{"title":"Sony Специални Предложения (01.10.2026 - 31.01.2027)","description":null,"products":[{"product_id":"obiektiv-sony-fe-100-400mm-f4-5-5-6-gm-oss","title":"Sony FE 100-400mm f4.5-5.6 GM OSS","description":"\u003cp\u003e\u003cstrong\u003eSharp super-telephoto zoom, tenacious AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe first super-telephoto zoom in Sony\u0026rsquo;s flagship G Master series covers a versatile 100mm to 400mm range.With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eG Master super-telephoto zoom\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis top-performance G Master zoom lens covers a broad 100mm to 400mm focal length range that is ideal for sports, wildlife, and other subjects that require a long reach. It offers image quality and AF performance that will support professional fieldwork, tracking and capturing even fast-moving subjects with outstanding resolution and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, tenacious autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn optimal combination of double linear motor and DDSSM (Direct Drive SSM) drive systems is the first of its kind. It also implements precision sensors that provide real-time feedback for extremely high positioning accuracy, allowing the body\u0026rsquo;s AF system to perform at its best.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh resolution at any focal length\u003c\/strong\u003e\u003cbr \/\u003e\r\nA precision optical design ensures consistently high corner-to-corner resolution at any focusing distance throughout the lens\u0026rsquo;s zoom range. The SEL100400GM not only delivers stunning images of distant subjects at super-telephoto focal lengths, it offers equally high performance when shooting nearby subjects as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact, lightweight, and mobile\u003c\/strong\u003e\u003cbr \/\u003e\r\nMagnesium alloy components and other refinements contribute to high durability as well as class-leading size and weight reductions that not only mean greater mobility, but improved manageability with lightweight bodies for easier, more stable handheld shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural rendering and color\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo ED (Extra-low Dispersion) glass elements and one Super ED glass element strategically deployed in an advanced optical design effectively suppress axial chromatic aberration that is often a cause of resolution falloff in telephoto lenses. The result is exceptionally clear, well-defined images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClarity and contrast in any light\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Reduced flare, particularly when shooting in bright outdoor conditions, means greater framing and composing flexibility. (1. Nano AR coating \/ 2. Glass \/ 3. Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClear, blur-free images without a tripod\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in Optical SteadyShot image stabilization makes it easier to capture blur-free images, particularly when shooting sports or other subjects that require fast stabilization response. Mode 2 stabilization facilitates dynamic panned shots. 5-axis stabilization becomes available when used with \u0026alpha; series bodies that feature in-body stabilization.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZoom torque adjustment\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis is the first \u0026alpha; lens to include a zoom smoothness adjuster that provides mechanical control of zoom ring torque. Set a lower torque for fast zooming, or increase torque when slow, stable zooming is required. Fine adjustment allows the feel of the lens to be matched to individual user needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding shooting versatility\u003c\/strong\u003e\u003cbr \/\u003e\r\nFloating focus and high positioning precision have made it possible to achieve a minimum focus distance of just 0.98 meters (3.22ft.) with up to 0.35x magnification. You have a versatile 100mm to 400mm super-telephoto zoom range, plus outstanding close-up performance at 100mm.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTeleconverters for extra reach\u003c\/strong\u003e\u003cbr \/\u003e\r\nSEL100400GM is fully compatible with the high-performance SEL14TC and SEL20TC teleconverters for a 1.4x or 2x increase in focal length, respectively. That\u0026rsquo;s a maximum focal length of 800mm (1200mm on an APS-C format body).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable focus hold button\u003c\/strong\u003e\u003cbr \/\u003e\r\nConveniently located focus hold buttons provide focus hold control even during continuous AF operation. They can also be customized from a camera menu that allows them to be assigned to a variety of different functions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemovable tripod mount\u003c\/strong\u003e\u003cbr \/\u003e\r\nA removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePro lens hood features\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn access window that can be opened or closed as required allows easy access for polarizing filter operation, and a hood lock switch prevents accidental detachment or rotation of the lens hood while shooting or moving around.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine coated front element\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe lens\u0026rsquo;s front element features a fluorine coating that helps to prevent dirt and fingerprints from sticking, and makes it easier to wipe dirt and fingerprints away if they do become attached to the lens surface. This can be a significant advantage for outdoor shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh reliability in harsh conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe overall design of this lens is dust and moisture resistant for extra protection and reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFE 100-400mm F\/4.5-5.6 GM OSS Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584850714961,"sku":"SEL100400GM.SYX","price":2599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/YbpVxXmmKBwOmPhDaLSRzrki357wThIn.jpg?v=1776797240"},{"product_id":"obiektiv-sony-fe-24-105mm-f4-g-oss","title":"Sony FE 24-105mm f4 G OSS","description":"\u003cp\u003e\u003cstrong\u003eA compact, lightweight comprehensive zoom\u003c\/strong\u003e\u003cbr \/\u003e\r\nFrom 24mm to 105mm and F4 aperture throughout the zoom this high-performance G Lens offers consistently high image quality. In addition to outstanding optical performance it features compact, lightweight design for portability and mobility befitting the E-mount system. Fast, precise AF and high reliability add to the broad utility of this fine zoom lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide-range mid-telephoto zoom\u003c\/strong\u003e\u003cbr \/\u003e\r\nA wide 24-105mm zoom range with constant F4 easily handles subjects such as portraits, snapshots, landscapes, architecture, and more. This one lens will cover most shooting needs, minimizing the need to carry extra equipment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding images at any focal length\u003c\/strong\u003e\u003cbr \/\u003e\r\nFour aspherical elements, two of which are high-precision AA (advanced aspherical) types, are used in an advanced optical design that effectively suppresses distortion while maintaining consistently high corner-to-corner resolution and image quality throughout the lens\u0026rsquo;s zoom range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eED glass enhances resolution and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThree ED (Extra-low Dispersion) glass elements strategically deployed in the lens\u0026rsquo;s optical path further enhance resolution by suppressing chromatic aberration. Excellent sharpness and natural color reproduction are maintained right out to the image edges.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClarity and contrast in any light\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Freedom from flare over a wide range of incident light angles provides greater framing and composing flexibility. (1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA one-lens solution for mobile, versatile shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nExcellent optical performance and a high zoom ratio are packed into a compact, lightweight only 663 grams (23.4 oz.). The compact lightweight design extend to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations. A minimum focus distance of 0.38 meters (1.25ft.) and built-in optical image stabilization further enhance all-around versatility.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBeautiful blend of sharpness and bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to a circular aperture design, precise control of the lens\u0026rsquo;s spherical aberration shape contributes to the stunning balance between sharpness and luscious bokeh that is a hallmark of the G Lens brand.The ability to combine high resolution and smooth bokeh in creative imagery affords vast expressive potential.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConstant F4 and fast, precise, quiet AF are good for stills and movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nA bright constant F4 maximum aperture throughout the zoom range keeps the brightness even when focal length is changed. Sony\u0026rsquo;s Direct Drive SSM (DDSSM) AF drive system offers fast, precise, quiet focusing. And a precision optical design minimizes focus breathing. All of this makes the FE 24-105mm F4 G OSS an excellent choice for both stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh reliability in harsh conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe overall design of this lens is dust and moisture resistant2 for extra protection and reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine coated front element\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe lens\u0026rsquo;s front element features a fluorine coating that helps to prevent dirt and fingerprints from sticking, and make it easier to wipe dirt and fingerprints away if they do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, versatile operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus hold button, manual focus ring, AF\/MF switch, and other controls provide versatile fingertip operation. The focus hold button can be customized via a body menu that allows a variety of functions to be assigned to the button to match the user\u0026rsquo;s needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFE 24-105 мм F4 G OSS Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584856252753,"sku":"SEL24105G.SYX","price":849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/nmzSRPF0jf02hezxIc8WMWxPItd95kYn.jpg?v=1776797264"},{"product_id":"obiektiv-sony-fe-24-70mm-f2-8-gm","title":"Sony FE 24-70mm f2.8 GM","description":"\u003cp\u003e\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_7937437777e9732148b0ce82ee35fe71\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/7937437777e9732148b0ce82ee35fe71?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA new era of standard zoom performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nNo-compromise design and technology result in a constant F2.8 zoom lens that can fully utilize the potential of current and future high-resolution camera bodies. This peerless standard zoom covers a 24mm to 70mm focal length range, and is an ideal choice when ultimate image quality is required for portraits, scenery, snapshots, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_dc863fa305fcbc555d55f6b13c93951b\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/dc863fa305fcbc555d55f6b13c93951b?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary resolution and bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nA newly developed XA (extreme aspherical) lens element with superlative surface precision not only contributes to stunning corner-to-corner resolution and detail throughout the zoom range, but also plays a vital role in achieving smooth, soft bokeh that can be a powerful expressive tool in a wide range of photographic situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_7dc6ce3098b0cba205a35ca14e535902\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/7dc6ce3098b0cba205a35ca14e535902?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural rendering and color\u003c\/strong\u003e\u003cbr \/\u003e\r\nOne ED (Extra-low-Dispersion) and one Super ED glass element in an optical path that has been designed to the highest standards help to achieve lifelike, natural imagery without unnatural colouration by keeping axial and lateral chromatic aberration in check while maximizing subjective resolution for breathtaking texture and detail.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_bdaaf9308e06275d3d289b8cc7394838\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/bdaaf9308e06275d3d289b8cc7394838?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e9-blade aperture enhances bokeh beauty\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe remarkable beauty of this lens\u0026rsquo;s bokeh is further enhanced by a 9-blade circular aperture design that contributes not only to smoothness, but to natural highlights as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_4462b0115e71d3b9895943c5e09db9cc\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/4462b0115e71d3b9895943c5e09db9cc?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePrecise focus at blazing speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to positioning large-aperture lenses with extremely high precision for spot-on focusing, the Direct Drive SSM (DDSSM) system minimizes spurious motion while an advanced control system and refined algorithms enhance AF operation speed. DDSSM is also smooth and quiet, making it advantageous for movies as well as stills.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_db3f93114ccb58748d3fe7fe35e9221c\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/db3f93114ccb58748d3fe7fe35e9221c?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBright, fast F2.8 at any focal length\u003c\/strong\u003e\u003cbr \/\u003e\r\nA constant F2.8 maximum aperture makes it easy to keep exposure settings constant throughout the zoom range to maintain low-light capability or action-stopping shutter speeds. Consistently spectacular image quality is ensured at any aperture or focal length\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_8a94f4e08b496ca1fe8c45f278ddf829\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/8a94f4e08b496ca1fe8c45f278ddf829?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile fingertip focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ability to respond quickly to rapidly changing shooting situations can mean the difference between getting the shot or not. A manual\/auto focus mode switch and focus hold button are positioned for easy access, providing versatile, professional control for a wide range of subjects and environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_72a26bcfe8c2759b303848c74586e1ca\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/72a26bcfe8c2759b303848c74586e1ca?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZoom lock improves portability\u003c\/strong\u003e\u003cbr \/\u003e\r\nZoom lenses can sometimes extend under their own weight during transportation, and that can be a nuisance while increasing the chance of accidental damage. A zoom lock switch provides a simple, sure way to lock the zoom mechanism for safe, convenient transportation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_e92708c0e6cdcda0885717dd7edb2881\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/e92708c0e6cdcda0885717dd7edb2881?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding clarity and contrast\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting, particularly in backlit situations. The result is consistently high contrast and clarity with deep blacks in the widest possible range of photographic situations. (1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_795b00af33bfd1da4fb44f48cc9d2085\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/795b00af33bfd1da4fb44f48cc9d2085?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHood lock and release\u003c\/strong\u003e\u003cbr \/\u003e\r\nA hood lock mechanism prevents accidental hood detachment when moving from location to location, while a hood release button makes it easy to remove and replace the hood whenever necessary.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cimg alt=\"Picture of FE 24-70mm F2.8 GM\" class=\"iq-img\" id=\"img_1be3c26265a3c36b9d975c9c837319b9\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/1be3c26265a3c36b9d975c9c837319b9?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh reliability in harsh conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nCareful dust and moisture sealing measures have been implemented to ensure maximum protection and reliability in challenging environments. Shoot with confidence in light rain or windy conditions.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\n\u003cstrong\u003eSony FE 24-70mm F2.8 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Снимка на FE 24-70mm F2.8 GM\" class=\"iq-img pd-image\" id=\"img_083fd8926a2a6d7d01fb2b3f13814468\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/083fd8926a2a6d7d01fb2b3f13814468?fmt=png-alpha\u0026amp;wid=240\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584862347601,"sku":"SEL2470GM.SYX","price":1245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/AsS21Jhp5uJRiOUMggapt7NeJjd6Einc.jpg?v=1776797269"},{"product_id":"obiektiv-sony-fe-85mm-f1-4-gm","title":"Sony FE 85 mm f1.4 GM","description":"\u003cp\u003e\u003cstrong\u003eThe ultimate portrait prime\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe perfect 85mm F1.4 portrait lens with outstanding sharpness dissolving to magnificent bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_46c13271748cc6b819b27e5bd12eeee6\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/46c13271748cc6b819b27e5bd12eeee6?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA new dimension of portrait performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe most advanced technology available has been applied in the G Master series, further enhancing acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in a truly outstanding portrait lens that can fully utilize the performance potential of current and future high-resolution camera bodies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_dc863fa305fcbc555d55f6b13c93951b\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/dc863fa305fcbc555d55f6b13c93951b?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary resolution and bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nOutstanding resolution even at the maximum F1.4 aperture renders the subject with impressive dimensionality. Then gradual, gorgeous bokeh dissolves the background into an artistic backdrop with natural colouration and highlights. This rare combination, due in part to new XA element technology, opens up new vistas of visual expression.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_aa0ead7312e7b5debde86db99124c1eb\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/aa0ead7312e7b5debde86db99124c1eb?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural images with no spurious colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nChromatic aberration can degrade resolution as well as bokeh quality. Three ED (Extra-low Dispersion) glass elements make a significant contribution to this lens\u0026rsquo;s outstanding optical performance, keeping axial chromatic aberration in check while maximizing both clarity and the natural look and colour of its breathtaking bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_e871b4ea736c9e918e38261df5e60b93\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/e871b4ea736c9e918e38261df5e60b93?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSublime 2-sensor autofocus accuracy\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to the usual rotation sensor, a second sensor detects focus lens group position. This dual sensor system achieves the extremely high level of focus precision that is necessary to make the most of the high-resolution potential of advanced camera bodies. SSM (Super Sonic wave Motor) drive provides the required power and speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_147cabeb1cd3499fda9152ae58b64277\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/147cabeb1cd3499fda9152ae58b64277?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e11 blades for luscious bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s circular aperture design usually employs up to 9 blades. This is the first \u0026alpha; lens to incorporate 11 blades in a circular aperture design, taking bokeh quality to new levels of smooth beauty with natural looking highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_e92708c0e6cdcda0885717dd7edb2881\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/e92708c0e6cdcda0885717dd7edb2881?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding clarity and contrast\u003c\/strong\u003e\u003cbr \/\u003e\r\nAdvanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality. (1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_711a701151b9e2ef8affbdd9bf30074b\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/711a701151b9e2ef8affbdd9bf30074b?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile fingertip focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe ability to respond quickly to rapidly changing shooting situations can mean the difference between getting the shot or not. A manual\/auto focus mode switch and focus hold button are positioned for easy access, providing versatile, professional control for a wide range of subjects and environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_3f2748cd92b6ff7d194ad46c4d8c5c0f\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/3f2748cd92b6ff7d194ad46c4d8c5c0f?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy de-click for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhile still shooters usually prefer the tactile feedback provided by click stops on the aperture ring, moviemakers favor smooth, quiet, click-free aperture operation. The click stops on this lens\u0026rsquo;s aperture ring can be easily turned on or off to suit still or movie shooting applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_d5d057bfc0ede6dfe67581b8b7cd7a35\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/d5d057bfc0ede6dfe67581b8b7cd7a35?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHood lock and release\u003c\/strong\u003e\u003cbr \/\u003e\r\nA hood lock mechanism prevents accidental hood detachment when moving from location to location, but a hood release button makes it easy to remove and replace the hood whenever necessary.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 85mm F1.4 GM\" class=\"iq-img\" id=\"img_244fa04e1be5684112196443782443ce\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/244fa04e1be5684112196443782443ce?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh reliability in harsh conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to the normal dust and moisture sealing measures, a seal has been added at the lens-body interface for even further protection and reliability in challenging environments. Shoot with confidence in light rain or windy conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cstrong\u003eSony FE 85 mm F1.4 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Снимка на FE 85mm F1.4 GM\" class=\"iq-img on pd-image\" id=\"img_d91c8050f4eb58341fae2543aed529cc\" src=\"https:\/\/sonyglobal.scene7.com\/is\/image\/gwtprod\/d91c8050f4eb58341fae2543aed529cc?fmt=png-alpha\u0026amp;wid=240\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584862544209,"sku":"SEL85F14GM.SYX","price":1349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/JKvjCHRmNW4xbRXWeVgaMbv511QGF0Mn.jpg?v=1776797325"},{"product_id":"obiektiv-sony-fe-16-35mm-f2-8-gm","title":"Sony FE 16-35mm f2.8 GM","description":"\u003cp\u003e\u003cstrong\u003eExplore the world in wide-angle detail\u003c\/strong\u003e\u003cbr \/\u003e\r\nG Master performance in a wide-angle F2.8 16-35mm zoom offers a wealth of opportunities to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner-to-corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_d58ed934a139fc0fbb45ada1b1d2e15e\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/d58ed934a139fc0fbb45ada1b1d2e15e?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, high-resolution F2.8 16-35mm zoom\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe first wide-angle G Master zoom lens offers performance that will take full advantage of the high-resolution potential of the latest and future camera bodies. The most advanced Sony optical and mechanical technologies come together to deliver extraordinary rendering and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_d14c42304b33311a1b012cfed592943f\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/d14c42304b33311a1b012cfed592943f?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh corner-to-corner resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nUncompromised optical design achieves extremely high resolution and contrast. Landscapes, architecture, interiors, and other expansive subjects are captured with outstanding corner-to-corner sharpness. Aspherical elements minimize distortion, while ED (Extra-low Dispersion) glass elements effectively control chromatic aberration.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_5465843d4ea50ae5908d2228244e4060\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/5465843d4ea50ae5908d2228244e4060?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClarity and contrast in any light\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Freedom from flare over a wide range of incident light angles provides greater framing and composing flexibility, particularly at wide-angle focal lengths. (1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_6dc8a10b075e4e13c5b2a5c88ce54a53\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/6dc8a10b075e4e13c5b2a5c88ce54a53?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eResolution and bokeh raised to new heights\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens features two Sony XA (extreme aspherical) elements with 0.01 micron surface precision. Distortion that tends to occur in wide-angle zoom lenses is meticulously controlled, as are astigmatism and field curvature. Unattractive onion-ring bokeh is effectively suppressed by XA (extreme aspherical) elements so that smooth, beautiful bokeh is achieved in out-of-focus areas.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_c556577e7b87acbfa0520e7630bfd474\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/c556577e7b87acbfa0520e7630bfd474?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGorgeous background bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nShooting up close at F2.8 can produce some extraordinary background bokeh. Use this capability to shoot portraits, for example, with dynamic, painterly backgrounds consisting of smooth, expressive bokeh that makes the subject stand out clearly.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_6aa400d2df4559c772449c78fb6a428f\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/6aa400d2df4559c772449c78fb6a428f?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptimum resolution at any focal length\u003c\/strong\u003e\u003cbr \/\u003e\r\nConsistently high resolution is achieved from infinity to the closest focusing distance. This lens employs a floating focus mechanism with two independently driven lens groups. This system helps to reduce all types of aberration to minimum levels and thereby maintain sharp, high-resolution rendering from infinity focus for landscapes, for example, all the way down to close focus for portraits and similar subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo DDSSM (Direct Drive SSM) systems employing original Sony piezoelectric motors directly drive two focus groups in a floating focus configuration. The focus groups are positioned with high precision for the highest possible focus accuracy. DDSSM is quiet too, making it ideal for shooting movies as well as stills.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_d019bd67d91848b7c52b2419a8c6f163\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/d019bd67d91848b7c52b2419a8c6f163?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLight and compact for high mobility\u003c\/strong\u003e\u003cbr \/\u003e\r\nClass-leading size and weight reductions have been achieved while maintaining outstanding optical performance. This lens is an ideal match for compact E-mount bodies, providing a portable, manageable system that\u0026rsquo;s easy to take along on hiking or mountaineering photo excursions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_c023953cdf33af8e40cc3486a9b3cc9a\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/c023953cdf33af8e40cc3486a9b3cc9a?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, versatile operation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus hold button, manual focus ring, AF\/MF switch, and other controls provide versatile fingertip operation. The focus hold button can be customized via a body menu that allows a variety of functions to be assigned to the button to match the user\u0026rsquo;s needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_f57e420d86d800205a2b5c36ccc5d79c\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/f57e420d86d800205a2b5c36ccc5d79c?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e11 blades enhance bokeh beauty\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s original 11-blade circular aperture contributes to even greater bokeh quality. Design and materials have been revised to maintain a round shape, and strict circularity standards are applied to ensure that the full beauty of the lens\u0026rsquo;s bokeh is achieved without compromise.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine coated front element\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe lens\u0026rsquo;s front element features a fluorine coating that helps to prevent dirt and fingerprints from sticking, and make it easier to wipe dirt and fingerprints away if they do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 16-35mm F2.8 GM\" class=\"iq-img\" id=\"img_e461d98c38212308b3ae5a33a3df5ee2\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/e461d98c38212308b3ae5a33a3df5ee2?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh reliability in harsh conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe overall design of this lens is dust and moisture resistant for extra protection and reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cstrong\u003eSony FE 16-35mm F2.8 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Снимка на FE 16-35mm F2.8 GM\" class=\"iq-img pd-image\" id=\"img_8f1c3307ce9f953ebf7cdc9e55039bb3\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/8f1c3307ce9f953ebf7cdc9e55039bb3?fmt=png-alpha\u0026amp;wid=240\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584865001809,"sku":"SEL1635GM.SYX","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/bQYpNMVwb7kmFsXsgxZYVBoyXQAO6feg.jpg?v=1776797254"},{"product_id":"obiektiv-sony-fe-70-200mm-f2-8-gm-oss","title":"Sony FE 70-200mm f2.8 GM OSS","description":"\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_cb72b0ee5d484d7a5b0de037755cf9dc\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/cb72b0ee5d484d7a5b0de037755cf9dc?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAn F2.8 telephoto zoom like no other\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_401c4d6a278377b2e4c5bb91f785e147\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/401c4d6a278377b2e4c5bb91f785e147?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary detail and bokeh in one lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nSpecifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_01d829bcacfb390483818bd939b5e806\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/01d829bcacfb390483818bd939b5e806?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural images without spurious colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nChromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Colour bleeding is banished so the subject can be captured with maximum sharpness.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_e867145970577580d6e245d3b1b80f64\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/e867145970577580d6e245d3b1b80f64?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast AF optimized for stills and video\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body\u0026rsquo;s AF system to operate at full capacity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_d3cbfa06902fc859361e8be2deaf122b\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/d3cbfa06902fc859361e8be2deaf122b?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClass-leading close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nClass-leading close-up performance with a minimum focusing distance of 0.96m and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_8e631ffb6e695832371d264cd42503ea\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/8e631ffb6e695832371d264cd42503ea?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFurther refinements for spot-on movie AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe focusing system\u0026rsquo;s double linear motor takes on the vital role of providing \u0026ldquo;wobbling\u0026rdquo; actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_c4c9ebd47b37587a76da0595ac164b59\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/c4c9ebd47b37587a76da0595ac164b59?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e11 blades for luscious bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s circular aperture design has traditionally employed up to 9 blades, but this lens incorporates an 11-blade circular aperture that takes bokeh quality to new levels of smooth beauty with natural looking highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_3f9ce861909f31b500b56b317ace888e\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/3f9ce861909f31b500b56b317ace888e?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding clarity and contrast\u003c\/strong\u003e\u003cbr \/\u003e\r\nAdvanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality.(1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_65df531126a4bc75a099c68668690650\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/65df531126a4bc75a099c68668690650?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperation and reliability optimized for fieldwork\u003c\/strong\u003e\u003cbr \/\u003e\r\nRigid construction with constant lens length during focusing and zooming contribute to excellent handling in the widest range of shooting situations.Focus hold buttons can hold the focus point even during continuous AF operation, and a focus range limiter switch can be used to preset a focusing distance range for maximum AF speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_3460618e9525728b796dc74b77f73e4f\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/3460618e9525728b796dc74b77f73e4f?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStabilized for sharp, blur-free images\u003c\/strong\u003e\u003cbr \/\u003e\r\nHigh-performance image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects. The heavy stabilization lens is driven by a linear motor for fast, precise stabilization. 5-axis image stabilization becomes available when used with \u0026alpha; series bodies that feature built-in image stabilization.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_716da783d610e8c44804547de636147d\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/716da783d610e8c44804547de636147d?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStable even when panning\u003c\/strong\u003e\u003cbr \/\u003e\r\nTo provide the greatest possible benefit from the built-in image stabilization system in the widest range of shooting situations, the SEL70200GM features switchable MODE 2 stabilization that allows image stabilization to be used with panned shots for greater clarity and impact.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_b0f22d7403276aeb18611fae8b8c7021\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/b0f22d7403276aeb18611fae8b8c7021?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemovable rotating tripod mount\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis versatile lens tripod mount allows the camera to be quickly removed from the tripod in shooting situations that require a rapid handheld response. It also features a revolving mechanism that allows quick changeover between landscape and portrait orientation. A lock mechanism prevents accidental detachment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img\" id=\"img_794a57aa8ccbcc3d46ab783c43b3d66e\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/794a57aa8ccbcc3d46ab783c43b3d66e?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh reliability in harsh conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nA sealed dust and moisture resistant design and fluorine front element coating provide extra protection to ensure reliable operation in challenging environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFE 70-200mm F2.8 GM OSS Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 70-200mm F2.8 GM OSS\" class=\"iq-img pd-image\" id=\"img_6a9bd43433ce0124cfc9fcead3015b73\" src=\"https:\/\/www.sony.com\/is\/image\/gwtprod\/6a9bd43433ce0124cfc9fcead3015b73?fmt=png-alpha\u0026amp;wid=240\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584866443601,"sku":"SEL70200GM.SYX","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/b7WtoJsWhKLhscjU6ktA2nJnEV9Y6DvM.jpg?v=1776797318"},{"product_id":"obiektiv-sony-fe-90mm-f2-8-macro-g-oss","title":"Sony FE 90mm f2.8 Macro G OSS","description":"\u003cp\u003e\u003cstrong\u003eHigh resolution plus gorgeous bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe first E-mount medium telephoto macro lens with built-in image stabilization delivers outstanding G Lens quality: stunning resolution at up to 1:1 magnification plus gorgeous background bokeh when required, even when shooting handheld. A floating focus mechanism ensures that consistently superior optical performance is achieved at all focusing distances.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/d9c025fc6b537e0b0f77d309f4b27263?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRenowned G lens background bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nBeautiful background bokeh is synonymous with the G Lens name, and it can really make the subject stand out. Individual calibration of each lens ensures optimum compensation for spherical aberration, resulting in smooth rendering of edges without a trace of ugly \u0026ldquo;nisen bokeh.\u0026rdquo; A nine-blade circular aperture also contributes to great looking bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/4ba7b98956baf6e291a98d0daae5be30?fmt=png-alpha\u0026amp;wid=378\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage-wide clarity from macro to infinity\u003c\/strong\u003e\u003cbr \/\u003e\r\nMacro lenses are often used over a wide range of focusing distances, so a floating focus mechanism has been implemented for optimum suppression of close-focus aberration. The floating system reduces the size of the lens while maintaining outstanding clarity throughout the image area, from infinity to the closest focusing distance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/0dc0fc68e045413e436bba6c7352c82f?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePrecise, quiet focus for stills and movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo focus groups in a floating focus configuration are driven by an innovative DDSSM (Direct Drive Super Sonic wave Motor) system for smooth, precise positioning of the relatively heavy lenses that make full frame macro magnification possible. This system is remarkably quiet, and is ideal for animal or insect photography as well as movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/52f565d31f37a6d78f4737123d839fa6?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSharp and clear without a tripod\u003c\/strong\u003e\u003cbr \/\u003e\r\nAlthough a tripod is usually considered necessary for sharp macro photography, built-in OSS (Optical SteadyShot) image stabilization makes it possible to shoot sharp macro images handheld. The heavy stabilization lens is driven by a responsive linear motor for fast, precise stabilization.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/8846f02fa64fbfeb3be8af6bb693ac33?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast auto\/manual focus switching\u003c\/strong\u003e\u003cbr \/\u003e\r\nIf you have to remove your eye from the viewfinder to switch between auto and manual focus you\u0026rsquo;re likely to lose the shot. With this lens the focus ring, where your hand normally rests while shooting, simply slides back and forth to switch between manual and auto focus. A non-slip surface ensures reliable operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/c645d5d04055940647434f871fdffff8?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus lock where you need it most\u003c\/strong\u003e\u003cbr \/\u003e\r\nPressing the focus hold button conveniently located on the lens barrel instantly locks focus at the current setting and keeps it there until the button is released. The focus hold button can be used to lock focus even when shooting in the continuous AF mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/4cd5fe099f0d86b599bec44554674abe?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelect your focus range for faster AF\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Focus Range Limiter selector can be set for near and\/or far focusing, depending on the subject, limiting focusing range and thereby maximizing autofocus speed. Selections are \u0026infin; ~ 0.5 meters for distant focusing, 0.5 ~ 0.28 meters for close focusing, and FULL for full-range focusing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/bd8813390e29af6d38c25ba7cfa7927e?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInner focus for better handling\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn an inner focus design only internal lens elements move when focusing so the total length of the lens does not change. In addition to making handling easier, that means faster autofocus and shorter minimum focusing distance. The filter thread at the front of the lens does not rotate, which is an advantage when using a polarizing filter.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet close while keeping your distance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe medium telephoto focal length of this lens gives it an ideal working distance at macro magnifications, making it easier to capture impressive macro images of insects and other subjects that cannot be approached too closely.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGreat for movies as well as stills\u003c\/strong\u003e\u003cbr \/\u003e\r\nLens requirements for moviemaking are more demanding than for stills in some ways. Sony goes the extra mile to ensure that lenses that will be used with movie-capable cameras will deliver the necessary performance. Minimal focus breathing and quiet operation, for example, are essential for movie shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Picture of FE 90mm F2.8 Macro G OSS\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/07219454e199e4f981df38980066951d?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable and easy in any conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nReliable operation in a variety of conditions is ensured by a design that prevents dust and moisture from entering the lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFE 90mm F2.8 Macro G OSS Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Снимка на FE 90 мм F2.8 макро G OSS\" class=\"iq-img pd-image\" src=\"https:\/\/www.sony.bg\/image\/74c6ca2cd8dfbe2463b9d9d710589a74?fmt=png-alpha\u0026amp;wid=300\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584891806033,"sku":"SEL90M28G.SYX","price":1029.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/YR7cxp8wkacdL5P3E3DUjTNieA9zNukM.jpg?v=1776797332"},{"product_id":"sony-vg-c3em-viertikalien-ghrip-za-a9-a7r-iii-a7-iii","title":"Sony VG-C3EM Vertical Grip for A9, A7R III, A7 III","description":"\u003cp\u003e\u003cimg alt=\"\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/4a323bec9851e972258e0b009816a2f6?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEqual vertical and horizontal operability\u003c\/strong\u003e\u003cbr \/\u003e\r\nVG-C3EM body design makes it almost equally easy to control the camera in vertical and horizontal positions, thanks to keys and controls that are nearly the same as those on the back of the camera body. For example, the vertical grip provides a Multi Selector for fast selection of an AF point.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/59e87310cadf475ebb5e1bbce53367bd?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGrip-shape for assured hold\u003c\/strong\u003e\u003cbr \/\u003e\r\nVG-C3EM provides a Grip-shape, allowing you to get an enhanced hold for confident shooting in vertical position that is virtually the same as that in horizontal position.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/7456d0f8cc5c5296dc2c755afa252ab6?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNearly 2x longer stamina\u003c\/strong\u003e\u003cbr \/\u003e\r\nVG-C3EM vertical grip loads two NP-FZ100 batteries in its housing. You can check the camera LCD monitor to see the remaining power of the battery in use as a percentage (1% minimum unit) on the power indicator. When the power of one battery runs out, the other battery automatically switches on to continue operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/fbedb1c816d135542ef69048f02d183f?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB power charging via camera body\u003c\/strong\u003e\u003cbr \/\u003e\r\nYou can charge batteries loaded in the vertical grip, using the camera\u0026rsquo;s USB port without detaching the grip from the camera body.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/4e671f8ed2476a278884c6e7fd465a95?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHighly rigid magnesium for exterior\u003c\/strong\u003e\u003cbr \/\u003e\r\nMade of magnesium alloy, the same as \u0026alpha;9, this grip is highly rigid and lightweight.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" class=\"iq-img\" src=\"https:\/\/www.sony.co.uk\/image\/cf1ee5557cdce8bad0011251a7db6fd8?fmt=jpeg\u0026amp;wid=378\u0026amp;qlt=85\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCareful attention to dust\/moisture resistance\u003c\/strong\u003e\u003cbr \/\u003e\r\nEffective dust- and moisture-resistant sealing is applied to key and controls, as well as ports and electric contacts, for tough usage in harsh shooting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompatibility information\u003c\/strong\u003e\u003cbr \/\u003e\r\nVertical Grip for \u0026alpha;9, \u0026alpha;7R III, \u0026alpha;7 III\u003c\/p\u003e\r\n\r\n\u003cp\u003eDimensions (W \u0026times; H \u0026times; D): Approx. 126.9 x 107.9 x 61.8 mm (5 x 4 1\/4 x 2 1\/2 inches)\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeight: Approx. 272 g (9.6 oz)\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nNotice:\u003cbr \/\u003e\r\nThe simultaneous installation of this unit with the LA-EA2 \/ EA4 mount adaptor is not supported. If both are installed at the same time, the narrow clearance between the unit and the lens mount adaptor makes it hard to hold the grip.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584901177681,"sku":"VGC3EM.SYU","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/v0cAh9UJb866j2FGGOpczNA7LIjf5bIE.jpg?v=1776800781"},{"product_id":"obiektiv-sony-fe-200-600mm-f5-6-6-3-g-oss","title":"Sony FE 200-600mm f5.6-6.3 G OSS","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/01e304b76b0e6ac274f6bcef816b3b4d.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZoom to 600mm, or 1200 with teleconverter\u003c\/strong\u003e\u003cbr \/\u003e\r\nCompatible with optional 1.4x and 2.0x teleconverters, for a maximum focal length of 840mm or 1200mm at F13. Both teleconverters are top quality, retaining outstanding image quality and AF performance. Zoom and aperture range with the 1.4x teleconverter is 280-840mm, F8-9. With the 2.0x teleconverter the ranges are 400-1200mm, F11-13.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/b73b4da06c63bb8fa5047eecee05b74f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh resolution throughout the zoom range\u003c\/strong\u003e\u003cbr \/\u003e\r\nFive ED (Extra-low Dispersion) glass elements and one aspherical element in a new optical design offer superb resolution and image quality throughout the zoom range. The aspherical element suppresses spherical aberration and distortion, while the ED glass elements minimize chromatic aberration that can be a problem at super-telephoto focal lengths.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/9ae33aaa1bbd46cf2f483a41cfd77b14.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBeautiful, natural G lens bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn 11-blade circular aperture mechanism adds to the beauty of the bokeh produced by this lens, making it possible to use the narrow depth of field available at super-telephoto focal lengths to produce striking images with deep, creamy G lens bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/2e402e1b792435894629a6ce465403e1.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating stops flare and ghosting\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating has a uniform nanometer-level structure that breaks up the lens\u0026rsquo;s boundary surface, significantly reducing reflections that can cause image-degrading flare and ghosting. The overall result is superior image clarity and contrast. (1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/5acbc94e815b9c4432aeda4aa64fa818.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e3-mode Optical SteadyShot\u003c\/strong\u003e\u003cbr \/\u003e\r\nOptical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 33 provides enhanced viewfinder Stabilisation that allows easier framing of erratic sports or wildlife movement. 5-axis Stabilisation is available with compatible \u0026alpha; bodies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/a2b373eed076495ceed41a1ca1bfc148.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise AF tracks swift subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s DDSSM (Direct Drive SSM) system has the power and precision needed to drive the lens\u0026rsquo;s mechanism for remarkably fast, accurate focusing. High positioning accuracy means that no movement is wasted. Pinpoint autofocus is achieved with blazing speed. The DDSSM system is incredibly quiet, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/d6641d230b42e887cc50cdd5e549bc54.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree customisable focus hold buttons\u003c\/strong\u003e\u003cbr \/\u003e\r\ncustomisable focus hold buttons are provided in three locations 90\u0026deg; apart for easy access when shooting in horizontal orientation, or vertical orientation with the camera grip up or down. Other functions can be assigned to the buttons as required.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/b50cbf7a38956b9d453a483838915aec.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus range limiter for faster focus\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus range limiter switch makes it possible to limit the lens\u0026rsquo;s autofocus range to 2.4 through 10 meters, 10 meters to infinity, or allow full-range autofocus with no limit. This can speed up autofocus in some situations by preventing the lens from focusing on subjects outside the target range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/91b90eb1a0fb5a8ecb21b67c2b33392f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInternal zoom supports stable shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn internal zoom mechanism means that the length of the lens does not change while zooming, for stable handheld operation with consistent balance. Internal zoom also means that the distance between the front element and the subject does not change.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/aef8a5f83474dae981f5777f1cb1d92c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/8c11e4d2fcb1283df90ab4b48a00441c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/51b3e292a306816dfd28ef20e33d7d93.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL200600G.SYX\/685fff431141ddec0c16b0ca9ab040ab.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemovable tripod mount\u003c\/strong\u003e\u003cbr \/\u003e\r\nA removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 200\u0026ndash;600mm F5.6-6.3 G OSS Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/camera-lenses\/sel200600g\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584951214417,"sku":"SEL200600G.SYX","price":1739.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/GFtDWsHWZi4Lscv1XxDERgWKK4Hu9c7P.jpg?v=1776797260"},{"product_id":"obiektiv-sony-e-16-55mm-f2-8-g","title":"Sony E 16-55mm f2.8 G","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/042b411ce1b9e6cbff84ecc51549894d.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast constant F2.8 zoom\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s first 16-55 mm (24-82.5 mm full-frame equiv.) APS-C zoom with a constant F2.8 aperture is compact while offering performance befitting the G Lens series. A new optical design delivers excellent corner-to-corner resolution, and beautiful bokeh is available when needed. It is compact, lightweight, and ideal for a wide range of subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/0cfa5208f96d6b530a11e2f50b1e4293.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent G Lens resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo AA (advanced aspherical) and two aspherical elements suppress aberration for outstanding corner-to-corner G Lens resolution, while three ED (Extra-low Dispersion) glass elements reduce color bleeding to a minimum. You get sharp, clear detail and natural colour throughout the zoom range at any focusing distance.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/22cce3e0be529fcadfbcbe396d9aaf50.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, beautiful bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nSpherical aberration has a large effect on bokeh quality, and is precisely controlled to deliver smooth, attractive bokeh in out-of-focus areas. A 9-blade circular aperture also contributes to this lens\u0026rsquo;s beautiful bokeh. Sharp in-focus detail contrasts with luscious background bokeh for deep, impressive imagery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/e5a8c031e4c5d786f251ca15d0784151.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCrisp contrast\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating creates a precise, regular nanostructure on lens surfaces that does not interfere with light transmission while suppressing reflections that can cause flare and ghosting. Internal reflections are reduced to an absolute minimum, achieving outstanding clarity and contrast. (1. Nano AR Coating \/ 2.Glass \/ 3.Transmitted light)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/441bd9a07c0be6805aff50acd34e215c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact, lightweight, and bright\u003c\/strong\u003e\u003cbr \/\u003e\r\nOptimised mechanical and optical design achieve a weight of just 494 g (17.5 oz.) in a compact, constant F2.8 16-55 mm (24-82.5 mm full-frame equiv.) zoom lens. This fine lens is ideal for everything from portraits to everyday snapshots, combining with compact E-mount bodies to form a highly mobile, manageable system for a wide range of photographic applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/441bd9a07c0be6805aff50acd34e215c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise AF and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe same type of Sony\u0026#39;s advanced XD (eXtreme Dynamic) linear motor used in G Master series lenses is employed in this lens. The XD Linear Motor fully utilises the speed potential of the camera body, focusing on and tracking even fast-moving subjects with outstanding speed and precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/47c2917daa33e5c61b01306c2f6cc019.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable focus hold button\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus hold button on the lens barrel is conveniently positioned for easy focus hold control. The button can also be customised via a camera menu that allows assignment of other functions, such as Right\/Left Eye Select, as required.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/3649aa5e90e53f4ae2b493903bfe3305.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus mode switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus mode switch that allows instant switching between auto and manual focus modes can be a great advantage when shooting subjects or situations that require fine manual focus adjustment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/0ad2e6d74565570c0f86ada443a5ec4c.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLinear Response MF\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s Linear Response MF feature ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/17e517c3e1dcec896f7dfd661be0d8a2.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine coated front element\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL1655\/312d2a9bb02f52713bf8b991dac4c033.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony Sony E 16-55mm F2.8 G Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584958095697,"sku":"SEL1655G.SYX","price":999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/HrMzuxeLgLE7DLOJ2Gw9K2JE5LoIskJ8.jpg?v=1776797227"},{"product_id":"fotoaparat-sony-a7s-iii","title":"Sony a7S III","description":"\u003cp\u003e\u003cstrong\u003eNew image sensor with double the readout speed\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the \u0026alpha;7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew image-processing engine with up to 8x the processing performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera\u0026#39;s sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera\u0026#39;s high sensitivity and wide dynamic range expand your creative freedom during shoots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to Long GOP inter-frame compression, the \u0026alpha;7S III supports internal intra-frame (All-Intra) recording for the first time in an \u0026alpha;-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing. [1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-frame 4K recording at 120p\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the \u0026alpha;7S III\u0026#39;s compact size, it provides impressive scope for your creativity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording movies with 10-bit depth and 4:2:2 colour sampling\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHEVC codec with high compression efficiency\u003c\/strong\u003e\u003cbr \/\u003e\r\nAvailable for the first time, XAVC HS format recording using the MPEG-H HEVC\/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log2 and S-Log3 with 10bit 4:2:2 support\u003c\/strong\u003e\u003cbr \/\u003e\r\nS-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony\u0026#39;s professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the \u0026alpha;7S III along with other pro cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003cbr \/\u003e\r\nFacilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the \u0026alpha; series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p\/50p\/29.97p\/25p\/23.98p frame rates and colour spaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced movie image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to the improved capabilities of the \u0026alpha;7S III\u0026#39;s new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the \u0026alpha;7S II.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF support in manual-focus mode\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s autofocus support can be useful even when you\u0026#39;re primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGame-changing tracking features to revolutionise movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nReal-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you\u0026#39;re shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you\u0026#39;re shooting manually.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nInheriting technology and performance standards from Sony\u0026#39;s large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses\u0026#39; smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode optical image stabilisation for handheld shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nRelying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera\u0026#39;s Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it\u0026#39;s possible to shoot with the camera only, taking advantage of the compact size and mobility of the \u0026alpha; system. [1] Track of camera shake [2] Standard [3] Active\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew heat-dissipation design for extended recording times\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s design has been optimised to prevent overheating even during extended recording sessions. A unique Sony \u0026Sigma; (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced audio quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nA digital audio interface is incorporated in the camera\u0026#39;s Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz\/16-bit 2-ch, 48 kHz\/24-bit 2-ch, and 48 kHz\/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDedicated settings menu for movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nA subset of the camera\u0026#39;s settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S\u0026amp;Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF for still shots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for smooth movie-making\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera\u0026#39;s top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-speed continuous shooting performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nMechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF\/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look feature to set the mood and atmosphere\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced image quality for stills\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera\u0026#39;s two media slots are compatible with new CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew touch-driven menu with workflow-based navigation\u003c\/strong\u003e\u003cbr \/\u003e\r\nResponding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-definition 9.44 million-dot electronic viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nBoasting the highest resolution in its class, the \u0026alpha;7S III\u0026#39;s viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41\u0026ordm; diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable, durable construction\u003c\/strong\u003e\u003cbr \/\u003e\r\nTo maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nWired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz \/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera\u0026#39;s USB Type C\u0026reg; port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony\u0026#39;s Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB Power Delivery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera\u0026#39;s USB Type C\u0026reg; port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExternal flash control from the camera body\u003c\/strong\u003e\u003cbr \/\u003e\r\nIt is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; from high-end cinema camera colour science\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe inclusion of Sony\u0026rsquo;s acclaimed S-Cinetone, look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCapture One for Sony\u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImaging Edge Desktop\u003c\/strong\u003e\u003cbr \/\u003e\r\nElevate your photography with Imaging Edge Desktop applications. Use \u0026lsquo;Remote\u0026rsquo; to control and monitor shooting live on your PC screen; \u0026lsquo;Viewer\u0026rsquo; to quickly preview, rate, and select photos from large image libraries; and \u0026lsquo;Edit\u0026rsquo; to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s In The Box:\u003c\/strong\u003e\u003cbr \/\u003e\r\nRechargeable Battery, NP-FZ100, Battery Charger BC-QZ1, Power cord, Cable Protector, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, USB-A to USB-C cable (USB 3.2)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-7sm3\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585013178705,"sku":"ILCE7SM3B.CEC","price":3789.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/Hk5vIhMwNSdLns5b6FNf3xHoKOtTWAuD.jpg?v=1776791322"},{"product_id":"obiektiv-sony-fe-35mm-f1-4-gm","title":"Sony FE 35mm f1.4 GM","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/335c37e5771476a592e0ae61346c9e8b.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePalm-size 35mm F1.4 prime\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s most advanced optical design and manufacturing technology delivers extraordinary resolution and gorgeous bokeh in a very compact lens. Offering G Master quality in an eminently portable lens for all occasions, this is a must-have for serious E-mount users.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/dccfa815413c3618d20b204f0871b67d.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpectacular resolution in a compact design\u003c\/strong\u003e\u003cbr \/\u003e\r\nAdvanced optical technology takes advantage of the short mirrorless flange-back distance to reduce overall length and diameter in a surprisingly compact lens that delivers stunning contrast and resolution. Two XA (extreme aspherical) elements suppress sagittal coma flare so you can capture your subjects with extraordinary sharpness and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/dc387849776dad8f06e627f7950f28b0.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact mobility and easy handling\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis compact lens fits easily in the palm of your hand and weighs a mere 524g (18.5 oz), providing outstanding mobility and handling in the widest possible range of environments and shooting conditions. The FE 35mm F1.4 GM offers first-class quality that you can take anywhere.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/be2603696660130aaa3d5d57e7986ec5.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRefined bokeh and broad versatility\u003c\/strong\u003e\u003cbr \/\u003e\r\nStriking bokeh, a characteristic of the G Master series, can really make portrait and other subjects stand out. XA elements that effectively suppress onion ring bokeh, an 11-blade circular aperture mechanism, and painstaking spherical aberration control at the design and manufacturing stages add up to smooth, beautiful bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/7120cad5285ed01c506010706667f05f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClean, natural colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis compact lens is not only mobile and manageable, but performs admirably in difficult lighting as well. An ED (Extra-low Dispersion) glass element and other optical refinements effectively suppress chromatic aberration and purple fringing for clean, natural looking images and a fast, easy post-shoot editing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/059f59f8f0bd1c062ba8915519bed31f.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile close-up capability\u003c\/strong\u003e\u003cbr \/\u003e\r\nXA lens elements and innovative optical design achieve a minimum focusing distance of just 27 cm (0.89 ft) and maximum magnification of 0.23x, making it possible to shoot impressive close-ups with smooth, creamy background bokeh. The flexibility to choose your shooting distance affords plenty of control for stills as well as movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/7ba71d821cb0c82877842481c77d2b69.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating II cuts flare and ghosting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe mobility of this compact 35mm lens means that it is likely to be used in wide variety of situations, including strong sunlight and backlighting. Sony\u0026rsquo;s new Nano AR Coating II is evenly applied to entire element surfaces, effectively minimise flare and ghosting for clear, crisp imagery even in challenging light.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/5c3697f598cb41981fa9de45088dcd45.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Linear Response MF is ideal for creative focusing effects when shooting stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/6c5e2b0d1bcbe7313d27f1a30b0bf9cf.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXD Linear Motors achieve fast, precise quiet AF and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s small-but-powerful XD Linear Motors contribute to fast, precise autofocus and tracking, maximising the AF performance capabilities of advanced E-mount bodies to capture meaningful moments in street snapshots, fleeting expressions in portraits, and much more. AF operation is quiet with minimal vibration.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/6438e5fac847df379ab4a010c071e453.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/048f91610a21ddf2ae39ce66b4cdd6e0.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy manual\/auto focus switching\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus mode switch that allows instant switching between auto and manual focus modes can be a great advantage when shooting subjects or situations that require fine manual focus adjustment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/1ASony\/SEL35F14GM\/f10b1d9323f06f4afa1a55aa0291eb55.jpg\" style=\"height:170px; width:378px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 35 mm F1.4 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/camera-lenses\/sel35f14gm\/specifications#specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585061380433,"sku":"SEL35F14GM.SYX","price":1249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/YRiAvrDCMUnOuOuYATJbVM1bCFTISNAB.jpg?v=1776797291"},{"product_id":"tieliekonviertor-sony-2x-sel20tc","title":"Teleconverter Lens Sony 2x SEL20TC","description":"\u003cp\u003e\u003cstrong\u003eDouble your focal length\u003c\/strong\u003e\u003cbr \/\u003e\r\nMultiplies the focal length of the lens used by 2x without degrading optical performance, AF speed and precision, or operability. Light loss with the teleconverter is approximately 2 stops. An ideal way to extend available focal length range for sports or wildlife photography without having to carry additional large, heavy lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e:\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585107353937,"sku":"SEL20TC.SYX","price":535.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/II23Jj6of74GELFPA4S9LOi48024CZxj.jpg?v=1776801753"},{"product_id":"tieliekonviertor-sony-1-4x-sel14tc","title":"Teleconverter Lens Sony 1.4x - SEL14TC","description":"\u003cp\u003e\u003cstrong\u003eExtend your range by 1.4x\u003c\/strong\u003e\u003cbr \/\u003e\r\nMultiplies the focal length of the lens used by 1.4x without degrading optical performance, AF speed and precision, or operability. Light loss with the teleconverter is approximately 1 stop. An ideal way to extend available focal length range for sports or wildlife photography without having to carry additional large, heavy lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e:\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585129406801,"sku":"SEL14TC.SYX","price":535.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/RMi92cUbYCRWWYFrBW6okkd4jNccRorJ.jpg?v=1776801752"},{"product_id":"obiektiv-sony-fe-70-200mm-f2-8-gm-oss-ii","title":"Sony FE 70-200mm f2.8 GM OSS II","description":"\u003cp\u003e\u003cstrong\u003eXA element for breathtaking resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nSuperior G Master resolution is achieved throughout the entire 70mm to 200mm zoom range at all focusing distances. Two aspherical lens elements, one an XA (extreme aspherical) type manufactured to 0.01-micron surface precision, effectively control distance-related aberration so that outstanding resolution is ensured throughout the image area.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAberration controlled for superb images\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo spherical elements that use ED (Extra-low Dispersion) glass, plus two more that use Super ED glass significantly reduce chromatic aberration for sharp reproduction without colour bleeding. ED aspherical element is also used, simultaneously suppressing chromatic and spherical aberration that are common issues in telephoto lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens offers excellent close-up performance for a zoom. Minimum focus is 0.4 meters (1.32 ft) at 70mm and 0.82 (2.69 ft) meters at 200mm. Maximum magnification is 0.3x. Deep bokeh at F2.8 adds extra expressive close-up capability. Floating focus ensures pinpoint sharpness even at minimum focus distance, while inner focus makes it easy to get close.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStunning G Master bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, while precise spherical aberration control boosts bokeh quality. ED (extra-low dispersion) and Super ED glass spherical elements, plus one ED aspherical element, effectively minimise colour bleeding for beautiful bokeh without unnatural colouration.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew high-performance aperture unit\u003c\/strong\u003e\u003cbr \/\u003e\r\nEven the aperture unit in this lens has been refined to meet the highest G Master quality standards. A newly developed 11-blade aperture unit that remains almost perfectly circular from wide open to stopped down by two stops helps to deliver the kind of natural-looking circular bokeh users have come to expect from a G Master design.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating II for maximum clarity\u003c\/strong\u003e\u003cbr \/\u003e\r\nNano AR Coating II produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting. The lens\u0026rsquo;s optical design also effectively suppresses internal reflections that can reduce clarity when shooting landscapes or sports.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for refined movie imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest lens design technology reduces focus breathing, focus shift when zooming, and axis shift when zooming. XD Linear Motors and a newly developed aperture drive unit also contribute to quiet operation, greatly reducing noise and vibration that can interfere with movie recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh-performance teleconverters\u003c\/strong\u003e\u003cbr \/\u003e\r\nOptional high-performance 1.4x and 2.0x teleconverters extend the lens\u0026rsquo;s focal length to a maximum of 400mm (600mm on an APS-C body) at F5.6. Full G Master quality is maintained when the teleconverters are in use. Maximum aperture with the 1.4x and 2.0x teleconverters is F4 and F5.6, respectively.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens works with \u0026alpha; series bodies to reliably focus on and smoothly track even fast-moving subjects. Four high-thrust XD Linear Motors and advanced control technology deliver up to 4x faster AF than the SEL70200GM. Focus tracking capability while zooming is improved by approximately 30% compared to the SEL70200GM.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile manual movie control\u003c\/strong\u003e\u003cbr \/\u003e\r\nIndependent control rings for focus, zoom, and iris, allow precise manual operation in movie applications. The aperture ring has a click on\/off switch that allows the aperture click switch stops to be turned ON for tactile feedback when shooting stills, or OFF for smooth, silent iris control when shooting movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIris lock stops unwanted exposure shifts\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn iris lock switch prevents unwanted exposure changes while shooting. When locked, the aperture is either locked at the [A] position or can be rotated between any of the manual settings from F2.8 to F22. When unlocked, the aperture ring can be rotated between [A] and any of the manual settings without limitation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe world\u0026rsquo;s lightest for superior handling\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis unique lens offers outstanding optical quality and AF in the world\u0026rsquo;s lightest F2.8 70-200mm zoom. XD Linear Motors and magnesium alloy barrel components result in an overall weight of just 1045 grams (36.9 oz) ; approximately 29% lighter than the previous model. Advanced design improves overall balance and handling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-time DMF supports pinpoint focus\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen the Full-time DMF is ON, manual focus is automatically engaged when the focus ring is operated, even in AF-C mode. This allows quick correction when autofocus targets the wrong subject, and is a great way to refine focus after initial autofocus. Full-time DMF is not affected by focus-range limiter switch settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOptical image stabilization with MODE 3\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in optical image stabilisation makes it easy to shoot sharp images handheld. MODE 2 stabilization is optimized for panning shots, while MODE 3 emphasizes framing stability when shooting dynamic, unpredictable motion. 5-axis image stabilisation becomes available when the lens is mounted on an \u0026alpha; body that has in-body image stabilization.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually while shooting stills or movies. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree customisable focus hold buttons\u003c\/strong\u003e\u003cbr \/\u003e\r\nThree customisable focus hold buttons are provided 90\u0026deg; apart for easy access and convenient control when shooting in horizontal or vertical orientation, and just about any angle. One function can be assigned to the focus hold buttons from the body menus.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nDust and moisture resistance are notably improved compared to previous model. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount. The internal zoom mechanism further resists dust and moisture while maintaining a constant lens barrel length.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus-range limiter\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus-range limiter switch (FULL\/\u0026infin; ~ 3m) makes it possible to limit AF operation to a predetermined range to maximise AF speed and prevent focusing on unwanted objects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus-range limiter\u003c\/strong\u003e\u003cbr \/\u003e\r\nA focus-range limiter switch (FULL\/\u0026infin; ~ 3m) makes it possible to limit AF operation to a predetermined range to maximise AF speed and prevent focusing on unwanted objects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemovable tripod mount\u003c\/strong\u003e\u003cbr \/\u003e\r\nA removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNew lens hood design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe supplied lens hood features an opening that allows convenient operation of circular polarizing or variable ND filters. It also has a flocked interior that is highly effective in preventing unwanted reflections. Silicone rubber is used on the circular front edge of the hood to enhance overall usability.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585132978513,"sku":"SEL70200GM2.SYX","price":2559.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/OJShbpae1AhjoVI9mCG94SC4VtiGpndH.jpg?v=1776797320"},{"product_id":"visokoskorostna-svietkavitsa-sony-hvl-f60rm2","title":"High speed flash Sony HVL-F60RM2","description":"\u003cp\u003e\u003cstrong\u003eGN60 High-output flash supports the latest camera technology\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis durable high-output GN60 flash unit delivers levels of sophistication and camera communication that only Sony can offer, achieving reliable flash at high continuous shooting speeds and sync at shutter speeds up to 1\/400 sec. Intuitive operation via the camera interface, quick shift bounce, and wireless radio communication add refined control and versatility.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras-flashes-lights\/hvl-f60rm2\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585151197521,"sku":"HVLF60RM2.CE7","price":579.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/skTyrI9WXM8RpsLLXWjtjOJoBELMcek0.jpg?v=1776802907"},{"product_id":"obiektiv-sony-fe-24-70mm-f2-8-gm-ii","title":"Sony FE 24-70mm f2.8 GM II","description":"\u003cp\u003e\u003cstrong\u003eHigh resolution rivals the best primes\u003c\/strong\u003e\u003cbr \/\u003e\r\nExcellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control aberration, for sharp, clear images at all zoom and aperture settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMinimal flare and ghosting\u003c\/strong\u003e\u003cbr \/\u003e\r\nNano AR Coating II technology produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting. The lens\u0026rsquo;s design suppresses internal reflections that can reduce clarity when shooting landscapes, sports, and a variety of other subjects. Excellent clarity is also an advantage for live streaming and similar events.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStunning G Master bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nBeautiful F2.8 bokeh extends throughout the zoom range thanks to advanced optics and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during both design and manufacture. Two precision XA elements suppress onion ring bokeh, while ED glass elements prevent color bleeding for natural-looking circular bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise AF and excellent response\u003c\/strong\u003e\u003cbr \/\u003e\r\nFour of Sony\u0026rsquo;s original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control achieve high AF precision and tracking. Shoot at up to 30 frames per second with a compatible camera body. A new aperture unit also contributes to high speed, enabling full AF tracking performance with the aperture stopped down\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nMinimum focusing distance is 0.21 meters at 24 mm and 0.30 meters at 70 mm, with maximum magnification of 0.32x. Deep bokeh at F2.8 is great for close ups. Floating focus ensures ideal sharpness throughout the zoom range and at all focusing distances, while inner focus enables impressive close-up stills or movies where space is limited.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMovie features refined for visual creators\u003c\/strong\u003e\u003cbr \/\u003e\r\nAdvanced lens design reduces focus breathing, focus shift and axial shift when zooming. Image and angle of view shifts are minimized for smooth movie imagery. XD Linear Motors and a new aperture unit contribute to quiet, low-vibration operation. The breathing compensation function provided in compatible \u0026alpha; series bodies is also supported\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, quiet AF for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus is critical for slow motion, 4K, or 8K movies. With \u0026alpha;-series bodies this lens reliably acquires focus and smoothly tracks moving subjects. Its four XD Linear Motors and advanced control technology achieve extraordinarily precise AF. Subjects are smoothly tracked, making it possible to leave focusing entirely to the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. It also provides precise repeatability. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmall, light, and versatile\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens is the smallest and lightest F2.8 24-70mm zoom in its class. It weighs just 695 grams\u0026nbsp; (24.6 oz), over 20% less than the previous model. It is 16 mm shorter, and overall volume has been reduced by approximately 18%. Excellent mobility makes it a great choice for professional or enthusiast still or movie use in a wide range of situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAperture click and iris lock switches\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn aperture ring provides direct, rapid control. The aperture ring click stops can be turned ON to provide tactile feedback when shooting stills, or OFF for smooth, silent control when shooting movies. There is also an iris lock switch that prevents the aperture ring from being accidentally moved between the [A] and F2.8 ~ F22 settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomizable focus hold buttons\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo customizable focus hold buttons are provided for easy access and convenient control when shooting in horizontal or vertical orientation, and just about any angle. An alternative function can be assigned to the focus hold buttons from the body menus.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eZoom smoothness switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nZoom ring torque can be adjusted via a two-position switch. With the switch in the Tight position the barrel won\u0026rsquo;t extend unexpectedly during transportation or when the lens used on a tripod. The Smooth position provides light zoom operation for flexible, responsive shooting while also making it easy to produce smooth slow zoom for movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn updated dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions. Silicon seals around buttons and switches and a rubber gasket around the lens mount greatly reduce the likelihood of dust and moisture incursion.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLens hood with filter window\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe supplied lens hood features an opening that allows convenient operation of circular polarizing and variable ND filters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 24-70mm F2.8 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/camera-lenses\/sel2470gm2\/specifications\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585178001745,"sku":"SEL2470GM2.SYX","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/SvEPyG88uO0ZwXJuyCL1JLi3Um7hx6eI.jpg?v=1776797274"},{"product_id":"fotoaparat-sony-a7r-v","title":"Sony a7R V","description":"\u003cp\u003e\u003cstrong\u003eA newly developed AI processing unit\u003c\/strong\u003e\u003cbr \/\u003e\r\nState-of-the-art AI processing with deep learning uses detailed information about human forms and poses to dramatically improve the camera\u0026rsquo;s subject recognition accuracy and make full use of its potential resolution. AI subject recognition has been expanded to include a number of new subject types, including vehicles and insects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA new level of resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis newest generation of the \u0026alpha;7R series continues the pursuit of high image resolution, delivering the highest resolution at low sensitivity in the series thus far. The 35mm full-frame back-illuminated Exmor R\u0026trade; CMOS image sensor with 61.0 million\u003cbr \/\u003e\r\npixels and the latest BIONZ XR\u0026trade; image processing engine are used to their fullest potential to deliver extraordinary resolution and fine subject detail.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced optical 5-axis image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe entire image stabilisation system has been updated with a high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms. Camera shake is precisely detected and corrected by the image stabilisation unit, significantly expanding the range of shooting situations in which reliable stabilisation can be achieved. The body alone provides 8-step stabilisation\u003cbr \/\u003e\r\nfor the first time in the \u0026alpha; series. [1] Yaw\u0026nbsp; [2] Roll\u0026nbsp; [3] Pitch\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePixel Shift Multi Shooting responds to changing conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nPixel Shift Multi Shooting takes advantage of precision in-body image stabilisation system control, capturing up to 16 pixel-shifted shots to be later composited on a computer to achieve outstanding resolution in a single image. With the latest version of Imaging Edge Desktop\u0026trade; software, small pixel-level movements are automatically detected and corrected.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression allows more high-quality images to be shot in continuous bursts, with a choice of three lossless-compression image sizes. The M and S sizes have the same number of pixels (26M\/15M) whether shot in full-frame or APS-C mode, making it possible to seamlessly switch between full frame and APS-C angles of view within the same scene while maintaining the same image resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePrecise, versatile external flash control\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen a compatible Sony external flash unitis used with the camera\u0026#39;s auto white balance function, the white balance is adjusted to produce natural skin tones on faces based on the balance between the flash output and ambient light. Flash control also works with face detection to deliver the optimum flash level for the subject.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Recognition AF for human\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith its innovative AI processing unit, the \u0026alpha;7R V can use Real-time Recognition AF to accurately recognise movements of people, providing an approximately 60% improvement in human eye recognition compared to the \u0026alpha;7R IV. Human pose estimation technology uses learned human forms and poses to recognise not just eyes but body and head position with high precision, making it possible to lock onto and track a subject facing away from the camera or wearing a mask.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFaster, more precise AF system\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe immense processing power of the new BIONZ XR engine and updated algorithms achieve notably improved AF performance, drawing on the huge amount of data generated by the image sensor and the wide-area, high-density AF system. Up to 693 phase detection points cover approximately 79% of the image area. The wider AF area also allows greater framing freedom, for example when shooting portraits in vertical orientation. High AF precision is achieved down to light levels as low as EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Recognition AF for wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to humans, animals, and birds, the camera can now recognise insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. More types of birds are recognised, and animal recognition has been expanded to cover some grazing and small animals in addition to dogs, cats, and similarly featured animals, with up to 40% greater precision.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nEven with the high resolution of the \u0026alpha;7R V, continuous shooting at up to 10 fps with full AF\/AE tracking is possible with the mechanical shutter. This level of speed and tracking reliability makes it easy to capture the most photogenic moments and expressions with moving subjects. Up to 583 compressed RAW images can be continuously shot at 10 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus bracketing\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7R V will automatically shoot up to 299 images with sequentially shifted focus points using intervals and a sequence that you specify. The best image can then be selected from the sequence, or a computer application can combine the focus bracketed images to create focus-stacked composites with deeply synthesised depth of field that take advantage of the camera\u0026#39;s high resolution.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-time DMF\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting stills with AF-C or AF-S autofocus, the lens\u0026rsquo;s focus ring can be rotated to switch to manual focus mode at any time. This makes it easy to return focus to the original subject if AF switches to a different subject, for example, by simply rotating the focus ring.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-pixel readout for 8K movies with incredible resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe XAVC HS format enables in-camera recording of high-resolution 8K 24p (25p) movies with efficient HEVC\/H.265 compression, bringing out the very best in Sony\u0026#39;s lenses and taking full advantage of the potential resolution provided by the sensor and full-pixel readout. Even the finest subject details are faithfully captured. The ability to reframe 8K footage in post-production for 4K delivery affords invaluable editing flexibility as well\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e16-bit RAW output for enhanced editing flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\n\u0026nbsp;In response to the increasing demand for RAW recording capability, the \u0026alpha;7R V provides 16-bit RAW output to an external recorder via an HDMI cable. Full-frame 3848 x 2168 (16:9 aspect ratio) output is available with a choice of frame rates. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding 4K movie recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame and Super 35mm formats can be selected for 4K movie recording, as can 4K 60p (50p) recording. Full pixel readout in the Super 35mm mode without the need for pixel binning makes 2.6x oversampling possible for 4K movies. The XAVC S-I (All-Intra), or the XAVC HS format is supported, as is 10-bit 4:2:2 colour sampling.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Log3 gamma curve with 14+ stops of latitude\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-gray (18% gray), achieving up to 14+ stops of latitude. Three colour gamut settings are provided: S-Gamut, S-Gamut3, and S-Gamut3.Cine. These advanced settings make it easy to match footage shot on the \u0026alpha;7R V with footage shot on VENICE and VENICE 2 digital cinema cameras or FX series cameras equipped with S-Log3 gamma curve settings, for smooth, efficient editing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation for handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode provides strong image stabilisation for handheld movie shooting. In addition to in-body stabilisation, compatible lenses with their own built-in image stabilisation coordinate with the camera body for highly effective control, allowing even handheld telephoto shots.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nThanks to substantial improvements in subject recognition, the camera can provide more reliable Real-time Tracking, keeping track of specified subjects with precise focus, including focus on the subject\u0026#39;s eyes. Subject recognition is now enabled for movie shoots as well as still-image photography, for fast, stable focus when shooting. Even with subject recognition OFF, touch operation allows subjects to be acquired and tracked based on colour, pattern (luminance) and distance (depth).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUnique 4-axis LCD monitor for enhanced shooting flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s newly developed 4-axis multi-angle monitor combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility. It allows greater flexibility in shooting by providing unrestricted angle adjustment in both horizontal and vertical orientations\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTouch operations when shooting or during playback\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Touch Focus, Touch Tracking and Touch Shutter functions can be quickly activated or deactivated by touching an icon on the shooting display. During playback images can be selected by touch, and pinch-out\/pinch-in gestures can be used to enlarge or reduce the selected image. Touch sensitivity can be adjusted for optimum control response.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for smooth movie making\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus Map makes it easier to visualise depth of field when shooting movies. In addition, a bold, clearly visible red frame appears on screen when recording is in progress. Shot Marks can be added to recorded movie clips in-camera to identify particular scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePC Remote shooting via wireless LAN (Wi-Fi)\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera can be connected to a computer via Wi-Fi for wireless PC Remote (tethered) shooting using the \u0026ldquo;Remote\u0026rdquo; function of Sony\u0026rsquo;s latest Imaging Edge Desktop application, giving the user greater freedom of movement on location or in the studio. 2.4 GHz or 5GHz Wi-Fi bands can be selected as required. In addition to wirelessly connecting the camera directly to the PC, the ability to connect via a wireless access point adds the flexibility needed to work in a variety of network environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEffective heat dissipation for extended recording times\u003c\/strong\u003e\u003cbr \/\u003e\r\nHeat generated by the image sensor, image processor, and AI processing unit is effectively dissipated to prevent overheating. One element of this is the graphite material formed into a unique \u0026Sigma; (sigma) shape and built into the image stabilisation unit. This structure allows the image sensor, a major source of heat inside the body, to move freely during stabilisation while effectively conducting heat away, achieving five times better heat dissipation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast Wi-Fi for PC tethering, FTP and smartphone transfers\u003c\/strong\u003e\u003cbr \/\u003e\r\nBuilt-in Wi-Fi (IEEE 802.11a\/b\/g\/n\/ac) allows communication on the 2.4 GHz and 5 GHz bands. 802.11ac provides 2x2 MIMO support for fast and stable data transfer and reliable communication.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eQXGA viewfinder with the highest resolution in its class\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 9.44 million-dot OLED electronic viewfinder delivers the highest resolution, with approximately 1.6 times the resolution of previous UXGA Tru-Finder\u0026trade; viewfinders. It also features significantly improved optics and mechanical design, achieving world-record 0.90x viewfinder magnification, and a 41\u0026deg; diagonal FOV (approx. 43\u0026deg; for the entire display area).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A compatible media slots\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7R V has two media slots that support CFexpress Type A memory cards as well as UHS-I and UHS-II SDXC\/SDHC, for high capacity and fast read\/write speeds. The same data can be simultaneously recorded to both slots for backup, or the user can choose to separate stills\/movies or JPEG (HEIF)\/RAW formats. There is also a relay mode in which still image or movie recording will automatically switch to the second media card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis, reliable mechanical shutter\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame, and rear cover, with durable construction that keeps the camera operating smoothly in hard-working environments. A shutter unit with a fast-response motor minimises mechanical shutter vibration that can cause blur, while allowing high-speed continuous shooting at up to 10 fps. The shutter is quiet and has been tested for durability in excess of 500 000 shutter cycles.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB PD (Power Delivery) supports fast charging\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7R V supports USB PD (Power Delivery), allowing higher power to be supplied from an external source. A USB charger or mobile battery that supports USB PD can be connected to the camera\u0026#39;s USB Type-C\u0026reg; port, supplying power or charging the internal battery at three to four times the rate of the previous model.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecycled materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is working towards the use of non-plastic packaging materials, with plant-based non-woven fabrics as well as recyclable materials. As for the camera itself, no non-recyclable resources are used in our SORPLAS\u0026trade; material, which is repeatedly recyclable, durable, and high in quality. Recyclable plastics are also used as much as possible, reducing stress on the environment without compromising performance or functionality in any way.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.sony.co.uk\/electronics\/interchangeable-lens-cameras\/ilce-7rm5\/specifications#specifications\" target=\"_blank\"\u003e\u003cspan style=\"color:#ff0000\"\u003e\u003cstrong\u003eFull Specifications Link\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585221517649,"sku":"ILCE7RM5B.CEC","price":3599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/oknNWUhMoDJHBNYdi48MvZZnCaf5AVJm.jpg?v=1776791309"},{"product_id":"obiektiv-sony-fe-20-70mm-f4-g","title":"Sony FE 20-70mm f4 G","description":"\u003cp\u003e\u003cstrong\u003eFrom ultra-wide 20 mm to 70 mm\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith an unprecedented ultra-wide 20 mm to short-telephoto 70 mm zoom range, this versatile lens is an excellent choice for a wide range of movie and still subjects. The ultra-wide 20 mm end of the zoom range maintains a wide angle of view when shooting movies with a 16:9 or 2.35:1 aspect ratio that reduces view angle.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding G Lens image quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith two AA (advanced aspherical) elements, one aspherical element, three ED (Extra-low Dispersion) glass elements, and one ED aspherical element, this state-of-the-art lens design corrects both chromatic and spherical aberration for high optical performance right out to the image edges, from ultra-wide 20 mm to 70 mm.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nAA (advanced aspherical) elements help to achieve a minimum focus distance of 0.3 meters (wide) to 0.25 meters (telephoto) when using AF, and 0.25 throughout the zoom range when focusing manually. Maximum magnification is 0.39x for detailed close-ups. Close focus makes it easy to maneuver around small subjects to find the idea angle.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConstant F4 maximum aperture\u003c\/strong\u003e\u003cbr \/\u003e\r\nA constant F4 maximum aperture offers greater flexibility in choosing apertures at any focal length. The selected aperture remains constant throughout the zoom range. There is no need to use extreme ISO settings at the telephoto end of the range, and high shutter speeds can be used as needed to achieve the desired effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePeak AF performance for stills and movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo XD (extreme dynamic) Linear Motors achieve fast, quiet, smooth focus drive with up to 60% higher AF speed and up to two times better performance while\u0026nbsp;tracking for reliable, precise tracking. Moving subjects are reliably tracked when shooting continuous stills at up to 30 fps, and high-frame-rate movie capture is smooth.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact, lightweight, mobile design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis compact, lightweight lens combines state-of-the-art optical design with Sony\u0026rsquo;s high-thrust XD (extreme dynamic) Linear Motor technology. Used with a compact mirrorless body, it can deliver superb image quality in any situation at focal lengths from ultra-wide to short telephoto. A great choice for shooting with minimum gear.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRefined movie imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nAdvanced technology reduces focus breathing as well as focus and axial shift when zooming so that distracting image shifts are minimised. XD Linear Motors and a newly developed aperture unit dramatically reduce noise and vibration when shooting movies. The breathing compensation function provided in compatible \u0026alpha; series bodies is also supported.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAperture ring with click ON\/OFF switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn independent aperture ring offers direct, intuitive aperture control. A click ON\/OFF switch allows the aperture click stops to be turned off when smooth, seamless operation is required.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode supports ultra-wide images\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode image stabilisation in \u0026alpha; series cameras works effectively at the ultra-wide 20 mm end of the zoom range, providing excellent image stabilisation performance while maintaining a wide angle of view. This can be particularly useful for shooting smooth, stable handheld footage while walking.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus hold buttons and focus mode switch\u003c\/strong\u003e\u003cbr \/\u003e\r\nCustomisable focus hold buttons are provided in two locations for easy access and control. Other functions can be assigned to the focus hold button from the body menus to match shooting needs. A focus mode switch makes it possible to switch between autofocus and manual focus on the fly, to quickly adapt to changing shooting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels fingerprints, dust, water, oil, and other contaminants, while making it easier to wipe off any contaminants that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFE 20-70mm F4 G Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585236689233,"sku":"SEL2070G.SYX","price":1335.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/yTf6s8xdjSMD8TWOEEfugZ3CWMLBGZzv.jpg?v=1776797260"},{"product_id":"obiektiv-sony-fe-50mm-f1-4-gm","title":"Sony FE 50mm f1.4 GM","description":"\u003cp\u003e\u003cstrong\u003eStunning images from a lightweight and compact lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s latest lens technology delivers extraordinary resolution and bokeh in a compact, lightweight 50 mm lens. With outstanding image-wide resolution and contrast from F1.4, this fast, responsive lens offers sharp realism for stills and movies that will satisfy users from advanced amateurs to the most discerning professionals.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eG Master\u0026trade; quality right out to the edges\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo high-precision XA (extreme aspherical) elements effectively correct distortion and most types of aberration so that high resolution is achieved right out to the image edges. This new optical design also employs an ED (extra-low dispersion) glass element to suppress chromatic aberration so that images are clear and sharp without colour bleeding.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUnrivalled G Master bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nInnovative optics and an F1.4 maximum aperture deliver magnificent bokeh. XA (extreme aspherical) elements prevent onion-ring bokeh, while spherical aberration optimisation during design and manufacture contributes to beautiful bokeh with reduced colour bleeding. An 11-blade circular aperture produces beautiful bokeh at maximum aperture.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNano AR Coating II for outstanding clarity\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s original Nano AR Coating II process produces a thin, uniform coating on lens surfaces, dramatically reducing internal reflections that can cause flare and ghosting. Excellent contrast and clarity are achieved even when the sun or other strong light sources are within the frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eXA lens elements for compact and lightweight\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026rsquo;s most advanced optical technology provides superb resolution in a compact, lightweight lens. XA (extreme aspherical) elements in an innovative design, high-thrust XD linear motors, and a compact circular aperture unit work together in a large-aperture lens that is only 80.6 mm in diameter and 96.0 mm in length while weighing just 516 grams (18.3 oz.) .\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet close for eye-opening detail\u003c\/strong\u003e\u003cbr \/\u003e\r\nMinimum focusing distance is 0.41 meters and maximum magnification is 0.16x when AF is used (0.38 meters and 0.18x for MF), providing extra flexibility for shooting stills and movies. XA (extreme aspherical) lens elements maintain sharpness at any focusing distance, while smooth, deep bokeh at F1.4 separates the subject from the background.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise, quiet AF and tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis high-performance lens effectively maximises the speed potential of \u0026alpha; series bodies, quickly acquiring focus on subjects even when using shallow depth of field. Sony\u0026rsquo;s high-thrust XD (extreme dynamic) linear motors and an advanced control algorithm ensure smooth, responsive focus drive for stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIntuitive manual focus control\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation immediately produces a corresponding change in focus, similar to the response of a mechanical focus system. Precise, intuitive control directly translates your creative ideas to impressive imagery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, quiet AF for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nXD linear motors and an advanced control algorithm optimise response to control signals so that focusing is precise and vibration is minimised for refined, quiet AF operation that can be a huge advantage when shooting movies, even at high frame rates. The breathing compensation function in compatible \u0026alpha; series bodies is also supported\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIndependent aperture ring\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn aperture ring with a click ON\/OFF switch offers direct, hands-on aperture control. An iris lock switch can be locked so that the aperture ring is either fixed at the \u0026ldquo;A\u0026rdquo; position, or can be manually set from F1.4 to F16. When unlocked the aperture ring can be seamlessly moved between all settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable focus hold button and more for advanced control\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus hold buttons and a focus mode switch provide extra shooting versatility. Customisable focus hold buttons in two locations can be assigned other functions from the body menus to match shooting needs. For example, the Focus Magnifier function could be assigned to these buttons so that it is available for quick focus checks while shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompatible with 67 mm filters\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis lens accepts standard 67 mm screw-on filters. Thanks to its internal focus system the front element does not rotate while focusing, facilitating the use of circular polarizing filters for landscape photography or variable ND filters for movies. The FE 24mm F1.4 GM and FE 35mm F1.4 GM lenses are also threaded for 67 mm filters, so filters can be shared.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels fingerprints, dust, water, oil, and other contaminants, while making it easier to wipe off any contaminants that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 50mm F1.4 GM Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585250517329,"sku":"SEL50F14GM.SYX","price":1459.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/TRYdArKsg1RUZsyU9pg81mjzufCf1EFD.jpg?v=1776797306"},{"product_id":"sd-karta-pamiet-sony-tough-256gb-uhs-ii-sf-g256t-r-300-w-299","title":"SD Memory Card Sony Tough 256GB UHS-II SF-G256T (R:300 W:299)","description":"\u003cp\u003e\u003cstrong\u003eWorld\u0026rsquo;s toughest SD card\u003c\/strong\u003e\u003cbr \/\u003e\r\nSF-G series TOUGH specification cards are designed for dependability. The one-piece moulding body with high hardness materials is 18 times more bend resistant than the SD standard, impact resistant for drops up to 5 m and highest level dustproof and waterproof (IP68).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFragile parts designed out\u003c\/strong\u003e\u003cbr \/\u003e\r\nBy designing out the weak parts of conventional SD cards - the ribs and write-protect switch - reliability is vastly improved. This reduces risk of difficulty in recording data if broken.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuperior water and dust proofing\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe fully-sealed one-piece moulding meets the highest specifications for both waterproofing and dust proofing. With an IP68 rating, the SF-G series TOUGH specification cards can withstand fine dust, mud, grime and immersion in 5m of water for up to 72 hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWorld\u0026rsquo;s fastest SD card\u003c\/strong\u003e\u003cbr \/\u003e\r\nTake burst-shooting and high resolution video recording to the next level with ultra-fast write speeds up to 299 MB\/s3 - fast enough for even the highest performance DSLRs with a UHS-II interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eV90 for capturing high-resolution video\u003c\/strong\u003e\u003cbr \/\u003e\r\nSupport for the latest V90 Video Speed Class makes this card perfect for high-resolution video recording. V90 is the highest grade of Video speed class which guarantees minimum write speed of 90 MB\/s, so you can feel confident there won\u0026#39;t be any dropped frames or caching, even when capturing up to 8K video.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFaster Transfer to PC\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to 300 MB\/s read speed, you can transfer large files such as 4K video or a bunch of high-resolution images to a PC in seconds. Less time waiting, more time doing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSD Scan Utility\u003c\/strong\u003e\u003cbr \/\u003e\r\nIt would be a disaster if your camera suddenly stopped storing images. Over time all SD memory wears out and the card stops recording data reliably. Sony\u0026rsquo;s SD Scan Utility regularly and automatically scans your SD memory card and lets you know when it\u0026rsquo;s about time to replace it with a fresh card. Disaster avoided. Available for PC and Mac.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable in all conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to top rating dust and water proofing, TOUGH specification cards are resistant to X-rays (ISO7816-1), magnetic fields, UV, and temperature extremes. All while retaining broad compatibility with cameras and other SD card readers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFile Rescue\u003c\/strong\u003e\u003cbr \/\u003e\r\nSometimes things go wrong and you accidentally delete files and photos. File Rescue is a powerful and easy-to-use tool that recovers data. 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The FE 70-200mm F4 Macro G OSS II is a great choice for movies as well as stills. Its constant F4 maximum aperture keeps exposure constant during zooms while recording movie footage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding quality at all focal lengths\u003c\/strong\u003e\u003cbr \/\u003e\r\nPrecision AA (advanced aspherical) and aspherical lens elements, three ED glass elements, and Super ED glass work together in an advanced optical design to deliver excellent corner-to-corner resolution and contrast throughout the 70-200mm telephoto zoom range. Image quality is uniformly superb at all focal lengths.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuperb sharpness and bokeh in one lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nState-of-the-art optics deliver stunning sharpness, clarity, color, and contrast, while exquisitely smooth full-frame bokeh is enhanced by a circular 9-blade aperture mechanism and carefully optimized spherical aberration. An ideally coordinated blend of resolution and bokeh contributes to deep, dimensional images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcellent close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn innovative, superbly balanced optical design achieves half-macro capability throughout the lens\u0026rsquo;s 70-200 mm zoom range. Minimum focusing distance is 0.26 m at the wide end and 0.42 m at the telephoto end of the zoom range with a maximum magnification of 0.5x throughout for unprecedented handling and versatility when shooting stills or movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for refined movie imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nA number of this lens\u0026rsquo;s features are tailored to achieving more refined movie imagery. Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually, and advanced lens technology reduces focus breathing as well as focus and axial shift when zooming.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFast, precise, quiet autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nFour of Sony\u0026rsquo;s original high-thrust XD linear motors work in conjunction with precision floating focus groups to achieve extremely fast, accurate focus drive. Thrust efficiency has been dramatically improved, resulting in up to about a 20% increase in autofocus speed throughout the entire zoom range when shooting stills. Focus tracking continues uninterrupted even while zooming, ensuring that important moments of the action won\u0026rsquo;t be lost.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact, lightweight, and mobile\u003c\/strong\u003e\u003cbr \/\u003e\r\nThis innovative lens is 82.2 mm (3-1\/4 in.) in diameter by 149.0 mm (5-7\/8 in.) in length at the wide end of the zoom range and weighs 794 grams (28.1 oz.). An extending lens design was chosen to maximize portability, and a zoom lock switch is provided to prevent unwanted lens extension during transportation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNo-compromise teleconverter support\u003c\/strong\u003e\u003cbr \/\u003e\r\nUsed with the Sony\u0026#39;s 2.0x and 1.4x teleconverters, it increases maximum focal length to 400 mm and 280 mm respectively. Also, the 2.0x teleconverter make it possible to shoot life-size 1:1 macro at all focal lengths for new creative potential. Attached with the 1.4x teleconverter, it can shoot max. 0.7x macro at all focal lengths.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConvenient creative control\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to 2-position AF\/MF and OSS ON\/OFF switches, 3-position switches are provided for focus range limit and image stabilization mode selection. A separate switch turns Full Time DMF OFF or ON so that manual focus can be instantly engaged by simply rotating the focus ring when shooting in the AF-C mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels fingerprints, dust, water, oil, and other contaminants, while making it easier to wipe off any contaminants that do become attached to the lens surface.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585316610385,"sku":"SEL70200G2.SYX","price":1839.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/xwYGuJndH4sTvVG5Z4FTIKOHcPV48CXi.jpg?v=1776797327"},{"product_id":"fotoaparat-sony-a7cr-chierien","title":"Sony a7CR (Black)","description":"\u003cp\u003e\u003cstrong\u003eStunning image quality from a compact, lightweight body\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest BIONZ XR\u0026trade; image processing engine and class-leading\u003cbr \/\u003e\r\nfull-frame image sensor deliver fine subject detail in a compact, lightweight body. With a 61.0 effective megapixel, back-illuminated Exmor R\u0026trade; CMOS image sensor \u0026ndash; adapted from our acclaimed \u0026alpha;7R V \u0026ndash; it delivers extraordinary resolution into new spaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExmor RTM image sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe back-illuminated sensor\u0026#39;s noise reduction, gapless on-chip lenses, anti-reflection optical coating, elimination of the optical low-pass filter that is usually positioned in front of the sensor and other original technologies deliver high resolution, high sensitivity, low noise, and wide dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR image processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to eight times more processing power than previous types, the latest BIONZ XR image processing engine minimises processing latency while markedly boosting movie and still image processing power. The BIONZ XR image processing engine helps to deliver natural gradations, realistic colour, low noise, and generally superior image quality while fast, stress-free menu response is maintained regardless of the real-time processing load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest processing engine and AE algorithm are capable of detecting the skin area in faces and controlling exposure accordingly when shooting stills and movies. Auto exposure is accurate even in backlit situations when the subject\u0026rsquo;s face is dark, when the subject\u0026rsquo;s face is over-illuminated in direct sunlight, or when the subject is not directly facing the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity and high dynamic range with low noise\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to delivering stunning 61.0-megapixel resolution, advanced sensor technologies from Sony allow sensitivity settings from ISO 100 to ISO 32000 for both stills and movies. Dynamic range at lower sensitivities is an impressively wide 15 stops so that smooth, realistic gradations are achieved from deep shadows to highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced in-body optical 5-axis 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms effectively detect and correct camera shake. 7.0-step in-body optical image stabilisation\u003cbr \/\u003e\r\nis a huge advantage for handheld shooting. The new stabilisation algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor\u0026rsquo;s 61.0-megapixel resolution to bring out the finest subject details.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look supports varied expression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of \u0026ldquo;looks\u0026rdquo; to help creators fine-tune the mood of their stills or movies in-camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePixel Shift Multi Shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nresponds to changing conditions Pixel Shift Multi Shooting uses the precision in-body image stabilisation system to capture multiple pixel-shifted images that are later composited on a PC to achieve overwhelming resolution in a single image. 16-image composites with approximately 240.8 million pixels (19008 x 12672 pixels)\u003cbr \/\u003e\r\ncan be produced from data that is equivalent to approximately 963.2 million pixels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eArtificial lighting flicker suppression\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting stills with the mechanical shutter, flicker from artificial light sources is automatically detected, and the timing of image capture is adjusted to minimise its effects. When shooting stills or movies under LED lighting using the silent electronic shutter, the Var. Shutter function reduces high-frequency flicker problems by allowing the shutter speed to be finely controlled.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficiency with no loss in image quality, allowing more images to be shot in continuous bursts. Three image sizes (L\/M\/S) can be selected to suit the application. M and S sizes have the same numbers of pixels (26M\/15M) in full-frame and APS-C modes, allowing seamless switching while maintaining the same image resolution. A new \u0026quot;Light\u0026quot; image quality selection, with smaller file sizes for easy sharing, is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR is equipped with an AI processing unit specifically designed for more accurate recognition of subjects and recognition of a wider range of subject types\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman recognition using pose tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with an AI processing unit, the \u0026alpha;7CR uses skeletal information and pose estimation technology to recognise subject configuration and movement with high accuracy, allowing it to recognise the positions of not only the eyes but also the human body and head with even greater precision. This makes it possible to lock onto and track a subject facing away from the camera or with their face partly obscured by a helmet or sunglasses, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with AI-based Real-time Tracking that can be activated by specifying the subject and half-pressing the shutter button. The camera will then automatically track the subject, leaving the user free to concentrate on framing and composition. Subject recognition performance has been greatly improved, offering higher tracking reliability from the moment the function is initiated and making it more useful in a wider range of shooting situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe AI processing unit supports recognition of many subject types. Animal recognition now recognises the eyes of some grazing and small animals as well as eyes, heads and faces of dogs, cats and similar animals. Bird recognition now more easily pinpoints the eyes of various birds as well as faces and bodies. A new Animal\/Bird setting eliminates the need to switch. The whole or the end of Car\/Train and Airplane subjects, and the heads of Insect subjects, are recognised when those subjects are selected.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide, high-density AF reliably captures subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe immense processing speed and power of the BIONZ XR engine and updated algorithms achieve notably improved AF performance. Up to 693 phase detection points cover approximately 79% of the image area in a high-density array, accurately acquiring focus even when the subject only occupies a small part of the frame. The \u0026alpha;7CR includes both phase detection and contrast AF systems, with phase detection emphasised to ensure fast, stable focus acquisition even in single AF (AF-S) mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-frame 4K 60\/50p\u003c\/strong\u003e\u003cbr \/\u003e\r\nrecording The latest BIONZ XR processing engine and updated algorithms achieve notably improved movie image quality. The powerful processor enables 60\/50p frame rates, to capture motion fluidly and precisely, and increase post-production flexibility. In addition to focus support, the camera\u0026rsquo;s advanced AI processing unit is also used to achieve accurate white balance, even in tricky situations where the subject is in shade.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous shooting at up to 8 fps with AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous shooting with AF\/AE tracking is possible at up to 8 fps with the mechanical shutter, or 7 fps during silent shooting, capturing even momentary movements or expression changes in exquisite detail. The power of the BIONZ XR engine allows continuous shooting of over 1000 JPEG images, letting you capture every vital moment. Even when shooting or cropping closer to APS-C, 26M resolution and high image quality are maintained, allowing continuous shooting of birds in flight with AF\/AE tracking, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e6.2k oversampled video, for stunning 4K imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame and Super 35mm formats can be selected for 4K movie recording. Full pixel readout in the Super 35mm mode without pixel binning makes it possible to condense approximately 2.6 times the amount of data required for 4K movies (QFHD: 3840 x 2160) into high-resolution, high-detail 4K with minimal moir\u0026eacute; and jaggies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; makes it easy to create a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s S-Cinetone picture profile provides the same colour science that delivers more faithful colour reproduction and skin tones throughout the highly regarded Cinema Line. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. This lets creators concentrate on shooting while achieving a cinematic look without the need for colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording and LUT\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR features an S-Log3 gamma curve to maximise its 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided for further post processing control, and user-selected LUTs (Look Up Table) can be applied to preview how processed footage will look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus breathing compensation for consistent angle of view\u003c\/strong\u003e\u003cbr \/\u003e\r\nBreathing compensation suppresses focus breathing (change in a lens\u0026rsquo;s angle of view with changes in focus) when shooting movies. Sony\u0026rsquo;s Clear Image Zoom technology is used to automatically maintain a consistent angle of view through focus changes with compatible lenses, for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare software application during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking also supports focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nAI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. A custom button assigned to [Tracking-On] or [Tracking-On Hold] can be used to temporarily track a selected subject regardless of the subject\u0026rsquo;s position in the frame and the focus area setting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality plus broad visual expression\u003c\/strong\u003e\u003cbr \/\u003e\r\n16-bit RAW video can be output to an external recorder via an HDMI cable while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available. 10-bit 4:2:2 video can be recorded internally using Long GOP or Intra compression, for more natural gradations and greater editing freedom. An HLG (Hybrid Log Gamma) picture profile preset supports the BT.2020 colour space with 10-bit depth for smooth, natural gradations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation supports handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode provides a precision stabilisation unit, advanced gyro sensors, and a state-of-the-art optimised stabilisation algorithm for movie shooting. Camera shake is precisely detected, and the algorithm controls the optical stabilisation system for exceedingly smooth, stable movie footage. In addition, compatible lenses that include built-in image stabilisation sync with the body to provide highly effective control, stable framing and smooth handheld footage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eApprox. 2.36 million-dot XGA OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast. Viewfinder brightness is approximately the same as the \u0026alpha;7R V for bright, clear, easy viewing. When shooting stills, the [Finder Frame Rate] can be set to [Standard (60 fps)] or [Fast (120 fps)] for a smooth viewfinder image with minimal motion blur.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupplied grip extension\u003c\/strong\u003e\u003cbr \/\u003e\r\nA supplied grip extension provides an even better hold for maximum comfort and minimum fatigue through long shooting sessions, even with heavy large-aperture or telephoto lenses. The grip extension does not interfere with battery replacement or tripod mounting. The grip extension can be left off for normal shooting, and then attached for improved handling when a large lens is to be used for an extended period of time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle and touch menu for greater shooting freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe vari-angle LCD monitor allows for framing in any position or angle, regardless of whether you are shooting stills or movies. The menu and function menus can be operated by touch. Either long-pressing menu items or pressing the Delete key allows frequently-used functions and settings to be registered in My Menu, letting you efficiently call up those functions and settings that you use most often.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, stable transfers to smartphone\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application\u003cbr \/\u003e\r\non a smartphone has been greatly improved. Once started, transfers continue in the background even if the smartphone display sleeps or another application is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame, and rear cover, ensuring that the camera operates reliably in hard-working professional environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, high-quality live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a PC or smartphone via USB, the \u0026alpha;7CR can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create unique imagery. Advanced AF functions such as Eye AF can also be used to great advantage for online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585346691409,"sku":"ILCE7CRB.CEC","price":3379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/AxM1jMmO2RhBCHd8LG7W5ZHQhQJCLhdQ.jpg?v=1776791311"},{"product_id":"fotoaparat-sony-a7cr-sriebrist","title":"Sony a7CR (Silver)","description":"\u003cp\u003e\u003cstrong\u003eStunning image quality from a compact, lightweight body\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest BIONZ XR\u0026trade; image processing engine and class-leading\u003cbr \/\u003e\r\nfull-frame image sensor deliver fine subject detail in a compact, lightweight body. With a 61.0 effective megapixel, back-illuminated Exmor R\u0026trade; CMOS image sensor \u0026ndash; adapted from our acclaimed \u0026alpha;7R V \u0026ndash; it delivers extraordinary resolution into new spaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExmor RTM image sensor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe back-illuminated sensor\u0026#39;s noise reduction, gapless on-chip lenses, anti-reflection optical coating, elimination of the optical low-pass filter that is usually positioned in front of the sensor and other original technologies deliver high resolution, high sensitivity, low noise, and wide dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBIONZ XR image processing engine\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith up to eight times more processing power than previous types, the latest BIONZ XR image processing engine minimises processing latency while markedly boosting movie and still image processing power. The BIONZ XR image processing engine helps to deliver natural gradations, realistic colour, low noise, and generally superior image quality while fast, stress-free menu response is maintained regardless of the real-time processing load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsistently accurate exposure and colour\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest processing engine and AE algorithm are capable of detecting the skin area in faces and controlling exposure accordingly when shooting stills and movies. Auto exposure is accurate even in backlit situations when the subject\u0026rsquo;s face is dark, when the subject\u0026rsquo;s face is over-illuminated in direct sunlight, or when the subject is not directly facing the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh sensitivity and high dynamic range with low noise\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to delivering stunning 61.0-megapixel resolution, advanced sensor technologies from Sony allow sensitivity settings from ISO 100 to ISO 32000 for both stills and movies. Dynamic range at lower sensitivities is an impressively wide 15 stops so that smooth, realistic gradations are achieved from deep shadows to highlights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAdvanced in-body optical 5-axis 7.0-step image stabilisation\u003c\/strong\u003e\u003cbr \/\u003e\r\nA high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms effectively detect and correct camera shake. 7.0-step in-body optical image stabilisation\u003cbr \/\u003e\r\nis a huge advantage for handheld shooting. The new stabilisation algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor\u0026rsquo;s 61.0-megapixel resolution to bring out the finest subject details.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCreative Look supports varied expression\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of \u0026ldquo;looks\u0026rdquo; to help creators fine-tune the mood of their stills or movies in-camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePixel Shift Multi Shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nresponds to changing conditions Pixel Shift Multi Shooting uses the precision in-body image stabilisation system to capture multiple pixel-shifted images that are later composited on a PC to achieve overwhelming resolution in a single image. 16-image composites with approximately 240.8 million pixels (19008 x 12672 pixels)\u003cbr \/\u003e\r\ncan be produced from data that is equivalent to approximately 963.2 million pixels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eArtificial lighting flicker suppression\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen shooting stills with the mechanical shutter, flicker from artificial light sources is automatically detected, and the timing of image capture is adjusted to minimise its effects. When shooting stills or movies under LED lighting using the silent electronic shutter, the Var. Shutter function reduces high-frequency flicker problems by allowing the shutter speed to be finely controlled.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSelectable RAW image sizes and quality\u003c\/strong\u003e\u003cbr \/\u003e\r\nLossless RAW image compression provides efficiency with no loss in image quality, allowing more images to be shot in continuous bursts. Three image sizes (L\/M\/S) can be selected to suit the application. M and S sizes have the same numbers of pixels (26M\/15M) in full-frame and APS-C modes, allowing seamless switching while maintaining the same image resolution. A new \u0026quot;Light\u0026quot; image quality selection, with smaller file sizes for easy sharing, is provided for JPEG and HEIF images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAI processing unit for advanced subject recognition\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR is equipped with an AI processing unit specifically designed for more accurate recognition of subjects and recognition of a wider range of subject types\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHuman recognition using pose tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nEquipped with an AI processing unit, the \u0026alpha;7CR uses skeletal information and pose estimation technology to recognise subject configuration and movement with high accuracy, allowing it to recognise the positions of not only the eyes but also the human body and head with even greater precision. This makes it possible to lock onto and track a subject facing away from the camera or with their face partly obscured by a helmet or sunglasses, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTenacious Real-time Tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe camera is equipped with AI-based Real-time Tracking that can be activated by specifying the subject and half-pressing the shutter button. The camera will then automatically track the subject, leaving the user free to concentrate on framing and composition. Subject recognition performance has been greatly improved, offering higher tracking reliability from the moment the function is initiated and making it more useful in a wider range of shooting situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable recognition of a wider range of subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe AI processing unit supports recognition of many subject types. Animal recognition now recognises the eyes of some grazing and small animals as well as eyes, heads and faces of dogs, cats and similar animals. Bird recognition now more easily pinpoints the eyes of various birds as well as faces and bodies. A new Animal\/Bird setting eliminates the need to switch. The whole or the end of Car\/Train and Airplane subjects, and the heads of Insect subjects, are recognised when those subjects are selected.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWide, high-density AF reliably captures subjects\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe immense processing speed and power of the BIONZ XR engine and updated algorithms achieve notably improved AF performance. Up to 693 phase detection points cover approximately 79% of the image area in a high-density array, accurately acquiring focus even when the subject only occupies a small part of the frame. The \u0026alpha;7CR includes both phase detection and contrast AF systems, with phase detection emphasised to ensure fast, stable focus acquisition even in single AF (AF-S) mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull-frame 4K 60\/50p\u003c\/strong\u003e\u003cbr \/\u003e\r\nrecording The latest BIONZ XR processing engine and updated algorithms achieve notably improved movie image quality. The powerful processor enables 60\/50p frame rates, to capture motion fluidly and precisely, and increase post-production flexibility. In addition to focus support, the camera\u0026rsquo;s advanced AI processing unit is also used to achieve accurate white balance, even in tricky situations where the subject is in shade.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eContinuous shooting at up to 8 fps with AF\/AE tracking\u003c\/strong\u003e\u003cbr \/\u003e\r\nContinuous shooting with AF\/AE tracking is possible at up to 8 fps with the mechanical shutter, or 7 fps during silent shooting, capturing even momentary movements or expression changes in exquisite detail. The power of the BIONZ XR engine allows continuous shooting of over 1000 JPEG images, letting you capture every vital moment. Even when shooting or cropping closer to APS-C, 26M resolution and high image quality are maintained, allowing continuous shooting of birds in flight with AF\/AE tracking, for example.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e6.2k oversampled video, for stunning 4K imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nFull-frame and Super 35mm formats can be selected for 4K movie recording. Full pixel readout in the Super 35mm mode without pixel binning makes it possible to condense approximately 2.6 times the amount of data required for 4K movies (QFHD: 3840 x 2160) into high-resolution, high-detail 4K with minimal moir\u0026eacute; and jaggies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone\u0026trade; makes it easy to create a cinematic look\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s S-Cinetone picture profile provides the same colour science that delivers more faithful colour reproduction and skin tones throughout the highly regarded Cinema Line. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. This lets creators concentrate on shooting while achieving a cinematic look without the need for colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLog recording and LUT\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe \u0026alpha;7CR features an S-Log3 gamma curve to maximise its 14+ stops of latitude. S-Gamut3 and S-Gamut3.Cine colour gamut settings are also provided for further post processing control, and user-selected LUTs (Look Up Table) can be applied to preview how processed footage will look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus breathing compensation for consistent angle of view\u003c\/strong\u003e\u003cbr \/\u003e\r\nBreathing compensation suppresses focus breathing (change in a lens\u0026rsquo;s angle of view with changes in focus) when shooting movies. Sony\u0026rsquo;s Clear Image Zoom technology is used to automatically maintain a consistent angle of view through focus changes with compatible lenses, for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse\/Prepare software application during post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking also supports focus during movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nAI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. A custom button assigned to [Tracking-On] or [Tracking-On Hold] can be used to temporarily track a selected subject regardless of the subject\u0026rsquo;s position in the frame and the focus area setting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOutstanding image quality plus broad visual expression\u003c\/strong\u003e\u003cbr \/\u003e\r\n16-bit RAW video can be output to an external recorder via an HDMI cable while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available. 10-bit 4:2:2 video can be recorded internally using Long GOP or Intra compression, for more natural gradations and greater editing freedom. An HLG (Hybrid Log Gamma) picture profile preset supports the BT.2020 colour space with 10-bit depth for smooth, natural gradations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eActive Mode image stabilisation supports handheld movie shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nActive Mode provides a precision stabilisation unit, advanced gyro sensors, and a state-of-the-art optimised stabilisation algorithm for movie shooting. Camera shake is precisely detected, and the algorithm controls the optical stabilisation system for exceedingly smooth, stable movie footage. In addition, compatible lenses that include built-in image stabilisation sync with the body to provide highly effective control, stable framing and smooth handheld footage.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eApprox. 2.36 million-dot XGA OLED viewfinder\u003c\/strong\u003e\u003cbr \/\u003e\r\nA 2.36 million-dot (approx.) XGA OLED electronic viewfinder with 0.70x magnification delivers high resolution and contrast. Viewfinder brightness is approximately the same as the \u0026alpha;7R V for bright, clear, easy viewing. When shooting stills, the [Finder Frame Rate] can be set to [Standard (60 fps)] or [Fast (120 fps)] for a smooth viewfinder image with minimal motion blur.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupplied grip extension\u003c\/strong\u003e\u003cbr \/\u003e\r\nA supplied grip extension provides an even better hold for maximum comfort and minimum fatigue through long shooting sessions, even with heavy large-aperture or telephoto lenses. The grip extension does not interfere with battery replacement or tripod mounting. The grip extension can be left off for normal shooting, and then attached for improved handling when a large lens is to be used for an extended period of time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVari-angle and touch menu for greater shooting freedom\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe vari-angle LCD monitor allows for framing in any position or angle, regardless of whether you are shooting stills or movies. The menu and function menus can be operated by touch. Either long-pressing menu items or pressing the Delete key allows frequently-used functions and settings to be registered in My Menu, letting you efficiently call up those functions and settings that you use most often.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, stable transfers to smartphone\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnection stability when transferring images from the camera to the Creators\u0026rsquo; App mobile application\u003cbr \/\u003e\r\non a smartphone has been greatly improved. Once started, transfers continue in the background even if the smartphone display sleeps or another application is launched. Workflow from shooting to sharing has been notably improved overall.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr \/\u003e\r\nA lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame, and rear cover, ensuring that the camera operates reliably in hard-working professional environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEasy, high-quality live streaming\u003c\/strong\u003e\u003cbr \/\u003e\r\nConnected to a PC or smartphone via USB, the \u0026alpha;7CR can function as a 4K (2160p) webcam. Large-aperture lenses, narrow depth of field, and bokeh can be used to create unique imagery. Advanced AF functions such as Eye AF can also be used to great advantage for online meetings and live streaming events.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585347674449,"sku":"ILCE7CRS.CEC","price":3379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/DodMr4m6y4tTz1dHhHLZ6Wk1ysCNBF5O.jpg?v=1776791312"},{"product_id":"obiektiv-sony-fe-16-35mm-f2-8-gm-ii","title":"Sony FE 16-35mm f2.8 GM II","description":"\u003cp\u003e\u003cstrong\u003eBreathtaking G Master resolution\u003c\/strong\u003e\u003cbr \/\u003e\r\nHigh spatial resolution results in detailed rendering of dynamic wide-angle scenes right out to the image edges throughout the 16-35 mm zoom range, even with the lens wide open. Five aspherical elements include three XA (extreme aspherical) elements, and aberration is controlled for a superb blend of high resolution and gorgeous bokeh.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtraordinary resolution and bokeh\u003c\/strong\u003e\u003cbr \/\u003e\r\nSmooth, beautiful bokeh that can add depth to this remarkable lens\u0026rsquo;s outstanding resolution is made possible by a large F2.8 maximum aperture, innovative optical design, and an advanced 11-blade aperture unit. Gorgeous circular bokeh can add extra appeal and expressive impact to a wide range of images.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRevealing close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FE 16-35mm F2.8 GM II offers outstanding close-up performance with a minimum focusing distance of 0.22 meters (0.73 ft) throughout the zoom range and a maximum magnification of 0.32x. This makes it possible to get close for dynamic perspectives while deep bokeh adds extra expressive capability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePerfectly balanced for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to being lightweight, the FE 16-35mm F2.8 GM II has been designed for ideal balance with minimal extension when zooming. A center of gravity that changes very little contributes to agile, stable maneuverability when shooting handheld, and eliminates the need for readjustment after changing the zoom setting when using a gimbal.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for refined movie imagery\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe latest lens technology reduces focus breathing, focus shift, and axis shift when zooming. Image movement and angle of view variations are minimized for smooth movie imagery without distractions. XD (extreme dynamic) Linear Motors and an advanced aperture unit also reduce noise and vibration that can interfere with movie recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eClarity with minimal flare and ghosting\u003c\/strong\u003e\u003cbr \/\u003e\r\nFlare and ghosting can occur when the sun or other strong light source is in the frame. Sony\u0026rsquo;s original Nano AR Coating II produces a uniform anti-reflection coating on lens surfaces, effectively subduing flare and ghosting in tricky lighting conditions. Internal reflections that can reduce clarity are also suppressed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmooth, quiet AF for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nFocus is especially critical when shooting slow motion or 4K\/8K movies. The FE 16-35mm F2.8 GM II works with \u0026alpha;-series bodies to reliably acquire focus and track even fast-moving subjects thanks to four XD Linear Motors and advanced control technology that achieve extraordinarily smooth, quiet, precise AF performance for movie shooting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNatural, linear manual focus response\u003c\/strong\u003e\u003cbr \/\u003e\r\nLinear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise when shooting stills or movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF that is precise and fast\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a floating focus mechanism that includes four XD (extreme dynamic) Linear Motors and precise lens control, the FE 16-35mm F2.8 GM II achieves up to approximately 2x higher AF speed High-speed continuous shooting at up to 30 fps is possible with Sony\u0026rsquo;s \u0026alpha;1 body\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVersatile hands-on aperture control\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FE 16-35mm F2.8 GM II features both a click ON\/OFF switch and an iris lock switch for quick, flexible aperture control. The aperture ring click stops can be turned ON to provide tactile feedback when shooting stills, or OFF for seamless, silent aperture control when shooting movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCustomisable focus hold buttons\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo customisable focus hold buttons are provided for easy access and convenient control when shooting in horizontal or vertical orientation. One function can be assigned to the focus hold buttons from the body menus.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSmall, light, and versatile\u003c\/strong\u003e\u003cbr \/\u003e\r\nAlthough the FE 16-35mm F2.8 GM II is the world\u0026rsquo;s smallest, lightest F2.8 16-35 mm zoom\u003cbr \/\u003e\r\n, it delivers superb image quality with XA elements and Super ED glass in an advanced optical design. Lightweight XD Linear Motors further contribute to a low weight of just 547 grams (19.3 oz.); 20% lighter than the FE 16-35mm F2.8 GM. Overall length is just 111.5 mm(4-1\/2 in.).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact lens hood design\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhile effectively blocking unwanted light, the new lens hood supplied with the FE 16-35mm F2.8 GM II is smaller than the lens hood supplied with the FE 16-35mm F2.8 GM, making it less obtrusive in use or when stored in a camera bag.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFluorine front element coating\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe FE 16-35mm F2.8 GM II offers improved dust and moisture resistance. All seams feature structural sealing, buttons and switches are fitted with silicone rubber gaskets, and a rubber ring seals the lens mount. All of these refinements work together to minimize the possibility of dust and moisture incursion in challenging outdoor environments.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585349673297,"sku":"SEL1635GM2.SYX","price":2299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/1aRac5444rU0HEN0GCyVtYEUMkE90Kdn.jpg?v=1776797258"},{"product_id":"obiektiv-sony-fe-24-50mm-f2-8-g","title":"Sony FE 24-50mm f2.8 G","description":"\u003cp\u003e\u003cstrong\u003eA compact F2.8 zoom that is ready to go anywhere\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a 24-50 mm range that is ideal for everyday shooting, this versatile zoom offers a large F2.8 maximum aperture and beautiful rendering at all focal lengths in a remarkably compact, lightweight design. With the innovative FE 24-50mm F2.8 G you get refined large-aperture imaging performance for both stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuperb sharpness at any focal length\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn advanced optical design that includes four aspherical elements and two ED (Extra low Dispersion) elements delivers high resolution throughout the 24-50 mm zoom range. Flare, ghosting, and colour bleeding are effectively subdued for clear, detailed rendering.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDeep bokeh makes the subject stand out\u003c\/strong\u003e\u003cbr \/\u003e\r\nA maximum aperture that remains constant at F2.8 throughout the zoom range, state-of-the-art optical design, and an 11-blade circular aperture unit all work in harmony to deliver the smooth, deep bokeh that is a hallmark of Sony\u0026rsquo;s G Lens line-up. Exquisite bokeh brings subjects to the fore.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF that maximises body potential\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo specially optimised linear motors and a precision control system acquire focus on any subject with remarkable speed and accuracy. Tracking performance is excellent, easily keeping up with Sony\u0026#39;s advanced model \u0026alpha;9 III body at up to 120 fps. Precise, quiet focus is smoothly acquired and maintained even when shooting high frame rate 4K 120p or FHD 240p movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImpressive close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nPainstaking optical optimisation has achieved high close-up performance at all focal lengths. Maximum magnification is 0.3x (AF)\/0.33x (MF) with a minimum focus distance of 0.19 m (0.63 ft) (AF)\/0.18 m (0.59 ft) (MF) at the wide end of the range for superb close-up performance that, combined with compact size, makes this lens great for tabletop photography.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA compact F2.8 zoom that goes anywhere\u003cbr \/\u003e\r\nEven though it boasts a high-performance optical design with four aspherical elements and a large F2.8 maximum aperture, this lens is only 74.8 mm (3 inch) in diameter by 92.3 mm in length (3-3\/4 inch). Selective use of engineering plastics enhances durability while reducing weight to just 440 grams (15.6 oz.) for agile mobility and minimum stress during long shooting sessions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree control rings in a compact lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor direct, intuitive creative control when shooting stills and movies, this lens features a full complement of three control rings: focus, zoom, and aperture. The aperture ring click stops can be turned on or off to match the shooting situation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eF2.8 in a mobile zoom is great for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nPrecise, quiet AF and an F2.8 aperture in a compact, lightweight zoom can be an advantage for movies. Minimal centre of gravity shift makes this lens a good choice for gimbal or drone mounting. Combined with in-body Active Mode stabilisation it can deliver stable handheld footage at wide angles while walking. Breathing compensation and metadata recording are supported.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComprehensive control\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to three control rings the FE 24-50mm F2.8 G includes a customisable focus hold button and AF\/MF switch. Linear Response MF ensures immediate, intuitive manual focus control. Inner focus makes it easy to use rotatable 67 mm filters, such as variable ND types that are often used when shooting movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable in challenging conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design maximises reliability in challenging outdoor conditions, and the front element features a fluorine coating.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironment friendly\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s \u0026quot;Road to Zero\u0026quot; project aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through supply chain, production, and packaging. We are also transitioning to non-plastic packaging materials. Plant-based non-woven fabrics are used for product bags.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFE 24-50mm F2.8 G Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585629806929,"sku":"SEL2450G.SYX","price":1179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/PhzR802xkw7ZfFOHPBDkCnVG3MfaS6ZY.jpg?v=1776797271"},{"product_id":"obiektiv-sony-fe-16-25mm-f2-8-g","title":"Sony FE 16-25mm f2.8 G","description":"\u003cp\u003e\u003cstrong\u003eA small wide F2.8 zoom that goes anywhere\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith a 16-25 mm range that is ideal for scenery, cityscapes, selfies, travel, and general snapshots, this versatile wide-angle zoom delivers beautiful G Lens rendering and bokeh at all focal lengths in a remarkably compact, lightweight design. You get refined large-aperture wide-angle imaging performance for both stills and movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSuperb sharpness at any focal length\u003c\/strong\u003e\u003cbr \/\u003e\r\nAn advanced optical design using three ED (Extra low Dispersion) glass elements plus four aspherical elements that include one ED Aspherical glass element delivers high resolution throughout the 16-25 mm zoom range in a remarkably compact lens. Flare, ghosting, and colour bleeding are effectively subdued for clear, detailed rendering.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImpressive close-up performance\u003c\/strong\u003e\u003cbr \/\u003e\r\nMaximum magnification is 0.2x (AF)\/0.23x (MF) with a minimum focus distance of 0.18 m (0.59ft) (AF)\/0.17 m (0.56ft) (MF) at the 16 mm end of the range and 0.24 m (AF) (0.79ft)\/0.22 m (0.73ft) (MF) at the 25 mm end of the range for superb wide-angle close-up performance. Wide-angle coverage lets you shoot close while simultaneously capturing the subject\u0026#39;s surroundings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF that maximises body potential\u003c\/strong\u003e\u003cbr \/\u003e\r\nTwo specially optimised linear motors and a precision control system acquire focus on any subject with remarkable speed and accuracy. Tracking performance is excellent, easily keeping up even with the Sony\u0026#39;s advanced model \u0026alpha;9 III body at up to 120 fps. Precise, quiet focus is smoothly acquired and maintained even when shooting high frame rate 4K 120p or FHD 240p movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh optical performance in a compact lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nEven though it boasts an advanced optical design that includes four aspherical elements, one of which is ED Aspherical, this lens is only 74.8 mm in diameter by 91.4 mm in length (3 x 3-5\/8 inch). Engineering plastics enhance durability while reducing weight to just 409 grams\u0026nbsp; (14.5 oz), making this a low-stress F2.8 choice for long shooting sessions or low-light situations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDeep bokeh makes the subject stand out\u003c\/strong\u003e\u003cbr \/\u003e\r\nA maximum aperture that remains constant at F2.8 throughout the zoom range, state-of-the-art optical design, and an 11-blade aperture unit all work in harmony to deliver smooth, deep G Lens bokeh in a versatile wide-angle zoom lens. ED glass elements reduce colour bleeding for excellent contrast and clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMore versatile movie features\u003c\/strong\u003e\u003cbr \/\u003e\r\nMovie features provided by the latest \u0026alpha; bodies are fully supported. And combined with in-body Active Mode stabilisation\u003cbr \/\u003e\r\nit can deliver stable handheld footage at wide angles while walking around. It also supports body breathing compensation and metadata recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree control rings in a compact lens\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor direct, intuitive creative control when shooting stills and movies, this lens features a full complement of three control rings: focus, zoom, and aperture. The aperture ring click stops can be turned on or off to match the shooting situation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eF2.8 in a mobile zoom is great for movies\u003c\/strong\u003e\u003cbr \/\u003e\r\nWide angles, F2.8 in an agile zoom that can be handheld, quiet AF, and reduced focus breathing make this lens great for movies. Minimal extension and centre of gravity shift make gimbal or drone mounting easy.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComprehensive control\u003c\/strong\u003e\u003cbr \/\u003e\r\nIn addition to three control rings, the FE 16-25mm F2.8 G includes a customisable focus hold button and AF\/MF switch. Linear Response MF ensures immediate, intuitive manual focus control. Inner focus makes it easy to use rotatable 67 mm filters, such as variable ND types that are often used when shooting movies.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eReliable in challenging conditions\u003c\/strong\u003e\u003cbr \/\u003e\r\nA dust and moisture resistant design maximises reliability in challenging outdoor conditions, and the front element features a fluorine coating.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironment friendly\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony\u0026#39;s \u0026quot;Road to Zero\u0026quot; project aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through supply chain, production, and packaging. We are also transitioning to non-plastic packaging materials. Plant-based non-woven fabrics are used for product bags.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSony FE 16-25mm f2.8 G Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585740955985,"sku":"SEL1625G.SYX","price":1229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/MCoP53CkLgDTkkpNxjXCZwTmfZoIsW9D.jpg?v=1776797253"},{"product_id":"viertikalien-ghrip-sony-vg-c5-za-a9-iii","title":"Vertical Grip Sony VG-C5 for a9 III","description":"\u003cp\u003e\u003cstrong\u003eThe same hold and control as the a9 III\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe VG-C5 Vertical Grip has been designed to provide the same secure hold and control access as the camera\u0026rsquo;s own horizontal grip, delivering outstanding comfort and operability for long shooting sessions. The grip and shutter button feature the same ergonomic design as the camera body. Control access is similar too, with an independent front custom button (C5), a front dial, and rear L and R dials with a lock function on the R dial. Operation is the same when shooting in horizontal and vertical orientations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEfficient utilisation of two batteries for extended shooting\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe VG-C5 Vertical Grip can house two NP-FZ100 batteries, and circuitry refinements support parallel power supply to provide longer operating duration than the VG-C4EM Vertical Grip. The time remaining for both batteries is simultaneously shown on the camera display so the user can continue shooting with confidence.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePart of a durable, reliable system\u003c\/strong\u003e\u003cbr \/\u003e\r\nWith the same dust and moisture resistant design as the camera body itself, the VG-C5 Vertical Grip functions as part of a dependable system that will keep working reliably even in challenging conditions. It is also built on a special magnesium alloy frame for outstanding durability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOther Features\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe VG-C5 Vertical Grip provides an easy-access sliding battery tray, tripod mount socket, camera strap attachment points, AF ON \/ AEL \/ C1 \/ C2 \/ C5 buttons, Multi Selector, and Rear dial R lock, and supports power and charging via the camera\u0026rsquo;s USB Type-C\u0026reg; connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecyclable non-plastic packaging materials\u003c\/strong\u003e\u003cbr \/\u003e\r\nSony is transitioning to the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags. 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Благодарение на тази комбинация се постига висока резолюция от край до край. Оригиналната технология за покритие AR Coating II на Sony успешно намалява нежеланите отблясъци и отражения за ясни и чисти кадри. Специалната кръгла апертура с 11 ламели и оптимизираните сферични аберации осигурява красивото, меко боке, запазена марка на серията G Master.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eБърз, прецизен и тих автофокус\u003c\/strong\u003e\u003cbr \/\u003e\r\nГъвкавият автофокус на Sony FE 85 f\/1.4 G Master II извлича максималното от предимството на скоростта, с която високият клас фотоапарати разполагат. За снимки той е до 3 пъти по-бърз\u0026nbsp; в сравнение с предходния модел\u0026nbsp; и прецизно проследява движещи се обекти. Той успява безпроблемно да поддържа скоростта на Alpha 9 III при серийно заснемане с 120fps , а характеристиките на проследяването на обекта са по-добри с цели 7 пътиii.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eЛек и стилен дизайн\u003c\/strong\u003e\u003cbr \/\u003e\r\nВ сравнение с предходния моделii, теглото на FE 85 f\/1.4 G Master II (642 грама) е приблизително 20% по-леко , а обемът е намален с 13%. Това се постига благодарение на най-новите механични технологии и подобрения в оптичния дизайн. FE 85 f\/1.4 G Master II е с диаметър на филтъра \u0026phi;77 mm, диаметър 84.7mm и дължина 107.3mm.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eФункции за кинематографско качество\u003c\/strong\u003e\u003cbr \/\u003e\r\nЗа създаване на видеоклипове с плавно преминаване на кадрите, при бленда F1.4, Sony FE 85 f\/1.4 G Master II използва XD линеен мотор. Изместването на фокуса при приближение (дишането) е минимално и се поддържа вградена компенсация на изместването . Обективът има и два бутона за задържане на фокуса и превключване между AF\/MF, които могат да бъдат настроени спрямо предпочитанията на снимащия. Отделен пръстен за управление на блендата и възможност за линейно управление на MF предоставят оптимално ниво на интуитивен контрол върху обектива.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eСъздаден да бъде издръжлив\u003c\/strong\u003e\u003cbr \/\u003e\r\nПредният елемент на обектива е с флуорно покритие за лесно отстраняване на пръстови отпечатъци, прах, мазнини или други замърсявания от повърхността на лещата. Степента на защита срещу прах и влага\u0026nbsp; осигурява необходимата надеждност при употреба навън, дори в неблагоприятни условия.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u003cstrong\u003eSony FE 85 mm F1.4 GM II Compatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nE-mount Full Frame Cameras and E-mount APS-C cameras\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585894080849,"sku":"SEL85F14GM2B.SYX","price":1839.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/86xFiKLvQmWKasukzaH1o4G7j5Q1fPaY.jpg?v=1776797329"},{"product_id":"вертикален-грип-sony-vg-c6-за-sony-a7r-vi","title":"Vertical Grip Sony VG-C5 for Sony a7R VI","description":"\u003cp\u003e\u003cstrong\u003eЗахватът и бутоните за управление са като на α7R VI\u003c\/strong\u003e\u003cbr\u003eВертикалният захват VG-C6 предлага сигурно захващане и ергономични бутони за управление, като тези на тялото на фотоапарата, и така осигурява комфорт по време на дълги снимачни сесии. Той включва преден и заден диск с функция за заключване за безпроблемна работа както във вертикална, така и в хоризонтална позиция.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eОптимизирано използване на две батерии за продължителна работа\u003c\/strong\u003e\u003cbr\u003eВертикалният захват VG-C6 побира две батерии NP-SA100. Когато се използват две батерии, фотоапаратът работи почти два пъти по-дълго, отколкото при използване на една батерия. Оставащото време на батерията се показва на дисплея на фотоапарата за по-уверено снимане. Поддържат се захранване и зареждане чрез USB Type-C® конектора на фотоапарата.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eЧаст от издръжлива, надеждна система\u003c\/strong\u003e\u003cbr\u003eИзграден със същата устойчивост на вода и прах като тялото на фотоапарата, вертикалният захват VG-C6 гарантира надеждна работа в тежки условия. Рамката му от магнезиева сплав добавя изключителна издръжливост.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eБутони за управление и функции\u003c\/strong\u003e\u003cbr\u003eИма изваждащо се отделение за батериите, гнездо за монтиране на статив, точки за закрепване на каишката на фотоапарата, спусък, бутони AF ON \/ AEL \/ MOVIE \/ C2, мултиселектор, преден и заден диск (x2).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eС грижа за околната среда\u003c\/strong\u003e\u003cbr\u003eЕкологичният план на Sony „Road to Zero“ има за цел нулев отпечатък върху околната среда до 2050 г. Във VG-C6 са използвани рециклирани пластмасови материали, които съставляват над 60% от теглото на пластмасата на основния блок, включително нашия издръжлив материал SORPLAS™. 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