, бързият хибриден AF се фокусира прецизно дори върху малки обекти или върху хора пред нощен фон. Широката и плътна AF зона покрива грубо към 94% от областта на снимката за снимки и видео със 759 точки с фазово засичане, докато AF системата със засичане на контраст използва 425 точки. Тази огромна колекция от данни се анализира в реално време от най-новия мощен процесор за постигане на впечатляващите резултати от системата за AF.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eРежим за птици за автофокус по око в реално време, вече наличен във филмите\u003c\/strong\u003e\u003cbr\u003eАвтофокусът по око в реално време вече е в състояние да открива очите на птиците и да ги проследява в реално време както за снимки, така и за видео. Системата BIONZ XR работи с оптимизирани алгоритми за AF и проследяване, за да осигури непрекъснато проследяване дори за птици в полет, чието движение е трудно да се предвиди. След като изберете птица, фотоапаратът автоматично ще открие и прецизно ще проследи птичия поглед, независимо дали птицата е кацнала, или е в полет.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eБазиран на AI автофокус по око в реално време и проследяване в реално време\u003c\/strong\u003e\u003cbr\u003eПървокласната обработваща мощност на системата BIONZ XR доведе до подобрения във функциите за автофокус по око в реално време и проследяването в реално време. Подобреното разпознаване на лица вече е с 30% по-добра точност на разпознаване на очите, докато по-бързата обработка на изображението осигурява по-висока точност, когато обектът гледа нагоре, надолу или настрани. Проследяването в реално време ви позволява да изберете обекта си и след това да оставите проследяването на фотоапарата, разчитайки на най-новия алгоритъм за разпознаване на обект и високоскоростен анализ на пространствени данни от процесора.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eКонтрол на AF чрез сензорни операции\u003c\/strong\u003e\u003cbr\u003eПроследяването с докосване ви позволява да изберете обект за проследяване, като просто докоснете LCD екрана, дори когато използвате визьора, за по-интуитивен контрол на AF както за снимки, така и за видеа. По-лесното фокусиране е особено полезно, когато снимате видео сами или използвате стабилизатор, което ви позволява да се концентрирате върху композицията на вашите снимки.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAF асистент за безпроблемни преходи към ръчен фокус\u003c\/strong\u003e\u003cbr\u003eФункцията за AF асистент, наследена от Cinema Line FX6, ви позволява безпроблемно да превключвате към и от ръчен фокус по време на заснемане на видео. Когато тази функция е включена, завъртането на пръстена за фокусиране временно превключва операцията от автофокус към ръчен фокус, за да ви позволи умишлено да изместите фокуса си към друг обект.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВизуализирайте дълбочината на рязкост по време на заснемане на видео с Focus Map\u003c\/strong\u003e\u003cbr\u003eНовата Focus Map наслагва информация за фокусиране върху дисплей на живо, за да покаже кои области са във или извън фокуса. Възможността за ясно визуализиране на дълбочината на рязкост по този начин улеснява бързото настройване на идеалната точка на фокусиране и дълбочината на рязкост по време на репетиция. В резултат на това можете да използвате отличната видео яснота на фотоапарата и бързите обективи, за да създадете впечатляващи снимки с плитка дълбочина на рязкост.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eФункция за компенсация на дишането за постоянен зрителен ъгъл при фокусиране\u003c\/strong\u003e\u003cbr\u003eЗа първи път в серията α – α7 IV осигурява компенсация за \"фокусното дишане\". \"Фокусното дишане\" е всяка една промяна в зрителния ъгъл на обектива, който съответства на промените във фокуса. Clear Image Zoom, оригиналната технология на Sony, се използва за автоматично поддържане на постоянен зрителен ъгъл, за повече преходи на фокуса като във филмите. Тази функция може да се използва заедно със стабилизация на изображението в активен режим за заснемане на стабилни, последователни изображения.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПръстен Still\/Movie\/S\u0026amp;Q за бърз достъп до хибридни възможности\u003c\/strong\u003e\u003cbr\u003eПодобаващо на статута на α7 IV като истински хибриден фотоапарат, той е оборудван със специален пръстен Still\/Movie\/S\u0026amp;Q за незабавно превключване между видеа и снимки. Пръстенът превключва менютата, функциите и персонализираните настройки на различни контроли между режим за снимки и видео, а определени настройки, като например за блендата и скоростта на затвора, също се поддържат отделно за снимки и видеа. Режим S\u0026amp;Q също може да бъде избран, за бърз достъп до заснемане със забавен или бърз каданс.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eНай-новите менюта, специфични за режима, и персонализируем заден пръстен R\u003c\/strong\u003e\u003cbr\u003eМенютата на α7 IV са специфични за снимки или видеа, а за по-лесна навигация са конфигурирани менюта, които показват три нива на йерархията наведнъж. Отделни функции за снимки и за видео могат да бъдат зададени на различни бутони и пръстени, включително новия, свободно персонализируем заден пръстен R. С контроли, специално пригодени към режима на заснемане, който използвате в момента, гъвкавият достъп, осигурен от задния пръстен R, допринася значително за подобрената ефективност при заснемане на снимки и видеа.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLCD монитор с променящ се ъгъл за повече свобода при снимане\u003c\/strong\u003e\u003cbr\u003eГолемият, странично отварящ се LCD монитор, тип 3.0, с 1,03-megadot сензорен панел предлага предостатъчно яркост за ясно гледане при настройки за открито, а пропорцията му 3:2 използва по ефективен начин зоната на дисплея. Механизмът с променлив ъгъл позволява гъвкаво позициониране и кадриране за ръчни снимки, монтиран на стабилизатор или самостоятелно заснемане в документален стил или снимки на много ниско ниво до земята.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eВизьор Quad-VGA OLED с 3,68 megadot с висока разделителна способност\u003c\/strong\u003e\u003cbr\u003eВизьорът Quad-VGA OLED на α7 IV осигурява приблизително 1,6 пъти по-добра разделителната способност от визьора на α7 III, с 37,3° FOV и 23 мм допустимо разстояние от окото (eyepoint). С висока разделителна способност, подобрено качество на изображението на електронния визьор и устойчивост на замъгляване и прах (включително значително подобрена вътрешна устойчивост на замъгляването спрямо α7 III) той е проектиран за ясно и удобно гледане в широк диапазон от среди за снимане.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eКомуникационни функции за лесно споделяне и разпространение\u003c\/strong\u003e\u003cbr\u003eα7 IV е оборудван със здрави кабелни и безжични комуникационни функции за по-удобно споделяне и разпространение. Вграденият безжичен LAN използва 5 GHz лента в допълнение към 2,4 GHz лента за бърз пренос на данни. Фоновият FTP пренос на файлове може да бъде зададен на автоматичен режим по време на снимките и USB Type-C® конекторът поддържа бърз SuperSpeed USB 10 Gbps (USB 3.2 Gen 2) пренос на данни.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eНезабавно поточно предаване на живо чрез USB връзка\u003c\/strong\u003e\u003cbr\u003eПоточното предаване на живо е толкова лесно, колкото свързването към компютър чрез USB връзка, можете и да избирате от четири различни изходни формата, включително 4K видео с висока разделителна способност. Можете да изберете най-добрата конфигурация за текущите мрежови условия и използваните устройства, като едновременно с това е наличен и вътрешен запис, което ви дава голяма гъвкавост за покриване на голямо разнообразие от нужди.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eБатерии Z с висок капацитет и USB Power Delivery\u003c\/strong\u003e\u003cbr\u003eα7 IV разчита на батерията с голям капацитет Z (NP-FZ100) заедно с опции за външно електрозахранване, което включва USB захранване и AC адаптери. Източването на батерията може да бъде сведено до минимум чрез добавяне на преносима батерия с голям капацитет за снимане на открито. USB зарядно устройство или преносима батерия, която поддържа USB PD, може да бъде свързана с USB Type-C® порта на фотоапарата за продължителен запис.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eУправление на топлината\u003c\/strong\u003e\u003cbr\u003eЗа да се даде възможност за продължителен непрекъснат запис, специално разработеният термичен монтажен механизъм със Σ (sigma) форма на Sony осигурява ефективно разсейване на топлината. Монтажният механизъм, който се използва и при флагмански модели, е изработен от графитен материал с отлични топлопроводими свойства. Тази структура позволява на сензора, основен източник на топлина вътре в корпуса на фотоапарата, да се движи свободно по време на стабилизацията на изображението, докато топлината се разсейва ефективно.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДва слота за носители с поддръжка на CFexpress Type A\u003c\/strong\u003e\u003cbr\u003eДва слота за носители ви позволяват да продължите да снимате дори при запълване на карта с памет. Един от слотовете поддържа високопроизводителни CFexpress Type A карти , като и двата слота поддържат UHS-I и UHS-II SDXC\/SDHC карти. Със своите високи скорости на записа картите CFexpress Type A са особено подходящи за високоскоростно непрекъснато заснемане, както и за запис на 4K видео с висока разделителна способност с висока побитова скорост.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eНадеждно, солидно инженерство\u003c\/strong\u003e\u003cbr\u003eПодобрихме устойчивостта на вода и прах на α7 IV, за да осигурим изключителна надеждност дори при предизвикателни среди на открито. Усъвършенстванията в дизайна включват повече уплътняване на сглобките на корпуса и капака на отделението за батерията (в сравнение с α7 III), преработен бутон за заключване на обектива и допълнително омекотяване около байонета. Лека, но изключително твърда магнезиева сплав, използвана за горния капак, предния капак и вътрешната рамка на фотоапарата осигурява отлична издръжливост.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eСъображения за опазване на околната среда и рационално използване на ресурсите\u003c\/strong\u003e\u003cbr\u003eПланът \"Road to Zero\" на Sony за околната среда стартира през 2010 г., като крайната цел е постигане на нулев екологичен отпечатък. Понастоящем почти всички пластмасови опаковъчни материали за α7 IV се рециклират. Рециклируемите материали също се използват за корпусите на фотоапаратите, когато е възможно, намалявайки ефекта върху околната среда, без да се компрометира функционалността. Като запазваме възможно най-модерната производителност, ние се стремим да намалим допълнително потреблението на енергия и ресурси, за да намалим ефекта върху околната среда.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImaging Edge Desktop™\/Imaging Edge Mobile™\u003c\/strong\u003e\u003cbr\u003eРазширете творческия си хоризонт с Imaging Edge Desktop и Imaging Edge Mobile. Приложението за персонален компютър Imaging Edge Desktop ви позволява да управлявате и наблюдавате директно от екрана на своя настолен компютър, да преглеждате снимки и преработвате RAW\/HEIF данни във висококачествени снимки. Приложенията Imaging Edge Mobile използват Wi-Fi и Bluetooth® функционалността α7 IV, за да предоставят широко разнообразие от удобни функции за снимане и споделяне.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53643587780945,"sku":"ILCE7M4MB.CEC","price":2199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/1769427790_1947060.jpg?v=1782901263"},{"product_id":"фотоапарат-sony-a7r-vi","title":"Sony a7R VI","description":"\u003cp\u003e\u003cstrong\u003e66,8 MP пълноформатен двуслоен CMOS Exmor RS™\u003c\/strong\u003e\u003cbr\u003eПървият в серията α7R, който разполага с двуслоен сензор Exmor RS, α7R VI осигурява подобрено качество на изображението с до 5,6x по-бързи скорости на изчитане. Издигнете снимането си на следващото ниво с 30 fps серийно заснемане при пълна разделителна способност, 4K 60p без изрязване, разширен динамичен обхват и надежден автофокус при слаба светлина.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBIONZ XR2™ с интегриран блок за обработка с изкуствен интелект\u003c\/strong\u003e\u003cbr\u003eСистемата BIONZ XR2 с интегриран AI копроцесор осигурява драматични подобрения на качеството на изображението и звука, комуникацията, управлението на захранването и отзивчивостта при работа. Високоскоростната обработка дава възможност за до 60 AF\/AE изчисления в секунда, заснемане без затъмнение и 8K видео, а интегрираната система за обработка с AI подобрява разпознаването на обекти и оценката на осветеността за безпрецедентна помощ при снимане.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eВсе по-висок творчески потенциал\u003c\/strong\u003e\u003cbr\u003eДвуслойният сензор Exmor RS осигурява водеща в класа си разделителна способност от 66,8 MP и превъзходно качество на изображението за пейзажи, портрети, дива природа и други. Шумът в сенките е сведен до минимум при пейзажи с висок динамичен обхват, а портретите се заснемат с реалистични тонове на кожата.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eСтабилен, точен автоматичен баланс на бялото\u003c\/strong\u003e\u003cbr\u003eСензорът за видима и инфрачервена светлина работи с оценка на осветеността чрез дълбоко обучение (Deep Learning) за постигане на стабилен и точен автоматичен баланс на бялото при всякаква светлина. Заедно те позволяват естествено възпроизвеждане на цветовете в широк набор от сцени.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eРеалистично рендиране на сцени с широк динамичен обхват\u003c\/strong\u003e\u003cbr\u003eОбновеният D-Range Optimizer (DRO) балансира ярките светлини и сенките и предлага по-широк набор от настройки за интензитета – до Lv8. При по-високи нива DRO изсветлява зоните в сянка при силен контражур, осигурявайки по-естествено изглеждащи портретни снимки.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДо 16 стъпки динамичен обхват\u003c\/strong\u003e\u003cbr\u003eДо 16 стъпки динамичен обхват при ниска чувствителност подпомага HDR обработката. Изключителната разделителна способност и високата чувствителност заснемат удивителни изображения в диапазона на ISO от 100 до 32 000. Шумът при нощните сцени също е намален.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eНадстроени опции за форматиране с по-малки RAW файлове\u003c\/strong\u003e\u003cbr\u003eКъм съществуващия формат е добавен и формат [Compressed (HQ)] RAW, предлагащ по-малки RAW файлове, което дава възможност за серийно заснемане при запазване на високо качество на изображението.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eТри режима за композитни изображения във формат RAW\u003c\/strong\u003e\u003cbr\u003eРежим [Pixel Shift Multi] създава композитни изображения с изключително висока разделителна способност, [NR Shooting] създава изображения с ниско ниво на шум, а [Shooting for HDR] заснема изображения с широк динамичен обхват.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДо 8,5-стъпкова централна и 7,0-стъпкова периферна стабилизация\u003c\/strong\u003e\u003cbr\u003eПревъзходните работни показатели на стабилизацията максимизират разделителната способност, предотвратявайки влошаване поради размазване. Стабилизацията е още по-ефективна със съвместими обективи, а трептенето на телеобектива също се потиска ефективно.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreative Look създава визуални настроения директно във фотоапарата\u003c\/strong\u003e\u003cbr\u003eПредварителните настройки на Creative Look включват селекции [FL2] и [FL3], които могат да се използват както са или да се редактират, за персонализиране на изображенията спрямо вашата визия. Те могат да бъдат запазени за по-нататъшна употреба, което осигурява по-голяма творческа гъвкавост.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eСерийно заснемане без затъмнение с до 30 fps с пълен AF\/AE\u003c\/strong\u003e\u003cbr\u003eЗаснемайте серийно с до 30 fps с пълната разделителна способност от 66,8 мегапиксела с AF\/AE проследяване и без затъмнение на визьора. До 60 изчисления на AF\/AE в секунда проследяват без усилия дори сложните движения на обектите. Освен това с подобрената система за обработка BIONZ XR2 и поддръжката на карти CFexpress Type A можете да заснемате непрекъснато до 215 JPG и 65 компресирани (HQ) RAW изображения.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eРазширената обработка на RAW използва дълбоко обучение (Deep Learning) за по-добро качество\u003c\/strong\u003e\u003cbr\u003eРазширеният RAW формат предлага две функции за подобряване на изображението: режим [Extended Hi-Res], който увеличава четири пъти броя на пикселите на заснетите изображения до приблизително 270 MP, и [Extended NR] за високо ниво на шумопотискане при пълна разделителна способност.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПредварително заснемане на ключови моменти преди натискането на спусъка\u003c\/strong\u003e\u003cbr\u003eУловете решаващия момент – дори след като се е случил. Натиснете наполовина спусъка, за да фокусирате, след което натиснете докрай, за да запишете серия от изображения от 0,03 до 1 секунда след първоначалното полунатискане. Тази функция заснема пълноформатни RAW изображения с пълна разделителна способност дори при серийно заснемане с 30 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПодобрени работни показатели за разпознаване на обекти\u003c\/strong\u003e\u003cbr\u003eРазпознаването на далечни животни и птици е значително подобрено. Изберете от режимите „Човек“, „Животно“, „Птица“, „Насекомо“, „Автомобил\/влак“ или „Самолет“ или оставете функцията автоматично да разпознае вида на обекта. Дори когато разпознаването на обекти е изключено, оригиналният алгоритъм на Sony обработва множество данни за надеждно проследяване.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПодобрен режим Real-time Recognition AF+ за по-стабилно проследяване на хора\u003c\/strong\u003e\u003cbr\u003eα7R VI използва най-новата технология за оценка на човешката поза за по-добро разпознаване и проследяване. Поддържа прецизно фокуса върху желания обект в група или когато отдалеченият обект е малък в кадъра, дори когато обектът се движи.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eГъвкави настройки на зона за фокусиране\u003c\/strong\u003e\u003cbr\u003eИзбирате от размери на зоната за точков фокус XL, L, M, S и XS или създавате персонализирана вертикална фокусна зона. Настройката XS помага за фокусирането върху обекта, когато обектите са на преден план.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПълноформатно 4K 60p видео без изрязване\u003c\/strong\u003e\u003cbr\u003eОборудван с нов сензор и система за обработка, α7R VI е способен на 4K (QFHD: 3840 x 2160) 60p и запис с висока кадрова честота 4K 120p без изрязване. Цветовото семплиране 4:2:2 и 10-битовата дълбочина допълнително подпомагат високото качество на видеото\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПрибл. 94% покритие на автофокуса за допълнителна свобода при кадриране\u003c\/strong\u003e\u003cbr\u003eБързото изчитане и обработка осигуряват значително подобрен автофокус. 759 точки за фазово засичане покриват около 94% от площта на изображението за прецизно фокусиране при правене на снимки, дори когато обектът е малък в кадъра.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eСнимането с двойно усилване предлага гъвкавост при редактиране\u003c\/strong\u003e\u003cbr\u003eИзползвайки възможностите на тоналния диапазон на сензора, снимането с двойно усилване (Dual Gain Shooting) предоставя по-голям обхват на експозицията с детайлни сенки, нисък шум и плавни градации на видеото за подобрена гъвкавост при редактиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОбработка на аудиото в самия фотоапарат\u003c\/strong\u003e\u003cbr\u003eНезависимо дали записвате чрез вътрешния или чрез външен микрофон, шумопотискането на аудиото – с режими за намаляване на шума и шумопотискане на вятъра – използва дигитална обработка за намаляване на фоновия шум, шума от вятъра и шума от обектива.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8K видео за зрелищна разделителна способност\u003c\/strong\u003e\u003cbr\u003e8K 30p видео може да бъде записвано във формат XAVC HS с 8,2K свръхсемплиране, което предлага впечатляваща разделителна способност. Това още повече се подобрява от прецизната работа на автофокуса, както и от естествените градации и цветове. 8K поддържа също и 10-битов запис във формат 4:2:2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЯрък електронен визьор с широка гама и висока разделителна способност\u003c\/strong\u003e\u003cbr\u003eЗапазвайки водещата в класа си разделителна способност от 9,44 милиона точки на своя предшественик, α7R VI е надстроен до OLED електронен визьор с цветова гама, еквивалентна на DCI-P3, 10-битова дълбочина и до 3 пъти по-голяма яркост. Насладете се на ясна и гладка работа на визьора дори при ярки условия на открито или когато снимате HLG снимки.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЧетириосен вариоъгълен монитор подобрява гъвкавостта при снимане\u003c\/strong\u003e\u003cbr\u003eЧетириосният вариоъгълен монитор на Sony се мести нагоре, надолу и настрани и се регулира лесно за оптимален зрителен ъгъл. LCD панелът от тип 3,2 инча с 2,1 милиона точки е чувствителен на допир и има цветова гама, еквивалентна на DCI-P3, за да показва ясни, естествени изображения.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e32-битов аудио запис за гъвкавост при редактиране\u003c\/strong\u003e\u003cbr\u003eОпционалният адаптер XLR-A4 XLR дава възможност за аудио записи във формат 96 kHz\/32 бита. Това осигурява широк динамичен обхват чрез гнездото за аксесоари Multi Interface (MI) Shoe™, което поддържа дигитален аудио интерфейс. Това висококачествено аудио предлага по-голяма гъвкавост при редактиране.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЕргономичен захват за по-голяма стабилност\u003c\/strong\u003e\u003cbr\u003eЗахватът на α7R VI предлага изключителна стабилност и контрол за ефективно снимане с висока разделителна способност.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДисплеят с информация за снимането поддържа вертикална ориентация\u003c\/strong\u003e\u003cbr\u003eИнформационният дисплей на задния монитор автоматично се превключва в зависимост от ориентацията на фотоапарата при заснемане на снимки и видео.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eБатерия с голям капацитет и бързо зареждане\u003c\/strong\u003e\u003cbr\u003eБатерия с голям капацитет от 2670 mAh осигурява захранване за до 600\/710 снимки (визьор\/монитор). Усъвършенстваното управление на захранването значително подобрява живота на батерията и дава информация за здравето на батерията. Бързото зареждане е възможно със съвместимото с USB Power Delivery (PD) зарядно устройство BC-SAD1: то зарежда две батерии NP-SA100 до пълен заряд за около 115 минути и една батерия до 80% само за 55 минути. Вертикалното поставяне на батерията спестява място, а има и LED индикатори за състоянието.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eСветещите бутони на задния панел се виждат при слаба светлина\u003c\/strong\u003e\u003cbr\u003eСветещите бутони на задния панел позволяват лесна проверка на състоянието и гладка работа дори при много тъмни условия. Осветлението на бутоните може да се включва чрез бутона за подсветка на горния панел.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДва слота за карти с памет CFexpress Type A\u003c\/strong\u003e\u003cbr\u003eСлотове 1 и 2 поддържат CFexpress тип A и SDXC\/SDHC UHS-II\/UHS-I носители за бързо снимане с голям капацитет. Режимите за съхранение включват едновременен запис, записване на JPEG\/HEIF и RAW формат на отделни карти и други.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПо-бърз и по-стабилен Wi-Fi\u003c\/strong\u003e\u003cbr\u003eВградената безжична LAN мрежа поддържа Wi-Fi 802.11ax с 2x2 MIMO, осигурявайки по-бърза и стабилна високоскоростна безжична комуникация на честоти 6, 5 и 2,4 GHz. Безжичният тетъринг на терен и доставката чрез FTP са бързи, надеждни и безпроблемни.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eДва извода USB Type-C® поддържат захранване и пренос на данни\u003c\/strong\u003e\u003cbr\u003eUSB Power Delivery (PD) предлага гъвкавост при зареждане и подаване на захранване, както и високоскоростен пренос на данни за гладко отдалечено свързване с компютър и архивиране на данни. PORT 1 поддържа SuperSpeed USB 10 Gbps пренос на данни, когато е свързан към компютър, и разполага с винтов отвор за сигурна свързаност с кабел.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eПодобрена достъпност за всички потребители\u003c\/strong\u003e\u003cbr\u003eПроектиран за по-лесна употреба от всички, α7R VI се предлага с лупа за менютата и екранен четец, който изчита на глас повечето текстове от екраните с менюта. Той също така предлага няколко подобрения спрямо предшественика си, като например функцията за персонализиране на пръстените за управление (Mode Dial Control Set), която дава възможност за лесно избиране на режими на заснемане чрез менюто, и маркировка на байонета на обектива, която лесно се открива с докосване.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОбучаващи материали за настройките\u003c\/strong\u003e\u003cbr\u003eЗапознайте се с функциите на фотоапарата чрез този обучаващ материал със съвети за настройване на фокуса, използване на Pre-Capture и други.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eСъобразено с околната среда производство\u003c\/strong\u003e\u003cbr\u003eПланът „Road to Zero“на Sony има за цел нулев отпечатък върху околната среда до 2050 г. Нашият издръжлив, висококачествен рециклиран пластмасов материал SORPLAS™ се използва колкото се може повече за намаляване на въздействието върху околната среда без да се прави компромис с работните показатели. Повече от 22% от този продукт са направени от рециклирана пластмаса, включително SORPLAS. Освен това производствените съоръжения на Sony Group работят със 100% възобновяема енергия.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eКАКВО ИМА В КУТИЯТА\u003c\/strong\u003e\u003cbr\u003eАкумулаторна батерия NP-SA100, зарядно устройство за батерии BC-SAD1, скоба за кабел, каишка за носене на рамо, капачка за тялото, капачка на гнездото за аксесоари, чашка за окуляра.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53775506342225,"sku":"ILCE7RM6B.CEC","price":4799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/1778668198_1970580.jpg?v=1779113353"}],"url":"https:\/\/dynaphos.com\/en\/collections\/sony-13firday-brings-goodluck-2026-cameras.oembed","provider":"Dynaphos","version":"1.0","type":"link"}