{"title":"Cinema Cameras","description":"","products":[{"product_id":"blackmagic-ursa-mini-shoulder-kit-ramienna-platforma-za-nosienie","title":"Blackmagic URSA Mini Shoulder Kit","description":"\u003cp\u003e\u003cstrong\u003eShoulder-Mount Kit\u003c\/strong\u003e\u003cspan style=\"color:#464646; font-family:opensans,arial,sans-sarif; font-size:14px\"\u003e designed for the \u003c\/span\u003e\u003cstrong\u003eBlackmagic Design URSA Mini\u003c\/strong\u003e\u003cspan style=\"color:#464646; font-family:opensans,arial,sans-sarif; font-size:14px\"\u003e provides a shoulder mount for you to comfortably rest the camera on your shoulder for long shooting sessions. Integrated into the shoulder mount are a quick-release compatible with VCT wedge plates, 15mm lightweight rod clamps, and rosettes on either side for mounting handles and other accessories. Also included in the kit is a top handle for low-mode shooting and for carrying the camera when not in use.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53584745202001,"sku":"BM019","price":439.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/Em4tAcINX6JHeceAkWciJ5egLQcoOfKt.jpg?v=1776788164"},{"product_id":"blackmagic-pocket-cinema-camera-4k-kompaktna-dighitalna-kamiera","title":"Blackmagic Pocket Cinema Camera 4K","description":"\u003cp\u003eThe Blackmagic Pocket Cinema Camera\u0026nbsp;4K features 4\/3 size sensor, 13\u0026nbsp;stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Features include built in SD\/UHS-II or CFast 2.0 recorders for RAW or ProRes recoding as well as a\u0026nbsp;USB-C expansion port for recording externally to disks, plus MFT lens mount, built-in microphones, XLR input, full sized HDMI, 3D\u0026nbsp;LUT support, Bluetooth and\u0026nbsp;more.\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eImage Sensor\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eImage Sensor Size\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e18.96 x 10.00 mm (4\/3\u0026quot;)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eSensor Type\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eCMOS\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eSensor Resolution\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e4096 x 2160\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eColor Filter\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eBayer\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eShutter Type\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eISO\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e25,600 (Native)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAdvertised Dynamic Range\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e13 Stops\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eCamera\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eLens Mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMicro Four Thirds\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eLens Communication\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eStereo\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eRecording Media\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1 x CFast\u0026nbsp;Card Slot\u003cbr \/\u003e\r\n\t\t\t1 x SDXC\u0026nbsp;UHS-II\u0026nbsp;Card Slot\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eInternal Recording\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eRaw Recording\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eCinemaDNG:\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t4096 x 2160 at 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u0026nbsp;fps (270.00\u0026nbsp;MB\/s)\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eRecording Modes\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eProRes 422HQ:\u0026nbsp;\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t3840 x 2160p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u0026nbsp;fps (110\u0026nbsp;MB\/s)\u0026nbsp;\u003cbr \/\u003e\r\n\t\t\t1920 x 1080p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60, 120\u0026nbsp;fps (27.5\u0026nbsp;MB\/s)\u0026nbsp;\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003eProRes 422:\u0026nbsp;\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t3840 x 2160p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u0026nbsp;fps (73.6\u0026nbsp;MB\/s)\u0026nbsp;\u003cbr \/\u003e\r\n\t\t\t1920 x 1080p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60, 120\u0026nbsp;fps (18.4\u0026nbsp;MB\/s)\u0026nbsp;\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003eProRes 422LT:\u0026nbsp;\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t3480 x 2160p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u0026nbsp;fps (51\u0026nbsp;MB\/s)\u0026nbsp;\u003cbr \/\u003e\r\n\t\t\t1920 x 1080p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60, 120\u0026nbsp;fps (12.75\u0026nbsp;MB\/s)\u0026nbsp;\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003eProRes 422 Proxy:\u0026nbsp;\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t3840 x 2160p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u0026nbsp;fps (22.4\u0026nbsp;MB\/s)\u0026nbsp;\u003cbr \/\u003e\r\n\t\t\t1920 x 1080p\u0026nbsp;up to\u0026nbsp;23.98, 24, 25, 29.97, 30, 50, 59.94, 60, 120\u0026nbsp;fps (5.6\u0026nbsp;MB\/s)\u0026nbsp;\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eExternal Recording\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eVideo Output\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eUSB: 3480 x 2160p at 23.98, 24, 25, 29.97, 30, 59.94, 60\u0026nbsp;fps\u003cbr \/\u003e\r\n\t\t\tUSB: 1920 x 1080p at 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u0026nbsp;fps\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eRaw Output\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eUSB:\u0026nbsp;\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t4096 x 2160 at 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u0026nbsp;fps\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eInterfaces\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eVideo Connectors\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1 x HDMI\u0026nbsp;Output\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAudio Connectors\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1 x 3-Pin Mini XLR\u0026nbsp;Mic\/Line Level (+48 V Phantom Power)\u0026nbsp;Input\u003cbr \/\u003e\r\n\t\t\t1 x 1\/8\u0026quot; (3.5 mm) Stereo\u0026nbsp;Mic Level\u0026nbsp;Input\u003cbr \/\u003e\r\n\t\t\t1 x 1\/8\u0026quot; (3.5 mm) TRRS Headphone\/Microphone\u0026nbsp;Output\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eOther I\/O\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1 x USB Type-CData\u0026nbsp;Input\/Output\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eWireless Interfaces\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eBluetoothControl\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eDisplay\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eDisplay Type\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eLCD\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eScreen Size\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e5\u0026quot;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eTouchscreen\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eYes\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eScreen Resolution\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1920 x 1080\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eBattery Type\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eCanon LP-E6\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003ePower Connectors\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1 x Barrel (12.0 to 20.0 VDC)\u0026nbsp;Input\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eEnvironmental\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eOperating Temperature\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e32 to 104\u0026deg;F \/ 0 to 40\u0026deg;C\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eStorage Temperature\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e-4 to 113\u0026deg;F \/ -20 to 45\u0026deg;C\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eOperating Humidity\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e0 to 90%\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth colspan=\"2\"\u003eGeneral\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAccessory Mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1 x 1\/4\u0026quot;-20 Female Thread\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1\/4\u0026quot;-20\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eMaterial of Construction\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eCarbon Fiber\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eDimensions\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e7 x 3.8 x 3.4\u0026quot; \/ 177.8 x 96.52 x 86.36\u0026nbsp;mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic Pocket Cinema Camera 4K\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/products\/pocket4K\/blackmagic-pocket-cinema-camera-4k-imperial-xl.jpg\" style=\"height:525px; width:690px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnvironmental Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg;to 40\u0026deg;C (32\u0026deg; to 104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg;to 45\u0026deg;C (-4\u0026deg; to 113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhat\u0026#39;s Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera 4K\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens turret dust cap.\u003c\/p\u003e\r\n\r\n\u003cp\u003e30W power supply with locking connector and international adapters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSD card with software and manual.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWelcome card.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio with activation key.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53584866738513,"sku":"CINECAMPOCHDMFT4K","price":1079.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/duBVcB0PsI9mZhyuWMeda9mHObhaSDKZ.jpg?v=1776788121"},{"product_id":"protiektor-za-iekran-screen-protector-for-blackmagic-design-pocket-cinema-camera-4k","title":"Shock-Absorbing Screen Protector for Blackmagic Design Pocket Cinema Camera 4K","description":"\u003cul\u003e\r\n\t\u003cli\u003eBetter than plastic glass: Unlike glass or Tempered glass, this armoured glass shatterproof and splinter-free for the Blackmagic Design Pocket Cinema Camera 4 K\u003c\/li\u003e\r\n\t\u003cli\u003eMaximum protection against scratches (9H hardness at 500g writing pressure) \u0026ndash; This plastic glass, consists of an extremely thin (approx. 0.2 mm) and hard wearing material\u003c\/li\u003e\r\n\t\u003cli\u003eThe unique glass\/plastic material composition for the plastic Tempered Glass gives maximum light transmittance and a Oleophobische anti-fingerprint coating for your Blackmagic Design Pocket Cinema Camera 4 K\u003c\/li\u003e\r\n\t\u003cli\u003eVery strong silicone adhesive layer with Blackmagic Design Pocket Cinema Camera 4 K tempered glass made from plastic verschwinden light existing scratches on the screen easy\u003c\/li\u003e\r\n\t\u003cli\u003eAccessory @ FoliX \u0026ndash; Made in Germany\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Dynaphos","offers":[{"title":"Default Title","offer_id":53584901505361,"sku":"pcc4k-glass","price":9.71,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/csvLPz0RGtin234u4hFWZnQpYDSfNr5g.jpg?v=1776798752"},{"product_id":"canon-c200-4k-dighitalna-kino-kamiera","title":"Canon EOS C200 4K Digital Film Camera","description":"\u003cp\u003eТози комплект EOS C200 EF и обектив Canon EF 24-105mm f \/ 4L IS II USM.\u003cbr \/\u003e\r\nКамерата може да записва и записва DCI 4K вътрешно като Cinema RAW Lite на Canon чрез слот за CFast 2.0. Две вградени слота за SD карти позволяват запис на 4K UHD и Full HD като MP4. Включените принадлежности са ръкохватка, 4 \u0026quot;сензорен LCD визьор, който поддържа\u0026quot; Tap Focusing \u0026quot;и допълва вградения EVF на фотоапарата.\u003c\/p\u003e\r\n\r\n\u003cp\u003eЦифровият обектив от 24 до 105 мм покрива пълноформатни сензори, така че няма да имате винетиране при Super-35mm сензор на C200. Обективът разполага с Ultrasonic Motor AF система и вградена оптична стабилизация на изображението. Можете ръчно да забраните автоматичния фокус във всеки AF режим, а блендата с 10 ламела създава естествено пресъздаване на изображението. Прахоустойчива и водоустойчива конструкция защитава обектива и вашите изображения.\u003c\/p\u003e\r\n\r\n\u003cp\u003eЗаснемащ сензор\u003cbr \/\u003e\r\nСензор\u003cbr \/\u003e\r\nSuper 35\u003c\/p\u003e\r\n\r\n\u003cp\u003eRGB Primary Colour филтър (решетка на Bayer)\u003cbr \/\u003e\r\nОбщ брой пиксели за сензор\u003cbr \/\u003e\r\nПриблиз. 9,84 мегапиксела (4206 x 2340)\u003cbr \/\u003e\r\nБрой ефективни пиксели за сензор\u003cbr \/\u003e\r\nПриблиз. 8,85 мегапиксела (4096 x 2160): Когато е избрана резолюция 4096 x 2160 или 2048 x 1080\u003cbr \/\u003e\r\nПриблиз. 8,29 мегапиксела (3840 x 2160): Когато е избрана резолюция 3840 x 2160 или 1920 x 1080\u003cbr \/\u003e\r\nСъотношение сигнал\/шум\u003cbr \/\u003e\r\n50,00 Hz режим: 53 dB (типичен)\u003cbr \/\u003e\r\n[3840x2160\/25,00, Canon Log 3 базова чувствителност ISO800 (динамичен диапазон 1600%), HDMI изход]\u003cbr \/\u003e\r\nДинамичен диапазон\u003cbr \/\u003e\r\n15 стъпки (Cinema RAW Light1), 13 стъпки (MP4\/Canon Log3)\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon EF байонет за обективи\u003cbr \/\u003e\r\nКоефициент на увеличение на обектива (за обективи с EF гнездо, вкл. обективи Cinema с фиксирано фокусно разстояние)\u003cbr \/\u003e\r\nПри резолюция 4096 x 2160 или 2048 x 1080: действително фокусно разстояние x прибл. 1,460\u003cbr \/\u003e\r\nПри резолюция 3840 x 2160 или 1920 x 1080: действително фокусно разстояние x прибл. 1,534\u003cbr \/\u003e\r\nГнездо за сменяеми обективи\u003cbr \/\u003e\r\nДа, смяната на гнездото с PL гнездо е възможна в сервизен център на Canon (платена услуга)\u003cbr \/\u003e\r\nКорекция на винетирането на обектива\u003cbr \/\u003e\r\nДа, със съвместими обектив\u003cbr \/\u003e\r\nND филтър - Изкл., 2, 4, 6, 8, 10 стъпки\u003cbr \/\u003e\r\nРъчно чрез обектива, Ръчно чрез RC-V100 автоматичен фокус (Dual Pixel AF приблизително 80% (верт.), 80% (хориз.)\u003cbr \/\u003e\r\nКонтрол на диафрагмата\u003cbr \/\u003e\r\nРъчно чрез тялото на камерата или RC-V100, фино, през 1\/2 или 1\/3 стъпки, Авто (със съвместими обективи), бутон за автоматична настройка на диафрагма\u003cbr \/\u003e\r\nСистема за стабилизиране на образа\u003cbr \/\u003e\r\nЗависи от използвания обектив\u003cbr \/\u003e\r\nЗапис\u003cbr \/\u003e\r\nОпции за запис в RAW формат\u003cbr \/\u003e\r\nRAW (Cinema RAW Light 2, 3)\u003cbr \/\u003e\r\nВътрешен запис\u003cbr \/\u003e\r\nCinema RAW Light 4, 5, MP4, XF-AVC6\u003cbr \/\u003e\r\nВреме за запис (карта CFast 2.0\u0026trade;)\u003cbr \/\u003e\r\n128 GB карта 15 минути (4K Cinema RAW Light 1 Gbps VBR)\u003cbr \/\u003e\r\nВреме за запис (SD карта)\u003cbr \/\u003e\r\n128 GB карта 110 минути (MP4, 150 Mbps), 485 минути (MP4, 35 Mbps)\u003cbr \/\u003e\r\n128 GB карта 105 минути (XF-AVC7, 160 Mbps), 375 минути (XF-AVC8, 45 Mbps)\u003cbr \/\u003e\r\nФормати на запис\u003cbr \/\u003e\r\nCinema RAW Light 9, 10 (CFast 2.0\u0026trade;), MP4\/XF-AVC11 (SD карта)\u003cbr \/\u003e\r\nКадрова честота на запис\u003cbr \/\u003e\r\n(1) Режим 59,94 Hz (59,94 P\/29,97 P\/23,98 P)\u003cbr \/\u003e\r\n(2) Режим 50,00 Hz (50,00 P\/25,00 P)\u003cbr \/\u003e\r\n(3) Режим 24,00 Hz (24,00 P)\u003cbr \/\u003e\r\nСкорост на затвора\u003cbr \/\u003e\r\nПрез 1\/3 стъпка: 1\/1, 1\/1,26, 1\/1,59, ---, 1\/1600, 1\/2000 (общо 34 настройки)\u003cbr \/\u003e\r\nПрез 1\/4 стъпка: 1\/1, 1\/1,19, 1\/1,41, 1,68 ---, 1\/1700, 1\/2000 (общо 45 настройки).\u003cbr \/\u003e\r\nНай-ниската светлочувствителност ще се различава в зависимост от настройката на кадровата честота.\u003cbr \/\u003e\r\nЪгъл на затвора\u003cbr \/\u003e\r\n360,00, 240,00, 180,00, 120,00, 90,00, 60,00, 45,00, 30,00, 22,50, 15,00, 11,25\u003cbr \/\u003e\r\nИзбираеми са също и ъглови стойности, еквивалентни на 1\/120, 1\/60, 1\/40, 1\/30, 1\/100, 1\/50, 3\/100 и 1\/25 в минимален диапазон на ъгъла от 360\u0026deg;.\u003cbr \/\u003e\r\nНиска скорост на затвора (SLS)\u003cbr \/\u003e\r\n59,94 (i\/P): 1\/4, 1\/8, 1\/15, 1\/30\u003cbr \/\u003e\r\nПри зададена кадрова честота 29,97 P: 1\/4, 1\/8, 1\/15\u003cbr \/\u003e\r\n24,00 P или 23,98 P: 1\/3, 1\/6, 1\/12\u003cbr \/\u003e\r\nЯсно сканиране\u003cbr \/\u003e\r\n24,00 Hz* до 250,40 Hz\u003cbr \/\u003e\r\n(*) Честотата ще се различава в зависимост от настройката за кадрова честота.\u003cbr \/\u003e\r\nПерсонализирани настройки на изображението\u003cbr \/\u003e\r\nЗапаметени конфигурации\u003cbr \/\u003e\r\nФИКС. НАСТРОЙКА: Canon Log 3\/Canon Log \/BT.709\/Off\u003cbr \/\u003e\r\nГАМА: Canon Log 3\/Canon Log\/Wide DR\/Normal 1 (Standard)\/Normal 2 (x4.0)\/Normal 3 (BT.709)\/Normal 4 (x5.0)\u003cbr \/\u003e\r\nЦВЕТОВА МАТРИЦА: Neutral\/Production Camera\/Cinema EOS\/Original\/Video\/Off\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53584912941393,"sku":"2215C003AA","price":4089.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/33p0XJmbyGYZxFArFhVrugtKEU0oNfiQ.jpg?v=1776788359"},{"product_id":"blackmagic-ursa-mini-pro-4-6k-g2-dighitalna-filmova-kino-i-broudkast-kamiera","title":"Blackmagic URSA Mini Pro 4.6K G2","description":"\u003cp\u003e\u003cstrong\u003eNext generation URSA Mini\u0026nbsp;Pro with Super\u0026nbsp;354.6K\u0026nbsp;HDR image sensor, 15\u0026nbsp;stops of dynamicrange and high frame rate shooting up to 300\u0026nbsp;fps!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There\u0026rsquo;s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that\u0026rsquo;s far superior to broadcast cameras costing ten times more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamera Features\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eEffective Sensor Size\u003c\/li\u003e\r\n\t\u003cli\u003e25.34mm x 14.25mm (Super35)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eEF mount included. Interchangeable with optional PL, B4 and\u0026nbsp;F lens mounts.\u003c\/li\u003e\r\n\t\u003cli\u003eLens Control\u003c\/li\u003e\r\n\t\u003cli\u003eElectronic control via EF mount pins or 12pin broadcast connector for compatible\u0026nbsp;lenses\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e15\u0026nbsp;Stops.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eShooting Resolutions\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4608 x 2592,\u0026nbsp;4608 x 1920\u0026nbsp;(4.6K 2.40:1),4096 x 2304\u0026nbsp;(4K\u0026nbsp;16:9),\u003c\/li\u003e\r\n\t\u003cli\u003e4096 x 2160\u0026nbsp;(4K\u0026nbsp;DCI),\u003c\/li\u003e\r\n\t\u003cli\u003e3840 x 2160\u0026nbsp;(Ultra\u0026nbsp;HD),\u003c\/li\u003e\r\n\t\u003cli\u003e3072 x 2560\u0026nbsp;(3K\u0026nbsp;Anamorphic),\u003c\/li\u003e\r\n\t\u003cli\u003e2048 x 1152\u0026nbsp;(2K 16:9),\u003c\/li\u003e\r\n\t\u003cli\u003e2048 x 1080\u0026nbsp;(2K\u0026nbsp;DCI),\u003c\/li\u003e\r\n\t\u003cli\u003e1920 x 1080\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eFrame Rates\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60\u0026nbsp;fps\u0026nbsp;supported.\u003c\/li\u003e\r\n\t\u003cli\u003eHigh Speed Frame Rates\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 8:1\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4.6K Full - Up to 120\u0026nbsp;fps\u003c\/li\u003e\r\n\t\u003cli\u003eUHD Windowed - Up to 150\u0026nbsp;fps\u003c\/li\u003e\r\n\t\u003cli\u003eHD Windowed - Up to 300\u0026nbsp;fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eProRes 422 HQ\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4.6K Full - Up to 80\u0026nbsp;fps\u003c\/li\u003e\r\n\t\u003cli\u003eUHD Windowed - Up to 120\u0026nbsp;fps\u003c\/li\u003e\r\n\t\u003cli\u003eHD Windowed - Up to 240\u0026nbsp;fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eBuilt in ND Filters\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFour position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND\u0026nbsp;filters.\u003c\/li\u003e\r\n\t\u003cli\u003eFocus\u003c\/li\u003e\r\n\t\u003cli\u003eFocus button turns on peaking, auto focus available using compatible\u0026nbsp;lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eIris Control\u003c\/li\u003e\r\n\t\u003cli\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video\u0026nbsp;mode.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eScreen Dimensions\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4 inch\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Type\u003c\/li\u003e\r\n\t\u003cli\u003eLCD capacitive touchscreen.\u003c\/li\u003e\r\n\t\u003cli\u003eMetadata Support\u003c\/li\u003e\r\n\t\u003cli\u003eAutomatically populated lens data from electronic EF, B4 and i\/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special\u0026nbsp;notes.\u003c\/li\u003e\r\n\t\u003cli\u003eControls\u003c\/li\u003e\r\n\t\u003cli\u003eTouchscreen menus on 4 inch screen. Push buttons for other controls. 2\u0026nbsp;assignable shortcut\u0026nbsp;keys.\u003c\/li\u003e\r\n\t\u003cli\u003eTimecode Clock\u003c\/li\u003e\r\n\t\u003cli\u003eHighly accurate timecode clock. Less than 1 frame drift every 8\u0026nbsp;hours.\u003c\/li\u003e\r\n\t\u003cli\u003eConnections\u003c\/li\u003e\r\n\t\u003cli\u003eTotal Video Inputs\u003c\/li\u003e\r\n\t\u003cli\u003e1 x SDI\u003c\/li\u003e\r\n\t\u003cli\u003eTotal Video Outputs\u003c\/li\u003e\r\n\t\u003cli\u003e1 x SDI, 1 x SDI Monitoring.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Rates\u003c\/li\u003e\r\n\t\u003cli\u003e1.5G, 3G, 6G, 12G.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eAnalog Audio Inputs\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e2 x XLR analog switchable between mic, line and AES audio. Phantom power\u0026nbsp;support.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Outputs\u003c\/li\u003e\r\n\t\u003cli\u003e1 x 3.5mm headphone jack, supports iPhone microphone for\u0026nbsp;talkback.\u003c\/li\u003e\r\n\t\u003cli\u003eReference Inputs\u003c\/li\u003e\r\n\t\u003cli\u003eTri-Sync\/Black Burst\/Timecode.\u003c\/li\u003e\r\n\t\u003cli\u003eRemote Control\u003c\/li\u003e\r\n\t\u003cli\u003e2 x 2.5mm LANC input for Rec Start\/Stop, plus Iris and Focus control using compatible\u0026nbsp;lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface\u003c\/li\u003e\r\n\t\u003cli\u003eUSB Type-C 3.1 Gen 1 for external drive recording and software updates.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic URSA Mini Pro 4.6K G2\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicursaminipro\/techspecs\/connections\/blackmagic-ursa-mini-pro-46k-g2.png?_v=1553138033\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt in Speaker\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandards\u003c\/p\u003e\r\n\r\n\u003cp\u003eSD Video Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHD Video Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003e1080p23.98,\u0026nbsp;1080p24,\u0026nbsp;1080p25,\u0026nbsp;1080p29.97,1080p30,\u0026nbsp;1080p50,\u0026nbsp;1080p59.94,\u0026nbsp;1080p60,\u0026nbsp;1080i50,1080i59.94,\u0026nbsp;1080i60\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra HD Video Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003e2160p23.98,\u0026nbsp;2160p24,\u0026nbsp;2160p25,\u0026nbsp;2160p29.97,2160p30,\u0026nbsp;2160p50,\u0026nbsp;2160p59.94,\u0026nbsp;2160p60\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Compliance\u003c\/p\u003e\r\n\r\n\u003cp\u003eSMPTE 292M, SMPTE 424 Level\u0026nbsp;B,\u0026nbsp;SMPTE 2081-1,\u0026nbsp;SMPTE 2082-1\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Audio Sampling\u003c\/p\u003e\r\n\r\n\u003cp\u003e48 kHz and 24\u0026nbsp;bit\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x CFast 2.0 card slots, 2 x SD UHS-II card slots,\u0026nbsp;1 x USB-C 3.1 Gen\u0026nbsp;1 expansion port for external media for Blackmagic RAW and ProRes\u0026nbsp;recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/support\/faq\/59015\"\u003ePlease click here for a summary of compatible\u0026nbsp;media.\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac) or\u0026nbsp;HFS+ (Mac)\u0026nbsp;file\u0026nbsp;systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported Codecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eCodecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW\u0026nbsp;Constant Bitrate 3:1,\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Constant Bitrate 5:1,\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Constant Bitrate 8:1,\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Constant Bitrate 12:1,\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Constant Quality Q0,\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Constant Quality Q5,\u003cbr \/\u003e\r\nApple ProRes XQ QuickTime,Apple ProRes 444 QuickTime,\u003cbr \/\u003e\r\nApple ProRes 422 HQ QuickTime,Apple ProRes 422 QuickTime,\u003cbr \/\u003e\r\nApple ProRes 422 HQ QuickTime,Apple ProRes 422 LT QuickTime\u0026nbsp;and Apple ProRes 422 Proxy QuickTime.\u003c\/p\u003e\r\n\r\n\u003cp\u003eControl\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic SDI Control Protocol, iPad control, Bluetooth control,\u0026nbsp;2 x 2.5mm\u0026nbsp;LANC for lens and record\u0026nbsp;control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Corrector\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Corrector\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci YRGB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTalkback and Tally\u003c\/p\u003e\r\n\r\n\u003cp\u003eTalkback\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Channels 15\/16 and iPhone headset.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLive Tally Indicator\u003c\/p\u003e\r\n\r\n\u003cp\u003eTally on LCD, URSA Viewfinder and URSA Studio Viewfinder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Type\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x CFast 2.0\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x SD UHS-II cards\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x high speed USB-C expansion port for external\u0026nbsp;media.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage rates based on 30 frames per\u0026nbsp;second.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e4608 x 2592\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW\u0026nbsp;3:1 - 183 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;5:1 - 110 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;8:1 - 68 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;12:1 - 46 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Q0 - 110 to 274 MB\/s *\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Q5 - 27 to 78 MB\/s **\u003cbr \/\u003e\r\nApple ProRes XQ - 360 MB\/s\u003cbr \/\u003e\r\nApple ProRes 444 - 238 MB\/s\u003cbr \/\u003e\r\nApple ProRes HQ - 158 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 106 MB\/s\u003cbr \/\u003e\r\nApple ProRes LT - 73.5 MB\/s\u003cbr \/\u003e\r\nApple ProRes Proxy - 32.3 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840 x 2160\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW\u0026nbsp;3:1 - 127 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;5:1 - 76 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;8:1 - 48 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;12:1 - 32 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Q0 - 76 to 191 MB\/s *\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Q5 - 19 to 55 MB\/s **\u003cbr \/\u003e\r\nApple ProRes XQ - 250 MB\/s\u003cbr \/\u003e\r\nApple ProRes 444 - 165 MB\/s\u003cbr \/\u003e\r\nApple ProRes HQ - 110 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 73.6 MB\/s\u003cbr \/\u003e\r\nApple ProRes LT - 51 MB\/s\u003cbr \/\u003e\r\nApple ProRes Proxy - 22.4 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW\u0026nbsp;3:1 - 33 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;5:1 - 20 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;8:1 - 12 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;12:1 - 8 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Q0 - 20 to 49 MB\/s *\u003cbr \/\u003e\r\nBlackmagic RAW\u0026nbsp;Q5 - 5 to 14 MB\/s **\u003cbr \/\u003e\r\nApple ProRes XQ - 62.5 MB\/s\u003cbr \/\u003e\r\nApple ProRes 444 - 41.25 MB\/s\u003cbr \/\u003e\r\nApple ProRes HQ - 27.5 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 18.4 MB\/s\u003cbr \/\u003e\r\nApple ProRes LT - 12.75 MB\/s\u003cbr \/\u003e\r\nApple ProRes Proxy - 5.6 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecording Formats\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Q0, Q5, 3:1, 5:1, 8:1 and 12:1 at4608 x 2592,\u0026nbsp;4608 x 1920,\u0026nbsp;4096 x 2304,4096 x 2160,\u0026nbsp;3840 x 2160,\u0026nbsp;3072 x 2560,2048 x 1152,\u0026nbsp;2048 x 1080\u0026nbsp;and 1920 x 1080\u0026nbsp;with film, extended video or video dynamic\u0026nbsp;range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProRes at\u0026nbsp;4608 x 2592,\u0026nbsp;4608 x 1920,\u0026nbsp;4096 x 2304,4096 x 2160,\u0026nbsp;3840 x 2160,\u0026nbsp;3072 x 2560,2048 x 1152,\u0026nbsp;2048 x 1080\u0026nbsp;and 1920 x 1080\u0026nbsp;with film, extended video or video dynamic\u0026nbsp;range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e*\u0026nbsp;Constant Quality setting Q0 storage rates quoted are indicative only, based on\u0026nbsp;a 2:1 - 5:1\u0026nbsp;compression\u0026nbsp;range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e**\u0026nbsp;Constant Quality setting Q5 storage rates quoted are indicative only, based on\u0026nbsp;a 7:1 - 20:1\u0026nbsp;compression\u0026nbsp;range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eActual storage rates are entirely dependent on image subject\u0026nbsp;matter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW QuickLook\u0026nbsp;Plugin\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Systems\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Mac icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-mac-catalina.jpg?_v=1571631281\" style=\"height:96px; width:96px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMac 10.14 Mojave,\u003cbr \/\u003e\r\nMac 10.15 Catalina or\u0026nbsp;later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Windows Icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-windows-10.png?_v=1460999806\" style=\"height:97px; width:90px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWindows 8.1 and 10.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Requirements\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x External 12V power supply. 12\u0026nbsp;pin Molex connector for rear battery\u0026nbsp;plate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Power Input\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 4 pin XLR port for external power or battery\u0026nbsp;use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 12 pin Molex connector on rear battery\u0026nbsp;plate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCustom V-mount battery plate with D-tap +12V regulated output from\u0026nbsp;camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower\u003c\/p\u003e\r\n\r\n\u003cp\u003eRear camera mount compatible with industry standard\u0026nbsp;V-mount\u0026nbsp;or gold mount battery\u0026nbsp;plates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptional Accessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro PL, EF, B4 and F\u0026nbsp;Mounts\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro Shim\u0026nbsp;Kit\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Shoulder Kit including top handle and extender\u0026nbsp;arm\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Viewfinder\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Studio Viewfinder\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini SSD\u0026nbsp;Recorder\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA VLock Battery\u0026nbsp;Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Gold Battery\u0026nbsp;Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Mic\u0026nbsp;Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Top Handle\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Handgrip\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Fiber\u0026nbsp;Converter\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhysical Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic URSA Mini Pro 4.6K G2\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicursaminipro\/techspecs\/physical-specifications\/blackmagic-ursa-mini-pro-46k-g2-imperial.jpg?_v=1549927515\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnvironmental Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg; to 40\u0026deg;C (32\u0026deg; to 104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg; to 45\u0026deg;C (-4\u0026deg; to 113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhat\u0026#39;s Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro 4.6K G2 body\u003c\/p\u003e\r\n\r\n\u003cp\u003eTurret dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003eEF lens mount\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower supply\u003c\/p\u003e\r\n\r\n\u003cp\u003eSD card with software and\u0026nbsp;manual\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio with activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eDIGITAL FILM QUALITY FOR EVERY PROJECT -\u0026nbsp;THE PERFECT CAMERA FOR DIGITAL FILM, BROADCAST, LIVE PRODUCTION AND MORE:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro cameras are \u0026ldquo;three cameras in one\u0026rdquo; because they combine high end digital film quality with the features and controls broadcasters need. They\u0026rsquo;re ideal for any kind of work from high end feature films, television shows and commercials, toindependent films, broadcast news, and even studio and live production. URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide colour gamut and Blackmagic Design Generation 4 colour science give you incredibly accurate skin tones andstunning, lifelike colour so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera. Whether you\u0026rsquo;re on set, onlocation or shooting run and gun, URSA Mini Pro has theimage quality and features you need to work on any typeof project.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTHREE INCREDIBLE MODELS; CHOOSE URSA MINI 4K, URSA MINI 4.6K OR URSA MINI PRO 4.6K G2:\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. URSA Mini Pro 4.6K G2 adds built in ND filters, an interchangeable lens mount, dual CFast and UHS-II SD card recorders, and a massive set of broadcast features and external controls. URSA Mini Pro 4.6K G2 is the ultimate high end digital film camera with second generation electronics, a high frame rate image sensor, and a USB-C for recording directly to external drives.\u003c\/p\u003e\r\n\r\n\u003cp\u003eREVOLUTIONARY URSA DESIGN - BIG CAMERA FEATURES THAT ARE FAST TO USE IN A LIGHTWEIGHT, PORTABLE DESIGN:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere. Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It\u0026rsquo;s a true professional camera with full redundancy on every control, eventhe power switch. Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder. There\u0026rsquo;s an external high visibility backlit LCD status display so you can see critical shooting information, and a 4\u0026rdquo; foldout touch screen for reviewing shots. That means you don\u0026rsquo;t have tocarry an extra on‑set monitor. You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBUILT IN ND FILTERS - HIGH QUALITY NEUTRAL DENSITY FILTERS WITH IR COMPENSATION:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colourimetry and colour science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFAMILIAR BROADCAST CONTROL - QUICKLY CHANGE SETTINGS WITHOUT TAKING THE CAMERA OFF YOUR SHOULDER:\u003c\/p\u003e\r\n\r\n\u003cp\u003eLike the world\u0026rsquo;s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you\u0026rsquo;ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eINTERCHANGEABLE LENS MOUNTS - COMPATIBLE WITH EF, PL, B4 AND F MOUNT LENSES:\u003c\/p\u003e\r\n\r\n\u003cp\u003eDifferent projects require different lenses, whichiswhy URSA Mini Pro models feature an interchangeable lensmount. Imagine shooting regular work using a photography lens but then being able to change to aPLmount cinema lens ifyou get a high end film job. URSA Mini Pro makesthat easy because you can quickly switch betweenEF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF or F mount photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera. URSA Mini Pro comes standard with an EF mount. Additional optional PL, B4 and F lens mounts can be purchased separately. With URSA Mini Pro, yougeta single camera that works with virtually all professional lenses so you can choose precisely the lens you need.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBACKLIT STATUS DISPLAY - SEE CRITICAL SHOOTING INFORMATION IN BRIGHT DAYLIGHT:\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe status display is a high visibility backlit LCD screen that\u0026rsquo;s designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. Italso features a battery indicator, card recording status and audio meters for monitoring levels. The screen\u0026rsquo;s backlight can be turned on when you\u0026rsquo;re shooting in dimly lit locations, and off when you\u0026rsquo;re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCINEMATIC 4.6K SENSOR - CAPTURE INCREDIBLE DIGITAL FILM IMAGES WITH 15 STOPS OF DYNAMIC RANGE:\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film. You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K. The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro models perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better colour fidelity. You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don\u0026rsquo;t need the performance and are on a tighter budget.\u003c\/p\u003e\r\n\r\n\u003cp\u003eADVANCED COLOURIMETRY - SUPER WIDE COLOUR GAMUT AND PRECISION COLOUR SCIENCE:\u003c\/p\u003e\r\n\r\n\u003cp\u003e#URSA Mini Pro models feature an incredibly wide colour gamut that captures more of the visible colour spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema colour space. Blackmagic Design Generation 4 colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and enormous amounts of dynamic range. Whether you\u0026rsquo;re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro\u0026rsquo;s combination of resolution, dynamic range and colour gamut delivers amazingly rich and lifelike images.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHIGH FRAME RATE RECORDING - CAPTURE THE ACTION AT UP TO 300 FRAMES PER SECOND:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera\u0026rsquo;s body lets you quickly switch between your preset high frame rate and regular frame rate shooting. When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNON STOP RECORDING - WORKS WITH BOTH CFAST AND SD CARD MEDIA:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro models feature both dual CFast 2.0 recorders and dual UHS‑II SD card recorders so you can choose the media that works best for you. CFast cards are ideal for full resolution Blackmagic RAW 12-bit recording, while SD UHS‑II cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 5:1, 8:1 or 12:1 files. URSA Mini Pro 4.6K G2 also features a USB‑C connection so you can connect and record directly to portable SSD drives. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, you never haveto stop recording because when the first card is full, itautomatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBLACKMAGIC URSA MINI SSD RECORDER - RECORD ONTO 2.5 INCH SSD MEDIA:\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optional Blackmagic URSA Mini SSD Recorder lets you record 12-bit Blackmagic RAW files onto standard 2.5 inch SSD Media with your URSA Mini orURSA Mini Pro cameras. That means you can use commonly available and inexpensive high capacity solid state media. Unlike other types of cards, SSD media is super fast so you can record fullresolution 4K and 4.6K 12-bit Blackmagic RAW files. Plus,SSD media comes in much larger sizes so you can record longer without having to change cards. The unique design of the Blackmagic URSA Mini SSD Recorder allows itto attach directly to the back of your URSA Mini or URSA Mini Pro between the camera and the battery. It uses 6G-SDI as a data link to the camera so you don\u0026rsquo;t have to worry about starting or stopping the SSD recorder. Everything is setup and controlled directly from the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEXPANSION PORT - HIGH SPEED USB-C CONNECTION FOR DIRECT EXTERNAL RECORDING:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you\u0026rsquo;re done shooting you can use the same drive for editing and post production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBUILT IN MONITORING - FOLD OUT TOUCH SCREEN FOR MONITORING AND CAMERA CONTROL:\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro models and the 5 inch fold out touchscreen on URSA Mini 4K and 4.6K are super bright, high resolution colour displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set. The screen can also show you a \u0026ldquo;heads up display\u0026rdquo; overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audiometers. The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eADVANCED URSA MINI SOFTWARE - INCREDIBLY FAST SOFTWARE WITH REVOLUTIONARY NEW USER INTERFACE:\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll URSA Mini cameras feature a new user interfacethat revolutionises the way you work. The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super fast software with aunique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen iconto make changes for things such as audio levels, whitebalance, shutter angle and more. You\u0026rsquo;ll instantly see sliders and controls formaking adjustments without ever having to navigate through any menus. The new digital slate makes entering metadata faster than ever before witha built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBLUETOOTH\u0026reg; CAMERA CONTROL - NEW API LETS YOU CREATE REMOTE CAMERA CONTROL APPS:\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll URSA Mini Pro cameras feature built in Bluetooth that allows you to send and receive commands from up to 30 feet away. Blackmagic Design has also published a new, open protocol and developer API, along with sample code for an iPad app that can control URSA Mini Pro. Now you can create your own remote camera control solutions, digitalslate applications, remote colour correction software and more. The possibilities are endless and this technology will enable entirely new workflows that were never before possible. Imagine building an app that can jam sync timecode and trigger all cameras to record to their internal media with matching metadata, all at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHIGHLY CUSTOMISABLE - FLEXIBLE ENOUGH TO BE RIGGED FOR ANY PRODUCTION:\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini cameras are completely customisable so you can create a rig that\u0026rsquo;s built specifically for your production. You can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder, URSA Mini Shoulder Kit and URSA Mini Mic Mount, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard \u0026frac14;\u0026rdquo; threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod aswell as add accessories such as rails, sliders, matteboxes, microphones, ring lights, batteries and more. Whether you\u0026rsquo;re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHIGH RESOLUTION VIEWFINDER - FULL HD DISPLAY AND GLASS OPTICS MAKES PRECISE FOCUS EASY:\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 colour OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there\u0026rsquo;s a built in sensor so the OLED only turns on when you\u0026rsquo;re looking through the viewfinder. TheBlackmagic URSA Viewfinder is adjustable so it can be used on both the left or the right eye. There\u0026rsquo;s even a built in record light.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBLACKMAGIC URSA STUDIO VIEWFINDER - TURN URSA MINI INTO A TRUE PROFESSIONAL STUDIO CAMERA:\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7\u0026rdquo; screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder\u0026rsquo;s position and angle, even while you\u0026rsquo;re live on air. The control knobs and buttons give you direct control of settings so you can keep your eye on the action. Combined with the software for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live production camera. You get support for talkback, tally, and program return, along with remote control of focus, iris,colour balance and more, all from your ATEM Switcher.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePROFESSIONAL CONNECTIONS - FULL SIZE, DURABLE CONNECTIONS THAT WORK WITH STANDARD CABLES:\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro models feature multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hirose control connector for broadcast lenses. There\u0026rsquo;s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The12G‑SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eADVANCED 12G‑SDI - WORK WITH ALL FORMATS UP TO 2160P60 OVER A SINGLE CABLE:\u003c\/p\u003e\r\n\r\n\u003cp\u003e12G‑SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable. The high quality BNC connections are multi rate so it can automatically switch and work with 6G‑SDI, 3G‑SDI, and regular HD‑SDI equipment. That means URSA Mini Pro and URSA Mini cameras are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on set monitors, decksand more.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePROFESSIONAL AUDIO - BUILT IN PRODUCTION QUALITY SOUND RECORDING:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro models have a high quality microphone and professional audio recorder built right in so you don\u0026rsquo;t have to carry around extra sound equipment. Use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly adjust levels using the external knobs and monitor audio using the onscreen audio meters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDIGITAL SLATE - EMBEDDED METADATA, STORE LOCATION, CAMERA ORIENTATION, SCENE DETAILS AND MORE:\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don\u0026rsquo;t have to worry about managing extra files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, searchand find the clips you need so you can spend more time on creative editing and less time managing mountains of media.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFLEXIBLE POWER - COMPATIBLE WITH INDUSTRY STANDARD BATTERIES AND POWER:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 20V external power supplies. That means it\u0026rsquo;s easy to use thecamera with all of your existing power supplies and batteries. All URSA cameras use the same battery power connector and mounting points on the rear of the camera soyou can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.\u003c\/p\u003e\r\n\r\n\u003cp\u003eINCLUDES DAVINCI RESOLVE STUDIO - PROFESSIONAL EDITING, VISUAL EFFECTS, COLOUR CORRECTION AND AUDIO POST:\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll URSA cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world\u0026rsquo;s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you\u0026#39;ll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you\u0026rsquo;re working on major Hollywood feature films, episodic television productions, musicvideos, commercials or even the latest YouTube shoot,DaVinci Resolve Studio gives you a completelylossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOPTIONAL SHOULDER MOUNT KIT - FROM TRIPOD TO SHOULDER AND BACK IN SECONDS:\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini cameras include multiple \u0026frac14; inch mount points on the bottom so you can attach it directly to any tripod. When you need to quickly move from tripod to handheld and back, the best solution is to use the optional Blackmagic URSA Mini Shoulder Kit. Thiskit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. The kit also includes a top handle for carrying the camera and attaching accessories.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53584916742481,"sku":"CINEURSAMUPRO46KG2","price":6479.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/X51M46cEUYaGfKKxKVWoQvNBrzxFJ7X9.jpg?v=1776788159"},{"product_id":"sony-pxw-fs7m2-super-35mm-dighitalna-kino-kamiera","title":"Sony PXW-FS7M2Super 35mm Cinema Camera","description":"\u003cp\u003eExpanding on the original FS7, \u003cstrong\u003eSony\u0026#39;s PXW-FS7M2 XDCAM Super 35 Camera System\u003c\/strong\u003e is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as \u0026quot;Cin\u0026eacute;ma V\u0026eacute;rit\u0026eacute;\u0026quot;-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nJust behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThe camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera\u0026#39;s functions and features an adjustable length support arm.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSignal Processing\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with YCbCr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLocking E-Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nIt accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic Variable ND\u003c\/p\u003e\r\n\r\n\u003cp\u003eBehind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nAdditionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMagnesium Construction\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator\u0026#39;s shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSmartGrip\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start\/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRedesigned Viewfinder and Mic Holder Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nIn addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInternal Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia Card Slots\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGenlock and Timecode\u003c\/p\u003e\r\n\r\n\u003cp\u003eGenlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003emage Sensor\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eImage Sensor Size\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eSuper35\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eSensor Type\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eCMOS\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eSensor Resolution\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eEffective: 4096 x 2160\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eGain\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e-3 to 18 dB\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e57 dB\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003eCamera\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eLens Mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eSony E-Mount\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eShutter Speed\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1\/3 to 1\/9000 sec\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eMechanical Filter Wheel with 2 Stop (1\/4), 4 Stop (1\/16), 6 Stop (1\/64) ND Filters\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eRecording Media\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003e2 x \u003c\/strong\u003eXQD Card Slots\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003e1 x \u003c\/strong\u003eSD Card Slot\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003eInternal Recording\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eRecording Modes\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eXAVC-I 4:2:2 10-Bit:\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t3840 x 2160p at 23.98\/25\/29.97\/50\/59.94 fps (240 to 600 MB\/s)\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003eXAVC-L 4:2:0 8-Bit:\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t3840 x 2160p at 23.98\/25\/29.97\/50\/59.94 fps (100 to 150 MB\/s)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eGamma Curve\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eSony S-Log 3\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAudio Recording\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e4-Channel 24-Bit 48 kHz\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003eExternal Recording\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eRaw Output\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003eSDI\/BNC:\u003c\/strong\u003e\u003cbr \/\u003e\r\n\t\t\t4096 x 2160 12-Bit\u003cbr \/\u003e\r\n\t\t\t2048 x 1920 12-Bit\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003eInterfaces\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eVideo Connectors\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003e2 x \u003c\/strong\u003eBNC (3G-SDI) Output\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003e1 x \u003c\/strong\u003eHDMI (HDMI 2.0) Output\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eOther I\/O\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm LANC Control Input\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003e1 x \u003c\/strong\u003eUSB Mini-B Data Input\/Output\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm LANC Control Input\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003eDisplay\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eScreen Size\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e3.5\u0026quot;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eScreen Resolution\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1,560,000 Dots\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003ePower\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eBattery Type\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003eSony BP-U Series\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003ePower Connectors\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003e1 x \u003c\/strong\u003eBarrel Input\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003ePower Consumption\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e19 W\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003eEnvironmental\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eOperating Temperature\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e32 to 104\u0026deg;F \/ 0 to 40\u0026deg;C\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eStorage Temperature\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e-4 to 140\u0026deg;F \/ -20 to 60\u0026deg;C\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003eGeneral\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eAccessory Mount\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cstrong\u003e1 x \u003c\/strong\u003eMulti-Interface Shoe\u003cbr \/\u003e\r\n\t\t\t\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\u0026quot;-20 Female\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eDimensions\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e6.14 x 9.41 x 9.72\u0026quot; \/ 156 x 239 x 247 mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eWeight\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e9.9 lb \/ 4.4 kg\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003ePackaging Info\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003ePackage Weight\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e12.65 lb\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e15.7 x 13.5 x 12.5\u0026quot;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53584979951953,"sku":"PXW-FS7M2","price":10736.62,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/bdjEeZiIBhskcECxjgERT1gwA8LaBCDN.jpg?v=1776800736"},{"product_id":"kabiel-canon-video-cable-rr-10-10m","title":"Canon Video cable RR-10 - 10m","description":"\u003cp\u003eEnjoy faster response times and control when using the remote control with a compatible camera and the 8-pin RR-10 cable. Shoot remotely from distances. Enjoy communication speeds, that are faster as well as support for simultaneous operations.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53584992141649,"sku":"1185C001AA","price":280.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/E4gQhAFyyMutsyN8TBwE6YdimYiJT9Ay.jpg?v=1776792248"},{"product_id":"canon-eu-v2-expansion-unit-2-za-c500-mark-ii","title":"Canon EU-V2 Expansion Unit 2 for C500 Mark II","description":"\u003cp\u003eThe \u003cstrong\u003eCanon EU-V2 Expansion Unit 2\u003c\/strong\u003e mounts onto your C500 Mark II camera and provides a V-mount battery mount for power as well as ports that expand the capabilities of your camera. The expansion unit adds five ports: Genlock\/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. This unit expands your C500 Mark II for work as a full-sized production camera, adding two 3-pin XLR connectors for audio input. The V-mount battery plate incorporates a D-Tap output for powering accessories.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThe Genlock\/Sync Out port accepts a genlock signal that slaves your camera to the same time base as the other equipment receiving the genlock signal. The Remote B port allows you to control your camera using RS-422 protocol, while the Ethernet port allows you to connect your camera to a LAN for control and live streaming applications. The DC out port provides power for accessories, while the lens control port allows you to interface with select lenses. The ports have rubber covers to protect the connectors from dust intrusion when not in use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGenlock is the backbone of live\/broadcast production as it ensures that all the production equipment, cameras, and switchers, are running in phase with each other. This prevents jumping images or black frames when switching between sources.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe expansion unit can power its ports as well as your camera via the built-in V-mount. However, you cannot power the adapter from the camera, as the XLR connectors, DC power port, and lens port can only be supplied power from a V-mount battery and not from the camera body.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53584992174417,"sku":"3940C001","price":1840.14,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/JR3uIXTtdTCJOjhJ09PXJyeGK6hZ3xQL.jpg?v=1776788368"},{"product_id":"canon-eos-c300-iii-4k-s35-dighitalna-kino-kamiera-tialo","title":"Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount)","description":"\u003cp\u003eCreate cinema-quality productions with the \u003cstrong\u003eCanon EOS C300 Mark III Digital Cinema Camera\u003c\/strong\u003e, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon\u0026#39;s existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThe sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor\u0026#39;s raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon\u0026#39;s Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nFor more flexibility during post-production, the camera also offers Canon\u0026#39;s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C100 Mark II also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon\u0026#39;s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThe camera features up to 12G-SDI output over a single BNC cable, timecode I\/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3\u0026quot; rotating touchscreen LCD unit with full controls, grip, and thumb rest.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon Super 35 Dual Gain Output (DGO) Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III features Canon\u0026#39;s next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon\u0026#39;s exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDIG!C DV7 Image Processor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III features Canon\u0026#39;s DIG!C DV7 image processor that takes the extensive raw information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Cinema EOS C300 Mark III features Canon\u0026#39;s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera\u0026#39;s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigh Frame Rate; 4K 120p and 2K CROP 180p\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon Log 2 and 3 Gamma\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nCanon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nFor users looking for most of the benefits of Log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModular Design\u003c\/p\u003e\r\n\r\n\u003cp\u003eA new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1\/3 to 1\/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nIn addition to the conventional Intra-based XF-AVC codecs, a 4:2:2 10-bit Long GOP-based codec has been added with consideration for a balance of quality and data rates. This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. This new lightweight codec makes it easier for users to reduce media costs and work with cloud-based infrastructures.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThe EOS C300 Mark III Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K and 2K image data to be recorded internally onto CFexpress cards in workflow-efficient file sizes using advanced video compression. Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120 fps and 2K up to 180 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLM-V2 4.3\u0026quot; LCD Touchscreen Monitor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LM-V2 4.3\u0026quot; LCD Monitor is an easy-to-view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interface to make it easy to access and change camera settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4-Channel Audio Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera\u0026#39;s internal microphone, mini mic port, and XLR ports can be assigned to the four different audio channels. With the Expansion Unit EU-V2, a total of four XLR ports are supported. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupport for Custom User LUTs\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsers can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD, and viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUser-Interchangeable Lens Mounts\u003c\/p\u003e\r\n\r\n\u003cp\u003eUser-interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter. The EOS C300 Mark III ships with an EF mount that can be user-swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnamorphic Lens Support\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. Users can achieve the wide cinematic looks, oval bokeh, and striking flares particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProxy Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigher resolution, greater bit depths, and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nCanon\u0026#39;s powerful high-speed DIGIC DV7 image processor makes it possible for the EOS C300 Mark III to simultaneously record 2K Proxy files. Cinema RAW Light can be recorded to the internal CFexpress card, while an XF-AVC 2K 4:2:0 8-bit proxy can be recorded directly to an internal SD card. The C300 Mark III can also apply LUTs to Proxy recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic Image Stabilization\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.\u003c\/p\u003e\r\n\r\n\u003cp\u003e12G-SDI Support\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupport for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRC-V100 Support and LANC Compatible\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS-422) in both expansion unit EU-V1 and EU-V2. Through these connectors, the EOS C300 Mark III can be completely remote-operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53584993222993,"sku":"3795C003AA","price":8369.34,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/wbJ08WAuCkEupCMOwtkvMCFHJpXwD6RH.jpg?v=1776788368"},{"product_id":"blackmagic-ursa-mini-pro-12k-dighitalna-filmova-kino-kamiera","title":"Blackmagic URSA Mini Pro 12K","description":"\u003cp\u003eBlackmagic URSA Mini Pro\u0026nbsp;12K is a\u0026nbsp;revolution in digital film with a\u0026nbsp;12,288\u0026nbsp;x\u0026nbsp;6480 12K Super\u0026nbsp;35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The\u0026nbsp;combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a\u0026nbsp;reality. Oversampling from 12K gives customers the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. Customers can shoot at 60\u0026nbsp;fps in 12K, 110\u0026nbsp;fps in 8K and up to 220\u0026nbsp;fps in 4K Super 16. URSA Mini Pro\u0026nbsp;12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a\u0026nbsp;SuperSpeed USB-C expansion port and\u0026nbsp;more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro\u0026nbsp;12K\u0026rsquo;s extreme resolution goes well beyond traditional motion picture film. Customers get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The\u0026nbsp;incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means customers not only get better color and resolution at 8K, but also a\u0026nbsp;smoothness that comes from making aliasing\u0026nbsp;invisible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic URSA Mini Pro\u0026nbsp;12K features a\u0026nbsp;revolutionary new sensor with a\u0026nbsp;native resolution of 12,288\u0026nbsp;x\u0026nbsp;6480, which is an incredible 80 megapixels per frame. The\u0026nbsp;Super 35 sensor has a\u0026nbsp;superb 14 stops of dynamic range and a\u0026nbsp;native ISO of 800. The\u0026nbsp;new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. Customers can shoot 12K at 60\u0026nbsp;fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110\u0026nbsp;fps without cropping or changing their field of view. URSA Mini Pro\u0026rsquo;s interchangeable lens mount lets customers choose from the widest range of vintage and modern cinema lenses, so customers can capture every ounce of character and detail from their favorite\u0026nbsp;optics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe URSA Mini Pro\u0026nbsp;12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As\u0026nbsp;an incredibly efficient next generation codec Blackmagic RAW lets customers shoot 12K and edit on a\u0026nbsp;laptop, a\u0026nbsp;capability that simply isn\u0026rsquo;t possible with other codecs. The\u0026nbsp;massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It\u0026rsquo;s like a\u0026nbsp;multi camera shoot with only one camera. And\u0026nbsp;it\u0026rsquo;s perfect for great looking vertical and square video, too. The\u0026nbsp;advanced design of the sensor and Blackmagic RAW means that customers can work in any resolution in post production instantly, without rendering, while retaining the full sensor\u0026rsquo;s color\u0026nbsp;accuracy.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOnly Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a\u0026nbsp;reality. Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give customers the best possible images with predictable and consistent file size. Customers can record RAW to two cards simultaneously so customers can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates. Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post\u0026nbsp;production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means customers get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It\u0026nbsp;is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So\u0026nbsp;customers can always work with their camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or\u0026nbsp;8K.\u003cbr \/\u003e\r\n\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Generation 5 Color Science features a\u0026nbsp;new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro\u0026nbsp;12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets customers take advantage of the new film curve even with their existing\u0026nbsp;work.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro\u0026nbsp;12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K. With a\u0026nbsp;massive 80 megapixels per frame at 60\u0026nbsp;fps in RAW customers can capture perfect stills and motion shots in a\u0026nbsp;single camera at the same time. Customers can shoot up to 60\u0026nbsp;fps in 12K 12,288\u0026nbsp;x\u0026nbsp;6480 17:9. For\u0026nbsp;higher frame rates, customers can shoot 110\u0026nbsp;fps at 8192\u0026nbsp;x\u0026nbsp;4320, 140\u0026nbsp;fps at 8192\u0026nbsp;x\u0026nbsp;3408 and even window the sensor to Super 16 to capture 4K at an incredible 220\u0026nbsp;fps at 4096\u0026nbsp;x\u0026nbsp;2160 DCI. URSA Mini Pro\u0026nbsp;12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that customers get smoother edges in 8K and 4K even at lower frame\u0026nbsp;rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro\u0026nbsp;12K is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. Customers get dual built in CFast and UHS-II SD card recorders, and a\u0026nbsp;SuperSpeed USB-C expansion port for recording to fast SATA and NVMe drives. With \u0026quot;Record RAW on 2 Cards\u0026quot; turned on, URSA Mini Pro\u0026nbsp;12K can record simultaneously across two cards up to an incredible 900MB\/s to 2 CFast cards, or an impressive 500MB\/s to 2 UHS-II SD cards. The\u0026nbsp;SuperSpeed USB-C expansion port on the rear can record to USB-C flash storage up to 900MB\/s as a\u0026nbsp;third recording option so customers won\u0026rsquo;t be short of choices for capturing stunning 12K up to 60p or 8K up to\u0026nbsp;110p.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. Customers can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro\u0026nbsp;12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means customers can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The\u0026nbsp;4.6K G2 model features USB-C 3.1 Gen 1 which operates at up to 5\u0026nbsp;Gb\/s, while the new 12K model has a\u0026nbsp;USB-C 3.1 Gen 2 for a\u0026nbsp;blistering 10\u0026nbsp;Gb\/s. Customers can connect and power external flash disks and SSDs or on URSA Mini Pro\u0026nbsp;12K customers can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete customers can simply move the external disk to their computer and start editing from the same disk, eliminating file\u0026nbsp;copying.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro includes a\u0026nbsp;full version of DaVinci Resolve Studio. Customers get the world\u0026rsquo;s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so users will get the best possible post production tools to edit native video from their camera and retain every bit of quality. Whether users are working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives customers a\u0026nbsp;completely lossless workflow for native editing, color correction, effects, audio and\u0026nbsp;delivery.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new Blackmagic URSA Mini Recorder lets customers record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s. This blazing fast performance allows customers longer recording times for full resolution 4K, 8K and 12K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The\u0026nbsp;unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of their URSA Mini Pro between the camera and the battery. It\u0026rsquo;s controlled via the USB-C so customers don\u0026rsquo;t have to worry about manually starting or stopping the SSD\u0026nbsp;recorder.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026quot;With Blackmagic URSA Mini Pro\u0026nbsp;12K we have advanced imaging technology into a\u0026nbsp;new generation where new styles of shooting will be possible\u0026quot;, said Grant Petty, CEO, Blackmagic Design. \u0026quot;Its not just the 12K sensor, but there is so many other innovations in this camera. From the Generation 5 Color Science, the in sensor scaling, new symmetrical color pattern, full RGB quality and of course the 12K resolution, it\u0026#39;s going to be exciting to see what DOPs do creatively with this\u0026nbsp;technology!\u0026quot;\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro\u0026nbsp;12K\u0026nbsp;Features\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e12,288\u0026nbsp;x\u0026nbsp;6480 12K Super 35\u0026nbsp;sensor.\u003c\/li\u003e\r\n\t\u003cli\u003eUse for feature films, VFX and high end\u0026nbsp;TVC\u0026#39;s.\u003c\/li\u003e\r\n\t\u003cli\u003e14 stops of dynamic range and native 800\u0026nbsp;ISO.\u003c\/li\u003e\r\n\t\u003cli\u003eNew Blackmagic RAW for real time 12K\u0026nbsp;editing.\u003c\/li\u003e\r\n\t\u003cli\u003eBlackmagic RAW optimized for Metal, CUDA and\u0026nbsp;OpenCL.\u003c\/li\u003e\r\n\t\u003cli\u003eGeneration 5 Color Science with new film\u0026nbsp;curve.\u003c\/li\u003e\r\n\t\u003cli\u003eShoot up to 60\u0026nbsp;fps in 12K, 110\u0026nbsp;fps at 8K and 220\u0026nbsp;fps at\u0026nbsp;4K.\u003c\/li\u003e\r\n\t\u003cli\u003eDual card CFast recording at up to\u0026nbsp;900MB\/s.\u003c\/li\u003e\r\n\t\u003cli\u003ePL mount included, EF and F mounts\u0026nbsp;available.\u003c\/li\u003e\r\n\t\u003cli\u003eSuperSpeed USB-C for recording to external\u0026nbsp;disks.\u003c\/li\u003e\r\n\t\u003cli\u003eIncludes DaVinci Resolve Studio for post\u0026nbsp;production.\u003c\/li\u003e\r\n\t\u003cli\u003eCompatible with new Blackmagic URSA Mini\u0026nbsp;Recorder.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585008787793,"sku":"CINEURSAMUPRO12K","price":6899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/0PEF0NV7RQ0HIpUTKFZgOs3oxaV1DrQM.jpg?v=1776788157"},{"product_id":"blackmagic-ursa-mini-rkokhvatka","title":"Blackmagic URSA MINI - Handgrip","description":"\u003cp\u003eThe\u0026nbsp;\u003cstrong\u003eBlackmagic Design URSA Mini Handgrip\u003c\/strong\u003e\u0026nbsp;is compatible with all versions of the URSA Mini and URSA Mini Pro cameras. It provides record start\/stop, iris control, and focus control buttons in an ergonomic design with a rubber thumb rest. It attaches to the side of the camera via a standard rosette mount and over an included LANC cable, and it\u0026#39;s powered over the cable. It can also be relocated to the front of the camera when used with the URSA Mini Shoulder Kit.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585014948177,"sku":"BMURSACA\/HGRIP","price":214.74,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/W2aB8KUvzNPSZ3mYYpbaIu4z11z9MXjS.jpg?v=1776788164"},{"product_id":"canon-eos-c70-4k-dighitalna-kino-kamiera-rf-baioniet","title":"Canon EOS C70 4K Digital Film Camera - RF Mount","description":"\u003cp\u003eIncorporating key Cinema EOS video tools in a mirrorless- style body, the \u003cstrong\u003eCanon EOS C70 Cinema Camera\u003c\/strong\u003e features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePro video functions include unlimited video recording, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input\/output connector, and built-in dual Mini-XLR audio inputs. The EOS C70 is also the first Cinema EOS camera with an RF mount enables you to use Canon\u0026#39;s line of fast, reliable RF lenses with advanced coatings and image stabilization.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFurther pro video features include Dual Pixel CMOS AF auto focus control and up to 4K 120p or Super 16 2K crop 180 fps capture. This lightweight cine camera also incorporates a 3.5\u0026quot; Direct Touch Control LCD panel for quick, easy setting changes and both auto-ISO and auto-gain functions for on-the-go adjustments to changing light levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C70 Cinema Camera fits into your C300 Mk III workflow as a B camera, as an upgrade for C200 or C100 users, or as an alternative for EOS R owners who are shooting an increasing amount of video. Its touchscreen LCD panel speeds your workflow by enabling you to turn functions on and off directly from the touchscreen; no need to spend time going into multiple menus via a combination of control buttons and jog-wheels. Power the EOS C70 using a BPA-60 or BPA-30 battery or the included AC power adapter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo provide greater flexibility in lens choices, the EOS C70 camera is also compatible with the separately available EF-EOS R 0.71X EF to RF lens mount adapter. This adapter converts your full-frame lenses to Super35 format while also providing a handy aperture speed boost of around one stop. The EF adapter passes all the EF lens data through the RF mount, providing full Dual-Pixel Auto Focus and metadata information for select lenses. The EOS C70 is also the first Canon EOS cinema camera to feature the EOS iTR AF X auto focus function, which uses a head-tracking algorithm developed with deep-learning technology for improved distance measuring and tracking reliability.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis digital cine camera records up to DCI 4K resolution video to dual slots using widely available and more affordable SD cards. High frame rates can be recorded in 4K up to 120 fps and up to 180 fps in a 2K cropped Super16 mode. Canon\u0026#39;s XF-AVC and Long GOP codecs are supported, providing up to 10-bit, 4:2:2 DCI 4K images with reduced storage requirements. To boost your post-production workflow, the flexible EOS C70 supports both proxy recording rates and simultaneous recording in different formats including 4K\/HD and XF-AVC\/MP4 options.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nFor greater flexibility during post-production, this camera also offers Canon\u0026#39;s Log 2 and Log 3 gamma modes, both which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThis cinema camera features one HDMI Type-A output, a BNC timecode input\/output, and a USB Type-C port for control or linking to an external Wi-Fi adapter for streaming. It supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input. The EOS C70 body comes with a detachable handle unit, a mic holder, a shoulder strap, one BPA-30 battery, a battery charger, an AC adapter with power cord, and a port cap.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExceptional Image Quality\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon Super35 Dual Gain Output (DGO) Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon\u0026#39;s next-generation Super35 Dual Gain Output (DGO) Sensor offers a dynamic range of up to 16+ stops and includes Canon\u0026#39;s exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDIG!C DV7 Image Processor\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon\u0026#39;s DIG!C DV7 image processor takes the extensive raw information captured from the imaging sensor and processes it for output. The DiG!C engine is also the driving force behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCanon Log 2 and 3; PQ and HLG Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C70 supports both the full dynamic range Canon Log 2 and the more workflow-friendly Canon Log 3 gamma. Canon Log formats are designed to reproduce the entire tonal range of its CMOS image sensor. Turn to a log post-production workflow when you\u0026#39;re seeking a higher dynamic range, improved highlights and shadow retention, and increased grading flexibility. Note that while Canon Log 2 offers the largest dynamic range and image detail, the most post-production flexibility, and the full dynamic range of the sensor, it typically will require more time spent in color correction.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nFor users seeking most of the benefits of a log workflow but with reduced turnaround times, choose the Canon Log 3 alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHighly Adaptable Shooting Style\u003c\/p\u003e\r\n\r\n\u003cp\u003eRF Lens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eA built-in RF lens mount lends the EOS C70 compatibility with Canon\u0026#39;s expanding line of high-performance RF-mount lenses. With a short flange distance, the RF mount helps to noticeably reduce the camera body\u0026#39;s depth, resulting in a more compact design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEF Lens Compatibility with Optional Adapter\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optional EF-EOS R 0.71X EF to RF lens adapter converts a full-frame lens to Super35 format while boosting the aperture speed by an average of one stop. The EF adapter passes EF lens data through the RF mount, providing full Dual-Pixel Autofocus and metadata information for select lenses.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nAdditional compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDirect Touch Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C70 features Direct Touch Control, enabling you to quickly and easily access your favorite menu settings through the fully rotatable LCD screen. Simply touch the 3.5\u0026quot; screen to start\/stop recording, set ISO\/Gain, color temperature, and iris, and to acces other critical settings. Recording settings that used to located in different menus can now be controlled with one hand, enabling on-the-spot changes even while operating the camera with one hand.\u003c\/p\u003e\r\n\r\n\u003cp\u003e9 x 16 Vertical Capture\u003c\/p\u003e\r\n\r\n\u003cp\u003eUse the 1\/4\u0026quot;-20 tripod thread built into the grip to position the EOS C70 for vertical use when capturing images for digital signage or mobile device use. For easier viewing, the user interface can also be switched for vertical use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional Design Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompact Design\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe compact EOS C70 features a lightweight design with a built-in ergonomic grip. This smallest of the EOS bodies has two top shoe mounts and comes with a detachable handle and a mic holder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMini-XLR Audio Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options for the EOS C70.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt-In ND Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003eDesigned specifically for the EOS C70\u0026#39;s short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density - an especially handy feature for ENG shooters or when shooting in quickly changing lighting conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTimecode Input\/Output\u003c\/p\u003e\r\n\r\n\u003cp\u003eA BNC connector on the front of the EOS C70 enables users to input and output timecode, making synching on multicamera shoots easier.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnother innovative EOS C70 feature is the Dual Pixel CMOS AF Technology, which uses each pixel on the CMOS sensor for both focus detection and image information, resulting in precision focusing and optimal image quality. The EOS C70 is also the first Cinema EOS camera to feature the EOS iTR AF X auto focus function featuring a head-detection algorithm developed using deep-learning technology. In Face Detection mode, this algorithm helps to improve distance measuring and tracking reliability, even when a subject turns their head to the side or back.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThe EOS C70 also features the innovative Dual Pixel Focus Guide, which provides both front- and back-focus information to let users know where to set the focus during manual pulls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEIS with Coordinated Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo smooth out handheld shots, EOS C70 is the first Cinema EOS camera to offer enhanced image stabilization with coordinated control. When used with an RF-mount lens and the EOS C70\u0026#39;s electronic IS, coordinated control optimizes hand-shake correction for even greater vibration reduction than that obtained with an EF-mount lens and electronic IS.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nWhen working in the 2K format, the EOS C70\u0026#39;s Super16 Digital IS improves performance by using the peripheral area around the center of the 4K sensor to stabilize the image.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto ISO\/Gain Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn another first for the Cinema EOS line, the EOS C70 can automatically adjust ISO and Gain Control using the DGO (dual gain output) to change gain smoothly, enabling users to concentrate on their framing instead of their aperture control when moving between locations with notable changes in light levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRC-V100 Support and LANC Compatible\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C70 body\u0026#39;s remote LANC terminal enables remote control ushing the optional Canon RC-V100 unit. The RC-V100 provides full access to key functions like start\/stop, shutter\/gain adjustments, focus\/iris\/zoom settings, display settings, white balance, black gamma, and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced Workflow Optimization\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual SD card slots on the EOS C70 enable simultaneous recording in different formats including 4K\/HD and XF-AVC\/MP4 options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigh Frame Rate; 4K 120p and 2K Crop 180p\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith its new chip design and DIG!C DV7 processor, the EOS C70 is capable of ultra-high frame rates. Capture video at frame rates up to 120 fps in 4K and up to 180 fps in the 2K crop mode. Dual Pixel AF is supported by the EOS C70 even at high frame rates, keeping your focus even when used on a gimbal or drone.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585023500625,"sku":"4507C003AA","price":4447.73,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/IjezC0LJ3nf8uepfFDumYrFx6bt6mO4E.jpg?v=1776788368"},{"product_id":"sony-fx6-cinema-line-full-frame-dighitalna-kino-kamiera-4k-120p-xavc-i-4-2-2-10-bit-tialo","title":"Sony FX6 Full-Frame Cinema Camera (Body Only)","description":"\u003cp\u003eThe \u003cstrong\u003eFX6 Full-Frame Camera\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony\u0026#39;s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\u0026quot;, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\u0026quot; LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVersatile Addition to Sony Cinema Line\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs part of Sony\u0026#39;s Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIt matches the FX9\u0026#39;s video capture up to DCI 4K60\u003c\/li\u003e\r\n\t\u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices\u003c\/li\u003e\r\n\t\u003cli\u003eOutputs 16-bit raw like the FX9\u003c\/li\u003e\r\n\t\u003cli\u003eSony E lens mount\u003c\/li\u003e\r\n\t\u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003c\/li\u003e\r\n\t\u003cli\u003eAlso provides 2-channel XLR audio inputs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4K capture vs 6K\u003c\/li\u003e\r\n\t\u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9\u0026#39;s additional 3G-SDI port\u003c\/li\u003e\r\n\t\u003cli\u003eIncorporates a timecode port but lacks the FX9\u0026#39;s genlock connector\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9\u0026#39;s 320 to 102,400 range\u003c\/li\u003e\r\n\t\u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9\u0026#39;s top 1080p in HD\u003c\/li\u003e\r\n\t\u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9\u0026#39;s reliance on proprietary XQD cards and a single SD card option\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor\u0026#39;s fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e15+ Stops of Dynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide ISO Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronically Variable ND Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003eSet the FX6\u0026#39;s integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1\/4 to 1\/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced XAVC Codec Options\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigh Frame Rate Selections\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003c\/li\u003e\r\n\t\u003cli\u003e100 or 120 fps in HD through UHD 4K\u003c\/li\u003e\r\n\t\u003cli\u003e150, 180, 200, or 240 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60, 100, and 120 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eExpressive Cinematic Look\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony\u0026#39;s S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompatible with 50+ native Sony E-mount lenses, the FX6\u0026#39;s improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Stabilization and More with Catalyst and Metadata\u003c\/p\u003e\r\n\r\n\u003cp\u003ePair the FX6 with Sony\u0026#39;s Catalyst Prepare\/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen 3.5\u0026quot; LCD Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 3.5\u0026quot; LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReliable Design and Construction\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera\u0026#39;s dust and moisture resistance as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4-Channel Audio Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera\u0026#39;s top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional Input\/Output Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX6 input and output ports include a selectable 12G\/6G\/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCFexpress Media Slots and Multiple Recording Modes\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModular, Grab-and-Go Design\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\u0026quot; LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContent Browser Mobile Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6\u0026#39;s Wi-Fi function enables remote monitoring and focus\/iris\/zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording with Atomos Ninja V+ \u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony\u0026rsquo;s state of the art Exmor R CMOS full-frame 6K image sensor, using a single BNC cable to the camera\u0026rsquo;s 12G-SDI port.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. The recorded files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colours, ideal for both HDR and SDR (Rec.709) workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe back-illuminated CMOS image sensor also uses Sony\u0026rsquo;s Exmor R technology for improved sensitivity and noise reduction, leading to cleaner RAW images.\u003c\/p\u003e\r\n\r\n\u003ctable cellspacing=\"0\" style=\"-webkit-font-smoothing:antialiased; -webkit-tap-highlight-color:transparent; border-collapse:collapse; box-sizing:border-box; font-variant-ligatures:normal; max-width:100%; outline:none; text-decoration-color:initial; text-decoration-style:initial; text-decoration-thickness:initial; width:428px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:1px solid black; height:19px; vertical-align:bottom; white-space:nowrap; width:169px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupported Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:120px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:74px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFrame Rate\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:64px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAvailable\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRAW\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eResolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e120p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e100p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD Interlaced\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585057743185,"sku":"ILME-FX6","price":6639.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/u6N5NRwCbGJyd3N1r10chLE0jGAt3cMx.jpg?v=1776800717"},{"product_id":"blackmagic-pocket-cinema-camera-6k-pro-kompaktna-dighitalna-kino-kamiera-ef-baioniet","title":"Blackmagic Pocket Cinema Camera 6K PRO (EF mount)","description":"\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K\u0026nbsp;Pro is an advanced technology, handheld 6K digital film camera with 6144\u0026nbsp;x\u0026nbsp;3456 Super\u0026nbsp;35 high resolution HDR sensor, dual native ISO, EF\u0026nbsp;lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND\u0026nbsp;filters, and a\u0026nbsp;larger battery for longer run\u0026nbsp;time. You\u0026nbsp;can even add an optional\u0026nbsp;OLED\u0026nbsp;viewfinder!\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced Pocket Cinema Camera 6K model with built in ND\u0026nbsp;filters, adjustable HDR screen, Gen 5 color science, larger battery and optional\u0026nbsp;viewfinder!\u003c\/p\u003e\r\n\r\n\u003cp\u003eFremont, CA, USA - Wednesday, February 17, 2021 - Blackmagic Design today announced the Blackmagic Pocket Cinema Camera 6K Pro, a\u0026nbsp;new more powerful model that includes features for high end digital film. This new model includes a\u0026nbsp;brighter 1,500 nit adjustable HDR touchscreen screen, built in ND filters, larger battery, plus support for an optional electronic viewfinder. This model also includes latest generation 5 color science, Super 35 HDR image sensor with 13 stops of dynamic range, dual native ISO of 25,600 and a\u0026nbsp;popular EF lens\u0026nbsp;mount.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera 6K Pro is available immediately from Blackmagic Design resellers worldwide for\u0026nbsp;US$2,495.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a\u0026nbsp;miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a\u0026nbsp;multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at their fingertips. Because it\u0026#39;s an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K\u0026nbsp;resolutions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing a\u0026nbsp;larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets customers use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh\u0026nbsp;effects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K Pro includes additional pro features such as built in 2, 4 and 6 stop ND filters, adjustable tilt HDR LCD with a\u0026nbsp;bright 1500 nits that\u0026rsquo;s ideal for use in bright sunlight. It\u0026nbsp;also includes two mini XLR audio inputs and a\u0026nbsp;larger NP-F570 style\u0026nbsp;battery.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether users are shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a\u0026nbsp;larger Super 35 sensor that allows shooting with a\u0026nbsp;shallow depth of field and anamorphic lenses. All\u0026nbsp;models let customers shoot up to 60 fps in full resolution or 120 fps windowed. An\u0026nbsp;amazing sensor combined with Blackmagic color science means customers get the same imaging technology as the most expensive digital film\u0026nbsp;cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 6K models feature an EF lens mount so customers can use lenses customers already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera. Customers can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The\u0026nbsp;active lens mount lets customers adjust focus and iris from the buttons on the camera or the touch\u0026nbsp;screen.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let customers quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide customers with additional latitude even under harsh lighting. The\u0026nbsp;IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of their thumb from the multi function hand grip. User selectable filter settings can even be displayed as either an ND number, stop reduction or fraction on the\u0026nbsp;LCD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Pocket Cinema Cameras feature dual native ISO up to 25,600, which means they\u0026#39;re optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The\u0026nbsp;native ISO of 400 is ideal for scenes with on-set lighting. The\u0026nbsp;gain is set automatically as customers adjust the ISO setting, so it\u0026#39;s easy to capture great images when customers don\u0026rsquo;t have time to set up\u0026nbsp;lights.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera records using standard open file formats so customers don\u0026rsquo;t have to waste time transcoding media. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus customers can format media cards and disks in HFS+ for Mac and ExFAT for\u0026nbsp;Windows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera features a\u0026nbsp;large, bright 5 inch touchscreen that makes it easy for customers to frame shots and accurately focus. On\u0026nbsp;screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. The\u0026nbsp;Pocket Cinema Camera 6K Pro LCD monitor is a\u0026nbsp;more advanced HDR display that can be tilted up and down so it\u0026#39;s easy to monitor their shot from any position. Plus the 6K Pro model\u0026rsquo;s HDR display features 1500 nits of brightness, ideal for use in bright\u0026nbsp;sunlight.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. Customers get a\u0026nbsp;new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The\u0026nbsp;color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which customers can use in post\u0026nbsp;production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Pocket Cinema Camera 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. Customers get an integrated high quality 1280 x 960 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a\u0026nbsp;wide -4 to +4 focus adjustment. A\u0026nbsp;built in digital focus chart ensures customers get perfect viewfinder focus setup. Customers can also view critical status information such as frame guides. The\u0026nbsp;Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a\u0026nbsp;single connector. The\u0026nbsp;viewfinder has a\u0026nbsp;70 degree swivel range and comes with 4 different types of eyecups for both left and right\u0026nbsp;eyes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Cameras feature a\u0026nbsp;mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The\u0026nbsp;6K Pro model features 2 mini XLR connections, allowing customers to record 2 separate audio tracks using 2 mics, without an external mixer. The\u0026nbsp;four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There\u0026rsquo;s also a\u0026nbsp;3.5mm audio input for connecting video camera microphones, along with a\u0026nbsp;built in speaker for playback and a\u0026nbsp;3.5mm headphone\u0026nbsp;jack.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K and 6K use removable LP-E6 type batteries while the 6K Pro model uses larger NP-F570 batteries. A\u0026nbsp;locking DC power connector is used so customers won\u0026#39;t have to worry about losing power during a\u0026nbsp;shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. Even the USB-C expansion port can trickle charge the battery, so customers can use portable battery packs, mobile phone chargers or laptops. The\u0026nbsp;optional battery grip lets customers add extra batteries to dramatically extend the power of the camera so customers can keep shooting all\u0026nbsp;day.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Pocket Cinema Camera models include a\u0026nbsp;full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help customers quickly find the footage customers want, edit it together and output it fast. In\u0026nbsp;addition to the new cut page, customers also get DaVinci\u0026rsquo;s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a\u0026nbsp;single software\u0026nbsp;application.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026quot;With the new Pocket Cinema Camera 6K Pro, we wanted to include all the high end features from digital film cameras into a\u0026nbsp;Pocket Cinema Camera design,\u0026quot; said Grant Petty, Blackmagic Design CEO. \u0026quot;This means you get an extremely portable digital film solution but with all the advanced features like the amazing ND filters, optional viewfinder and bright HDR touchscreen. We\u0026nbsp;think our digital filmmaker customers will love\u0026nbsp;it!\u0026quot;\u003c\/p\u003e\r\n\r\n\u003cp\u003eBLACKMAGIC POCKET CINEMA CAMERA 6K PRO\u0026nbsp;FEATURES\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp; * \u0026nbsp;Designed from carbon fiber polycarbonate\u0026nbsp;composite.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;6144 x 3456 sensor with 13 stops and dual native ISO up to\u0026nbsp;25,600.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Compatible with a\u0026nbsp;wide range of popular EF\u0026nbsp;lenses.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Built in motorized 2, 4 and 6 stop ND\u0026nbsp;filters.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Up to 25,600 ISO for incredible low light\u0026nbsp;performance.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Standard open file formats compatible with popular\u0026nbsp;software.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Adjustable, HDR 1500 nit LCD\u0026nbsp;screen.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Includes Blackmagic Generation 5 Color\u0026nbsp;Science.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Optional Blackmagic Pocket Cinema Camera Pro\u0026nbsp;EVF.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Professional mini XLR inputs with 48 volt phantom\u0026nbsp;power.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Larger NP-F570 battery, optional Blackmagic Pocket Camera Battery Pro\u0026nbsp;Grip.\u003cbr \/\u003e\r\n\u0026nbsp; * \u0026nbsp;Includes full DaVinci Resolve Studio for post\u0026nbsp;production.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585069572433,"sku":"CINECAMPOCHDEF06P","price":2639.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/04ATftK7MQXpPE7Po4fbxAIU6b57hnOA.jpg?v=1776788123"},{"product_id":"blackmagic-pocket-camera-battery-pro-grip-batieriien-ghrip-za-pocket-6k-pro","title":"Blackmagic Pocket Camera Battery Pro Grip","description":"\u003cp\u003eThe camera grip with battery holder for the Blackmagic Pocket Cinema Camera 6K Pro allows you to shoot for over 3 hours without interruption.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585069637969,"sku":"CINECAMPOCHDXBT2","price":171.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/sOGFYUWPz74zdYUjnk369DQdByccZEIs.jpg?v=1776788117"},{"product_id":"modulna-kinokamiera-dji-ronin-4d-6k","title":"DJI Ronin 4D-6K modular cine camera","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eKey Features\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZenmuse X9-6K Camera Gimbal Combo\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZ-Axis Camera\/3-Axis Gimbal Stabilizing\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eProRes HQ \u0026amp; Raw Video up to 6K60\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRight Focus\/Control, Left Pan\/Tilt Grips\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDJI Ronin 4D Overview\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDesigned for both solo use by independent creators and dynamic pro video capture, the Ronin 4D from DJI is an innovative all-in-one camera\/gimbal solution. The \u0026quot;4D\u0026quot; designation refers to the Z-axis (vertical) stabilization built into the X9-6K camera and the three-axis gimbal stabilization. Constructed from lightweight carbon fiber and an aluminum\/magnesium alloy, this system is ideal for independent content creators, indie filmmakers, and event videographers. The full-frame capture at rates up to 6K60 in both ProRes HQ and ProRes Raw and Ronin\u0026#39;s CineCore 3.0 image processing system with ACES workflow support also suits the 4D as a \u0026quot;B\u0026quot; or 2nd unit camera for larger cine-style productions.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThis combo includes the main Zenmuse X9-6K full-frame video camera and a 3-axis gimbal, plus an array of modular monitor, focusing, and control components. Kit items include a DL lens mount, a LiDAR range finder, one ProSSD 1TB drive, one TB50 battery, a charging hub, and left and right control handgrips.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAll-in-One Camera Gimbal System\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThis innovative camera gimbal combines imaging, stabilization, and focusing in one lightweight, carbon fiber and aluminum\/magnesium alloy rig\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCombination design reduces your setup time at the start of the day and in between setups and locations \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCineCore 3.0 Imaging Processing System\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Zenmuse X9, DJI\u0026#39;s full-frame camera, uses a proprietary chip for advanced processing and high-performance computing \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Ronin 4D uses the CineCore 3.0 system to support internal recording of Apple ProRes Raw, ProRes 422 HQ, and H.264 video\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIndustry-standard ACES workflow support provide easy compatibility with other cinema cameras\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAdvanced 4-Axis Stabilization\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSelectable Z-axis stabilization reduces unwanted vertical camera movement, especially during dollying moves\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZ-axis stabilization built into the camera, 3-axis stabilization in the gimbal\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTilt stabilization uses dual, symmetrical motors\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePan and X (roll) axes with additional stiffness buffering\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDownward ToF (time of flight) sensor\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eForward and downward-facing dual-vision sensors\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-in IMU (inertial measurement unit) and barometer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eNew and improved stabilization algorithm\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZenmuse X9-6K Camera with DL Lens Mount\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe D4\u0026#39;s DL lens mount supports DJI\u0026#39;s current selection of lightweight, carbon fiber 16, 24, 35, and 50mm lenses\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFull-frame capture with all but the 16mm DL lens\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInterchangeable lens mounts available for use with Sony E-mount or Leica M-mount lenses\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupports ultra-wide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic cine lenses \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePlease see the current lens compatibility list \u003cstrong\u003e\u003ca href=\"https:\/\/terra-1-g.djicdn.com\/851d20f7b9f64838a34cd02351370894\/330-%20new\/DJI%20Ronin%204D%20Lens%20Compatibility%20List%20211020.pdf\"\u003e\u003cspan style=\"color:#e74c3c\"\u003ehere\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eProRes Raw, 422 HQ, and H.264 Capture\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCaptures 6K raw at rates up to 60 fps in full-frame 2.39:1\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCaptures up to 4K raw at rates up to 120 fps in Super 35 2.39:1\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCaptures up to 4K raw at rates up to 96 fps in Super 35 17:9\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture up to 6K60 ProRes 422 HQ video in full-frame 2.39:1\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture up to 4K120 ProRes 422 HQ video in Super 35 2.39:1\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture up to 2K120 ProRes 422 HQ or H.264 in 17:9 full-frame\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDual Native ISO\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e800\/5000 dual native ISO\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEI 200 to 12800\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e14+ stops of dynamic range produce nuanced imaging under a range of lighting conditions\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIn-Camera ND Filters\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-in ND.03 to ND2.7 filters let you easily adjust to quickly changing lighting conditions\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEspecially handy for outdoor shoots with changing cloud cover\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMotorized filter system\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCarry in \u0026quot;built\u0026quot; mode for easy company moves\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLiDAR Focus Control\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLiDAR (light detection and ranging) system uses up to 43,200 ranging points within a 10m range\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eExcellent focusing performance even in low-light environments\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFocus pulling can be viewed graphically, thanks to a built-in depth meter \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntuitive and highly accurate focusing system\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eModular LiDAR focusing module attached to the front of the D4 rig\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAutofocus Features\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMaintains focus, even when motion blur is produced by fast-moving subjects\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSeparately available focus motor for use with manual lenses\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eContinuous autofocus is compatible with ActiveTrack Pro, a boon for solo operators\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAutomated Manual Focus\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe AMF function (Automated Manual Focus) combines the accuracy of manual focus with the ease of autofocus\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eOperators can grab the focus wheel of the right handgrip at any time to manually focus \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHandgrip focus wheel uses dynamic damping to provide a physical feel for focus changes\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eActiveTrack Pro\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDJI\u0026#39;s ActiveTrack Pro features combine continuous autofocusing with composition adjustment for professional-looking tracking shots out of the gate\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eActiveTrack Pro is based on computer vision, deep learning technology, and the computing power of DJI\u0026#39;s CineCore 3.0 imaging system.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDual Focus, Iris, and Control Grips\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRight-hand grip has a focus wheel that doubles as a control for main camera adjustments (menus, exposure, etc.)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLeft-hand grip has a full-range joystick to control pan\/tilt; useful when adjusting headroom and more during follow mode\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSingle User or Crew-Assisted Operation\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTop-notch stabilization in a lightweight form\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIdeal for both solo operators as well as assistant-accompanied shoots\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDesigned to counter footsteps from inexperienced gimbal shooters\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eWorks equally well with a single grip, dual grips, shoulder supported, or tripod-mounted\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSport mode is available with the touch of a button, accommodating faster-paced action\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUse in standard, underslung, jib, and crane setups\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMedia Storage Options\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRequires a ProSSD 1TB drive (included) to capture raw footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUSB Type-C port for external recording, no reader needed to offload footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntegrated CFexpress Type-B card slot\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-In 5.5\u0026quot; Touchscreen Monitor\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e5.5\u0026quot; 1920 x 1080 monitor\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1000 cd\/m\u0026sup2; display\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTouchscreen control\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRotates for optimal viewing\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAudio Recording\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntegrated stereo microphones capture dual-channel 24-bit audio\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-in 3.5mm audio input port and XLR port via expander plate\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePower Options\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUses the same TB50 intelligent batteries as the Ronin 2 and Inspire 2\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEach battery provides up to 2.5 hours of capture time\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBatteries charge fully in approximately 1.5 hours\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupport auto-heating for cold weather use\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAC adapter for uninterrupted shooting\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDJI Ronin 4D Specs\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eImaging\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLens Mount: DL\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInterchangeable Lens Mount: Yes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSensor Resolution: Effective: 24.1 Megapixel\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSensor Type: Full-Frame CMOS\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eImage Stabilization: Digital, 4-Axis\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-In ND Filter: Mechanical Filter Wheel with Clear, 1 Stop (1\/2), 2 Stop (1\/4), 3 Stop (1\/8), 4 Stop (1\/16), 5 Stop (1\/32), 6 Stop (1\/64), 7 Stop (1\/128), 8 Stop (1\/256), 9 Stop (1\/512) ND Filters\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInternal Filter Holder: Yes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eISO Sensitivity: 200 to 12,800\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eShutter Type: Rolling Shutter\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eShutter Speed: 1\/24 to 1\/8000 sec\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDynamic Range: 14 Stops\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eWhite Balance: 2000 to 11,000K\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInternal Recording\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRaw: \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e6008 x 3168 at 23.98\/24\/25\/29.97\/30\/48 fps (3.4 Gb\/s) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRecording Modes\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eProRes 422HQ\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e6008 x 3168p at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160p at 23.98\/24\/25\/29.97\/30\/48\/50\/59.94\/60\/72\/96\/100\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e2048 x 1080p at 23.98\/24\/25\/29.97\/30\/48\/50\/59.94\/60\/72\/96\/100\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eH.264 4:2:0 10-Bit\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160p at 23.98\/24\/25\/29.97\/30\/48\/50\/59.94\/60\/72\/96\/100\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e2048 x 1080p at 23.98\/24\/25\/29.97\/30\/48\/50\/59.94\/60\/72\/100\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eGamma Curve:\u003c\/strong\u003e HDR-HLG, Rec709\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eAudio Recording:\u003c\/strong\u003e 2-Channel 48 kHz LPCM Audio\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eStill Image Support:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eExternal Recording\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo Output \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUSB: \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160p at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUSB: \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e2048 x 1080p at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSDI\/BNC: \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160p at 23.98\/24\/25\/29.97\/59.94\/60 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSDI\/BNC: 2048 x 1080p at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eRaw Output \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eExternal Recorder:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e6008 x 3168 at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60\/100\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60\/100\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e2048 x 1080 at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60\/100\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIP Streaming: Yes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInterface\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMedia\/Memory Card Slot \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSingle Slot: DJI ProSSD\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSingle Slot: CFexpress Type B\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo Connectors \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x BNC (3G-SDI) Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x HDMI Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAudio Connectors\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3.5 mm Stereo Mic\/Line Level Input\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3.5 mm Stereo Headphone Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-In Microphone Type: Stereo\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eOther I\/O \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x USB Type-C USB 3.1 Gen 1 Data, Video Input\/Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x Proprietary Monitor Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x BNC Timecode\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMonitor\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSize: 5.5\u0026quot;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eResolution: 1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDisplay Type: Tilting Touchscreen LCD\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEVF: EVF Optional, Not Included\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePower\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBattery Type: DJI TB50\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePower Connectors: 1 x Barrel (12 to 30 VDC) Input\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEnvironmental\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eOperating Temperature: -10 to 40\u0026deg;C\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eStorage Temperature: -20 to 60\u0026deg;C\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eMaterial of Construction \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCarbon Fiber, Aluminum, Magnesium Alloy\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":53585133797713,"sku":"DJIRONIN4D6K","price":4999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/PfhsHpShGRpySInTOW5aHIpOGT6MrK1f.jpg?v=1776795564"},{"product_id":"kinokamiera-dji-ronin-4d-4-axis-8k-combo","title":"DJI Ronin 4D 4-Axis Cinema Camera 8K Combo","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eKey Features\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZenmuse X9-6K Camera Gimbal Combo\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZ-Axis Camera\/3-Axis Gimbal Stabilizing\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eProRes HQ \u0026amp; Raw Video up to 8K30\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRight Focus\/Control, Left Pan\/Tilt Grips\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDJI Ronin 4D Overview\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDesigned for both solo use by independent creators and dynamic pro video capture, the Ronin 4D from DJI is an innovative all-in-one camera\/gimbal solution. The \u0026quot;4D\u0026quot; designation refers to the Z-axis (vertical) stabilization built into the X9-6K camera and the three-axis gimbal stabilization. Constructed from lightweight carbon fiber and an aluminum\/magnesium alloy, this system is ideal for independent content creators, indie filmmakers, and event videographers. The full-frame capture at rates up to 6K60 in both ProRes HQ and ProRes Raw and Ronin\u0026#39;s CineCore 3.0 image processing system with ACES workflow support also suits the 4D as a \u0026quot;B\u0026quot; or 2nd unit camera for larger cine-style productions.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThis combo includes the main Zenmuse X9-6K full-frame video camera and a 3-axis gimbal, plus an array of modular monitor, focusing, and control components. Kit items include a DL lens mount, a LiDAR range finder, one ProSSD 1TB drive, one TB50 battery, a charging hub, and left and right control handgrips.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAll-in-One Camera Gimbal System\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThis innovative camera gimbal combines imaging, stabilization, and focusing in one lightweight, carbon fiber and aluminum\/magnesium alloy rig\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCombination design reduces your setup time at the start of the day and in between setups and locations \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCineCore 3.0 Imaging Processing System\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Zenmuse X9, DJI\u0026#39;s full-frame camera, uses a proprietary chip for advanced processing and high-performance computing \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Ronin 4D uses the CineCore 3.0 system to support internal recording of Apple ProRes Raw, ProRes 422 HQ, and H.264 video\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIndustry-standard ACES workflow support provide easy compatibility with other cinema cameras\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAdvanced 4-Axis Stabilization\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSelectable Z-axis stabilization reduces unwanted vertical camera movement, especially during dollying moves\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZ-axis stabilization built into the camera, 3-axis stabilization in the gimbal\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTilt stabilization uses dual, symmetrical motors\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePan and X (roll) axes with additional stiffness buffering\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDownward ToF (time of flight) sensor\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eForward and downward-facing dual-vision sensors\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-in IMU (inertial measurement unit) and barometer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eNew and improved stabilization algorithm\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eZenmuse X9-8K Camera with DL Lens Mount\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe D4\u0026#39;s DL lens mount supports DJI\u0026#39;s current selection of lightweight, carbon fiber 16, 24, 35, and 50mm lenses\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFull-frame capture with all but the 16mm DL lens\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInterchangeable lens mounts available for use with Sony E-mount or Leica M-mount lenses\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupports ultra-wide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic cine lenses \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePlease see the current lens compatibility list \u003cstrong\u003e\u003ca href=\"https:\/\/terra-1-g.djicdn.com\/851d20f7b9f64838a34cd02351370894\/330-%20new\/DJI%20Ronin%204D%20Lens%20Compatibility%20List%20211020.pdf\"\u003e\u003cspan style=\"color:#e74c3c\"\u003ehere\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCaptures Raw, 4:22 HQ, and H.264\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCaptures 8K full-frame raw at rates up to 75 fps in full-frame 2.39:1\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCaptures up to 5.5K raw at rates up to 60 fps in Super 35 17:9\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture up to 8K30 ProRes 422 HQ video in 17:9 full-frame\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture up to DCI 4K60 ProRes 422 HQ or H.264 in 17:9 full-frame or Super35\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDual Native ISO\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e800 to 5000 (Native)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e200 to 12,800\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e14+ stops of dynamic range produce nuanced imaging under a range of lighting conditions\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIn-Camera ND Filters\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-in ND.03 to ND2.7 filters let you easily adjust to quickly changing lighting conditions\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEspecially handy for outdoor shoots with changing cloud cover\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMotorized filter system\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCarry in \u0026quot;built\u0026quot; mode for easy company moves\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLiDAR Focus Control\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLiDAR (light detection and ranging) system uses up to 43,200 ranging points within a 10m range\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eExcellent focusing performance even in low-light environments\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFocus pulling can be viewed graphically, thanks to a built-in depth meter \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntuitive and highly accurate focusing system\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eModular LiDAR focusing module attached to the front of the D4 rig\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAutofocus Features\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMaintains focus, even when motion blur is produced by fast-moving subjects\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSeparately available focus motor for use with manual lenses\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eContinuous autofocus is compatible with ActiveTrack Pro, a boon for solo operators\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAutomated Manual Focus\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe AMF function (Automated Manual Focus) combines the accuracy of manual focus with the ease of autofocus\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eOperators can grab the focus wheel of the right handgrip at any time to manually focus \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHandgrip focus wheel uses dynamic damping to provide a physical feel for focus changes\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eActiveTrack Pro\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDJI\u0026#39;s ActiveTrack Pro features combine continuous autofocusing with composition adjustment for professional-looking tracking shots out of the gate\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eActiveTrack Pro is based on computer vision, deep learning technology, and the computing power of DJI\u0026#39;s CineCore 3.0 imaging system.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDual Focus, Iris, and Control Grips\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRight-hand grip has a focus wheel that doubles as a control for main camera adjustments (menus, exposure, etc.)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLeft-hand grip has a full-range joystick to control pan\/tilt; useful when adjusting headroom and more during follow mode\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSingle User or Crew-Assisted Operation\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTop-notch stabilization in a lightweight form\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIdeal for both solo operators as well as assistant-accompanied shoots\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDesigned to counter footsteps from inexperienced gimbal shooters\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eWorks equally well with a single grip, dual grips, shoulder supported, or tripod-mounted\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSport mode is available with the touch of a button, accommodating faster-paced action\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUse in standard, underslung, jib, and crane setups\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMedia Storage Options\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRequires a ProSSD 1TB drive (included) to capture raw footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUSB Type-C port for external recording, no reader needed to offload footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntegrated CFexpress Type-B card slot\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-In 5.5\u0026quot; Touchscreen Monitor\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e5.5\u0026quot; 1920 x 1080 monitor\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1000 cd\/m\u0026sup2; display\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTouchscreen control\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRotates for optimal viewing\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAudio Recording\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntegrated stereo microphones capture dual-channel 24-bit audio\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-in 3.5mm audio input port and XLR port via expander plate\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePower Options\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUses the same TB50 intelligent batteries as the Ronin 2 and Inspire 2\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEach battery provides up to 2.5 hours of capture time\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBatteries charge fully in approximately 1.5 hours\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupport auto-heating for cold weather use\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAC adapter for uninterrupted shooting\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDJI Ronin 4D Specs\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eImaging\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eLens Mount: DL\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInterchangeable Lens Mount: Yes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSensor Resolution: Effective: 35.4 Megapixel\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSensor Type: Full-Frame CMOS\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eImage Stabilization: Digital, 4-Axis\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-In ND Filter: Mechanical Filter Wheel with Clear, 1 Stop (1\/2), 2 Stop (1\/4), 3 Stop (1\/8), 4 Stop (1\/16), 5 Stop (1\/32), 6 Stop (1\/64), 7 Stop (1\/128), 8 Stop (1\/256), 9 Stop (1\/512) ND Filters\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInternal Filter Holder: Yes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eISO Sensitivity: 200 to 12,800\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eShutter Type: Rolling Shutter\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eShutter Speed: 1\/24 to 1\/8000 sec\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDynamic Range: 14 Stops\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eWhite Balance: 2000 to 11,000K\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInternal Recording\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRaw: 8192 x 4320 \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eRecording Modes \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eProRes 422HQ:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e8192 x 4320p at 23.98\/24\/25\/29.97\/30 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160p at 23.98\/24\/25\/29.97\/30\/48\/50\/59.94\/60\/120 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eH.264 4:2:0 10-Bit:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160p at 23.98\/24\/25\/29.97\/30\/48\/50\/59.94\/60 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGamma Curve:\u003c\/strong\u003e\u003cspan style=\"font-family:Calibri,sans-serif; font-size:11pt\"\u003e HDR-HLG, Rec709\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eAudio Recording:\u003c\/strong\u003e 2-Channel 48 kHz LPCM Audio\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eStill Image Support:\u003c\/strong\u003e None\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eExternal Recording\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo Output \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUSB: 8192 x 4320p at 23.98\/24\/25\/29.97\/30 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUSB: 4096 x 2160p at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSDI\/BNC: 8192 x 4320p at 23.98\/24\/25\/29.97\/30 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSDI\/BNC: 4096 x 2160p at 23.98\/24\/25\/29.97\/59.94\/60 fps\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eRaw Output \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eExternal Recorder:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUSB In Raw, Full Frame Mode:\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e8192 x 4320 at 23.98\/24\/25\/29.97\/30\/50\/59.94\/60\/72\/75 fps \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIP Streaming: Yes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eInterface\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMedia\/Memory Card Slot \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSingle Slot: DJI ProSSD\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSingle Slot: CFexpress Type B\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo Connectors \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x BNC (3G-SDI) Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x HDMI Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAudio Connectors\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3.5 mm Stereo Mic\/Line Level Input\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3.5 mm Stereo Headphone Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBuilt-In Microphone Type: Stereo\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eOther I\/O \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x USB Type-C USB 3.1 Gen 1 Data, Video Input\/Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x Proprietary Monitor Output\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1 x BNC Timecode\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMonitor\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSize: 5.5\u0026quot;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eResolution: 1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eDisplay Type: Tilting Touchscreen LCD\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEVF: EVF Optional, Not Included\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePower\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBattery Type: DJI TB50\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003ePower Connectors: 1 x Barrel (12 to 30 VDC) Input\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eEnvironmental\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eOperating Temperature: -10 to 40\u0026deg;C\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eStorage Temperature: -20 to 60\u0026deg;C\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cstrong\u003eMaterial of Construction \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCarbon Fiber, Aluminum, Magnesium Alloy\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":53585133961553,"sku":"DJIRONIN4D8K","price":9999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/sdojOm9u7jcdiE5QVkZVouzNSZcKUHpm.jpg?v=1776793087"},{"product_id":"blackmagic-ursa-broadcast-g2-6k-dighitalna-filmova-kino-i-broudkast-kamiera","title":"Blackmagic URSA Broadcast G2 - 6K - digital film cinema and broadcast camera","description":"\u003cp\u003eThe new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The\u0026nbsp;3\u0026nbsp;cameras in 1\u0026nbsp;design allows it to work as a\u0026nbsp;4K production camera, a\u0026nbsp;4K studio camera or a\u0026nbsp;6K digital film camera! You\u0026nbsp;can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You\u0026nbsp;can even change the lens mount! No\u0026nbsp;other broadcast camera is so\u0026nbsp;flexible!\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e6K Super35 CMOS Sensor, Dual Native ISO\u003c\/li\u003e\r\n\t\u003cli\u003e2\/3\u0026quot; B4 Lens Mount \u0026amp; Active EF Mount\u003c\/li\u003e\r\n\t\u003cli\u003e6K Blackmagic RAW Recording\u003c\/li\u003e\r\n\t\u003cli\u003eRecords to ProRes, H.265\/264\u003c\/li\u003e\r\n\t\u003cli\u003e12G-SDI Input \u0026amp; Output, Genlock\/Timecode\u003c\/li\u003e\r\n\t\u003cli\u003e13 x Stops of Dynamic Range\u003c\/li\u003e\r\n\t\u003cli\u003e2 x UHS-II SD, 2 x CFast 2.0 Slots\u003c\/li\u003e\r\n\t\u003cli\u003eBuilt-In 2\/4\/6-Stop ND Filters\u003c\/li\u003e\r\n\t\u003cli\u003eXLR Inputs, 3.5mm Audio Output\u003c\/li\u003e\r\n\t\u003cli\u003eProRes Recording up to 1080p120\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCamera Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eEffective Sensor Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e2\/3 inch sensor size when using 4K B4 mount\u003c\/p\u003e\r\n\r\n\u003cp\u003e(Actual sensor\u0026nbsp;size 23.10mm\u0026nbsp;x\u0026nbsp;12.99mm)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eB4 2\/3 inch installed\u003c\/p\u003e\r\n\r\n\u003cp\u003eActive EF mount also included\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Correction\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn-camera correction of color fringing when using compatible broadcast\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003e13 Stops\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Native ISO\u003c\/p\u003e\r\n\r\n\u003cp\u003e0dB and 18dB gain.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSensitivity at 0dB Gain\u003c\/p\u003e\r\n\r\n\u003cp\u003ef11 with 2160p59.94.\u003c\/p\u003e\r\n\r\n\u003cp\u003ef12 with 2160p50.\u003c\/p\u003e\r\n\r\n\u003cp\u003eat 2,000 lux with 89.9% reflectance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eadditional 1.1 stop light loss using 4K B4 mount.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSignal to Noise Ratio\u003c\/p\u003e\r\n\r\n\u003cp\u003e64.62dB for 2160p\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra HD scaled from 5.3K\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt in ND Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003eFour position ND filter wheel with clear, 2\u0026nbsp;stop, 4\u0026nbsp;stop and 6\u0026nbsp;stop ND\u0026nbsp;filters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto\u0026nbsp;focus.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses,\u0026nbsp;iris button\u0026nbsp;for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video\u0026nbsp;mode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Dimensions\u003c\/p\u003e\r\n\r\n\u003cp\u003e4 inch\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e\r\n\r\n\u003cp\u003eControls\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen menus on 4\u0026nbsp;inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and\u0026nbsp;RET) on compatible broadcast\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProRes Shooting Resolutionsand Frame\u0026nbsp;Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840\u0026nbsp;x\u0026nbsp;2160 (Ultra\u0026nbsp;HD) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003efrom Ultra\u0026nbsp;HD window or scaled from 5.3Kwindowed\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840\u0026nbsp;x\u0026nbsp;2160 (Ultra\u0026nbsp;HD) up to 50\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003escaled from full\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920\u0026nbsp;x\u0026nbsp;1080 (HD) up\u0026nbsp;to 120\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003escaled from 2.7K windowed\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920\u0026nbsp;x\u0026nbsp;1080 (HD) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003escaled from Ultra\u0026nbsp;HD or 5.3Kwindowed\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920\u0026nbsp;x\u0026nbsp;1080 (HD) up\u0026nbsp;to 50\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003escaled from full\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eH.265 Shooting Resolutionsand Frame\u0026nbsp;Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840\u0026nbsp;x\u0026nbsp;2160 (Ultra\u0026nbsp;HD) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003efrom Ultra\u0026nbsp;HD window or scaled from 5.3Kwindowed\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840\u0026nbsp;x\u0026nbsp;2160 (Ultra\u0026nbsp;HD) up\u0026nbsp;to 50\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003escaled from full\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eH.264 Shooting Resolutionsand Frame\u0026nbsp;Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920\u0026nbsp;x\u0026nbsp;1080 (HD) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003escaled from Ultra\u0026nbsp;HD or 5.3K windowed\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920\u0026nbsp;x\u0026nbsp;1080 (HD) up\u0026nbsp;to 50\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003escaled from full\u0026nbsp;sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Shooting Resolutionsand Frame\u0026nbsp;Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003e6144\u0026nbsp;x\u0026nbsp;3456 (6K) up\u0026nbsp;to 50\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003e6144\u0026nbsp;x\u0026nbsp;2560 (6K 2.4:1) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003e5376\u0026nbsp;x\u0026nbsp;3024 (5.3K 16:9) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003e3728\u0026nbsp;x\u0026nbsp;3104 (3.7K 6:5 anamorphic) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840\u0026nbsp;x\u0026nbsp;2160 (Ultra\u0026nbsp;HD) up\u0026nbsp;to 60\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920\u0026nbsp;x\u0026nbsp;1080 (HD) up\u0026nbsp;to 150\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003eProject Frame\u0026nbsp;Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003e23.98, 24, 25, 29.97, 30, 50, 59.94 and 60\u0026nbsp;fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOff-speed frame rates up to 60p in Ultra\u0026nbsp;HD and up\u0026nbsp;to 150p\u0026nbsp;in\u0026nbsp;HD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMetadata Support\u003c\/p\u003e\r\n\r\n\u003cp\u003eAutomatically populated lens data from electronic B4\u0026nbsp;lenses. Automatic recording of camera settings\u0026nbsp;and slate\u0026nbsp;data such as project, scene number, take\u0026nbsp;and special\u0026nbsp;notes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTimecode Clock\u003c\/p\u003e\r\n\r\n\u003cp\u003eHighly accurate timecode clock. Less than 1 frame drift every 8\u0026nbsp;hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnections\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Video Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Video Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Monitor Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.5G, 3G, 6G, 12G.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x XLR switchable between mic, line and AES\u0026nbsp;digital audio.\u0026nbsp;Phantom power\u0026nbsp;support.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm headphone jack, supports iPhone style headset for\u0026nbsp;talkback.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReference Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eTri-Sync\/Black Burst\/Timecode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Control\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 12-pin Hirose Broadcast Lens Connector\u003c\/p\u003e\r\n\r\n\u003cp\u003eRemote Control\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 2.5mm LANC input for Rec Start\/Stop, plus Iris\u0026nbsp;and Focus\u0026nbsp;control using compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComputer Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;USB Type‑C 3.1 Gen\u0026nbsp;2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1\u0026nbsp;x\u0026nbsp;USB Type‑C for software\u0026nbsp;updates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic URSA Broadcast G2\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicursabroadcast\/techspecs\/connections\/blackmagic-ursa-broadcast-g2.png?_v=1636614272\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt in Speaker\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandards\u003c\/p\u003e\r\n\r\n\u003cp\u003eSD Video Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003eHD Video Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra HD Video Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Compliance\u003c\/p\u003e\r\n\r\n\u003cp\u003eSMPTE\u0026nbsp;292M, SMPTE\u0026nbsp;424M, SMPTE\u0026nbsp;425M level\u0026nbsp;A and\u0026nbsp;B, SMPTE\u0026nbsp;2081‑1, SMPTE\u0026nbsp;2081‑10, SMPTE\u0026nbsp;2082‑1 and\u0026nbsp;SMPTE\u0026nbsp;2082‑10\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Audio Sampling\u003c\/p\u003e\r\n\r\n\u003cp\u003e48 kHz and 24 bit\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003e2\u0026nbsp;x\u0026nbsp;CFast 2.0 card slots, 2\u0026nbsp;x\u0026nbsp;SD UHS‑II\u0026nbsp;card slots, 1\u0026nbsp;x\u0026nbsp;USB‑C 3.1 Gen\u0026nbsp;2 expansion port with power delivery for recording to external\u0026nbsp;media.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eCan format media to ExFAT for Windows and Mac\u0026nbsp;or HFS+\u0026nbsp;for Mac (file\u0026nbsp;systems).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/nl\/support\/faq\/59037\" target=\"_blank\"\u003ePlease click here for a summary of compatible\u0026nbsp;media.\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported Codecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eCodecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 HQ,\u003cbr \/\u003e\r\nApple ProRes 422,\u003cbr \/\u003e\r\nH.265 SDI (10-bit 4:2:2),\u003cbr \/\u003e\r\nH.265 High (10-bit 4:2:0),\u003cbr \/\u003e\r\nH.265 Medium (10-bit 4:2:0),\u003cbr \/\u003e\r\nH.265 Low (10-bit 4:2:0),\u003cbr \/\u003e\r\nH.264 SDI (10-bit 4:2:2),\u003cbr \/\u003e\r\nH.264 High (8-bit 4:2:0),\u003cbr \/\u003e\r\nH.264 Medium (8-bit 4:2:0),\u003cbr \/\u003e\r\nH.264 Low (8-bit 4:2:0),\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 3:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 5:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 8:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 12:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q0,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q3,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q5\u003c\/p\u003e\r\n\r\n\u003cp\u003eControl\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens control of compatible lenses using Blackmagic Zoom\u0026nbsp;Demand and Blackmagic Focus\u0026nbsp;Demand, Blackmagic\u0026nbsp;SDI Control\u0026nbsp;Protocol, iPad control via\u0026nbsp;Bluetooth, 1\u0026nbsp;x\u0026nbsp;2.5mm LANC for lens and record\u0026nbsp;control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Corrector\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Corrector\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci YRGB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTalkback and Tally\u003c\/p\u003e\r\n\r\n\u003cp\u003eTalkback\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDI Channels 15\/16 and iPhone\u0026nbsp;headset.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLive Tally\u0026nbsp;Indicator\u003c\/p\u003e\r\n\r\n\u003cp\u003eTally on LCD, URSA\u0026nbsp;Viewfinder and URSA\u0026nbsp;Studio\u0026nbsp;Viewfinder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Type\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x CFast 2.0\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x SD UHS‑II cards\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x high speed USB‑C expansion port for external\u0026nbsp;media.\u003c\/p\u003e\r\n\r\n\u003cp\u003e2.5 inch SSD using optional URSA Mini\u0026nbsp;Recorder\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage rates based on 30\u0026nbsp;frames per\u0026nbsp;second.\u003c\/p\u003e\r\n\r\n\u003cp\u003e6144 x 3456 (6K)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 323 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 194 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 121 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 81 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 242 to 483 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 162 to 387 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 108 to 277 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 65 to 162 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6144 x 2560 (6K 2.4:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 240 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 144 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 90 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 60 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 180 to 359 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 120 to 287 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 80 to 205 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 49 to 120 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e5376 x 3024 (5.3K 16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 248 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 149 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 94 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 63 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 186 to 371 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 125 to 297 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 84 to 213 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 51 to 125 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e3728 x 3104 (3.7K 6:5 anamorphic)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 177 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 106 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 67 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 45 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 133 to 265 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 89 to 212 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 60 to 152 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 36 to 89 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840 x 2160 (Ultra HD)\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 HQ - 110 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 73.6 MB\/s\u003cbr \/\u003e\r\nH.265 SDI - 12.3 MB\/s\u003cbr \/\u003e\r\nH.265 High - 10.8 MB\/s\u003cbr \/\u003e\r\nH.265 Medium - 7.8 MB\/s\u003cbr \/\u003e\r\nH.265 Low - 3.2 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 3:1 - 127 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 77 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 48 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 32 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 96 to 190 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 64 to 153 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 43 to 109 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 26 to 64 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 HQ - 27.5 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 18.4 MB\/s\u003cbr \/\u003e\r\nH.264 SDI - 7.0 MB\/s\u003cbr \/\u003e\r\nH.264 High - 5.6 MB\/s\u003cbr \/\u003e\r\nH.264 Medium - 3.2 MB\/s\u003cbr \/\u003e\r\nH.264 Low - 1.8 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 3:1 - 19 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 12 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 7.8 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 5.2 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 23 to 47 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 16 to 37 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 10 to 27 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 6 to 16 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstant Quality storage rates quoted are indicative\u0026nbsp;only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eActual storage rates are entirely dependent on image subject\u0026nbsp;matter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecording Formats\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 3840 x 2160 and 1920 x 1080 with film,video or extended video dynamic range or custom 3D\u0026nbsp;LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003eH.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D\u0026nbsp;LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003eH.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D\u0026nbsp;LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144\u0026nbsp;x\u0026nbsp;3456, 6144\u0026nbsp;x\u0026nbsp;2560, 5376\u0026nbsp;x\u0026nbsp;3024, 3728\u0026nbsp;x\u0026nbsp;3104, 3840\u0026nbsp;x\u0026nbsp;2160, 1920\u0026nbsp;x\u0026nbsp;1080 recorded in non-linear 12\u0026nbsp;bit with film dynamic range and extended video, video or custom 3D\u0026nbsp;LUT embedded in\u0026nbsp;metadata.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio for\u0026nbsp;Mac and Windows including activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Speed\u0026nbsp;Test\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Systems\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Mac icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-mac-big-sur.jpg?_v=1605738298\" style=\"height:96px; width:96px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMac 10.15 Catalina,\u003cbr \/\u003e\r\nMac 11.1 Big Sur or\u0026nbsp;later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Windows Icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-windows-10.png?_v=1460999806\" style=\"height:97px; width:90px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWindows 10,\u0026nbsp;64-bit.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Requirements\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x External 12V DC 100W power supply with 100 - 240V AC 50\/60Hz IEC C14\u0026nbsp;input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Power Input\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 4-pin XLR port for external mains power supply or battery\u0026nbsp;use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 12-pin Molex connector under rear battery\u0026nbsp;plate.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Output\u003c\/p\u003e\r\n\r\n\u003cp\u003e+12V 4-pin XLR regulated output on side of camera\u003c\/p\u003e\r\n\r\n\u003cp\u003e+12V D-Tap regulated output on VLock battery plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower\u003c\/p\u003e\r\n\r\n\u003cp\u003eRear camera mount compatible with industry standard V-mount or gold mount battery\u0026nbsp;plates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptional Accessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Viewfinder\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Studio Viewfinder\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Fiber Converter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Studio Fiber Converter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro PL Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro F Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Mic Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Recorder\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Gold Battery Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhysical Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic URSA Broadcast G2\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicursabroadcast\/techspecs\/physical-specifications\/blackmagic-ursa-broadcast-g2-sm.jpg?_v=1636586475\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnvironmental Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg; to 40\u0026deg;C (32\u0026deg; to\u0026nbsp;104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg; to 45\u0026deg;C (-4\u0026deg; to\u0026nbsp;113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhat\u0026#39;s Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Broadcast G2\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K B4 lens mount installed\u003c\/p\u003e\r\n\r\n\u003cp\u003eB4 turret dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003eEF Mount with dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003eVLock Battery Plate installed\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA 12V 100W power supply\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Shoulder Pad\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini top handle \u0026amp; rubber stopper\u003c\/p\u003e\r\n\r\n\u003cp\u003eViewfinder mounting plate\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x 1\/4 inch baseplate screws\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x long 1\/4 inch top handle screws\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x short 1\/4 inch top handle screws\u003c\/p\u003e\r\n\r\n\u003cp\u003e8 x EF Mount screws\u003c\/p\u003e\r\n\r\n\u003cp\u003e4 x VLock plate spare screws\u003c\/p\u003e\r\n\r\n\u003cp\u003eWelcome wallet with QR code for camera software download\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio wallet\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio activation key\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585149952337,"sku":"CINEURSAMWC6KG2","price":4411.94,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/DiuIP21h9YvH188Xg52Ixp43KPHOp7SI.jpg?v=1776788153"},{"product_id":"kino-kamiera-canon-cinema-eos-r5c-tialo","title":"Canon EOS Cinema R5 C body","description":"\u003cp\u003e\u003cstrong\u003eMain Features\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There\u0026#39;s no more need to carry a second camera with you to your production when stills and video are available within a single compact design.\u003cbr \/\u003e\r\nThe R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG\/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi\/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress\/SD card slots, a similar button layout, and more. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/strong\u003e\u003cbr \/\u003e\r\nCanon\u0026#39;s 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera\u0026#39;s superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.\u003cbr \/\u003e\r\nFocus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps\u003cbr \/\u003e\r\nDual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects\u003cbr \/\u003e\r\nWith 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF\u003cbr \/\u003e\r\nFor those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles\u003cbr \/\u003e\r\nConnectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVideo Control for the Dedicated Video Professional\u003c\/strong\u003e\u003cbr \/\u003e\r\nAs soon as the EOS R5 C\u0026#39;s main switch is moved to the \u0026quot;video\u0026quot; position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C\u0026#39;s video potential for the experienced camera operator or video content creator. During \u0026quot;photo\u0026quot; operation, menus are nearly the same as they are on the EOS R5 camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eErgonomic EOS Design\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe EOS R5 C camera\u0026#39;s body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCMOS Sensor and DIGIC X Processor\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e8K60 RAW Recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nCinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDifferent File Formats and Simultaneous Recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nAlong with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInternal Cooling Fan Enables Nonstop 8K60 Recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExpanded Interface for Professional Needs\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe EOS R5 C camera provides a timecode input\/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMulti-Function Shoe for Audio Recording\u003c\/strong\u003e\u003cbr \/\u003e\r\nCanon\u0026#39;s multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.\u003cbr \/\u003e\r\n13 Full-Featured Assignable Buttons\u003cbr \/\u003e\r\nThe EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.\u003cbr \/\u003e\r\n4K and 2K Oversampling\u003cbr \/\u003e\r\nThe EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moir\u0026eacute;, false colors, \u0026quot;jaggies\u0026quot;, and noise.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUp to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI\/UHD 4K resolutions (4096 x 2160\/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera\u0026#39;s fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSimultaneous Audio Recording Enabled with HFR\u003c\/strong\u003e\u003cbr \/\u003e\r\nUnlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCanon Log 3 Expands Expressive Possibilities\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log\u0026#39;s ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnhanced Image Stabilization\u003c\/strong\u003e\u003cbr \/\u003e\r\nEnhanced image stabilization is achieved through coordinated control when Canon\u0026#39;s RF lenses with optical IS are combined with the EOS R5 C camera\u0026#39;s electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCanon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe EOS R5 C camera is an excellent camera pairing with Canon\u0026#39;s RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180\u0026deg; VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon\u0026#39;s EOS VR Utility are available to streamline the workflow from shooting to editing.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Pixel CMOS AF with iTR AF X\u003c\/strong\u003e\u003cbr \/\u003e\r\nCanon\u0026#39;s Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen.\u003cbr \/\u003e\r\nTouch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.\u003cbr \/\u003e\r\nThe camera features Eye AF\/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.\u003cbr \/\u003e\r\nIt also provides human detection (eyes\/face\/head), allowing it to track subjects accurately even when AF control is not available.\u003cbr \/\u003e\r\nUsers can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject\u0026#39;s movement.\u003cbr \/\u003e\r\nUsers can leave focusing to the camera and concentrate on their camera work.\u003cbr \/\u003e\r\n\u003cstrong\u003e\u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStill Imaging Features\u003c\/strong\u003e\u003cbr \/\u003e\r\nHigh Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor \u0026amp; DIGIC X Processor.\u003cbr \/\u003e\r\nStill-imaging features and operation are nearly identical to Canon\u0026#39;s EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.\u003cbr \/\u003e\r\nDIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400\u003cbr \/\u003e\r\nDelivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).\u003cbr \/\u003e\r\nHigh-Speed Continuous Shooting\u003cbr \/\u003e\r\nHigh-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter\u003cbr \/\u003e\r\nHigh-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings\u003cbr \/\u003e\r\nA high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSame Subject Detection and Tracking AF as the Canon EOS R5\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHead and Eye Detection\u003c\/strong\u003e\u003cbr \/\u003e\r\nSelect \u0026quot;People\u0026quot; as the EOS R5 C\u0026#39;s \u0026quot;subjects to detect,\u0026quot; and like the EOS R5, it can focus on a detected person\u0026#39;s eyes, face, head (if a face is obscured), or even entire body if a head cannot be detected.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnimal Detection\u003c\/strong\u003e\u003cbr \/\u003e\r\nFor still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVehicle Detection\u003c\/strong\u003e\u003cbr \/\u003e\r\nCarried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C\u0026#39;s AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF Area Flexibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nSelect the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAF Area Coverage of Approx. 100% x 100% for Still Images\u003c\/strong\u003e\u003cbr \/\u003e\r\nThe EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEV-6 Low-Light Autofocus\u003c\/strong\u003e\u003cbr \/\u003e\r\nGreat for night photography or in very low-light settings, the EOS R5 C camera\u0026#39;s brilliant AF can operate for still images in light as dim as a light rating of EV-6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f\/22 - meaning AF is still possible with the RF800mm F11 IS STM + RF2x extender.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr \/\u003e\r\n\u0026nbsp;\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585151099217,"sku":"5077C003AA","price":3347.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/Tmg5IwvyMUnntQpUUufNgD435eAUEzpE.jpg?v=1776792812"},{"product_id":"blackmagic-pocket-cinema-camera-6k-g2-ef-baioniet","title":"Blackmagic Pocket Cinema Camera 6K G2 EF mount","description":"\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K G2 is an advanced technology, handheld 6K digital film camera with 6144\u0026nbsp;x\u0026nbsp;3456 Super\u0026nbsp;35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB-C disks! This powerful model adds an adjustable touchscreen, and a larger battery for longer run time. You\u0026nbsp;can even add an optional OLED viewfinder!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEffective Sensor Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e23.10mm x 12.99mm (Super\u0026nbsp;35)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eActive EF mount.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris, focus and zoom on supported lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e13 Stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e400 and\u0026nbsp;3200\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e6144 x 3456 (6K) up\u0026nbsp;to 50\u0026nbsp;fps\u003cbr \/\u003e\r\n6144 x 2560 (6K 2.4:1) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n5744 x 3024 (5.7K 17:9) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 2160 (4K DCI) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n3840 x 2160 (Ultra HD) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n3728 x 3104 (3.7K 6:5 anamorphic) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n2868 x 1512 (2.8K 17:9) up\u0026nbsp;to 120\u0026nbsp;fps\u003cbr \/\u003e\r\n1920 x 1080 (HD) up\u0026nbsp;to 120\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60\u0026nbsp;fps supported.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOff-speed frame rates up to 60\u0026nbsp;fps in 6K 2.4:1,\u0026nbsp;120\u0026nbsp;fps in\u0026nbsp;2.8K 17:9\u0026nbsp;and\u0026nbsp;1080HD.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt in ND Filters\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto focus available using compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris\u0026nbsp;button for instant auto iris settings on compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e5\u0026rdquo; 1920 x 1080.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eLCD capacitive\u0026nbsp;touchscreen.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAutomatically populated lens data from electronic EF\u0026nbsp;lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A\u0026nbsp;3D\u0026nbsp;LUT can also be embedded in metadata of Blackmagic RAW\u0026nbsp;files.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen menus on 5\u0026nbsp;inch screen.\u0026nbsp;1\u0026nbsp;x Power Switch,\u0026nbsp;1\u0026nbsp;x Record Button,\u0026nbsp;1\u0026nbsp;x Stills Button,\u0026nbsp;1\u0026nbsp;x\u0026nbsp;Scroll Wheel with push integrated into handgrip,\u0026nbsp;1\u0026nbsp;x ISO Button,\u0026nbsp;1\u0026nbsp;x White Balance,\u0026nbsp;1\u0026nbsp;x Shutter Button,\u0026nbsp;3\u0026nbsp;x software\u0026nbsp;configurable Fn buttons,\u0026nbsp;1\u0026nbsp;x IRIS Button,\u0026nbsp;1\u0026nbsp;x Focus Button,\u0026nbsp;1\u0026nbsp;x High Frame Rate\u0026nbsp;(HFR) Button,\u0026nbsp;1\u0026nbsp;x Zoom Button,\u0026nbsp;1\u0026nbsp;x Menu Button\u0026nbsp;and\u0026nbsp;1\u0026nbsp;x Playback\u0026nbsp;Button.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eHighly accurate timecode clock. Less\u0026nbsp;than 1\u0026nbsp;frame drift every\u0026nbsp;8\u0026nbsp;hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x HDMI up to\u0026nbsp;1080p60\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll audio inputs can also be used for Timecode input.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm headphone\u0026nbsp;jack.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB Type-C for external drive recording, PTP camera control and software\u0026nbsp;updates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic Pocket Cinema Camera 6K G2\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/techspecs\/connections\/blackmagic-pocket-cinema-camera-6k-g2.png?_v=1655185568\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra HD Video Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K DCI Standards\u003c\/p\u003e\r\n\r\n\u003cp\u003e4Kp23.98\u0026nbsp;DCI, 4Kp24\u0026nbsp;DCI, 4Kp25\u0026nbsp;DCI, 4Kp29.97\u0026nbsp;DCI, 4Kp30\u0026nbsp;DCI, 4Kp50\u0026nbsp;DCI, 4Kp59.94\u0026nbsp;DCI, 4Kp60\u0026nbsp;DCI\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x CFast card slot,\u0026nbsp;1 x SD UHS‑II card slot,\u0026nbsp;1 x USB-C 3.1 Gen 1\u0026nbsp;expansion port for external media for Blackmagic RAW and ProRes\u0026nbsp;Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/nl\/support\/faq\/59026\"\u003ePlease click here for a summary of compatible\u0026nbsp;media.\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac) or\u0026nbsp;HFS+ (Mac)\u0026nbsp;file\u0026nbsp;systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 5:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 8:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 12:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q0,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q3,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q5,\u003cbr \/\u003e\r\nProRes 422 HQ QuickTime,\u003cbr \/\u003e\r\nProRes 422 QuickTime,\u003cbr \/\u003e\r\nProRes 422 LT QuickTime,\u003cbr \/\u003e\r\nProRes 422 Proxy QuickTime.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod\u0026nbsp;handles.\u003c\/p\u003e\r\n\r\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a\u0026nbsp;compatible ATEM\u0026nbsp;and ATEM Software Control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Corrector\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Corrector\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci YRGB.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x CFast 2.0.\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x SD UHS-II card.\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x high speed USB-C expansion port for external\u0026nbsp;media.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144\u0026nbsp;x\u0026nbsp;3456, 6144\u0026nbsp;x\u0026nbsp;2560, 5744\u0026nbsp;x\u0026nbsp;3024, 4096\u0026nbsp;x\u0026nbsp;2160, 3728\u0026nbsp;x\u0026nbsp;3104 and 2868\u0026nbsp;x\u0026nbsp;1512 with film, extended video, video dynamic range or custom 3D\u0026nbsp;LUT embedded in\u0026nbsp;metadata.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProRes at 4096\u0026nbsp;x\u0026nbsp;2160, 3840\u0026nbsp;x\u0026nbsp;2160 and 1920\u0026nbsp;x\u0026nbsp;1080 with film, extended video or video dynamic range or custom 3D\u0026nbsp;LUT.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage rates based on 30\u0026nbsp;frames per\u0026nbsp;second.\u003c\/p\u003e\r\n\r\n\u003cp\u003e6144 x 3456 (6K)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 323 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 194 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 121 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 81 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 242 to 483 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 162 to 387 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 108 to 277 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 65 to 162 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6144 x 2560 (6K 2.4:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 240 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 144 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 90 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 60 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 180 to 359 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 120 to 287 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 80 to 205 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 49 to 120 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e5744 x 3024 (5.7K 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 264 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 159 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 100 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 67 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 198 to 396 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 133 to 317 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 89 to 227 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 54 to 133 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 2160 (4K DCI)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 82 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 51 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 35 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 68 to 163 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 46 to 116 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 28 to 68 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 HQ - 117.88 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 78.63 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 LT - 54.63 MB\/s\u003cbr \/\u003e\r\nApple ProRes Proxy - 24.25 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840 x 2160 (Ultra HD)\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 HQ - 110 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 73.6 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 LT - 51 MB\/s\u003cbr \/\u003e\r\nApple ProRes Proxy - 22.4 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e3728 x 3104 (3.7K 6:5 anamorphic)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 177 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 106 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 67 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 45 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 133 to 265 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 89 to 212 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 60 to 152 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 36 to 89 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e2868 x 1512 (2.8K 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 67 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 41 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 26 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 17 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 51 to 101 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 34 to 81 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 23 to 58 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 14 to 34 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 HQ - 27.5 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 - 18.4 MB\/s\u003cbr \/\u003e\r\nApple ProRes 422 LT - 12.75 MB\/s\u003cbr \/\u003e\r\nApple ProRes Proxy - 5.6 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstant Quality storage rates quoted are indicative\u0026nbsp;only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eActual storage rates are entirely dependent on image subject\u0026nbsp;matter.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Mac icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-mac-monterey.jpg?_v=1634621829\" style=\"height:96px; width:96px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMac 11.1 Big Sur,\u003cbr \/\u003e\r\nMac 12.0 Monterey or\u0026nbsp;later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Windows Icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-windows-11.jpg?_v=1634621830\" style=\"height:97px; width:90px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWindows 10 and\u0026nbsp;11.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;External 12V power supply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Power Input\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;2‑pin locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-F570\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery Life\u003c\/p\u003e\r\n\r\n\u003cp\u003eApproximately 60 minutes\u003cbr \/\u003e\r\n(recording 6K\u0026nbsp;RAW at 24\u0026nbsp;fps to CFast 2.0 with screen brightness at\u0026nbsp;50%)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e12V-20V.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptional Accessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera Pro\u0026nbsp;EVF\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Camera Battery Pro\u0026nbsp;Grip\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhysical Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic Pocket Cinema Camera 6K G2\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/techspecs\/physical-specifications\/blackmagic-pocket-cinema-camera-6k-g2-sm.jpg?_v=1655185645\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg;to\u0026nbsp;40\u0026deg;C (32\u0026deg;\u0026nbsp;to\u0026nbsp;104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg;to\u0026nbsp;45\u0026deg;C (-4\u0026deg;\u0026nbsp;to\u0026nbsp;113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera 6K G2\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamera strap\u003c\/p\u003e\r\n\r\n\u003cp\u003e30W power supply with locking connector and international\u0026nbsp;adapters\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-F570 battery\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-F series battery USB charger\u003c\/p\u003e\r\n\r\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio activation\u0026nbsp;key\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585199464785,"sku":"CINECAMPOCHDEF6K2","price":2159.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/CV9Zh0ciThBE36LMK85bzastEDajk2tG.jpg?v=1776788122"},{"product_id":"obiektiv-dji-50mm-f2-8-asph-ls","title":"DJI 50mm f2.8 ASPH LS Lens","description":"\u003cp\u003eKey Features\u003cbr \/\u003e\r\nWorks with Zenmuse X7 Camera\u003cbr \/\u003e\r\nLens Hood \u0026amp; Balancing Ring Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eOverview\u003cbr \/\u003e\r\nDJI\u0026#39;s 50mm f\/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f\/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpecs\u003cbr \/\u003e\r\nCompatibility: DJI Zenmuse X7 cameras\u003cbr \/\u003e\r\nAperture: f\/2.8\u003cbr \/\u003e\r\nDimensions: 55 x 62 x 70.6 mm\u003cbr \/\u003e\r\nWeight: 182 g\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":53585226727761,"sku":"DJI50LS","price":1405.54,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/LAYGckmxZ3mWInHy8yne80uG8BkHHjt6.jpg?v=1776796142"},{"product_id":"obiektiv-dji-35mm-f2-8-asph-ls","title":"DJI 35mm f2.8 ASPH LS Lens","description":"\u003cp\u003eKey Features\u003cbr \/\u003e\r\nWorks with Zenmuse X7 Camera\u003cbr \/\u003e\r\nLens Hood \u0026amp; Balancing Ring Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eOverview\u003cbr \/\u003e\r\nDJI\u0026#39;s 35mm f\/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f\/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. 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live streaming\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBattery\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony NP-F series compatible (Battery not included)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eDC 6.8V ~ 16.8V (2-pin LEMO socket), with LEMO connector\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAluminum Alloy\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1090g (EF mount) \/ 1160g (PL mount) \/ 930g (MFT mount)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e91.20mm x 99.25mm x 95.60mm (without lens)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironment\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20 \u0026deg;C ~ 60 \u0026deg;C\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperation Temperature\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e0 \u0026deg;C ~ 40 \u0026deg;C\u003c\/p\u003e","brand":"Z-CAM","offers":[{"title":"Default Title","offer_id":53585257693521,"sku":"zcam-770163","price":2642.87,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/rmwQTXnOAFskfiSJZ9GAUztvXLok9cGh.jpg?v=1776792820"},{"product_id":"obiektiv-dji-18mm-f2-8-asph-ls","title":"DJI 18mm f2.8 ASPH LS Lens","description":"\u003cp\u003eKey Features\u003cbr \/\u003e\r\nFor Inspire 3 with Zenmuse X9-8K Air\u003cbr \/\u003e\r\n18mm Wide-Angle\u003cbr \/\u003e\r\nDL Mount\u003cbr \/\u003e\r\nHigh Sharpness \u0026amp; well-controlled chromatic aberration\u003cbr \/\u003e\r\nLifelike Color with Rich Detail\u003cbr \/\u003e\r\nMonocoque Carbon Fiber Body\u003c\/p\u003e\r\n\r\n\u003cp\u003eOverview\u003cbr \/\u003e\r\nSpecifically designed to fit the DL mount on the Inspire 3, the DJI 18mm f\/2.8 ASPH Full-Frame Lens for Inspire 3 gives filmmakers a wide-angle option for capturing aerial footage in 8K clarity with the Zenmuse X9-8K Air gimbal camera. Thanks to the optics\u0026#39; high sharpness and\u0026nbsp;well-controlled chromatic aberration, the resulting 8K content will receive richer detail and lifelike color. The lens is housed within a monocoque carbon fiber body, meeting DJI\u0026#39;s requirement for ultra-high maneuverability.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSpecs\u003cbr \/\u003e\r\nFocal Length: 18mm\u003cbr \/\u003e\r\nMaximum Aperture: f\/2.8\u003cbr \/\u003e\r\nLens Mount: DJI DL\u003cbr \/\u003e\r\nLens Format Coverage: Full-Frame\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":53585273160017,"sku":"DJI18LS","price":1349.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/h5ibxYRAEj1DsadH6OmRRFEDLV7KCed9.jpg?v=1776796143"},{"product_id":"blackmagic-ursa-mini-pro-12k-olpf-dighitalna-filmova-kino-kamiera","title":"Blackmagic URSA Mini Pro 12K OLPF","description":"\u003cp\u003eBlackmagic URSA Mini Pro\u0026nbsp;12K is a\u0026nbsp;revolution in digital film with a\u0026nbsp;12,288\u0026nbsp;x\u0026nbsp;6480 12K Super\u0026nbsp;35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The\u0026nbsp;combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a\u0026nbsp;reality. Oversampling from 12K gives customers the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. Customers can shoot at 60\u0026nbsp;fps in 12K, 110\u0026nbsp;fps in 8K and up to 220\u0026nbsp;fps in 4K Super 16. URSA Mini Pro\u0026nbsp;12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a\u0026nbsp;SuperSpeed USB-C expansion port and\u0026nbsp;more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro\u0026nbsp;12K\u0026rsquo;s extreme resolution goes well beyond traditional motion picture film. Customers get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The\u0026nbsp;incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means customers not only get better color and resolution at 8K, but also a\u0026nbsp;smoothness that comes from making aliasing\u0026nbsp;invisible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic URSA Mini Pro\u0026nbsp;12K features a\u0026nbsp;revolutionary new sensor with a\u0026nbsp;native resolution of 12,288\u0026nbsp;x\u0026nbsp;6480, which is an incredible 80 megapixels per frame. The\u0026nbsp;Super 35 sensor has a\u0026nbsp;superb 14 stops of dynamic range and a\u0026nbsp;native ISO of 800. The\u0026nbsp;new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. Customers can shoot 12K at 60\u0026nbsp;fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110\u0026nbsp;fps without cropping or changing their field of view. URSA Mini Pro\u0026rsquo;s interchangeable lens mount lets customers choose from the widest range of vintage and modern cinema lenses, so customers can capture every ounce of character and detail from their favorite\u0026nbsp;optics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe URSA Mini Pro\u0026nbsp;12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As\u0026nbsp;an incredibly efficient next generation codec Blackmagic RAW lets customers shoot 12K and edit on a\u0026nbsp;laptop, a\u0026nbsp;capability that simply isn\u0026rsquo;t possible with other codecs. The\u0026nbsp;massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It\u0026rsquo;s like a\u0026nbsp;multi camera shoot with only one camera. And\u0026nbsp;it\u0026rsquo;s perfect for great looking vertical and square video, too. The\u0026nbsp;advanced design of the sensor and Blackmagic RAW means that customers can work in any resolution in post production instantly, without rendering, while retaining the full sensor\u0026rsquo;s color\u0026nbsp;accuracy.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOnly Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a\u0026nbsp;reality. Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give customers the best possible images with predictable and consistent file size. Customers can record RAW to two cards simultaneously so customers can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates. Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post\u0026nbsp;production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means customers get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It\u0026nbsp;is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So\u0026nbsp;customers can always work with their camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or\u0026nbsp;8K.\u003cbr \/\u003e\r\n\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Generation 5 Color Science features a\u0026nbsp;new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro\u0026nbsp;12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets customers take advantage of the new film curve even with their existing\u0026nbsp;work.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro\u0026nbsp;12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K. With a\u0026nbsp;massive 80 megapixels per frame at 60\u0026nbsp;fps in RAW customers can capture perfect stills and motion shots in a\u0026nbsp;single camera at the same time. Customers can shoot up to 60\u0026nbsp;fps in 12K 12,288\u0026nbsp;x\u0026nbsp;6480 17:9. For\u0026nbsp;higher frame rates, customers can shoot 110\u0026nbsp;fps at 8192\u0026nbsp;x\u0026nbsp;4320, 140\u0026nbsp;fps at 8192\u0026nbsp;x\u0026nbsp;3408 and even window the sensor to Super 16 to capture 4K at an incredible 220\u0026nbsp;fps at 4096\u0026nbsp;x\u0026nbsp;2160 DCI. URSA Mini Pro\u0026nbsp;12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that customers get smoother edges in 8K and 4K even at lower frame\u0026nbsp;rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro\u0026nbsp;12K is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. Customers get dual built in CFast and UHS-II SD card recorders, and a\u0026nbsp;SuperSpeed USB-C expansion port for recording to fast SATA and NVMe drives. With \u0026quot;Record RAW on 2 Cards\u0026quot; turned on, URSA Mini Pro\u0026nbsp;12K can record simultaneously across two cards up to an incredible 900MB\/s to 2 CFast cards, or an impressive 500MB\/s to 2 UHS-II SD cards. The\u0026nbsp;SuperSpeed USB-C expansion port on the rear can record to USB-C flash storage up to 900MB\/s as a\u0026nbsp;third recording option so customers won\u0026rsquo;t be short of choices for capturing stunning 12K up to 60p or 8K up to\u0026nbsp;110p.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. Customers can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro\u0026nbsp;12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means customers can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The\u0026nbsp;4.6K G2 model features USB-C 3.1 Gen 1 which operates at up to 5\u0026nbsp;Gb\/s, while the new 12K model has a\u0026nbsp;USB-C 3.1 Gen 2 for a\u0026nbsp;blistering 10\u0026nbsp;Gb\/s. Customers can connect and power external flash disks and SSDs or on URSA Mini Pro\u0026nbsp;12K customers can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete customers can simply move the external disk to their computer and start editing from the same disk, eliminating file\u0026nbsp;copying.\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Mini Pro includes a\u0026nbsp;full version of DaVinci Resolve Studio. Customers get the world\u0026rsquo;s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so users will get the best possible post production tools to edit native video from their camera and retain every bit of quality. Whether users are working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives customers a\u0026nbsp;completely lossless workflow for native editing, color correction, effects, audio and\u0026nbsp;delivery.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new Blackmagic URSA Mini Recorder lets customers record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s. This blazing fast performance allows customers longer recording times for full resolution 4K, 8K and 12K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The\u0026nbsp;unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of their URSA Mini Pro between the camera and the battery. It\u0026rsquo;s controlled via the USB-C so customers don\u0026rsquo;t have to worry about manually starting or stopping the SSD\u0026nbsp;recorder.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026quot;With Blackmagic URSA Mini Pro\u0026nbsp;12K we have advanced imaging technology into a\u0026nbsp;new generation where new styles of shooting will be possible\u0026quot;, said Grant Petty, CEO, Blackmagic Design. \u0026quot;Its not just the 12K sensor, but there is so many other innovations in this camera. From the Generation 5 Color Science, the in sensor scaling, new symmetrical color pattern, full RGB quality and of course the 12K resolution, it\u0026#39;s going to be exciting to see what DOPs do creatively with this\u0026nbsp;technology!\u0026quot;\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Mini Pro\u0026nbsp;12K\u0026nbsp;Features\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e12,288\u0026nbsp;x\u0026nbsp;6480 12K Super 35\u0026nbsp;sensor.\u003c\/li\u003e\r\n\t\u003cli\u003eUse for feature films, VFX and high end\u0026nbsp;TVC\u0026#39;s.\u003c\/li\u003e\r\n\t\u003cli\u003e14 stops of dynamic range and native 800\u0026nbsp;ISO.\u003c\/li\u003e\r\n\t\u003cli\u003eNew Blackmagic RAW for real time 12K\u0026nbsp;editing.\u003c\/li\u003e\r\n\t\u003cli\u003eBlackmagic RAW optimized for Metal, CUDA and\u0026nbsp;OpenCL.\u003c\/li\u003e\r\n\t\u003cli\u003eGeneration 5 Color Science with new film\u0026nbsp;curve.\u003c\/li\u003e\r\n\t\u003cli\u003eShoot up to 60\u0026nbsp;fps in 12K, 110\u0026nbsp;fps at 8K and 220\u0026nbsp;fps at\u0026nbsp;4K.\u003c\/li\u003e\r\n\t\u003cli\u003eDual card CFast recording at up to\u0026nbsp;900MB\/s.\u003c\/li\u003e\r\n\t\u003cli\u003ePL mount included, EF and F mounts\u0026nbsp;available.\u003c\/li\u003e\r\n\t\u003cli\u003eSuperSpeed USB-C for recording to external\u0026nbsp;disks.\u003c\/li\u003e\r\n\t\u003cli\u003eIncludes DaVinci Resolve Studio for post\u0026nbsp;production.\u003c\/li\u003e\r\n\t\u003cli\u003eCompatible with new Blackmagic URSA Mini\u0026nbsp;Recorder.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585273618769,"sku":"CINEURSAMUPRO12KOLPF","price":6887.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/AHGLObmVhX1cxufKnxUH9YiV5t8PR296.jpg?v=1776788157"},{"product_id":"canon-eos-c500-ii-5-9k-dighitalna-full-frame-kino-kamiera-tialo","title":"Canon Cinema EOS C500 Mark II EF Mount","description":"\u003cp\u003eThe \u003cstrong\u003eCanon EOS C500 Mark II 5.9K Full-Frame Camera Body\u003c\/strong\u003e is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nThe camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor\u0026#39;s full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDIG!C DV 7 Image Processor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards.\u003c\/p\u003e\r\n\r\n\u003cp\u003eInterchangeable Lens Mounts\u003c\/p\u003e\r\n\r\n\u003cp\u003ethe C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Pixel CMOS AF with support for Touch AF and Face Detection AF\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDAF technology utilizes the fact that each pixel in the camera\u0026#39;s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to \u0026quot;hunt\u0026quot; for focus.\u003c\/li\u003e\r\n\t\u003cli\u003eDAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject\u0026#39;s current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication.\u003c\/li\u003e\r\n\t\u003cli\u003eYou can also use DAF and the camera\u0026#39;s touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera\u0026#39;s set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eFocus Control\/Assist\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nPlease note:\u003cem\u003e \u003c\/em\u003eOnly lenses that support AF functions can be used in these modes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter Settings\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1\/3 or 1\/4 steps selected as speed increments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic Image Stabilization\u003c\/p\u003e\r\n\r\n\u003cp\u003eA new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOther Features\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSlow and Fast Motion recording\u003c\/li\u003e\r\n\t\u003cli\u003ePre-recording\u003c\/li\u003e\r\n\t\u003cli\u003eRelay recording\u003c\/li\u003e\r\n\t\u003cli\u003eDouble slot recording\u003c\/li\u003e\r\n\t\u003cli\u003eCustom picture settings\u003c\/li\u003e\r\n\t\u003cli\u003eColor bars\u003c\/li\u003e\r\n\t\u003cli\u003ePeaking\u003c\/li\u003e\r\n\t\u003cli\u003eZebra\u003c\/li\u003e\r\n\t\u003cli\u003eMy Menu settings\u003c\/li\u003e\r\n\t\u003cli\u003eWaveform monitor\u003c\/li\u003e\r\n\t\u003cli\u003eAssignable buttons\u003c\/li\u003e\r\n\t\u003cli\u003eKey lock\u003c\/li\u003e\r\n\t\u003cli\u003eMarker display\u003c\/li\u003e\r\n\t\u003cli\u003eEnlarged display\u003c\/li\u003e\r\n\t\u003cli\u003eCustom display\u003c\/li\u003e\r\n\t\u003cli\u003eControl via Browser Remote\u003c\/li\u003e\r\n\t\u003cli\u003ePeripheral illumination correction\u003c\/li\u003e\r\n\t\u003cli\u003eDiffraction correction\u003c\/li\u003e\r\n\t\u003cli\u003eBuilt-in monaural microphone\u003c\/li\u003e\r\n\t\u003cli\u003eFan control\u003c\/li\u003e\r\n\t\u003cli\u003eGeotagging\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eOptional Expansion Modules\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eExpansion unit 1 adds genlock\/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming.\u003c\/li\u003e\r\n\t\u003cli\u003eExpansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eLOG and LUT Support\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLog workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003c\/li\u003e\r\n\t\u003cli\u003eCanon Log 2 provides the most post-production flexibility and full dynamic range of the sensor. It typically requires more time in color correction.\u003c\/li\u003e\r\n\t\u003cli\u003eCanon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops, which may speed up the post-production time.\u003c\/li\u003e\r\n\t\u003cli\u003eIn addition to Canon Log 2 and Log 3, the camera also supports Wide DR, Normal 1, HDR-PQ, and HDR-HLG\u003c\/li\u003e\r\n\t\u003cli\u003eUsers can use the included LUTs BT.709, BT.2020, DCI, ACESproxy, HDR-PQ, HDR-HLG, HDR1600%, HDR400%, or upload and apply custom LUTs to the outputs of the EOS C500 Mark II. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Allowing each output to use a different LUT is great for giving different departments the look they need.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eAudio\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera body features two XLR audio inputs, and the camera supports a total of four audio tracks for recording. Two additional XLR audio inputs are available with an optional Expansion Unit 2.\u003c\/p\u003e\r\n\r\n\u003cp\u003e8-Bit Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003e8-bit recording is only available as a proxy recording to the SD card when recording Cinema RAW Light to the CFexpress cards.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTimecode\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera supports drop frame (in 59.94 Hz mode only) and non-drop in all other modes. 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The optional MO-4E or MO-4P B4 adapter is required.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eHJ14ex4.3B IASE S\u003c\/li\u003e\r\n\t\u003cli\u003eHJ18ex7.6B IASE S\u003c\/li\u003e\r\n\t\u003cli\u003eHJ24ex7.5B IASE S\u003c\/li\u003e\r\n\t\u003cli\u003eHJ17ex7.6B IASE S\u003c\/li\u003e\r\n\t\u003cli\u003eHJ22ex7.6B IASE S\u003c\/li\u003e\r\n\t\u003cli\u003eCJ45ex9.7B IASE-V H\u003c\/li\u003e\r\n\t\u003cli\u003eCJ45ex13.6B IASE-V H\u003c\/li\u003e\r\n\t\u003cli\u003eCJ24ex7.5B IASE S\u003c\/li\u003e\r\n\t\u003cli\u003eCJ14ex4.3B IASE S\u003c\/li\u003e\r\n\t\u003cli\u003eCJ18ex7.6B IASE S\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585283219793,"sku":"3794C003AA","price":9202.74,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/n0YGDQ04L3DyBn23IIztufyw0o6uR0jS.jpg?v=1776788366"},{"product_id":"promo-pakiet-sony-fx6-cinema-line-kamiera-chanta-manfrotto-pamiet-karta-chietiets-i-batieriia-hahnel-hl-u70-1","title":"Promo bundle Sony FX6 Full-Frame Cinema Camera (Body Only) + bag, memory card, reader and Hahnel battery","description":"\u003cp\u003eThe \u003cstrong\u003eFX6 Full-Frame Camera\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony\u0026#39;s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\u0026quot;, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\u0026quot; LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVersatile Addition to Sony Cinema Line\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs part of Sony\u0026#39;s Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIt matches the FX9\u0026#39;s video capture up to DCI 4K60\u003c\/li\u003e\r\n\t\u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices\u003c\/li\u003e\r\n\t\u003cli\u003eOutputs 16-bit raw like the FX9\u003c\/li\u003e\r\n\t\u003cli\u003eSony E lens mount\u003c\/li\u003e\r\n\t\u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003c\/li\u003e\r\n\t\u003cli\u003eAlso provides 2-channel XLR audio inputs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4K capture vs 6K\u003c\/li\u003e\r\n\t\u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9\u0026#39;s additional 3G-SDI port\u003c\/li\u003e\r\n\t\u003cli\u003eIncorporates a timecode port but lacks the FX9\u0026#39;s genlock connector\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9\u0026#39;s 320 to 102,400 range\u003c\/li\u003e\r\n\t\u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9\u0026#39;s top 1080p in HD\u003c\/li\u003e\r\n\t\u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9\u0026#39;s reliance on proprietary XQD cards and a single SD card option\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor\u0026#39;s fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e15+ Stops of Dynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide ISO Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronically Variable ND Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003eSet the FX6\u0026#39;s integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1\/4 to 1\/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced XAVC Codec Options\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigh Frame Rate Selections\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003c\/li\u003e\r\n\t\u003cli\u003e100 or 120 fps in HD through UHD 4K\u003c\/li\u003e\r\n\t\u003cli\u003e150, 180, 200, or 240 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60, 100, and 120 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eExpressive Cinematic Look\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony\u0026#39;s S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompatible with 50+ native Sony E-mount lenses, the FX6\u0026#39;s improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Stabilization and More with Catalyst and Metadata\u003c\/p\u003e\r\n\r\n\u003cp\u003ePair the FX6 with Sony\u0026#39;s Catalyst Prepare\/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen 3.5\u0026quot; LCD Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 3.5\u0026quot; LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReliable Design and Construction\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera\u0026#39;s dust and moisture resistance as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4-Channel Audio Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera\u0026#39;s top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional Input\/Output Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX6 input and output ports include a selectable 12G\/6G\/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCFexpress Media Slots and Multiple Recording Modes\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModular, Grab-and-Go Design\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\u0026quot; LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContent Browser Mobile Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6\u0026#39;s Wi-Fi function enables remote monitoring and focus\/iris\/zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording with Atomos Ninja V+ \u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony\u0026rsquo;s state of the art Exmor R CMOS full-frame 6K image sensor, using a single BNC cable to the camera\u0026rsquo;s 12G-SDI port.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. The recorded files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colours, ideal for both HDR and SDR (Rec.709) workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe back-illuminated CMOS image sensor also uses Sony\u0026rsquo;s Exmor R technology for improved sensitivity and noise reduction, leading to cleaner RAW images.\u003c\/p\u003e\r\n\r\n\u003ctable cellspacing=\"0\" style=\"-webkit-font-smoothing:antialiased; -webkit-tap-highlight-color:transparent; border-collapse:collapse; box-sizing:border-box; font-variant-ligatures:normal; max-width:100%; outline:none; text-decoration-color:initial; text-decoration-style:initial; text-decoration-thickness:initial; width:428px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:1px solid black; height:19px; vertical-align:bottom; white-space:nowrap; width:169px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupported Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:120px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:74px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFrame Rate\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:64px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAvailable\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRAW\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eResolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e120p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e100p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD Interlaced\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585287315793,"sku":"B-ILME-FX6-MHAH","price":6539.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/J0i7adwKPE7QwmTbESOQdLXkN0Dy0EdB.jpg?v=1776798741"},{"product_id":"blackmagic-cinema-camera-6k-l-mount-baioniet-kompaktna-dighitalna-kamiera","title":"Blackmagic Cinema Camera 6K L-mount","description":"\u003cp\u003e\u003cimg alt=\"Blackmagic Cinema Camera 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagiccinemacamera\/techspecs\/hero\/blackmagic-cinema-camera-6k-sm.jpg?_v=1694495628\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Cinema Camera 6K\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Cinema Camera 6K is a\u0026nbsp;next generation, handheld 6K digital film camera with 6048 x\u0026nbsp;4032 full frame high resolution HDR sensor, dual native ISO, L‑Mount, CFexpress recording and direct recording to USB-C disks! Blackmagic Cinema Camera 6K features an OLPF for better detail handling, records stunning 12-bit Blackmagic RAW for cinematic images as well as real time H.264\u0026nbsp;proxies!\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamera Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eEffective Sensor Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e36mm x 24mm (Full\u0026nbsp;Frame)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eActive L-Mount.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003e13 Stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Native ISO\u003c\/p\u003e\r\n\r\n\u003cp\u003e400 and\u0026nbsp;3200\u003c\/p\u003e\r\n\r\n\u003cp\u003eShooting Resolutions\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n4838 x 4032 (Anamorphic 6:5) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 3200 (6K DCI 17:9) up\u0026nbsp;to 48\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 2520 (6K 2.4:1) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 3072 (Super 35 4:3) up\u0026nbsp;to 50\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 2160 (4K DCI 17:9) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n2112 x 1184 (Super 16 16:9) up\u0026nbsp;to 100\u0026nbsp;fps\u003cbr \/\u003e\r\n1920 x 1080 (1080 HD 16:9) up\u0026nbsp;to 120\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps\u0026nbsp;supported.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in\u0026nbsp;1080HD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto focus available using compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris\u0026nbsp;button for instant auto iris settings on compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Dimensions\u003c\/p\u003e\r\n\r\n\u003cp\u003e5\u0026rdquo; 1920\u0026nbsp;x\u0026nbsp;1080.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Brightness\u003c\/p\u003e\r\n\r\n\u003cp\u003e1500 nits\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eLCD capacitive\u0026nbsp;touchscreen.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMetadata Support\u003c\/p\u003e\r\n\r\n\u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A\u0026nbsp;3D LUT can also be embedded in metadata of Blackmagic RAW\u0026nbsp;files.\u003c\/p\u003e\r\n\r\n\u003cp\u003eControls\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen menus on 5\u0026nbsp;inch screen. 1\u0026nbsp;x\u0026nbsp;Power Switch, 1\u0026nbsp;x\u0026nbsp;Record Button, 1\u0026nbsp;x\u0026nbsp;Stills Button, 1\u0026nbsp;x\u0026nbsp;Scroll Wheel with push integrated into handgrip, 1\u0026nbsp;x\u0026nbsp;ISO Button, 1\u0026nbsp;x\u0026nbsp;White Balance, 1\u0026nbsp;x\u0026nbsp;Shutter Button, 3\u0026nbsp;x\u0026nbsp;software configurable Fn buttons, 1\u0026nbsp;x\u0026nbsp;Focus Button, 1\u0026nbsp;x\u0026nbsp;IRIS Button, 1\u0026nbsp;x\u0026nbsp;High Frame Rate (HFR) Button, 1\u0026nbsp;x\u0026nbsp;Zoom Button,\u0026nbsp;1\u0026nbsp;x\u0026nbsp;Menu Button\u0026nbsp;and 1\u0026nbsp;x\u0026nbsp;Playback\u0026nbsp;Button.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTimecode Clock\u003c\/p\u003e\r\n\r\n\u003cp\u003eHighly accurate timecode clock. Less\u0026nbsp;than 1\u0026nbsp;frame drift every\u0026nbsp;8\u0026nbsp;hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnections\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x HDMI up to\u0026nbsp;1080p60\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll audio inputs can also be used for Timecode input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm headphone\u0026nbsp;jack.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComputer Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB Type-C for external drive recording, PTP camera control and software\u0026nbsp;updates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic Cinema Camera 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagiccinemacamera\/techspecs\/connections\/blackmagic-cinema-camera-6k.png?_v=1694495723\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt in Speaker\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x\u0026nbsp;CFexpress Type B\u0026nbsp;card slot, 1\u0026nbsp;x\u0026nbsp;USB-C 3.1 Gen 1\u0026nbsp;expansion port for external media for Blackmagic RAW and H.264 Proxy\u0026nbsp;Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file\u0026nbsp;systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported Codecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eCodecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 5:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 8:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 12:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q0,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q3,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q5,\u003cbr \/\u003e\r\nH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\r\n\r\n\u003cp\u003eControl\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod\u0026nbsp;handles.\u003c\/p\u003e\r\n\r\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Type\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x CFexpress Type\u0026nbsp;B\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecording Formats\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at\u0026nbsp;6048 x\u0026nbsp;4032,\u0026nbsp;4838 x\u0026nbsp;4032,\u0026nbsp;6048 x\u0026nbsp;3200,\u0026nbsp;6048 x\u0026nbsp;2520,\u0026nbsp;4096 x\u0026nbsp;3072,\u0026nbsp;4096 x\u0026nbsp;2160,\u0026nbsp;2112 x\u0026nbsp;1184\u0026nbsp;and\u0026nbsp;1920 x\u0026nbsp;1080\u0026nbsp;with film, extended video, video dynamic range or custom 3D LUT embedded in\u0026nbsp;metadata.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264\u0026nbsp;Proxies.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage rates based on 30\u0026nbsp;frames per\u0026nbsp;second.\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 223 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 94 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4838 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 179 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 112 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 177 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 111 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 88 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 116 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 73 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 82 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 52 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 35 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 24 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 16 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 11 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 20 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 13 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 9 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstant Quality storage rates quoted are indicative\u0026nbsp;only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eActual storage rates are entirely dependent on image subject\u0026nbsp;matter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Systems\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Mac icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-mac-ventura.jpg?_v=1668052941\" style=\"height:96px; width:96px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMac 12.0 Monterey,\u003cbr \/\u003e\r\nMac 13.0 Ventura or\u0026nbsp;later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Windows Icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-windows-11.jpg?_v=1657760838\" style=\"height:97px; width:90px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWindows 10 and\u0026nbsp;11.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Requirements\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;External 12V power supply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Power Input\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;2‑pin locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-F570\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery Life\u003c\/p\u003e\r\n\r\n\u003cp\u003eApproximately 60 minutes\u003cbr \/\u003e\r\n(recording 6K\u0026nbsp;RAW at 24\u0026nbsp;fps to CFexpress with screen brightness at 50%)\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower\u003c\/p\u003e\r\n\r\n\u003cp\u003e12V-20V.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptional Accessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Cinema Camera Pro\u0026nbsp;EVF\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Pocket Camera Battery Pro\u0026nbsp;Grip\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhysical Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic Cinema Camera 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagiccinemacamera\/techspecs\/physical-specifications\/blackmagic-cinema-camera-6k-sm.jpg?_v=1694495841\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnvironmental Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg;to\u0026nbsp;40\u0026deg;C (32\u0026deg;\u0026nbsp;to\u0026nbsp;104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg;to\u0026nbsp;45\u0026deg;C (-4\u0026deg;\u0026nbsp;to\u0026nbsp;113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhat\u0026#39;s Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Cinema Camera 6K\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamera strap\u003c\/p\u003e\r\n\r\n\u003cp\u003e30W power supply with locking connector and international\u0026nbsp;adapters\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-F570 battery\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-F series battery USB charger\u003c\/p\u003e\r\n\r\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eWarranty\u003c\/p\u003e\r\n\r\n\u003cp\u003eProduct Warranty\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Month Limited Manufacturer\u0026rsquo;s Warranty.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585361207633,"sku":"CINECAM60KLFL","price":2831.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/T4ww2dr3fu2QC5Y57MszSC5nrX3o92Dr.jpg?v=1776787946"},{"product_id":"sony-burano-cinealta-8k-dighitalna-kino-kamiera","title":"Sony Burano CineAlta 8K Digital Motion Picture Camera","description":"\u003cp\u003eA New Era in Cinematography\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO is a new concept in cinema cameras. It takes VENICE\u0026rsquo;s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media \u0026ndash; it\u0026rsquo;s not just our smallest full-frame CineAlta camera, in many ways it\u0026rsquo;s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSmarter Shooting\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO makes shooting highest quality 8K simpler than you can imagine. The world\u0026rsquo;s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don\u0026rsquo;t need a studio or big crew to excel.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eShoot The Way You Want\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It\u0026rsquo;s all your choice.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFull-Frame 8.6K Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.\u003c\/p\u003e\r\n\r\n\u003cdiv data-oembed-url=\"https:\/\/pro.sony\/s3\/2023\/08\/03120319\/Multiple-Image-Scan-Modes_V2.png\"\u003e\r\n\u003cdiv style=\"max-width:1920px\"\u003e\r\n\u003cdiv style=\"height:0; left:0; padding-bottom:56.25%; position:relative; width:100%\"\u003e\u003ciframe allowfullscreen=\"\" src=\"\/\/if-cdn.com\/2Ae622f\" style=\"top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;\" tabindex=\"-1\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\r\n\u003cp\u003eMultiple Image Scan Modes\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e* Only 17:9 in Super 35 Cropped (S35c) mode\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n\t\u003cthead\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003cth scope=\"row\"\u003eImager Scan Mode\u003c\/th\u003e\r\n\t\t\t\u003cth scope=\"row\"\u003eResolution\u003c\/th\u003e\r\n\t\t\t\u003cth scope=\"row\"\u003eW x H (mm)\u003c\/th\u003e\r\n\t\t\t\u003cth scope=\"row\"\u003eProject Frame Rate\u003c\/th\u003e\r\n\t\t\t\u003cth scope=\"row\"\u003eShooting frame rate\u003c\/th\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/thead\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFF 8.6K 16:9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e8632 x 4856\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e35.9 x 20.2\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e23.98, 25, 29.97\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1-30\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFF 8.6K 17:9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e8632 x 4552\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e35.9 x 18.9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e23.98, 24, 25, 29.97\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1-30\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFFc 6K 16:9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e6052 x 3404\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e33.6 x 18.9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e23.98, 25, 29.97, 50, 59.94\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1-60\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eFFc 6K 17:9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e6052 x 3192\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e33.6 x 17.7\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e23.98, 24, 25, 29.97, 50, 59.94\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1-60\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eS35 5.8K 16:9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e5760 x 3240\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e24.0 x 13.5\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e23.98, 25, 29.97, 50, 59.94\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1-60\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eS35 5.8K 17:9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e5760 x 3036\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e24.0 x 12.6\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e23.98, 24, 25, 29.97, 50, 59.94\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1-60\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd\u003eS35c 4K 17:9\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e4096 x 2160\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e17.0 x 9.0\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e23.98, 24, 25, 29.97, 50, 59.94\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e1-60, 100, 120*\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cp\u003e16 Stop Latitude\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera\u0026rsquo;s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e* S-Log3 shooting. Sony measurements.\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide Colour Gamut\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO features Sony\u0026rsquo;s signature S-Gamut\/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it\u0026rsquo;s easy to use both cameras together for a seamless and efficient post-production workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Base ISO\u003c\/p\u003e\r\n\r\n\u003cp\u003eCinematographers worldwide love VENICE 2\u0026rsquo;s ability to switch the sensor\u0026rsquo;s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it\u0026rsquo;s possibly to shoot amazing imagery with nothing more than candlelight.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"ISO 800 chart\" src=\"https:\/\/pro.sony\/s3\/2023\/08\/30114544\/Dual-Base-ISO-800-690x300.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"ISO 3200 chart\" src=\"https:\/\/pro.sony\/s3\/2023\/08\/30114559\/Dual-Base-ISO-3200-690x300.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eInternal 16-bit X-OCN LT and XAVC H recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony\u0026rsquo;s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT\u0026rsquo;s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that\u0026rsquo;s comparable to a 4K project.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e* Not compatible with X-OCN XT and X-OCN ST recording formats\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eNew in-camera Looks for Ready-to-Use Footage\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO has four new looks \u0026ndash; Warm, Cool, Vintage and Teal and Orange \u0026ndash; to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips\u0026rsquo; metadata for an efficient colour workflow.\u003c\/p\u003e\r\n\r\n\u003cp\u003es709: Kodak 2383-like natural tones and colours\u003c\/p\u003e\r\n\r\n\u003cp\u003es709(800): Standard 709 tone curve for accurate colour reproduction*\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnamorphic Lens De-Squeeze function\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x\/2.0x, based on the anamorphic lens\u0026rsquo; magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn-Body Stabilisation with PL mount lenses\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO is the world\u0026rsquo;s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic Variable ND Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony\u0026rsquo;s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1\/4) to 2.1 (1\/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP\/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCatch the action with Fast Hybrid AF*\u003c\/p\u003e\r\n\r\n\u003cp\u003eEffortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO\u0026rsquo;s full-frame sensor. Originally developed by Sony\u0026rsquo;s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAI Subject Recognition AF with touch*\u003c\/p\u003e\r\n\r\n\u003cp\u003eOur onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people\u0026rsquo;s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e* Over 70 E-mount lenses can use BURANO\u0026rsquo;s advanced Hybrid AF and AI Subject Recognition AF features\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual CFexpress Type B Slots\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony\u0026rsquo;s new CFexpress card VPG400* allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBURANO\u0026rsquo;s dual media slots allow relay and simultaneous recording**, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e* Non-VPG CFexpress Type B memory cards are not guaranteed for normal operation.\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e** XAVC-only\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eSmaller, Lighter, Stronger\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony\u0026rsquo;s top-of-the-line VENICE 2 digital cinema camera \u0026ndash; a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There\u0026rsquo;s also an optional audio beep for recording start and stop.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDespite its compact size, BURANO is engineered to Sony\u0026rsquo;s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585519935825,"sku":"MPC-2610","price":30000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/5bBEHG9ykhXrAL0oC8WRtbzANYyf9t9O.jpg?v=1776800700"},{"product_id":"blackmagic-pyxis-6k-dighitalna-kino-kamiera-l-mount","title":"Blackmagic PYXIS 6K L-mount","description":"\u003cp\u003eBlackmagic PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamera Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eEffective Sensor Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e36mm x 24mm (Full\u0026nbsp;Frame)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eActive L-Mount.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003e13 Stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Native ISO\u003c\/p\u003e\r\n\r\n\u003cp\u003e400 and\u0026nbsp;3200\u003c\/p\u003e\r\n\r\n\u003cp\u003eShooting Resolutions\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n4832 x 4032 (Anamorphic 6:5) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 3200 (6K DCI 17:9) up\u0026nbsp;to 48\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 2520 (6K 2.4:1) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 3072 (Super 35 4:3) up\u0026nbsp;to 50\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 2160 (4K DCI 17:9) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n2112 x 1184 (Super 16 16:9) up\u0026nbsp;to 100\u0026nbsp;fps\u003cbr \/\u003e\r\n1920 x 1080 (1080 HD 16:9) up\u0026nbsp;to 120\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps\u0026nbsp;supported.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in\u0026nbsp;1080HD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto focus available using compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris\u0026nbsp;button for instant auto iris settings on compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Dimensions\u003c\/p\u003e\r\n\r\n\u003cp\u003e4\u0026rdquo; 1920\u0026nbsp;x\u0026nbsp;1080.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Brightness\u003c\/p\u003e\r\n\r\n\u003cp\u003e1500 nits\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eLCD capacitive\u0026nbsp;touchscreen.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMetadata Support\u003c\/p\u003e\r\n\r\n\u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A\u0026nbsp;3D LUT can also be embedded in metadata of Blackmagic RAW\u0026nbsp;files.\u003c\/p\u003e\r\n\r\n\u003cp\u003eControls\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen menus on 4\u0026nbsp;inch screen. 1\u0026nbsp;x\u0026nbsp;Power Switch, 1\u0026nbsp;x\u0026nbsp;Record Button, 1\u0026nbsp;x\u0026nbsp;Stills Button, 1\u0026nbsp;x\u0026nbsp;Scroll Wheel with push, 1\u0026nbsp;x\u0026nbsp;ISO Button, 1\u0026nbsp;x\u0026nbsp;White Balance, 1\u0026nbsp;x\u0026nbsp;Shutter Button, 3\u0026nbsp;x\u0026nbsp;software configurable Fn\u0026nbsp;buttons, 1\u0026nbsp;x\u0026nbsp;Focus Button, 1\u0026nbsp;x\u0026nbsp;IRIS Button, 1\u0026nbsp;x\u0026nbsp;High Frame Rate (HFR) Button, 1\u0026nbsp;x\u0026nbsp;Zoom Button, 1\u0026nbsp;x\u0026nbsp;Menu Button, 1\u0026nbsp;x\u0026nbsp;Playback Button, 1\u0026nbsp;x\u0026nbsp;Next Clip Button, 1\u0026nbsp;x\u0026nbsp;Previous Clip Button, 1\u0026nbsp;x\u0026nbsp;Lock Switch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTimecode Clock\u003c\/p\u003e\r\n\r\n\u003cp\u003eHighly accurate timecode clock. Less\u0026nbsp;than 1\u0026nbsp;frame drift every\u0026nbsp;8\u0026nbsp;hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnections\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 12G-SDI up to 2160p60\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x Viewfinder USB-C with power,\u003cbr \/\u003e\r\ndata, video and locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mini XLR analog audio in, switchable between\u003cbr \/\u003e\r\nmic with phantom power support and line level\u003cbr \/\u003e\r\n(up to +14dBu).\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm Stereo Input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm headphone\u0026nbsp;jack.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReference Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eTri-Sync\/Black Burst and\u0026nbsp;Timecode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComputer Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB Type-C for external drive recording,\u003cbr \/\u003e\r\nPTP camera control and software\u0026nbsp;updates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEthernet\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 1Gb\/s RJ‑45 connector supporting10\/100\/1000 BASE-T.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic PYXIS 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpyxis\/techspecs\/connections\/blackmagic-pyxis-6k.png?_v=1712626135\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt in Speaker\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/nl\/support\/faq\/59043\"\u003ePlease click here for a summary of compatible\u0026nbsp;media.\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac)or HFS+ (Mac) file\u0026nbsp;systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported Codecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eCodecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 5:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 8:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 12:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q0,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q3,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q5,\u003cbr \/\u003e\r\nH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\r\n\r\n\u003cp\u003eControl\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod\u0026nbsp;handles.\u003c\/p\u003e\r\n\r\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Type\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x CFexpress Type\u0026nbsp;B\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecording Formats\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at\u0026nbsp;6048 x\u0026nbsp;4032,\u0026nbsp;4832 x\u0026nbsp;4032,\u0026nbsp;6048 x\u0026nbsp;3200,\u0026nbsp;6048 x\u0026nbsp;2520,\u0026nbsp;4096 x\u0026nbsp;3072,\u0026nbsp;4096 x\u0026nbsp;2160,\u0026nbsp;2112 x\u0026nbsp;1184\u0026nbsp;and\u0026nbsp;1920 x\u0026nbsp;1080\u0026nbsp;with film, extended video, video dynamic range or custom 3D LUT embedded in\u0026nbsp;metadata.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264\u0026nbsp;Proxies.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage rates based on 30\u0026nbsp;frames per\u0026nbsp;second.\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 223 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 94 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4832 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 179 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 112 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 177 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 111 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 88 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 116 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 73 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 82 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 52 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 35 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 24 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 16 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 11 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 20 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 13 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 9 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstant Quality storage rates quoted are indicative\u0026nbsp;only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eActual storage rates are entirely dependent on image subject\u0026nbsp;matter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Systems\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Mac icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-mac-sonoma.jpg?_v=1706842610\" style=\"height:96px; width:96px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMac 13.0 Ventura,\u003cbr \/\u003e\r\nMac 14.0 Sonoma or\u0026nbsp;later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Windows Icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-windows-11.jpg?_v=1657760838\" style=\"height:97px; width:90px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWindows 10 and\u0026nbsp;11.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Requirements\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;External 12V power supply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Power Input\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;2‑pin locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eBP-U\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower\u003c\/p\u003e\r\n\r\n\u003cp\u003e11-19.5V\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptional Accessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Cine\u0026nbsp;Handle\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Cine\u0026nbsp;EVF\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS Rosette\u0026nbsp;Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhysical Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic PYXIS 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpyxis\/techspecs\/physical-specifications\/blackmagic-pyxis-6k-sm.jpg?_v=1712626505\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnvironmental Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg;to\u0026nbsp;40\u0026deg;C (32\u0026deg;\u0026nbsp;to\u0026nbsp;104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg;to\u0026nbsp;45\u0026deg;C (-4\u0026deg;\u0026nbsp;to\u0026nbsp;113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhat\u0026#39;s Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS 6K\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003ePYXIS Standard Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePYXIS SSD Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003e60W power supply with locking connector and international\u0026nbsp;adapters\u003c\/p\u003e\r\n\r\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eWarranty\u003c\/p\u003e\r\n\r\n\u003cp\u003eProduct Warranty\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Month Limited Manufacturer\u0026rsquo;s Warranty.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585731518801,"sku":"CINECAMCPYXA60LFL","price":3215.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/5J7y1XiZpcCzVQSE3mWpSR5Zv6UChBF0.jpg?v=1776788132"},{"product_id":"blackmagic-pyxis-6k-dighitalna-kino-kamiera-ef-mount","title":"Blackmagic PYXIS 6K EF-mount","description":"\u003cp\u003eBlackmagic PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamera Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eEffective Sensor Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e36mm x 24mm (Full\u0026nbsp;Frame)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eActive L-Mount.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003e13 Stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Native ISO\u003c\/p\u003e\r\n\r\n\u003cp\u003e400 and\u0026nbsp;3200\u003c\/p\u003e\r\n\r\n\u003cp\u003eShooting Resolutions\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n4832 x 4032 (Anamorphic 6:5) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 3200 (6K DCI 17:9) up\u0026nbsp;to 48\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 2520 (6K 2.4:1) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 3072 (Super 35 4:3) up\u0026nbsp;to 50\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 2160 (4K DCI 17:9) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n2112 x 1184 (Super 16 16:9) up\u0026nbsp;to 100\u0026nbsp;fps\u003cbr \/\u003e\r\n1920 x 1080 (1080 HD 16:9) up\u0026nbsp;to 120\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps\u0026nbsp;supported.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in\u0026nbsp;1080HD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto focus available using compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris\u0026nbsp;button for instant auto iris settings on compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Dimensions\u003c\/p\u003e\r\n\r\n\u003cp\u003e4\u0026rdquo; 1920\u0026nbsp;x\u0026nbsp;1080.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Brightness\u003c\/p\u003e\r\n\r\n\u003cp\u003e1500 nits\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eLCD capacitive\u0026nbsp;touchscreen.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMetadata Support\u003c\/p\u003e\r\n\r\n\u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A\u0026nbsp;3D LUT can also be embedded in metadata of Blackmagic RAW\u0026nbsp;files.\u003c\/p\u003e\r\n\r\n\u003cp\u003eControls\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen menus on 4\u0026nbsp;inch screen. 1\u0026nbsp;x\u0026nbsp;Power Switch, 1\u0026nbsp;x\u0026nbsp;Record Button, 1\u0026nbsp;x\u0026nbsp;Stills Button, 1\u0026nbsp;x\u0026nbsp;Scroll Wheel with push, 1\u0026nbsp;x\u0026nbsp;ISO Button, 1\u0026nbsp;x\u0026nbsp;White Balance, 1\u0026nbsp;x\u0026nbsp;Shutter Button, 3\u0026nbsp;x\u0026nbsp;software configurable Fn\u0026nbsp;buttons, 1\u0026nbsp;x\u0026nbsp;Focus Button, 1\u0026nbsp;x\u0026nbsp;IRIS Button, 1\u0026nbsp;x\u0026nbsp;High Frame Rate (HFR) Button, 1\u0026nbsp;x\u0026nbsp;Zoom Button, 1\u0026nbsp;x\u0026nbsp;Menu Button, 1\u0026nbsp;x\u0026nbsp;Playback Button, 1\u0026nbsp;x\u0026nbsp;Next Clip Button, 1\u0026nbsp;x\u0026nbsp;Previous Clip Button, 1\u0026nbsp;x\u0026nbsp;Lock Switch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTimecode Clock\u003c\/p\u003e\r\n\r\n\u003cp\u003eHighly accurate timecode clock. Less\u0026nbsp;than 1\u0026nbsp;frame drift every\u0026nbsp;8\u0026nbsp;hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnections\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 12G-SDI up to 2160p60\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x Viewfinder USB-C with power,\u003cbr \/\u003e\r\ndata, video and locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mini XLR analog audio in, switchable between\u003cbr \/\u003e\r\nmic with phantom power support and line level\u003cbr \/\u003e\r\n(up to +14dBu).\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm Stereo Input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm headphone\u0026nbsp;jack.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReference Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eTri-Sync\/Black Burst and\u0026nbsp;Timecode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComputer Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB Type-C for external drive recording,\u003cbr \/\u003e\r\nPTP camera control and software\u0026nbsp;updates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEthernet\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 1Gb\/s RJ‑45 connector supporting10\/100\/1000 BASE-T.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic PYXIS 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpyxis\/techspecs\/connections\/blackmagic-pyxis-6k.png?_v=1712626135\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt in Speaker\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/nl\/support\/faq\/59043\"\u003ePlease click here for a summary of compatible\u0026nbsp;media.\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac)or HFS+ (Mac) file\u0026nbsp;systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported Codecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eCodecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 5:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 8:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 12:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q0,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q3,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q5,\u003cbr \/\u003e\r\nH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\r\n\r\n\u003cp\u003eControl\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod\u0026nbsp;handles.\u003c\/p\u003e\r\n\r\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Type\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x CFexpress Type\u0026nbsp;B\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecording Formats\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at\u0026nbsp;6048 x\u0026nbsp;4032,\u0026nbsp;4832 x\u0026nbsp;4032,\u0026nbsp;6048 x\u0026nbsp;3200,\u0026nbsp;6048 x\u0026nbsp;2520,\u0026nbsp;4096 x\u0026nbsp;3072,\u0026nbsp;4096 x\u0026nbsp;2160,\u0026nbsp;2112 x\u0026nbsp;1184\u0026nbsp;and\u0026nbsp;1920 x\u0026nbsp;1080\u0026nbsp;with film, extended video, video dynamic range or custom 3D LUT embedded in\u0026nbsp;metadata.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264\u0026nbsp;Proxies.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage rates based on 30\u0026nbsp;frames per\u0026nbsp;second.\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 223 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 94 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4832 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 179 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 112 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 177 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 111 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 88 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 116 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 73 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 82 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 52 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 35 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 24 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 16 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 11 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 20 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 13 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 9 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstant Quality storage rates quoted are indicative\u0026nbsp;only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eActual storage rates are entirely dependent on image subject\u0026nbsp;matter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Systems\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Mac icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-mac-sonoma.jpg?_v=1706842610\" style=\"height:96px; width:96px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMac 13.0 Ventura,\u003cbr \/\u003e\r\nMac 14.0 Sonoma or\u0026nbsp;later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Windows Icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-windows-11.jpg?_v=1657760838\" style=\"height:97px; width:90px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWindows 10 and\u0026nbsp;11.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Requirements\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;External 12V power supply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Power Input\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;2‑pin locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eBP-U\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower\u003c\/p\u003e\r\n\r\n\u003cp\u003e11-19.5V\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptional Accessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Cine\u0026nbsp;Handle\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Cine\u0026nbsp;EVF\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS Rosette\u0026nbsp;Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhysical Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic PYXIS 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpyxis\/techspecs\/physical-specifications\/blackmagic-pyxis-6k-sm.jpg?_v=1712626505\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnvironmental Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg;to\u0026nbsp;40\u0026deg;C (32\u0026deg;\u0026nbsp;to\u0026nbsp;104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg;to\u0026nbsp;45\u0026deg;C (-4\u0026deg;\u0026nbsp;to\u0026nbsp;113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhat\u0026#39;s Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS 6K\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003ePYXIS Standard Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePYXIS SSD Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003e60W power supply with locking connector and international\u0026nbsp;adapters\u003c\/p\u003e\r\n\r\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eWarranty\u003c\/p\u003e\r\n\r\n\u003cp\u003eProduct Warranty\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Month Limited Manufacturer\u0026rsquo;s Warranty.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585732305233,"sku":"CINECAMCPYXD60LFEF","price":3215.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/ZeL1IUwk1GeX8KhTSbsDUSoTIS1kSk4e.jpg?v=1776788130"},{"product_id":"blackmagic-pyxis-6k-dighitalna-kino-kamiera-pl-mount","title":"Blackmagic PYXIS 6K PL-mount","description":"\u003cp\u003eBlackmagic PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCamera Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eEffective Sensor Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e36mm x 24mm (Full\u0026nbsp;Frame)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eActive L-Mount.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003e13 Stops.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Native ISO\u003c\/p\u003e\r\n\r\n\u003cp\u003e400 and\u0026nbsp;3200\u003c\/p\u003e\r\n\r\n\u003cp\u003eShooting Resolutions\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (Open Gate 3:2) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n4832 x 4032 (Anamorphic 6:5) up\u0026nbsp;to 36\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 3200 (6K DCI 17:9) up\u0026nbsp;to 48\u0026nbsp;fps\u003cbr \/\u003e\r\n6048 x 2520 (6K 2.4:1) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 3072 (Super 35 4:3) up\u0026nbsp;to 50\u0026nbsp;fps\u003cbr \/\u003e\r\n4096 x 2160 (4K DCI 17:9) up\u0026nbsp;to 60\u0026nbsp;fps\u003cbr \/\u003e\r\n2112 x 1184 (Super 16 16:9) up\u0026nbsp;to 100\u0026nbsp;fps\u003cbr \/\u003e\r\n1920 x 1080 (1080 HD 16:9) up\u0026nbsp;to 120\u0026nbsp;fps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps\u0026nbsp;supported.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in\u0026nbsp;1080HD.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto focus available using compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris\u0026nbsp;button for instant auto iris settings on compatible\u0026nbsp;lenses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Dimensions\u003c\/p\u003e\r\n\r\n\u003cp\u003e4\u0026rdquo; 1920\u0026nbsp;x\u0026nbsp;1080.\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Brightness\u003c\/p\u003e\r\n\r\n\u003cp\u003e1500 nits\u003c\/p\u003e\r\n\r\n\u003cp\u003eScreen Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eLCD capacitive\u0026nbsp;touchscreen.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMetadata Support\u003c\/p\u003e\r\n\r\n\u003cp\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A\u0026nbsp;3D LUT can also be embedded in metadata of Blackmagic RAW\u0026nbsp;files.\u003c\/p\u003e\r\n\r\n\u003cp\u003eControls\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen menus on 4\u0026nbsp;inch screen. 1\u0026nbsp;x\u0026nbsp;Power Switch, 1\u0026nbsp;x\u0026nbsp;Record Button, 1\u0026nbsp;x\u0026nbsp;Stills Button, 1\u0026nbsp;x\u0026nbsp;Scroll Wheel with push, 1\u0026nbsp;x\u0026nbsp;ISO Button, 1\u0026nbsp;x\u0026nbsp;White Balance, 1\u0026nbsp;x\u0026nbsp;Shutter Button, 3\u0026nbsp;x\u0026nbsp;software configurable Fn\u0026nbsp;buttons, 1\u0026nbsp;x\u0026nbsp;Focus Button, 1\u0026nbsp;x\u0026nbsp;IRIS Button, 1\u0026nbsp;x\u0026nbsp;High Frame Rate (HFR) Button, 1\u0026nbsp;x\u0026nbsp;Zoom Button, 1\u0026nbsp;x\u0026nbsp;Menu Button, 1\u0026nbsp;x\u0026nbsp;Playback Button, 1\u0026nbsp;x\u0026nbsp;Next Clip Button, 1\u0026nbsp;x\u0026nbsp;Previous Clip Button, 1\u0026nbsp;x\u0026nbsp;Lock Switch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTimecode Clock\u003c\/p\u003e\r\n\r\n\u003cp\u003eHighly accurate timecode clock. Less\u0026nbsp;than 1\u0026nbsp;frame drift every\u0026nbsp;8\u0026nbsp;hours.\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnections\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eNone\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Video Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 12G-SDI up to 2160p60\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x Viewfinder USB-C with power,\u003cbr \/\u003e\r\ndata, video and locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mini XLR analog audio in, switchable between\u003cbr \/\u003e\r\nmic with phantom power support and line level\u003cbr \/\u003e\r\n(up to +14dBu).\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm Stereo Input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnalog Audio Outputs\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 3.5mm headphone\u0026nbsp;jack.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReference Inputs\u003c\/p\u003e\r\n\r\n\u003cp\u003eTri-Sync\/Black Burst and\u0026nbsp;Timecode.\u003c\/p\u003e\r\n\r\n\u003cp\u003eComputer Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB Type-C for external drive recording,\u003cbr \/\u003e\r\nPTP camera control and software\u0026nbsp;updates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEthernet\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x 1Gb\/s RJ‑45 connector supporting10\/100\/1000 BASE-T.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic PYXIS 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpyxis\/techspecs\/connections\/blackmagic-pyxis-6k.png?_v=1712626135\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntegrated stereo microphone.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilt in Speaker\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x mono speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003e2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.blackmagicdesign.com\/nl\/support\/faq\/59043\"\u003ePlease click here for a summary of compatible\u0026nbsp;media.\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eCan format media to ExFAT (Windows\/Mac)or HFS+ (Mac) file\u0026nbsp;systems.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupported Codecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eCodecs\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Constant Bitrate 3:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 5:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 8:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Bitrate 12:1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q0,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q1,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q3,\u003cbr \/\u003e\r\nBlackmagic RAW Constant Quality Q5,\u003cbr \/\u003e\r\nH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/p\u003e\r\n\r\n\u003cp\u003eControl\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod\u0026nbsp;handles.\u003c\/p\u003e\r\n\r\n\u003cp\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Features\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Type\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x CFexpress Type\u0026nbsp;B\u003c\/p\u003e\r\n\r\n\u003cp\u003e1 x high speed USB-C expansion port for external media.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecording Formats\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at\u0026nbsp;6048 x\u0026nbsp;4032,\u0026nbsp;4832 x\u0026nbsp;4032,\u0026nbsp;6048 x\u0026nbsp;3200,\u0026nbsp;6048 x\u0026nbsp;2520,\u0026nbsp;4096 x\u0026nbsp;3072,\u0026nbsp;4096 x\u0026nbsp;2160,\u0026nbsp;2112 x\u0026nbsp;1184\u0026nbsp;and\u0026nbsp;1920 x\u0026nbsp;1080\u0026nbsp;with film, extended video, video dynamic range or custom 3D LUT embedded in\u0026nbsp;metadata.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSupports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264\u0026nbsp;Proxies.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Rates\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage rates based on 30\u0026nbsp;frames per\u0026nbsp;second.\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 4032 (6K Open Gate 3:2)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 370 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 223 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 94 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 278 to 555 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 186 to 444 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 124 to 318 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 75 to 186 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4832 x 4032 (Anamorphic 6:5)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 297 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 179 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 112 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 223 to 445 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 149 to 356 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 100 to 255 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 149 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 3200 (6K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 295 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 177 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 111 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 75 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 221 to 441 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 148 to 353 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 99 to 253 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 60 to 148 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e6048 x 2520 (6K 2.4:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 233 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 140 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 88 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 175 to 348 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 117 to 279 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 78 to 199 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 47 to 117 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 3072 (Super 35 4:3)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 192 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 116 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 73 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 145 to 288 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 97 to 231 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 65 to 165 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 39 to 97 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 2160 (4K DCI 17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 136 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 82 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 52 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 35 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 69 to 163 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 46 to 117 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 28 to 69 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e2112 x 1184 (Super 16 16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 24 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 16 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 11 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 30 to 59 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 21 to 48 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 14 to 34 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 9 to 21 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW 3:1 - 33 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 5:1 - 20 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 8:1 - 13 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW 12:1 - 9 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q0 - 25 to 49 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q1 - 17 to 40 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q3 - 12 to 29 MB\/s\u003cbr \/\u003e\r\nBlackmagic RAW Q5 - 8 to 17 MB\/s\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstant Quality storage rates quoted are indicative\u0026nbsp;only.\u003c\/p\u003e\r\n\r\n\u003cp\u003eActual storage rates are entirely dependent on image subject\u0026nbsp;matter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware\u003c\/p\u003e\r\n\r\n\u003cp\u003eSoftware Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic OS\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio for Mac and Windows including activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Camera Setup\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Player\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW QuickLook Plugin\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW SDK\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW Speed Test\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Systems\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Mac icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-mac-sonoma.jpg?_v=1706842610\" style=\"height:96px; width:96px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMac 13.0 Ventura,\u003cbr \/\u003e\r\nMac 14.0 Sonoma or\u0026nbsp;later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Windows Icon\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/techspecs\/os-icons\/icn-windows-11.jpg?_v=1657760838\" style=\"height:97px; width:90px\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWindows 10 and\u0026nbsp;11.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Requirements\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;External 12V power supply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal Power Input\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\u0026nbsp;x\u0026nbsp;2‑pin locking connector.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery Type\u003c\/p\u003e\r\n\r\n\u003cp\u003eBP-U\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower\u003c\/p\u003e\r\n\r\n\u003cp\u003e11-19.5V\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eOptional Accessories\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Cine\u0026nbsp;Handle\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic URSA Cine\u0026nbsp;EVF\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS Rosette\u0026nbsp;Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhysical Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"Blackmagic PYXIS 6K\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpyxis\/techspecs\/physical-specifications\/blackmagic-pyxis-6k-sm.jpg?_v=1712626505\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnvironmental Specifications\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e0\u0026deg;to\u0026nbsp;40\u0026deg;C (32\u0026deg;\u0026nbsp;to\u0026nbsp;104\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-20\u0026deg;to\u0026nbsp;45\u0026deg;C (-4\u0026deg;\u0026nbsp;to\u0026nbsp;113\u0026deg;F)\u003c\/p\u003e\r\n\r\n\u003cp\u003eRelative Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e0% to 90% non-condensing\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhat\u0026#39;s Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS 6K\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\r\n\r\n\u003cp\u003ePYXIS Standard Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003ePYXIS SSD Plate\u003c\/p\u003e\r\n\r\n\u003cp\u003e60W power supply with locking connector and international\u0026nbsp;adapters\u003c\/p\u003e\r\n\r\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\r\n\r\n\u003cp\u003eDaVinci Resolve Studio activation\u0026nbsp;key\u003c\/p\u003e\r\n\r\n\u003cp\u003eWarranty\u003c\/p\u003e\r\n\r\n\u003cp\u003eProduct Warranty\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Month Limited Manufacturer\u0026rsquo;s Warranty.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53585732338001,"sku":"CINECAMCPYXH60LFPL","price":3359.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/I0G3r5fnfSpLUA2jhiaFex2tz9psIsg9.jpg?v=1776788132"},{"product_id":"kino-kamiera-canon-eos-c400","title":"Canon EOS C400","description":"\u003cp\u003e\u003cstrong\u003eCANON\u0026nbsp;EOS C400\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eRedefining versatility, the Canon EOS C400 is a workhorse across cinema, live broadcast, and virtual production.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eREDEFINING VERSATILITY\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Canon EOS C400 delivers uncompromising performance in cinema, live broadcast, and virtual production.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nUnleash your creativity with a mighty 6K full frame BSI sensor and 16 stops of dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/full-frame-6k-bsi-sensor_specifications-icon_3c2908699c3241ba8534f0bcd277c819?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eFull frame 6K BSI sensor\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eNext-generation backside illuminated design maximises light sensitivity with 16 stops of dynamic range\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/triple-base-iso_specifications-icon_02_672218d987f84190bae529c46cc28ffe?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eTriple base ISO\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eFor optimal signal-to-noise ratio at 800 \/ 3200 \/ 12800 ISO\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/rf-mount-system_specifications-icon_03_2bc7f6e6b94448a395544d1cb3d45af5?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eRF mount system\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eEnhanced imaging system platform also adaptable to PL and EF mounts\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/dual-pixel-cmos-af-ii_specifications-icon_04_2b502c8c8e0846cfadf25e7fca0e7fb6?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eIncluding EOS iTR AF X for tack-sharp auto focus across the full sensor\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/cinema-raw-light_specifications-icon_05_85033c224bfd4fa49a3c0fd31f59915b?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eCinema RAW Light\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eRecord 12-bit internally at LT, ST, and HQ for flexibility in post-production\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/xf-hevc-s-xf-avc-s-and-xf-avc_specifications-icon_06_ace19914f9d74934a1e66e6d30dc0443?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eXF-HEVC S, XF-AVC S, and XF-AVC\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eOversampled 4K 4:2:2 10-bit MP4 \/ MXF formats with detailed metadata\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/hdr_specifications-icon_07_a5b65317fd7249a18ce182d635e54290?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eHDR\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eProduce high dynamic range content with Canon Log 2 \/ 3, PQ, and HLG\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/5-axis-image_stabilisation_specifications-icon_08_5af52a58411242c9911e2ead395fe1ca?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003e5-axis image stabilisation\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eCombine Electronic IS with Optical IS for the most stable cinematic footage\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/two-card-slots_specifications-icon_09_a9443d44a9234491b4cd070b74556aec?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eTwo card slots\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eRecord to CFexpress Type B or SD UHS-II\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/professional-i-o_specifications-icon_10_966519f627804b75b79f36dfcf8c922f?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eProfessional I\/O\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eExtensive professional connectivity built in\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/active-cooling_2_specifications-icon_11_4c43fcd02c2e4b249ac6ae8fcc1442ef?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eActive cooling\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eQuiet, efficient cooling for long recording times\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/robust-and-compact_specifications-icon_12_9d58fe335d3a4f1598400ade971f5085?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eRobust and compact\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eVersatile design adaptable to your shooting style\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVIDEO PRODUCTION ELEVATED\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull frame 6K BSI sensor\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCapture breathtaking footage with Canon\u0026rsquo;s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 \/ 3200 \/ 12800), organic colour reproduction, and 16 stops of dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Pixel CMOS AF II with EOS iTR AF X\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnjoy updated, faster auto focus technology. 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Easily use your PL and EF lenses with a Canon mount adapter.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUncompromised connectivity\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eOn-body I\/O including 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Timecode, LENS, and Genlock \/ SYNC \/ Return. Built-in Wi-Fi \/ Ethernet enables real-time IP streaming (SRT \/ RTSP) and remote control via XC Protocol. Expandable with Canon\u0026rsquo;s Multi-Function Shoe.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt for live multi-camera productions\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eReturn Input and advanced features enable live programming monitoring and compatibility with industry-stand lenses thanks to 12-pin lens interface. 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It also has features such as Amplify for enhancing small movements in videos, and Ember Stabilize for correcting vibrations and movements. With its compatibility with Apple ProRes and customizable lens mounts, the Ember S2.5K is a versatile and powerful high-speed camera.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003ctable cellpadding=\"5\" cellspacing=\"5\" style=\"width:500px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eS35\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eNative Aspect Ratio\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e5:4\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003ePixel Size\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e9.0\u0026mu;m x 9.0\u0026mu;m\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eNative Resolution\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e2560 x 2048 (5.2MP)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eActive Area\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e23.04mm x 18.43mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eShutter Type\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eGlobal Electronic\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eISO 100, 200, 400\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e11 stops\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eStandard Mounts\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eActive Locking EF Mounts\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eThird Party Mounts\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003ePassive Canon RF, EF, FD\u003cbr \/\u003e\r\n\t\t\tPassive Nikon F\u003cbr \/\u003e\r\n\t\t\tPassive Leica M\u003cbr \/\u003e\r\n\t\t\tPassive LPL\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eInternal NVMe SSD\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eMedia Size and Type\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e2.56TB pSLC\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eApple ProRes 422 LT\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eNative Bit Depth\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e10-bit\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eColour Space\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eSensor-Native RBG\u003cbr \/\u003e\r\n\t\t\tRec 709 or HLG Beta OETF\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003eResolutions \/ Frame Rates\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eBit Rate\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cbr \/\u003e\r\n\t\t\tMaximum\u003cbr \/\u003e\r\n\t\t\t5120x2880, 600fps\u003cbr \/\u003e\r\n\t\t\t4096x2160, 800fps\u003cbr \/\u003e\r\n\t\t\t2560x1440, 2250fps (1)\u003cbr \/\u003e\r\n\t\t\t2048x1080, 2900fps (1)\u003cbr \/\u003e\r\n\t\t\t2.00GB\/s\u003cbr \/\u003e\r\n\t\t\t1.83GB\/s\u003cbr \/\u003e\r\n\t\t\t1.46GB\/s\u003cbr \/\u003e\r\n\t\t\t1.71GB\/s\u003cbr \/\u003e\r\n\t\t\t1.32GB\/s\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eContinuous Recording Time\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cbr \/\u003e\r\n\t\t\t5120x2880, 600fps\u003cbr \/\u003e\r\n\t\t\t4096x2176, 800fps\u003cbr \/\u003e\r\n\t\t\t2560x1440, 2250fps (1)\u003cbr \/\u003e\r\n\t\t\t2048x1080, 2900fps (1)\u003cbr \/\u003e\r\n\t\t\tOthers\u003cbr \/\u003e\r\n\t\t\t36min (4TB)\u003cbr \/\u003e\r\n\t\t\t45min (4TB)\u003cbr \/\u003e\r\n\t\t\t24min (2.56TB)\u003cbr \/\u003e\r\n\t\t\t32min (2.56TB)\u003cbr \/\u003e\r\n\t\t\tLimited only by Media\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003ePre-Record Buffer Size\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cbr \/\u003e\r\n\t\t\t2.56TB pSLC Only\u003cbr \/\u003e\r\n\t\t\t1s - 2hr Circular Buffer\u003cbr \/\u003e\r\n\t\t\tLimited only by Media\u003cbr \/\u003e\r\n\t\t\t(1) Ember S2.5K in full color or Ember S5K in monochrome, with FW 2.0 (coming soon).\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eDC Input Voltage\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e12V - 26V\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eStandby\u003cbr \/\u003e\r\n\t\t\t4K Max FPS\u003cbr \/\u003e\r\n\t\t\t5K Max FPS\u003cbr \/\u003e\r\n\t\t\t30W\u003cbr \/\u003e\r\n\t\t\t50W\u003cbr \/\u003e\r\n\t\t\t55W\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003eInterface\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eDC Input\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e4-pin Molex Micro-Fit\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eHDMI Output\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eType-A (Full-Size)\u003cbr \/\u003e\r\n\t\t\t1080p24\/25\/30\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eGPIO\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e6-pin JST GH\u003cbr \/\u003e\r\n\t\t\tOptically Isolated\u003cbr \/\u003e\r\n\t\t\tStart\/Stop Trigger\u003cbr \/\u003e\r\n\t\t\tUART API\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eUSB\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eUSB Type-C\u003cbr \/\u003e\r\n\t\t\tUSB 5Gbps\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eWireless\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eWi-Fi 5\u003cbr \/\u003e\r\n\t\t\t802.11ac (5GHz)\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eEthernet\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eRJ45\u003cbr \/\u003e\r\n\t\t\t1 GigE\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003eOther features\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eFirmware Update\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003evia USB\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eUpgradeable Storage\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eYes\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eOn-Board LCD\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eNo\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eAudio Recording\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eNo\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003ew\/ Universal Mount\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eWidth: 100mm\u003cbr \/\u003e\r\n\t\t\tHeight: 104mm\u003cbr \/\u003e\r\n\t\t\tDepth: 86mm\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eWeight w\/ Universal Mount\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e852g\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eMounting Points\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd\u003e\u003cbr \/\u003e\r\n\t\t\t1\/4-20\u003cbr \/\u003e\r\n\t\t\tM3\u003cbr \/\u003e\r\n\t\t\t1x Top, 1x Bottom\u003cbr \/\u003e\r\n\t\t\t4x Per Side\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd colspan=\"2\" style=\"vertical-align:top\"\u003e\u003cstrong\u003eEnvironmental\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e0\u0026ordm;C - 40\u0026ordm;C\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003e\u003cstrong\u003eIngress Protection\u003c\/strong\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"vertical-align:top\"\u003eIP52\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Freefly Systems","offers":[{"title":"Default Title","offer_id":53585895457105,"sku":"FF-950-00146","price":28596.55,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/gQoba4rFQY7EUOSx6krVr78KBpj5UHgr.jpg?v=1776791451"},{"product_id":"plochka-dji-ronin-4d-sdi-xlr-tc","title":"DJI Ronin 4D Expansion Plate (SDI\/XLR\/TC)","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003cbr \/\u003e\r\nMounted to the back of Ronin 4D\u0026rsquo;s main body, it provides a timecode port, SDI-out port, and XLR audio ports.\u003cbr \/\u003e\r\n\u003cstrong\u003eTips\u003c\/strong\u003e\u003cbr \/\u003e\r\nWhen using with the Ronin 4D Video Transmitter, mount the Ronin 4D Expansion Plate first before mounting the video transmitter.\u003cbr \/\u003e\r\n\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr \/\u003e\r\nDJI Ronin 4D-6K\u003cbr \/\u003e\r\nDJI Ronin 4D-8K\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":53585899848017,"sku":"DJIR4DEXPL","price":529.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/mHWhuzjTyazRLWoR3VHVIEhunNhjQSYH.jpg?v=1776797988"},{"product_id":"kino-kamiera-canon-eos-c80","title":"Canon EOS C80","description":"\u003cp\u003e\u003cstrong\u003eCanon EOS C80\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA professional powerhouse to give your video and live productions the full frame edge.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eELEVATE YOUR CREATIVITY\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eStay nimble with the compact and ergonomic EOS C80, with its mighty 6K full frame BSI sensor, plus RF mount and Dual Pixel CMOS AF II technology to deliver outstanding imaging and flexibility in your cinema, live and virtual productions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e6K full frame BSI 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\/\u003e\r\n\t\u003cp\u003eProfessional I\/O\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eExtensive professional connectivity including 12G-SDI.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg src=\"https:\/\/i1.adis.ws\/i\/canon\/robust-and-compact_specifications-icon_11_8b4a9706124e4b4fa89f34fc830cc211?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eRobust and compact\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eVersatile design adaptable to your shooting style\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cimg alt=\"Active cooling\" src=\"https:\/\/i1.adis.ws\/i\/canon\/active-cooling_specifications-icon_12_92a1bb16838b4edc9770ee995184c847?$prod-key-feature-3by2-jpg$\" \/\u003e\r\n\t\u003cp\u003eActive cooling\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eQuiet, efficient cooling for long recording times\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVIDEO PRODUCTION ELEVATED\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull frame 6K BSI sensor\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCapture breathtaking footage with Canon\u0026rsquo;s cutting-edge backside illuminated (BSI) stacked CMOS sensor, delivering next-generation capabilities, triple base ISO (800 \/ 3200 \/ 12800), organic colour reproduction, and 16 stops of dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Pixel CMOS AF II with EOS iTR AF X\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEnjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompact, ergonomic and familiar design\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA familiar and updated design delivers improved ergonomics, connectivity, plus updated joystick and multi-function shoe. Use the top handle or build your own rig, with flexibility to shoot your way in challenging conditions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProfessional recording formats and high frame rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIncluding 12-bit Cinema RAW Light LT up to 6K 30P, and 4:2:2 10-bit up to 4K 120P. Oversampled 4K is available via XF-AVC and improved XF-AVC S \/ XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures. Output HDMI RAW to compatible external recorders.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRF mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eRely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF\/IS systems. Easily use your PL and EF lenses with a Canon mount adapter.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUncompromised connectivity\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional on-body I\/O includes 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode. Built-in Wi-Fi \/ Ethernet enables real-time IP streaming (SRT \/ RTSP) and remote control via XC Protocol and Multi-Camera Control app. Expandable with Canon\u0026rsquo;s Multi-Function Shoe.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for the future\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eReal-time lens metadata output and capture for VP and VFX with support for Unreal Engine and After Effects, including distortion correction data. And create immersive VR experiences with Canon\u0026rsquo;s RF 5.2mm F2.8L Dual Fisheye lens.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s in the box\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eEOS C80 Body\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eHandle Unit\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eMicrophone Holder \u0026amp; Screws\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eBody Cap\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eTape Measure Hook\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eHex Wrench\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eBP-A60N Battery\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eCG-A20 Battery Charger\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eCA-CP300B Power Adapter\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eUser Manual\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":53585925243217,"sku":"6389C003AA","price":5669.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/rPzDmen8H8sdkJ3OJxDgBQQLT62YZyBW.jpg?v=1776792818"},{"product_id":"promo-pakiet-sony-fx6-cinema-line-full-frame-dighitalna-kino-kamiera-sigma-af-28-105mm-f2-8-dg-dn-art-1","title":"Bundle Sony FX6 Full-Frame Cinema Camera + Sigma AF 28-105mm f2.8 DG DN Art","description":"\u003cp\u003eThe \u003cstrong\u003eFX6 Full-Frame Camera\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony\u0026#39;s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\u0026quot;, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\u0026quot; LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVersatile Addition to Sony Cinema Line\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs part of Sony\u0026#39;s Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIt matches the FX9\u0026#39;s video capture up to DCI 4K60\u003c\/li\u003e\r\n\t\u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices\u003c\/li\u003e\r\n\t\u003cli\u003eOutputs 16-bit raw like the FX9\u003c\/li\u003e\r\n\t\u003cli\u003eSony E lens mount\u003c\/li\u003e\r\n\t\u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003c\/li\u003e\r\n\t\u003cli\u003eAlso provides 2-channel XLR audio inputs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4K capture vs 6K\u003c\/li\u003e\r\n\t\u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9\u0026#39;s additional 3G-SDI port\u003c\/li\u003e\r\n\t\u003cli\u003eIncorporates a timecode port but lacks the FX9\u0026#39;s genlock connector\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9\u0026#39;s 320 to 102,400 range\u003c\/li\u003e\r\n\t\u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9\u0026#39;s top 1080p in HD\u003c\/li\u003e\r\n\t\u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9\u0026#39;s reliance on proprietary XQD cards and a single SD card option\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor\u0026#39;s fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e15+ Stops of Dynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide ISO Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronically Variable ND Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003eSet the FX6\u0026#39;s integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1\/4 to 1\/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced XAVC Codec Options\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigh Frame Rate Selections\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003c\/li\u003e\r\n\t\u003cli\u003e100 or 120 fps in HD through UHD 4K\u003c\/li\u003e\r\n\t\u003cli\u003e150, 180, 200, or 240 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60, 100, and 120 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eExpressive Cinematic Look\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony\u0026#39;s S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. 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The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Stabilization and More with Catalyst and Metadata\u003c\/p\u003e\r\n\r\n\u003cp\u003ePair the FX6 with Sony\u0026#39;s Catalyst Prepare\/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen 3.5\u0026quot; LCD Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 3.5\u0026quot; LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReliable Design and Construction\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera\u0026#39;s dust and moisture resistance as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4-Channel Audio Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera\u0026#39;s top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional Input\/Output Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX6 input and output ports include a selectable 12G\/6G\/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCFexpress Media Slots and Multiple Recording Modes\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModular, Grab-and-Go Design\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\u0026quot; LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContent Browser Mobile Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6\u0026#39;s Wi-Fi function enables remote monitoring and focus\/iris\/zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording with Atomos Ninja V+ \u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony\u0026rsquo;s state of the art Exmor R CMOS full-frame 6K image sensor, using a single BNC cable to the camera\u0026rsquo;s 12G-SDI port.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. The recorded files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colours, ideal for both HDR and SDR (Rec.709) workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe back-illuminated CMOS image sensor also uses Sony\u0026rsquo;s Exmor R technology for improved sensitivity and noise reduction, leading to cleaner RAW images.\u003c\/p\u003e\r\n\r\n\u003ctable cellspacing=\"0\" style=\"-webkit-font-smoothing:antialiased; -webkit-tap-highlight-color:transparent; border-collapse:collapse; box-sizing:border-box; font-variant-ligatures:normal; max-width:100%; outline:none; text-decoration-color:initial; text-decoration-style:initial; text-decoration-thickness:initial; width:428px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:1px solid black; height:19px; vertical-align:bottom; white-space:nowrap; width:169px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupported Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:120px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:74px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFrame Rate\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:64px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAvailable\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRAW\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eResolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e120p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e100p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD Interlaced\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; 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border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53585942118737,"sku":"B-ILME-FX6-Sig28105","price":7299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/4UNPG800uEQzy4eaETYioo8WR53D9vpy.jpg?v=1776798740"},{"product_id":"blackmagic-ursa-cine-handle","title":"Blackmagic URSA Cine Handle","description":"\u003cp\u003eThe\u0026nbsp;\u003cstrong\u003eBlackmagic URSA Cine Handle\u0026nbsp;\u003c\/strong\u003eis a rugged top mount handle that lets you carry your PYXIS 6K or URSA Cine safely and attach URSA Cine EVF. Standard 1\/4\u0026#39;\u0026#39;-20 mounting threads let you add accessories to your setup.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eRugged Top Handle\u003c\/li\u003e\r\n\t\u003cli\u003eSecurely transport your Blackmagic PYXIS 6K or URSA Cine\u003c\/li\u003e\r\n\t\u003cli\u003eStandard 1\/4\u0026#39;\u0026#39;-20 mounting threads for accessories\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s in the box\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x Blackmagic Design URSA Cine Handle\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53586024464721,"sku":"CINEURSAC\/AHANDLE","price":214.23,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/QXI8dS6ZrKxVzvNNWQa0hzFNIr3j7OwC.jpg?v=1776788152"},{"product_id":"blackmagic-pyxis-12k-dighitalna-kino-kamiera-l-mount","title":"Blackmagic PYXIS 12K L-mount","description":"\u003cp\u003eBlackmagic\u0026nbsp;\u003cstrong\u003ePYXIS 12K L-Mount\u0026nbsp;\u003c\/strong\u003eis an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 12,288 x 8040 full frame RGBW sensor with built in optical low pass filter, 16 stops of dynamic range, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 12K L-Mount features a fixed L-Mount that works with the latest full frame lenses and a wide range of lens adapters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCamera Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eEffective Sensor Size: 35.64mm x 23.32mm (Large Format)\u003c\/li\u003e\r\n\t\u003cli\u003ePixel Pitch: 2.9 microns\u003c\/li\u003e\r\n\t\u003cli\u003eLens Mount: Active L-Mount\u003c\/li\u003e\r\n\t\u003cli\u003eLens Control: Iris and focus on supported lenses\u003c\/li\u003e\r\n\t\u003cli\u003eDynamic Range: 16 Stops\u003c\/li\u003e\r\n\t\u003cli\u003eNative ISO: 800\u003c\/li\u003e\r\n\t\u003cli\u003eShooting Resolutions:\u003cbr \/\u003e\r\n\t12,288 x 8040 (12K 3:2 open gate)\u003cbr \/\u003e\r\n\t12,288 x 6912 (12K 16:9)\u003cbr \/\u003e\r\n\t12,288 x 6480 (12K 17:9)\u003cbr \/\u003e\r\n\t12,288 x 5112 (12K 2.4:1)\u003cbr \/\u003e\r\n\t9648 x 8040 (12K 6:5)\u003cbr \/\u003e\r\n\t9408 x 6264 (9K 3:2)\u003cbr \/\u003e\r\n\t8688 x 4896 (9K 16:9)\u003cbr \/\u003e\r\n\t9312 x 4896 (9K 17:9)\u003cbr \/\u003e\r\n\t9312 x 3864 (9K 2.4:1)\u003cbr \/\u003e\r\n\t7680 x 6408 (9K 6:5)\u003cbr \/\u003e\r\n\t8192 x 5360 (8K 3:2 open gate)\u003cbr \/\u003e\r\n\t8192 x 4608 (8K 16:9)\u003cbr \/\u003e\r\n\t8192 x 4320 (8K 17:9)\u003cbr \/\u003e\r\n\t8192 x 3408 (8K 2.4:1)\u003cbr \/\u003e\r\n\t6432 x 5360 (8K 6:5)\u003cbr \/\u003e\r\n\t4096 x 2680 (4K 3:2 open gate)\u003cbr \/\u003e\r\n\t4096 x 2304 (4K 16:9)\u003cbr \/\u003e\r\n\t4096 x 2160 (4K 17:9)\u003cbr \/\u003e\r\n\t4096 x 1704 (4K 2.4:1)\u003cbr \/\u003e\r\n\t3216 x 2680 (4K 6:5)\u003c\/li\u003e\r\n\t\u003cli\u003eFrame Rates. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.\u003c\/li\u003e\r\n\t\u003cli\u003eHigh Frame Rates:\u003cbr \/\u003e\r\n\t12K (3:2 open gate) up to 40 fps\u003cbr \/\u003e\r\n\t12K (16:9) up to 45 fps\u003cbr \/\u003e\r\n\t12K (17:9) up to 50 fps\u003cbr \/\u003e\r\n\t12K (2.4:1) up to 60 fps\u003cbr \/\u003e\r\n\t12K (6:5) up to 40 fps\u003cbr \/\u003e\r\n\t9K (3:2 Super 35) up to 50 fps\u003cbr \/\u003e\r\n\t9K (16:9 Super 35) up to 65 fps\u003cbr \/\u003e\r\n\t9K (17:9 Super 35) up to 65 fps\u003cbr \/\u003e\r\n\t9K (2.4:1 Super 35) up to 80 fps\u003cbr \/\u003e\r\n\t9K (6:5 Super 35) up to 50 fps\u003cbr \/\u003e\r\n\t8K\/4K (3:2 open gate) up to 72 fps\u003cbr \/\u003e\r\n\t8K\/4K (16:9) up to 84 fps\u003cbr \/\u003e\r\n\t8K\/4K (17:9) up to 90 fps\u003cbr \/\u003e\r\n\t8K\/4K (2.4:1) up to 112 fps\u003cbr \/\u003e\r\n\t8K\/4K (6:5) up to 72 fps\u003c\/li\u003e\r\n\t\u003cli\u003eFocus: Focus control possible using compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eIris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings using compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Dimensions: 4\u0026#39;\u0026#39; 1920 x 1080.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Brightness: 1500 nits\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Type: LCD capacitive touchscreen.\u003c\/li\u003e\r\n\t\u003cli\u003eMetadata Support: Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/li\u003e\r\n\t\u003cli\u003eControls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.\u003c\/li\u003e\r\n\t\u003cli\u003eTimecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eTotal Video Inputs: None\u003c\/li\u003e\r\n\t\u003cli\u003eTotal Video Outputs:\u003cbr \/\u003e\r\n\t1x 12G-SDI up to 2160p60\u003cbr \/\u003e\r\n\t1x Viewfinder USB-C with power, data, video and locking connector.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Inputs:\u003cbr \/\u003e\r\n\t1x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu).\u003cbr \/\u003e\r\n\t1x 3.5mm Stereo Input.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Outputs:\u003cbr \/\u003e\r\n\t1x 3.5mm headphone jack.\u003c\/li\u003e\r\n\t\u003cli\u003eReference Inputs: Tri-Sync\/Black Burst and Timecode.\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface:\u003cbr \/\u003e\r\n\tUSB Type-C for external drive recording,\u003cbr \/\u003e\r\n\tPTP camera control and software updates.\u003c\/li\u003e\r\n\t\u003cli\u003eEthernet: 1x 10Gb\/s RJ‑45 connector supporting 10\/100\/1000\/10G BASE‑T.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s Included:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic PYXIS 12K\u003c\/li\u003e\r\n\t\u003cli\u003eLens turret dust cap\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS Standard Plate\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS SSD Plate\u003c\/li\u003e\r\n\t\u003cli\u003e90W power supply with locking connector and international adapters\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome booklet\u003c\/li\u003e\r\n\t\u003cli\u003eDaVinci Resolve Studio activation key\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eAll specifications are subject to change without notice. Please refer to the latest and detailed\u0026nbsp;\u003ca href=\"https:\/\/www.blackmagicdesign.com\/de\" target=\"_blank\"\u003emanufacturer\u0026#39;s Information\u003c\/a\u003e.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53586391368017,"sku":"CINECAMCPYXM12LFL","price":5399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/PPut6dTX2xgdUIUyCs6vmtkCbB7RxiSi.jpg?v=1776788126"},{"product_id":"blackmagic-pyxis-12k-dighitalna-kino-kamiera-ef-mount","title":"Blackmagic PYXIS 12K EF-mount","description":"\u003cp\u003eBlackmagic\u0026nbsp;\u003cstrong\u003ePYXIS 12K L-Mount\u0026nbsp;\u003c\/strong\u003eis an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 12,288 x 8040 full frame RGBW sensor with built in optical low pass filter, 16 stops of dynamic range, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 12K L-Mount features a fixed L-Mount that works with the latest full frame lenses and a wide range of lens adapters.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCamera Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eEffective Sensor Size: 35.64mm x 23.32mm (Large Format)\u003c\/li\u003e\r\n\t\u003cli\u003ePixel Pitch: 2.9 microns\u003c\/li\u003e\r\n\t\u003cli\u003eLens Mount: Active L-Mount\u003c\/li\u003e\r\n\t\u003cli\u003eLens Control: Iris and focus on supported lenses\u003c\/li\u003e\r\n\t\u003cli\u003eDynamic Range: 16 Stops\u003c\/li\u003e\r\n\t\u003cli\u003eNative ISO: 800\u003c\/li\u003e\r\n\t\u003cli\u003eShooting Resolutions:\u003cbr \/\u003e\r\n\t12,288 x 8040 (12K 3:2 open gate)\u003cbr \/\u003e\r\n\t12,288 x 6912 (12K 16:9)\u003cbr \/\u003e\r\n\t12,288 x 6480 (12K 17:9)\u003cbr \/\u003e\r\n\t12,288 x 5112 (12K 2.4:1)\u003cbr \/\u003e\r\n\t9648 x 8040 (12K 6:5)\u003cbr \/\u003e\r\n\t9408 x 6264 (9K 3:2)\u003cbr \/\u003e\r\n\t8688 x 4896 (9K 16:9)\u003cbr \/\u003e\r\n\t9312 x 4896 (9K 17:9)\u003cbr \/\u003e\r\n\t9312 x 3864 (9K 2.4:1)\u003cbr \/\u003e\r\n\t7680 x 6408 (9K 6:5)\u003cbr \/\u003e\r\n\t8192 x 5360 (8K 3:2 open gate)\u003cbr \/\u003e\r\n\t8192 x 4608 (8K 16:9)\u003cbr \/\u003e\r\n\t8192 x 4320 (8K 17:9)\u003cbr \/\u003e\r\n\t8192 x 3408 (8K 2.4:1)\u003cbr \/\u003e\r\n\t6432 x 5360 (8K 6:5)\u003cbr \/\u003e\r\n\t4096 x 2680 (4K 3:2 open gate)\u003cbr \/\u003e\r\n\t4096 x 2304 (4K 16:9)\u003cbr \/\u003e\r\n\t4096 x 2160 (4K 17:9)\u003cbr \/\u003e\r\n\t4096 x 1704 (4K 2.4:1)\u003cbr \/\u003e\r\n\t3216 x 2680 (4K 6:5)\u003c\/li\u003e\r\n\t\u003cli\u003eFrame Rates. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.\u003c\/li\u003e\r\n\t\u003cli\u003eHigh Frame Rates:\u003cbr \/\u003e\r\n\t12K (3:2 open gate) up to 40 fps\u003cbr \/\u003e\r\n\t12K (16:9) up to 45 fps\u003cbr \/\u003e\r\n\t12K (17:9) up to 50 fps\u003cbr \/\u003e\r\n\t12K (2.4:1) up to 60 fps\u003cbr \/\u003e\r\n\t12K (6:5) up to 40 fps\u003cbr \/\u003e\r\n\t9K (3:2 Super 35) up to 50 fps\u003cbr \/\u003e\r\n\t9K (16:9 Super 35) up to 65 fps\u003cbr \/\u003e\r\n\t9K (17:9 Super 35) up to 65 fps\u003cbr \/\u003e\r\n\t9K (2.4:1 Super 35) up to 80 fps\u003cbr \/\u003e\r\n\t9K (6:5 Super 35) up to 50 fps\u003cbr \/\u003e\r\n\t8K\/4K (3:2 open gate) up to 72 fps\u003cbr \/\u003e\r\n\t8K\/4K (16:9) up to 84 fps\u003cbr \/\u003e\r\n\t8K\/4K (17:9) up to 90 fps\u003cbr \/\u003e\r\n\t8K\/4K (2.4:1) up to 112 fps\u003cbr \/\u003e\r\n\t8K\/4K (6:5) up to 72 fps\u003c\/li\u003e\r\n\t\u003cli\u003eFocus: Focus control possible using compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eIris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings using compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Dimensions: 4\u0026#39;\u0026#39; 1920 x 1080.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Brightness: 1500 nits\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Type: LCD capacitive touchscreen.\u003c\/li\u003e\r\n\t\u003cli\u003eMetadata Support: Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/li\u003e\r\n\t\u003cli\u003eControls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.\u003c\/li\u003e\r\n\t\u003cli\u003eTimecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eTotal Video Inputs: None\u003c\/li\u003e\r\n\t\u003cli\u003eTotal Video Outputs:\u003cbr \/\u003e\r\n\t1x 12G-SDI up to 2160p60\u003cbr \/\u003e\r\n\t1x Viewfinder USB-C with power, data, video and locking connector.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Inputs:\u003cbr \/\u003e\r\n\t1x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu).\u003cbr \/\u003e\r\n\t1x 3.5mm Stereo Input.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Outputs:\u003cbr \/\u003e\r\n\t1x 3.5mm headphone jack.\u003c\/li\u003e\r\n\t\u003cli\u003eReference Inputs: Tri-Sync\/Black Burst and Timecode.\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface:\u003cbr \/\u003e\r\n\tUSB Type-C for external drive recording,\u003cbr \/\u003e\r\n\tPTP camera control and software updates.\u003c\/li\u003e\r\n\t\u003cli\u003eEthernet: 1x 10Gb\/s RJ‑45 connector supporting 10\/100\/1000\/10G BASE‑T.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s Included:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic PYXIS 12K\u003c\/li\u003e\r\n\t\u003cli\u003eLens turret dust cap\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS Standard Plate\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS SSD Plate\u003c\/li\u003e\r\n\t\u003cli\u003e90W power supply with locking connector and international adapters\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome booklet\u003c\/li\u003e\r\n\t\u003cli\u003eDaVinci Resolve Studio activation key\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eAll specifications are subject to change without notice. Please refer to the latest and detailed\u0026nbsp;\u003ca href=\"https:\/\/www.blackmagicdesign.com\/de\" target=\"_blank\"\u003emanufacturer\u0026#39;s Information\u003c\/a\u003e.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53586391695697,"sku":"CINECAMCPYXN12LFEF","price":5387.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/ZaEccWvPVcZdzXpJmHE6QrEX8pdbQyhF.jpg?v=1776788126"},{"product_id":"blackmagic-pyxis-pro-grip-rkokhvatka","title":"Blackmagic PYXIS Pro Grip","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic PYXIS Pro Grip\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional side grip for broadcast production with hand strap for secure and comfortable shooting. Includes record start\/stop button and assignable zoom rocker switch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll specifications are subject to change without notice. Please refer to the latest and detailed\u0026nbsp;\u003ca href=\"https:\/\/www.blackmagicdesign.com\/de\" target=\"_blank\"\u003emanufacturer\u0026#39;s Information\u003c\/a\u003e.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53586391859537,"sku":"CINEURSABC\/BG","price":134.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/tu2Rxss7jpEEF6yYOSHTCEosXTO5m6hI.jpg?v=1776788136"},{"product_id":"blackmagic-pyxis-12k-dighitalna-kino-kamiera-pl-mount","title":"Blackmagic PYXIS 12K PL-mount","description":"\u003cp\u003eBlackmagic\u0026nbsp;\u003cstrong\u003ePYXIS 12K PL-Mount\u0026nbsp;\u003c\/strong\u003eis an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 12,288 x 8040 full frame RGBW sensor with built in optical low pass filter, 16 stops of dynamic range, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates.\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCamera Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eEffective Sensor Size: 35.64mm x 23.32mm (Large Format)\u003c\/li\u003e\r\n\t\u003cli\u003ePixel Pitch: 2.9 microns\u003c\/li\u003e\r\n\t\u003cli\u003eLens Mount: PL-Mount\u003c\/li\u003e\r\n\t\u003cli\u003eLens Control: Iris and focus on supported lenses\u003c\/li\u003e\r\n\t\u003cli\u003eDynamic Range: 16 Stops\u003c\/li\u003e\r\n\t\u003cli\u003eNative ISO: 800\u003c\/li\u003e\r\n\t\u003cli\u003eShooting Resolutions:\u003cbr \/\u003e\r\n\t12,288 x 8040 (12K 3:2 open gate)\u003cbr \/\u003e\r\n\t12,288 x 6912 (12K 16:9)\u003cbr \/\u003e\r\n\t12,288 x 6480 (12K 17:9)\u003cbr \/\u003e\r\n\t12,288 x 5112 (12K 2.4:1)\u003cbr \/\u003e\r\n\t9648 x 8040 (12K 6:5)\u003cbr \/\u003e\r\n\t9408 x 6264 (9K 3:2)\u003cbr \/\u003e\r\n\t8688 x 4896 (9K 16:9)\u003cbr \/\u003e\r\n\t9312 x 4896 (9K 17:9)\u003cbr \/\u003e\r\n\t9312 x 3864 (9K 2.4:1)\u003cbr \/\u003e\r\n\t7680 x 6408 (9K 6:5)\u003cbr \/\u003e\r\n\t8192 x 5360 (8K 3:2 open gate)\u003cbr \/\u003e\r\n\t8192 x 4608 (8K 16:9)\u003cbr \/\u003e\r\n\t8192 x 4320 (8K 17:9)\u003cbr \/\u003e\r\n\t8192 x 3408 (8K 2.4:1)\u003cbr \/\u003e\r\n\t6432 x 5360 (8K 6:5)\u003cbr \/\u003e\r\n\t4096 x 2680 (4K 3:2 open gate)\u003cbr \/\u003e\r\n\t4096 x 2304 (4K 16:9)\u003cbr \/\u003e\r\n\t4096 x 2160 (4K 17:9)\u003cbr \/\u003e\r\n\t4096 x 1704 (4K 2.4:1)\u003cbr \/\u003e\r\n\t3216 x 2680 (4K 6:5)\u003c\/li\u003e\r\n\t\u003cli\u003eFrame Rates. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.\u003c\/li\u003e\r\n\t\u003cli\u003eHigh Frame Rates:\u003cbr \/\u003e\r\n\t12K (3:2 open gate) up to 40 fps\u003cbr \/\u003e\r\n\t12K (16:9) up to 45 fps\u003cbr \/\u003e\r\n\t12K (17:9) up to 50 fps\u003cbr \/\u003e\r\n\t12K (2.4:1) up to 60 fps\u003cbr \/\u003e\r\n\t12K (6:5) up to 40 fps\u003cbr \/\u003e\r\n\t9K (3:2 Super 35) up to 50 fps\u003cbr \/\u003e\r\n\t9K (16:9 Super 35) up to 65 fps\u003cbr \/\u003e\r\n\t9K (17:9 Super 35) up to 65 fps\u003cbr \/\u003e\r\n\t9K (2.4:1 Super 35) up to 80 fps\u003cbr \/\u003e\r\n\t9K (6:5 Super 35) up to 50 fps\u003cbr \/\u003e\r\n\t8K\/4K (3:2 open gate) up to 72 fps\u003cbr \/\u003e\r\n\t8K\/4K (16:9) up to 84 fps\u003cbr \/\u003e\r\n\t8K\/4K (17:9) up to 90 fps\u003cbr \/\u003e\r\n\t8K\/4K (2.4:1) up to 112 fps\u003cbr \/\u003e\r\n\t8K\/4K (6:5) up to 72 fps\u003c\/li\u003e\r\n\t\u003cli\u003eFocus: Focus control possible using compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eIris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings using compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Dimensions: 4\u0026#39;\u0026#39; 1920 x 1080.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Brightness: 1500 nits\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Type: LCD capacitive touchscreen.\u003c\/li\u003e\r\n\t\u003cli\u003eMetadata Support: Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/li\u003e\r\n\t\u003cli\u003eControls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.\u003c\/li\u003e\r\n\t\u003cli\u003eTimecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eTotal Video Inputs: None\u003c\/li\u003e\r\n\t\u003cli\u003eTotal Video Outputs:\u003cbr \/\u003e\r\n\t1x 12G-SDI up to 2160p60\u003cbr \/\u003e\r\n\t1x Viewfinder USB-C with power, data, video and locking connector.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Inputs:\u003cbr \/\u003e\r\n\t1x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu).\u003cbr \/\u003e\r\n\t1x 3.5mm Stereo Input.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Outputs:\u003cbr \/\u003e\r\n\t1x 3.5mm headphone jack.\u003c\/li\u003e\r\n\t\u003cli\u003eReference Inputs: Tri-Sync\/Black Burst and Timecode.\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface:\u003cbr \/\u003e\r\n\tUSB Type-C for external drive recording,\u003cbr \/\u003e\r\n\tPTP camera control and software updates.\u003c\/li\u003e\r\n\t\u003cli\u003eEthernet: 1x 10Gb\/s RJ‑45 connector supporting 10\/100\/1000\/10G BASE‑T.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat\u0026#39;s Included:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic PYXIS 12K\u003c\/li\u003e\r\n\t\u003cli\u003eLens turret dust cap\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS Standard Plate\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS SSD Plate\u003c\/li\u003e\r\n\t\u003cli\u003e90W power supply with locking connector and international adapters\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome booklet\u003c\/li\u003e\r\n\t\u003cli\u003eDaVinci Resolve Studio activation key\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eAll specifications are subject to change without notice. Please refer to the latest and detailed\u0026nbsp;\u003ca href=\"https:\/\/www.blackmagicdesign.com\/de\" target=\"_blank\"\u003emanufacturer\u0026#39;s Information\u003c\/a\u003e.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53586391892305,"sku":"CINECAMCPYXO12LFPL","price":5387.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/Vc4prvXRsHSLwAG32vo1bOoMHYV9n5A3.jpg?v=1776788127"},{"product_id":"blackmagic-pyxis-pro-handle-rkokhvatka","title":"Blackmagic PYXIS Pro Handle","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic PYXIS Pro Handle\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional handle for broadcast production with built in OLED viewfinder and precision glass optics, stereo microphone, record start\/stop button and custom function Buttons.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll specifications are subject to change without notice. Please refer to the latest and detailed\u0026nbsp;\u003ca href=\"https:\/\/www.blackmagicdesign.com\/de\" target=\"_blank\"\u003emanufacturer\u0026#39;s Information\u003c\/a\u003e.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":53586392056145,"sku":"CINEURSABC\/AM","price":949.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/xpXrnQFjIYn061LCez1cc1m1rYwo9Hm7.jpg?v=1776788136"},{"product_id":"kino-kamiera-fujifilm-gfx-eterna-55","title":"Fujifilm GFX ETERNA 55 Cinema Camera","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Screenshot%202025-11-18%20145319_edited.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Large Format Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eFUJIFILM GFX ETERNA 55 \u0026ndash; Designed for Filmmakers, Built Around a Large Format Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can\u0026rsquo;t replicate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSmooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.\u003cbr \/\u003e\r\nEvery flicker of light, every nuance of tone \u0026ndash; faithfully rendered, even in low light, with remarkably low noise.\u003cbr \/\u003e\r\nSkin tones are recorded with delicate precision, preserving their natural feel.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFirmware Update Ver.1.02\u0026nbsp;incorporates the following issues:\u003c\/p\u003e\r\n\r\n\u003cp\u003eExternal recorder recording function to ATOMOS devices is newly added.\u003cbr \/\u003e\r\n\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe display design of the menu screen is changed.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe brightness of the side monitor becomes darker than the previous condition if the [-5] is selected for the brightness of the [Side monitor] through the following operation.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e[SET UP] ➔ [LCD SETTING] ➔ [LCD BRIGHTNESS]\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eLook \u0026amp; feel of the [TIME CODE] display shown on the [Side monitor] is improved.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eResponse times becomes shorter when operating the following settings.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eOperation Settings:[FPS], [ISO], [SHUTTER], [ND], [WB], [PROJECT FPS], [RESOLUTION] and [IMAGE FORMAT]\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe default (starting) value for [Clip No.] is changed from 0000 to 0001.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe default value for [SHARPNESS] is changed from 4 to 0.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003eNote:Be aware that you need to initialize the camera to make the above change take effect.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\r\n\t\u003cp\u003eThe following firmware bugs are fixed.\u003c\/p\u003e\r\n\r\n\t\u003cp\u003e(1)The recording does not start while AF is locked with touch AF through the following operation flow.\u003cbr \/\u003e\r\n\t[FOCUS] ➔ [TOUCH SCREEN MODE] ➔ [AF]\u003cbr \/\u003e\r\n\t(2)Selecting [RESET ALL EXCEPT NETWORK SETTINGS] does not reset the [TIME CODE] through the following operation flow.\u003cbr \/\u003e\r\n\t[TIME CODE] ➔ [COUNT UP SETTING] ➔ [FREE RUN]\u003cbr \/\u003e\r\n\t(3)The aperture value cannot be changed when selecting [IRIS] in the [RECORDING] menu under the following setting conditions.\u003cbr \/\u003e\r\n\t・Use GF lenses with an aperture ring other than the GF32-90mm T3.5 PZ OIS WR.\u003cbr \/\u003e\r\n\t・Set the aperture ring position to C.\u003cbr \/\u003e\r\n\t・Select [T NUMBER] of the [IRIS DISP] in the [RECORDING] menu.\u003cbr \/\u003e\r\n\t(4)The [CUSTOM ASPECT] is not displayed at the correct aspect ratio.\u003cbr \/\u003e\r\n\t(5)Synchronization failure of the [TIME CODE]\u003cbr \/\u003e\r\n\t(6) The side monitor display occasionally remains in REC mode even after stopping REC.\u003cbr \/\u003e\r\n\t(7) The outside side monitor turns off occasionally when starting and stopping REC repeatedly.\u003cbr \/\u003e\r\n\t(8) The outside indicator lamp remains lit or remains off occasionally when starting and stopping REC repeatedly.\u003cbr \/\u003e\r\n\t(9) The default setting for the mount adapter should be [OFF], but it is set to [Lens 1].\u003cbr \/\u003e\r\n\t(10) Loading more than 13 LUT files may cause unstable operation.\u003cbr \/\u003e\r\n\t(11)Other minor bugs.\u003c\/p\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003eThis new firmware enables the FUJIFILM GFX ETERNA 55 to make external RAW recording by 4:3 open gate, 4K, and up to 48fps.\u003cbr \/\u003e\r\nAdditionally, RAW output is newly available via SDI in addition to HDMI, enabling versatile use across various film production environments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 is more than a tool. It\u0026rsquo;s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fujifilm Look\u003c\/p\u003e\r\n\r\n\u003cp\u003eBuilding on over 90 years of Fujifilm\u0026rsquo;s pioneering film color science, GFX ETERNA 55\u0026rsquo;s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact \u0026ndash; creating not just images, but stories that resonate.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnleashing the Film Stocks\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 features 20 Film Simulation modes.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlus, by utilizing Fujifilm\u0026rsquo;s proprietary wide dynamic range, wide-gamut F-Log2 C\/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs*\u0026nbsp;that replicate Fujifilm\u0026rsquo;s iconic film stocks in the digital format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom Velvia and ASTIA to CLASSIC CHROME and ETERNA, these celebrated film stocks serve as a powerful creative post-production tool \u0026ndash; rekindling the distinct Memory Color that has long been admired in photography.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis goes beyond simple color grading.\u003cbr \/\u003e\r\nIt\u0026rsquo;s digital storytelling infused with the rich heritage and expressive depth of analog film.\u003cbr \/\u003e\r\n\u003ca href=\"https:\/\/www.fujifilm-x.com\/global\/support\/download\/lut\/\"\u003eDownload the newly crafted Film Simulation LUTs\u003c\/a\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e*PROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic Chrome, REALA ACE, PRO Neg.Std, Classic Neg., ETERNA\/Cinema, ETERNA BLEACH BYPASS, and ACROS\u003cbr \/\u003e\r\n\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Screenshot%202025-11-18%20145550_edited.png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cdiv data-oembed-url=\"https:\/\/www.youtube.com\/watch?v=jZRxiuK8hOg\u0026amp;t=4s\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv style=\"height:0; left:0; padding-bottom:56.25%; position:relative; width:100%\"\u003e\u003ciframe allow=\"accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;\" allowfullscreen=\"\" scrolling=\"no\" src=\"\/\/if-cdn.com\/N2aeaAs7\" style=\"top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;\" tabindex=\"-1\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\r\n\u003cp\u003eElectronic Variable ND Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 features a built-in electronic variable ND filter designed specifically for its large format sensor. With a range from ND0.6 to 2.1, it provides up to seven stops of light reduction with smooth, precise control in increments as fine as ND0.015. Thanks to Fujifilm\u0026rsquo;s proprietary precision engineering, this filter allows seamless and highly accurate density adjustments with minimal color shift \u0026ndash;even during movie recording.\u003cbr \/\u003e\r\nBy instantly adapting to changing lighting conditions on set, it enables filmmakers to dial in their intended exposure swiftly, greatly enhancing efficiency.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/image2-min.jpg\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eDual Base ISO\u003cbr \/\u003e\r\nGFX ETERNA 55\u0026#39;s large format sensor, measuring 44x33mm, is approximately 1.7 times larger than a typical full-frame sensor. Its dual base ISOs of 800 and 3200 maximize performance, delivering smooth tonal gradations and exceptional low-noise capabilities. Even in challenging lighting conditions like shadows, backlighting, and night time scenarios, it minimizes the digital noise often associated with such conditions, faithfully recording the atmosphere of the scene. GFX ETERNA 55\u0026#39;s sensor is set to become a new well of inspirations for filmmakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/dynaphos.com\/static\/files\/images\/Screenshot%202025-11-18%20153905_edited(1).png\" \/\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBattery\u003c\/p\u003e\r\n\r\n\u003cp\u003eGFX ETERNA 55 is designed to accommodate both V-Mount and Fujifilm\u0026rsquo;s NP-W235 batteries. While using a V-Mount battery as the main power source, the NP-W235 battery can be mounted simultaneously, enabling hot-swapping of the V-Mount battery without interrupting power during shooting*1. Additionally, the NP-W235 battery alone provides approximately 30 minutes*2\u0026nbsp;of continuous operation, offering flexible options for short shoots or situations requiring reduced weight, such as drone or gimbal mounting.\u003c\/p\u003e\r\n\r\n\u003cp\u003e*1 Not supported while recording\u003cbr \/\u003e\r\n*2 Under 25℃ environment\u003c\/p\u003e\r\n\r\n\u003cp\u003eMedia\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe use of high-speed CFexpress Type B cards as the primary recording media delivers a smooth, stable recording performance that comfortably handles high-resolution 8K\/30p footage and high-bit-rate formats such as ProRes HQ. Additionally, a secondary SD card slot is provided allowing backup recording to the SD card when using H.265.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModel Name\u003c\/p\u003e\r\n\r\n\u003cp\u003eFUJIFILM GFX ETERNA 55\u003c\/p\u003e\r\n\r\n\u003cp\u003eLens Mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eFUJIFILM G mount\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003e43.8mm\u0026times;32.9mm GFX 102MP CMOS II HS with primary color filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eNumber Of Pixels\u003c\/p\u003e\r\n\r\n\u003cp\u003e102 million pixels\u003c\/p\u003e\r\n\r\n\u003cp\u003eND Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronic Variable ND Filter, 0.6(ND4)～2.1(ND128)\u003c\/p\u003e\r\n\r\n\u003cp\u003eGamma\u003c\/p\u003e\r\n\r\n\u003cp\u003eFilm Simulation \/ F-Log2 \/ F-Log2 C \/ F-Log \/ HLG\u003c\/p\u003e\r\n\r\n\u003cp\u003eLUT Setting\u003c\/p\u003e\r\n\r\n\u003cp\u003eUp to 16 3D-LUT files can be saved on the camera. Supported cube sizes (17\/33\/65). File names support up to 48 characters.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCooling Fan Setting\u003c\/p\u003e\r\n\r\n\u003cp\u003eAUTO1 \/ AUTO2 \/ HIGH \/ LOW\u003c\/p\u003e\r\n\r\n\u003cp\u003eSensor Cleaning System\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra Sonic Vibration\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Processing Engine\u003c\/p\u003e\r\n\r\n\u003cp\u003eX-Processor 5\u003c\/p\u003e\r\n\r\n\u003cp\u003eStorage Media\u003c\/p\u003e\r\n\r\n\u003cp\u003eSD Card (-2GB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDHC Card (-32GB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSDXC Card (-2TB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eUHS-I\u003c\/p\u003e\r\n\r\n\u003cp\u003eUHS-II\u003c\/p\u003e\r\n\r\n\u003cp\u003eVideo Speed Class V90\u003c\/p\u003e\r\n\r\n\u003cp\u003eCFexpress Type B Card (-2TB)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSSD (-2TB)\u003c\/p\u003e\r\n\r\n\u003cp\u003e*Please see the Fujifilm website (https:\/\/fujifilm-x.com\/support\/compatibility\/cameras\/) to check memory card compatibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSensitivity\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard Output\u003c\/p\u003e\r\n\r\n\u003cp\u003eAUTO\u003c\/p\u003e\r\n\r\n\u003cp\u003eISO400～12800 (1\/3 step)\u003c\/p\u003e\r\n\r\n\u003cp\u003eExtended Output\u003c\/p\u003e\r\n\r\n\u003cp\u003eISO100~ISO320 (1\/3 step)\u003c\/p\u003e\r\n\r\n\u003cp\u003eISO25600\u003c\/p\u003e\r\n\r\n\u003cp\u003eExposure Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eTTL 256-zone metering\u003cbr \/\u003e\r\nMulti\u003cbr \/\u003e\r\nSpot\u003cbr \/\u003e\r\nAverage\u003cbr \/\u003e\r\nCenter Weighted\u003c\/p\u003e\r\n\r\n\u003cp\u003eExposure Compensation\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie\u003c\/p\u003e\r\n\r\n\u003cp\u003e-2.0EV~+2.0EV (1\/4EV step)\u003c\/p\u003e\r\n\r\n\u003cp\u003eDynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003e14+Stop (F-Log2 \/ F-Log2 C)\u003c\/p\u003e\r\n\r\n\u003cp\u003eShutter speed \/ Shutter angle\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\/8 sec~1\/8000 sec, 5.6\u0026deg;~ 360\u0026deg;\u003c\/p\u003e\r\n\r\n\u003cp\u003eFocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eMode\u003c\/p\u003e\r\n\r\n\u003cp\u003eContinuous AF\u003cbr \/\u003e\r\nMF\u003c\/p\u003e\r\n\r\n\u003cp\u003eType\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntelligent Hybrid AF (TTL contrast AF \/ TTL phase detection AF)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLow-light Performance\u003c\/p\u003e\r\n\r\n\u003cp\u003eContrast\u003c\/p\u003e\r\n\r\n\u003cp\u003e-0.7EV\u003cbr \/\u003e\r\nGF80mmF1.7 attached\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhase Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003e-3.7EV\u003cbr \/\u003e\r\nGF80mmF1.7 attached\u003c\/p\u003e\r\n\r\n\u003cp\u003eAF Frame Selection\u003c\/p\u003e\r\n\r\n\u003cp\u003eSingle Point AF\u003c\/p\u003e\r\n\r\n\u003cp\u003e13\u0026times;9 \/ 25\u0026times;17 (Changeable size of AF frame)\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide\/Tracking AF\u003c\/p\u003e\r\n\r\n\u003cp\u003eAF: MULTI \/ TRACKING \/ AREA\u003c\/p\u003e\r\n\r\n\u003cp\u003eFace\/eye Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003eYes\u003c\/p\u003e\r\n\r\n\u003cp\u003eSubject Detection\u003c\/p\u003e\r\n\r\n\u003cp\u003eYes (FACE\/Animal\/Bird\/Automobile\/Motorcycle\u0026amp;Bike\/Airplane\/Train)\u003c\/p\u003e\r\n\r\n\u003cp\u003eSide monitor\u003c\/p\u003e\r\n\r\n\u003cp\u003e3.0 inch Touch Screen Color LCD Monitor\u003c\/p\u003e\r\n\r\n\u003cp\u003eAspect Ratio\u003c\/p\u003e\r\n\r\n\u003cp\u003e3:2\u003c\/p\u003e\r\n\r\n\u003cp\u003eDots\u003c\/p\u003e\r\n\r\n\u003cp\u003eApprox. 1.04 million dots\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Format\u003c\/p\u003e\r\n\r\n\u003cp\u003eMXF, MOV\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 HQ, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eApple ProRes 422 LT, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eHEVC\/H.265, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003c\/p\u003e\r\n\r\n\u003cp\u003eMovie Compression\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll Intra\u003c\/p\u003e\r\n\r\n\u003cp\u003eLong GOP\u003c\/p\u003e\r\n\r\n\u003cp\u003eProject FPS\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e59.94P\u003cbr \/\u003e\r\n50P\u003cbr \/\u003e\r\n48P\u003cbr \/\u003e\r\n47.95P\u003cbr \/\u003e\r\n29.97P\u003cbr \/\u003e\r\n25P\u003cbr \/\u003e\r\n24P\u003cbr \/\u003e\r\n23.98P\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e8192 x 4320\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e7680 x 4320\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e8K(2.76:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e8192 x 2968\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e6.3K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e6382\u0026times;3590\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra:Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e5.8K(2.39:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e5824\u0026times;2436\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200 Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e5.4K(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e5440 x 2868\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4.8K(3:2)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4776 x 3184\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4.8K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4776 x 2688\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4.6K(1.38:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4664 x 3380\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K(1.195:1)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4040\u0026times;3380\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra:Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eDCI4K(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e4096 x 2160\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e59.94p\u003cbr \/\u003e\r\n50p\u003cbr \/\u003e\r\n48p\u003cbr \/\u003e\r\n47.95\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size 3840 x 2160\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e59.94p,50p\u0026nbsp;48p\u0026nbsp;47.95p\u0026nbsp;29.97p\u0026nbsp;25p\u0026nbsp;24p\u0026nbsp;23.98p\u0026nbsp;22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003e4K(4:3)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e3840\u0026times;2880\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e48p\u003cbr \/\u003e\r\n47.95p\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFull HD(17:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u003c\/p\u003e\r\n\r\n\u003cp\u003e2048 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e119.8p\u003cbr \/\u003e\r\n100p\u003cbr \/\u003e\r\n59.94p\u003cbr \/\u003e\r\n50p\u003cbr \/\u003e\r\n48p\u003cbr \/\u003e\r\n47.95p\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eFull HD(16:9)\u003c\/p\u003e\r\n\r\n\u003cp\u003eFile Size\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e1920 x 1080\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrame Rate\u003c\/p\u003e\r\n\r\n\u003cp\u003e119.8p\u003cbr \/\u003e\r\n100p\u003cbr \/\u003e\r\n59.94p\u003cbr \/\u003e\r\n50p\u003cbr \/\u003e\r\n48p\u003cbr \/\u003e\r\n47.95p\u003cbr \/\u003e\r\n29.97p\u003cbr \/\u003e\r\n25p\u003cbr \/\u003e\r\n24p\u003cbr \/\u003e\r\n23.98p\u003cbr \/\u003e\r\n22p\u003c\/p\u003e\r\n\r\n\u003cp\u003eBitrate\u003c\/p\u003e\r\n\r\n\u003cp\u003e720Mbps\u003cbr \/\u003e\r\n360Mbps\u003cbr \/\u003e\r\n200Mbps\u003cbr \/\u003e\r\n100Mbps\u003cbr \/\u003e\r\n50Mbps\u003cbr \/\u003e\r\nAll Intra: Only available at 720 Mbps and 360 Mbps\u003c\/p\u003e\r\n\r\n\u003cp\u003eProxy\u003c\/p\u003e\r\n\r\n\u003cp\u003eH.264, ProRes Proxy, OFF\u003c\/p\u003e\r\n\r\n\u003cp\u003eNotes\u003c\/p\u003e\r\n\r\n\u003cp\u003e*Selectable mode will be changed depending on the \u0026ldquo;Image Format\u0026rdquo; setting.\u003cbr \/\u003e\r\n*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.\u003cbr \/\u003e\r\n*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.\u003cbr \/\u003e\r\n*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.\u003cbr \/\u003e\r\n*PROJECT FPS cannot be set above the maximum RECORDING FPS.\u003cbr \/\u003e\r\n*Selectable bitrate will be changed depends on the setting.\u003cbr \/\u003e\r\n*Apple ProRes codec can be only recorded to CFexpress Type B card\u003cbr \/\u003e\r\n*Bitrate for Apple ProRes codec is not selectable.\u003cbr \/\u003e\r\n*Recording time can become short depending on the temperature and\/or shooting conditions\u003c\/p\u003e\r\n\r\n\u003cp\u003eFilm Simulation Mode\u003c\/p\u003e\r\n\r\n\u003cp\u003e20 modes\u003c\/p\u003e\r\n\r\n\u003cp\u003ePROVIA\/Standard\u003c\/p\u003e\r\n\r\n\u003cp\u003eVelvia\/Vivid\u003c\/p\u003e\r\n\r\n\u003cp\u003eASTIA\/Soft\u003c\/p\u003e\r\n\r\n\u003cp\u003eClassic Chrome\u003c\/p\u003e\r\n\r\n\u003cp\u003eREALA ACE\u003c\/p\u003e\r\n\r\n\u003cp\u003ePRO Neg.Hi\u003c\/p\u003e\r\n\r\n\u003cp\u003ePRO Neg.Std\u003c\/p\u003e\r\n\r\n\u003cp\u003eClassic Neg.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNostalgic Neg.\u003c\/p\u003e\r\n\r\n\u003cp\u003eETERNA\/Cinema\u003c\/p\u003e\r\n\r\n\u003cp\u003eETERNA BLEACH BYPASS\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS + Ye Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS + R Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eACROS + G Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White + Ye Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White + R Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlack \u0026amp; White + G Filter\u003c\/p\u003e\r\n\r\n\u003cp\u003eSepia\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhite Balance\u003c\/p\u003e\r\n\r\n\u003cp\u003eAuto\u0026nbsp;White Priority\u003cbr \/\u003e\r\nAuto\u0026nbsp;Ambience Priority\u003c\/p\u003e\r\n\r\n\u003cp\u003eCustom\u003c\/p\u003e\r\n\r\n\u003cp\u003eCustom\u003c\/p\u003e\r\n\r\n\u003cp\u003eColor Temperature Selection\u0026nbsp;2000K~11000K,CC(-16.00~+16.00)\u003c\/p\u003e\r\n\r\n\u003cp\u003eWireless Transmitter\u0026nbsp;Standard\u0026nbsp;IEEE802.11a\/b\/g\/n\/ac (standard wireless protocol)\u003c\/p\u003e\r\n\r\n\u003cp\u003eEncryption\u0026nbsp;WPA2, WPA3\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccess Mode\u003c\/p\u003e\r\n\r\n\u003cp\u003eInfrastructure mode\u003c\/p\u003e\r\n\r\n\u003cp\u003eBluetooth\u0026reg;\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard\u0026nbsp;Bluetooth Ver. 4.2 (Bluetooth low energy)\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Frequency (Center Frequency)\u0026nbsp;2402〜2480MHz\u003c\/p\u003e\r\n\r\n\u003cp\u003eTerminal\u003c\/p\u003e\r\n\r\n\u003cp\u003eDigital Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB Type-C\u0026reg;\u003c\/p\u003e\r\n\r\n\u003cp\u003eHDMI Output\u003c\/p\u003e\r\n\r\n\u003cp\u003eHDMI OUT connector (Type A)\u003c\/p\u003e\r\n\r\n\u003cp\u003eLAN Terminal\u003c\/p\u003e\r\n\r\n\u003cp\u003eLAN connector 1000BASE-T、100BASE-TX、10BASE-T\u003c\/p\u003e\r\n\r\n\u003cp\u003eOthers\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026oslash;3.5mm,stereo mini connector (Microphone)\u003cbr \/\u003e\r\n\u0026oslash;3.5mm, stereo mini connector (Headphone)\u003cbr \/\u003e\r\n\u0026oslash;2.5mm,connector (Remote Release )\u003cbr \/\u003e\r\nTC IN\/TC OUT connector\u003cbr \/\u003e\r\nGenLock connector\u003cbr \/\u003e\r\n12G SDI OUT connector:max 4K59.94p 12G\/6G\/3G\u003cbr \/\u003e\r\nLENS connector(12-pin) :Power supply 14V-0.5A\u003cbr \/\u003e\r\nV-mount battery attachment terminal\u003cbr \/\u003e\r\nHandle connection terminal\u003cbr \/\u003e\r\nDC OUT 12V connector :2-pin LEMO :12V 3A\u003cbr \/\u003e\r\nLCD monitor cable connector\u003cbr \/\u003e\r\nDC IN connector:4-pin for AC-15VS\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\r\n\u003cp\u003eNP-W235 Li-ion battery (included)\u003cbr \/\u003e\r\nDC IN:AC-15VS AC power adapter (included)\u003cbr \/\u003e\r\nV-mount battery\u003c\/p\u003e\r\n\r\n\u003cp\u003eDimensions\u003c\/p\u003e\r\n\r\n\u003cp\u003eWidth\u0026nbsp;110.8mm\u003c\/p\u003e\r\n\r\n\u003cp\u003eHeight\u0026nbsp;138.2mm\u003c\/p\u003e\r\n\r\n\u003cp\u003eDepth\u0026nbsp;176.8mm\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeight\u0026nbsp; Excluding Battery And Memory Card\u0026nbsp;Approx. 2.0kg\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperation Environment\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Temperature\u003c\/p\u003e\r\n\r\n\u003cp\u003e-10℃～+40℃\u003c\/p\u003e\r\n\r\n\u003cp\u003eOperating Humidity\u003c\/p\u003e\r\n\r\n\u003cp\u003e10% \u0026ndash; 80% (no condensation)\u003c\/p\u003e\r\n\r\n\u003cp\u003ePower Consumption\u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard power consumption：21W\u003cbr \/\u003e\r\nWith lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1,\u003cbr \/\u003e\r\nexcluding accessories other than the LCD monitor and handle.\u003cbr \/\u003e\r\nMaximum power consumption：49W\u003cbr \/\u003e\r\nWith lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High,\u003cbr \/\u003e\r\nincluding accessories, DC OUT 12V not connected.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAccessories Included\u003c\/p\u003e\r\n\r\n\u003cp\u003eLi-ion battery NP-W235\u003cbr \/\u003e\r\nAC power adapter AC-15VS\u003cbr \/\u003e\r\nAC cable\u003cbr \/\u003e\r\nBody cap\u003cbr \/\u003e\r\nHandle\u003cbr \/\u003e\r\nLCD Monitor\u003cbr \/\u003e\r\nLCD Monitor hood\u003cbr \/\u003e\r\nLCD attachment\u003cbr \/\u003e\r\nPL-Mount Adapter\u003c\/p\u003e","brand":"Fujifilm CINE","offers":[{"title":"Default Title","offer_id":53586399166801,"sku":"16953510","price":16140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/g0IL571oHc6x6BSE4FCvG25wtP3eCFQf.jpg?v=1776792825"},{"product_id":"modul-dji-za-zenmuse-x9-e-mount","title":"DJI Zenmuse X9 Lens Mount Unit (E-Mount)","description":"\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003cbr \/\u003e\r\nUse Sony E-Mount Lenses on Zenmuse X9\u003cbr \/\u003e\r\nFor Ronin 4D Camera\/Gimbal Combo\u003cbr \/\u003e\r\nFor Select E-Mount Lenses\u003cbr \/\u003e\r\nInterchangeable Lens Mount\u003cbr \/\u003e\r\n\u003cstrong\u003eOverview\u003c\/strong\u003e\u003cbr \/\u003e\r\nExpand your lens options when using your Ronin 4D 4-Axis Cinema Camera 6K or 8K Combo with the Sony E-mount Zenmuse X9 Lens Mount Unit from DJI. This dedicated unit replaces the DJI DL lens mount on your Zenmuse X9 camera.\u003cbr \/\u003e\r\nRonin Compatibility\u003cbr \/\u003e\r\nRonin 4D Zenmuse X9-6K or 8K Camera\/Gimbal Combo\u003cbr \/\u003e\r\nCompatible Lenses\u003cbr \/\u003e\r\nSelect Sony, Sigma, Sirui, Tamron, and ZEISS E-mount lenses\u003cbr \/\u003e\r\n\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr \/\u003e\r\nCamera Mount\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003cbr \/\u003e\r\nDJI DL Mount\u003cbr \/\u003e\r\nLens Mount\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003cbr \/\u003e\r\nSony E\u003cbr \/\u003e\r\nElectronic Communication\u0026nbsp;\u0026nbsp; \u0026nbsp;: Yes\u003cbr \/\u003e\r\nDimensions \u0026oslash;: 90.0 x D: 100.0 mm\u003cbr \/\u003e\r\nWeight: 120 g\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":53586406408529,"sku":"DJIZ9EMU","price":224.97,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/LnzL0rkgS6CfZ701sC6WJ2VSZEFo6XF3.jpg?v=1776795533"},{"product_id":"bndl-sony-fx6-cinema-line-dighitalna-kino-kamiera-v-lock-batieriia-anton-bauer-i-adaptier-hedbox-1","title":"Bundle Sony FX6 Full-Frame Cinema Camera + Anton Bauer Dionic XT 90 VM","description":"\u003cp\u003eThe \u003cstrong\u003eFX6 Full-Frame Camera\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony\u0026#39;s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\u0026quot;, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\u0026quot; LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVersatile Addition to Sony Cinema Line\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs part of Sony\u0026#39;s Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003cbr \/\u003e\r\n\u003cbr \/\u003e\r\nCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIt matches the FX9\u0026#39;s video capture up to DCI 4K60\u003c\/li\u003e\r\n\t\u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices\u003c\/li\u003e\r\n\t\u003cli\u003eOutputs 16-bit raw like the FX9\u003c\/li\u003e\r\n\t\u003cli\u003eSony E lens mount\u003c\/li\u003e\r\n\t\u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003c\/li\u003e\r\n\t\u003cli\u003eAlso provides 2-channel XLR audio inputs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e4K capture vs 6K\u003c\/li\u003e\r\n\t\u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9\u0026#39;s additional 3G-SDI port\u003c\/li\u003e\r\n\t\u003cli\u003eIncorporates a timecode port but lacks the FX9\u0026#39;s genlock connector\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9\u0026#39;s 320 to 102,400 range\u003c\/li\u003e\r\n\t\u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9\u0026#39;s top 1080p in HD\u003c\/li\u003e\r\n\t\u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9\u0026#39;s reliance on proprietary XQD cards and a single SD card option\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor\u0026#39;s fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003c\/p\u003e\r\n\r\n\u003cp\u003e15+ Stops of Dynamic Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWide ISO Range\u003c\/p\u003e\r\n\r\n\u003cp\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElectronically Variable ND Filters\u003c\/p\u003e\r\n\r\n\u003cp\u003eSet the FX6\u0026#39;s integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1\/4 to 1\/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced XAVC Codec Options\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHigh Frame Rate Selections\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003c\/li\u003e\r\n\t\u003cli\u003e100 or 120 fps in HD through UHD 4K\u003c\/li\u003e\r\n\t\u003cli\u003e150, 180, 200, or 240 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1-60, 100, and 120 fps in Full HD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eExpressive Cinematic Look\u003c\/p\u003e\r\n\r\n\u003cp\u003eSony\u0026#39;s S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/p\u003e\r\n\r\n\u003cp\u003eCompatible with 50+ native Sony E-mount lenses, the FX6\u0026#39;s improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eImage Stabilization and More with Catalyst and Metadata\u003c\/p\u003e\r\n\r\n\u003cp\u003ePair the FX6 with Sony\u0026#39;s Catalyst Prepare\/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTouchscreen 3.5\u0026quot; LCD Control\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s 3.5\u0026quot; LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReliable Design and Construction\u003c\/p\u003e\r\n\r\n\u003cp\u003eConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera\u0026#39;s dust and moisture resistance as well.\u003c\/p\u003e\r\n\r\n\u003cp\u003e4-Channel Audio Recording\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera\u0026#39;s top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional Input\/Output Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eFX6 input and output ports include a selectable 12G\/6G\/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCFexpress Media Slots and Multiple Recording Modes\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX6\u0026#39;s dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.\u003c\/p\u003e\r\n\r\n\u003cp\u003eModular, Grab-and-Go Design\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\u0026quot; LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eContent Browser Mobile Compatibility\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6\u0026#39;s Wi-Fi function enables remote monitoring and focus\/iris\/zoom control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording with Atomos Ninja V+ \u003c\/strong\u003e\u003cbr \/\u003e\r\nCapture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony\u0026rsquo;s state of the art Exmor R CMOS full-frame 6K image sensor, using a single BNC cable to the camera\u0026rsquo;s 12G-SDI port.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. The recorded files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colours, ideal for both HDR and SDR (Rec.709) workflows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe back-illuminated CMOS image sensor also uses Sony\u0026rsquo;s Exmor R technology for improved sensitivity and noise reduction, leading to cleaner RAW images.\u003c\/p\u003e\r\n\r\n\u003ctable cellspacing=\"0\" style=\"-webkit-font-smoothing:antialiased; -webkit-tap-highlight-color:transparent; border-collapse:collapse; box-sizing:border-box; font-variant-ligatures:normal; max-width:100%; outline:none; text-decoration-color:initial; text-decoration-style:initial; text-decoration-thickness:initial; width:428px\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:1px solid black; height:19px; vertical-align:bottom; white-space:nowrap; width:169px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSupported Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:120px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCapture Resolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:74px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFrame Rate\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:1px solid black; vertical-align:bottom; white-space:nowrap; width:64px\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAvailable\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRAW\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eResolution\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e120p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e100p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔*\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160 (from FF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eVideo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4k DCI\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e24p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4096 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e4K UHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e3840 x 2160\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e29.97p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e25p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e23.98p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHD Interlaced\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e59.94p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:1px solid black; border-right:1px solid black; border-top:none; height:19px; vertical-align:bottom; white-space:nowrap\"\u003e\u0026nbsp;\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e1920 x 1080\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e50p\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd style=\"border-bottom:1px solid black; border-left:none; border-right:1px solid black; border-top:none; vertical-align:bottom; white-space:nowrap\"\u003e\u003cspan style=\"font-size:15px\"\u003e\u003cspan style=\"color:black\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e✔\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":53586416894289,"sku":"B-ILME-FX6-AB","price":6539.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/ybt1ncJiB1d9SP8gPIGQC7L4M7i2EZ6Y.jpg?v=1776788222"},{"product_id":"arri-alexa-mini-lf-ready-to-shoot-kompliekt-v-mount","title":"ARRI ALEXA Mini LF Ready to Shoot Set V-Mount","description":"\u003cp\u003eThe \u003cstrong\u003eARRI ALEXA Mini LF\u003c\/strong\u003e camera is built around a large-format 4K version of the original ALEV 3 sensor, offering native 4K ARRIRAW or Apple ProRes recording in three sensor modes - LF Open Gate, LF 16:9 or LF 2.39:1 mode. The Mini LF\u0026#39;s large-format resolution, combined with an optimized pixel size provides superb image quality with rich and nuanced imagery, accompanied by natural skin tones and smooth bokeh. The camera comes with ARRI\u0026#39;s LPL lens mount - designed for large-format capture, but allows compatibility with PL lenses through a PL-to-LPL adapter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Mini LF is the perfect combination of the ALEXA LF\u0026#39;s large format sensor and the ALEXA Mini\u0026#39;s compact and light form factor. Additionally, the Mini LF features six user buttons, a media bay for Codex Compact Drives, as well as two rows of connectors for AUX power, monitoring\/transmission, timecode, Ethernet, audio, as well USB type A for Data and a proprietary Viewfinder port.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSensor size:\u0026nbsp;\u0026nbsp; \u0026nbsp;36.70 x 25.54 mm \/ 1.444 x 1.005\u0026quot; (average 44.71 mm)\u003c\/li\u003e\r\n\t\u003cli\u003eSensor frame rates:\u0026nbsp;\u0026nbsp; \u0026nbsp;0,75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003ePixel Pitch:\u0026nbsp;\u0026nbsp; \u0026nbsp;8,25 \u0026micro;m\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor Active Image Area (Pixels):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor Active Image Area (Size):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 36.70 x 25.54 mm \/ 1.445 x 1.006\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm \/ 1.445 x 1.006\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm \/ 1.445 x 0.603\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm \/ 1.445 x 0.603\u0026quot;\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording File Resolution (Pixels):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 4480 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 1920 x 1080\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 2048 x 1152\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 4480 x 1856\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDynamic range:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e14+ stops across the entire sensitivity range from EI 160 to EI 3200, measured with the ARRI Dynamic Range Test Chart (DRTC-1)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u003cbr \/\u003e\r\n\u003cstrong\u003eShutter:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eElectronic shutter, 5.0\u0026deg;- 356\u0026deg; or 1s - 1\/8000s\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording formats:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMXF\/ARRIRAW\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 4444 XQ\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 4444\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 422 (HQ)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording media:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;Codex Compact Drives\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rates:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 0.75 - 40 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 0.75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 0.75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e*Note: maximum fps values ​​are preliminary information\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording modes:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eStandard real-time recording\u003c\/li\u003e\r\n\t\u003cli\u003eNo pre-recording\u003c\/li\u003e\r\n\t\u003cli\u003eNo intervalometer\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMulti Viewfinder MVF-2 with 4\u0026quot; fold-out monitor (OLED Viewfinder Display)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor:\u0026nbsp;\u0026nbsp;\u003c\/strong\u003e \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFold-out LCD monitor\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder resolution:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;1920 x 1080\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder Diopter:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;-5 to +5\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eColor output:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eRec 709\u003c\/li\u003e\r\n\t\u003cli\u003eRec 2020\u003c\/li\u003e\r\n\t\u003cli\u003eLog C\u003c\/li\u003e\r\n\t\u003cli\u003eCustom Look (ARRI Look File ALF-2)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLook Control:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eImport of custom 3D LUTs\u003c\/li\u003e\r\n\t\u003cli\u003eASC CDL parameters (slope, offset, power, saturation)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhite balance:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eManual and automatic white balance, adjustable from 2000K to 11000K in 10K steps\u003c\/li\u003e\r\n\t\u003cli\u003eColor correction adjustable range from -16 to +16 CC\u003c\/li\u003e\r\n\t\u003cli\u003e1 CC corresponds to 0.35 Kodak CC values ​​or 1\/8 Rosco values\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFilter:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBuilt-in motorized ND filters 0.6, 1.2, 1.8\u003c\/li\u003e\r\n\t\u003cli\u003eFixed optical low-pass, UV and IR filters\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage output:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x proprietary signal output for MVF-2 viewfinder\u003c\/li\u003e\r\n\t\u003cli\u003e2 x SDI Out: 1.5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)\u003c\/li\u003e\r\n\t\u003cli\u003euncompressed video with embedded audio and metadata\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSqueeze Factor:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1.00\u003c\/li\u003e\r\n\t\u003cli\u003e1.25\u003c\/li\u003e\r\n\t\u003cli\u003e1.30\u003c\/li\u003e\r\n\t\u003cli\u003e1.50\u003c\/li\u003e\r\n\t\u003cli\u003e1.65\u003c\/li\u003e\r\n\t\u003cli\u003e1.80\u003c\/li\u003e\r\n\t\u003cli\u003e2.00\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExposure and focusing tools:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFalse Color\u003c\/li\u003e\r\n\t\u003cli\u003eZebra\u003c\/li\u003e\r\n\t\u003cli\u003eZoom\u003c\/li\u003e\r\n\t\u003cli\u003eAperture and color peaking\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio input:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x LEMO 6-pin balanced stereo cable with 12V output\u003c\/li\u003e\r\n\t\u003cli\u003e(line input max. level +24dBu correlating with 0dBFS)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio output:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI (embedded)\u003c\/li\u003e\r\n\t\u003cli\u003e3.5mm stereo headphone jack (on MVF-2)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio recording:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e2-channel linear PCM, 24 Bit 48 kHz\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemote control options:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe MVF-2 viewfinder can act as a wired remote control with 10m\/33ft cable\u003c\/li\u003e\r\n\t\u003cli\u003eWeb-based remote control of smartphones, tablets and laptops via WiFi \u0026amp; Ethernet\u003c\/li\u003e\r\n\t\u003cli\u003eCamera Access Protocol (CAP) via Ethernet \u0026amp; WiFi\u003c\/li\u003e\r\n\t\u003cli\u003eGPIO interface for integration with customer-specific control interfaces\u003c\/li\u003e\r\n\t\u003cli\u003eWCU-4 handset with control of the lens motors and operating parameters via built-in white radio\u003c\/li\u003e\r\n\t\u003cli\u003eSXU-1 handset with control via one lens channel\u003c\/li\u003e\r\n\t\u003cli\u003eOCU-1 and Master Grip control of lens and user buttons\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterfaces:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x LEMO 5-pin LTC timecode input and output\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 10pin Ethernet for remote control and service\u003c\/li\u003e\r\n\t\u003cli\u003e1 x BNC SYNC IN\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 7-pin EXT multi-purpose accessory interface with RS pin and 24V output\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 4-pin LBUS (on lens mount) for lens motors, daisy chainable\u003c\/li\u003e\r\n\t\u003cli\u003e1 x USB 2.0 in the Media Bay (for user settings, files, etc.)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWireless interfaces:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIntegrated WLAN \/ WiFi module (IEEE 802.11b\/g)\u003c\/li\u003e\r\n\t\u003cli\u003eBuilt-in White Radio for ARRI lens and camera remote control\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLens Mounts:\u0026nbsp;\u0026nbsp; \u003c\/strong\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLPL lens mount with LBUS connection\u003c\/li\u003e\r\n\t\u003cli\u003ePL to LPL adapter\u003c\/li\u003e\r\n\t\u003cli\u003eLeitz M mount \u003cem\u003e(*Note: sold separately)\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlange depth of field:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLPL Mount: 44 mm\u003c\/li\u003e\r\n\t\u003cli\u003ewith PL-to-LPL Adapter: 52 mm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower input:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x LEMO 8pin (10.5-34 V DC)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eApproximately 65 W when recording ProRes 4444 with MVF-2 attached (preliminary information)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower outputs:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x Fischer 3pin 24V RS\u003c\/li\u003e\r\n\t\u003cli\u003e1x LEMO 2pin 12V\u003c\/li\u003e\r\n\t\u003cli\u003e1x LEMO 7pin EXT 24V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e140 x 143 x 188 mm \/ 5.5 x 5.6 x 7.4\u0026quot; (Camera Body with LPL Mount)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e2.7kg (Camera Body with LPL Mount)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperating temperature:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e-20\u0026deg; C to +45\u0026deg; C \/ -4\u0026deg; F to +113\u0026deg; F @ 95% relative humidity max, non-condensing, splash-proof and dust-proof due to sealed electronics\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStorage temperature:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e-30\u0026deg;C to +70\u0026deg;C \/ -22\u0026deg;F to +158\u0026deg;F\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSound level:\u0026nbsp;\u0026nbsp;\u003c\/strong\u003e \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026lt; 20 dB(A) at\u0026nbsp;24fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePackage Includes:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x ARRI ALEXA Mini LF Camera Body (K1.0024074)\u003c\/li\u003e\r\n\t\u003cli\u003e1x ARRI LPL Mount (LBUS) (K2.0018983)\u003c\/li\u003e\r\n\t\u003cli\u003e1x ARRI PL-to-LPL Adapter (K2.0016936)\u003c\/li\u003e\r\n\t\u003cli\u003e2x CODEX Compact Drive 1TB (CA08-1024) (K2.0024130)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Multi Viewfinder MVF-2 (K2.0020916)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Cable VF (0.35m\/1.15ft) (K2.0023915)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Cable VF (0.5m\/1.5ft) (K2.0023943)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Mini Adapter Plate MAP-2A (K2.0023839)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Mini Viewfinder Bracket MVB-1 (K2.0006140)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Center Camera Handle CCH-2 (K2.73002.0)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Mini Side Bracket MSB-3 (K2.0023546)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Mini Side Bracket MSB-2 (K2.0014957)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Compact Bridge Plate CBP-1 19mm (K2.0014894)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Rear Accessory Bracket RAB-1 (K2.0013937)\u003c\/li\u003e\r\n\t\u003cli\u003e1x RAB-1 Clamp 2 (K2.0023406)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Rod Mounting Bracket RMB-3 (K2.0006186)\u003c\/li\u003e\r\n\t\u003cli\u003e1x 15mm Reduction Insert (K2.66255.0)\u003c\/li\u003e\r\n\t\u003cli\u003e1x V-Mount Power Splitting Box MKII (K2.0014530)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Bottom Dovetail Plate 300mm\/12in (K2.0015896)\u003c\/li\u003e\r\n\t\u003cli\u003e1x Camera Power Cable Straight 2m\/6.6in KC-50 (K2.75007.0)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"ARRI","offers":[{"title":"Default Title","offer_id":53586425839953,"sku":"K0.0024313","price":103500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/7QH2JTiIaaiBCQ9ivHWcWO4CatxAe6pf.jpg?v=1776786795"},{"product_id":"arri-alexa-mini-lf-production-kompliekt-19-mvf-2","title":"ARRI ALEXA Mini LF Production Set 19 - MVF-2","description":"\u003cp\u003eThe \u003cstrong\u003eARRI ALEXA Mini LF\u003c\/strong\u003e camera is built around a large-format 4K version of the original ALEV 3 sensor, offering native 4K ARRIRAW or Apple ProRes recording in three sensor modes - LF Open Gate, LF 16:9 or LF 2.39:1 mode. The Mini LF\u0026#39;s large-format resolution, combined with an optimized pixel size provides superb image quality with rich and nuanced imagery, accompanied by natural skin tones and smooth bokeh. The camera comes with ARRI\u0026#39;s LPL lens mount - designed for large-format capture, but allows compatibility with PL lenses through a PL-to-LPL adapter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Mini LF is the perfect combination of the ALEXA LF\u0026#39;s large format sensor and the ALEXA Mini\u0026#39;s compact and light form factor. Additionally, the Mini LF features six user buttons, a media bay for Codex Compact Drives, as well as two rows of connectors for AUX power, monitoring\/transmission, timecode, Ethernet, audio, as well USB type A for Data and a proprietary Viewfinder port.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSensor size:\u0026nbsp;\u0026nbsp; \u0026nbsp;36.70 x 25.54 mm \/ 1.444 x 1.005\u0026quot; (average 44.71 mm)\u003c\/li\u003e\r\n\t\u003cli\u003eSensor frame rates:\u0026nbsp;\u0026nbsp; \u0026nbsp;0,75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003ePixel Pitch:\u0026nbsp;\u0026nbsp; \u0026nbsp;8,25 \u0026micro;m\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor Active Image Area (Pixels):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor Active Image Area (Size):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 36.70 x 25.54 mm \/ 1.445 x 1.006\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm \/ 1.445 x 1.006\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm \/ 1.445 x 0.603\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm \/ 1.445 x 0.603\u0026quot;\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording File Resolution (Pixels):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 4480 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 1920 x 1080\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 2048 x 1152\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 4480 x 1856\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDynamic range:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e14+ stops across the entire sensitivity range from EI 160 to EI 3200, measured with the ARRI Dynamic Range Test Chart (DRTC-1)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u003cbr \/\u003e\r\n\u003cstrong\u003eShutter:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eElectronic shutter, 5.0\u0026deg;- 356\u0026deg; or 1s - 1\/8000s\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording formats:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMXF\/ARRIRAW\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 4444 XQ\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 4444\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 422 (HQ)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording media:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;Codex Compact Drives\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rates:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 0.75 - 40 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 0.75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 0.75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e*Note: maximum fps values ​​are preliminary information\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording modes:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eStandard real-time recording\u003c\/li\u003e\r\n\t\u003cli\u003eNo pre-recording\u003c\/li\u003e\r\n\t\u003cli\u003eNo intervalometer\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMulti Viewfinder MVF-2 with 4\u0026quot; fold-out monitor (OLED Viewfinder Display)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor:\u0026nbsp;\u0026nbsp;\u003c\/strong\u003e \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFold-out LCD monitor\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder resolution:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;1920 x 1080\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder Diopter:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;-5 to +5\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eColor output:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eRec 709\u003c\/li\u003e\r\n\t\u003cli\u003eRec 2020\u003c\/li\u003e\r\n\t\u003cli\u003eLog C\u003c\/li\u003e\r\n\t\u003cli\u003eCustom Look (ARRI Look File ALF-2)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLook Control:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eImport of custom 3D LUTs\u003c\/li\u003e\r\n\t\u003cli\u003eASC CDL parameters (slope, offset, power, saturation)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhite balance:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eManual and automatic white balance, adjustable from 2000K to 11000K in 10K steps\u003c\/li\u003e\r\n\t\u003cli\u003eColor correction adjustable range from -16 to +16 CC\u003c\/li\u003e\r\n\t\u003cli\u003e1 CC corresponds to 0.35 Kodak CC values ​​or 1\/8 Rosco values\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFilter:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBuilt-in motorized ND filters 0.6, 1.2, 1.8\u003c\/li\u003e\r\n\t\u003cli\u003eFixed optical low-pass, UV and IR filters\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage output:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x proprietary signal output for MVF-2 viewfinder\u003c\/li\u003e\r\n\t\u003cli\u003e2 x SDI Out: 1.5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)\u003c\/li\u003e\r\n\t\u003cli\u003euncompressed video with embedded audio and metadata\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSqueeze Factor:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1.00\u003c\/li\u003e\r\n\t\u003cli\u003e1.25\u003c\/li\u003e\r\n\t\u003cli\u003e1.30\u003c\/li\u003e\r\n\t\u003cli\u003e1.50\u003c\/li\u003e\r\n\t\u003cli\u003e1.65\u003c\/li\u003e\r\n\t\u003cli\u003e1.80\u003c\/li\u003e\r\n\t\u003cli\u003e2.00\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExposure and focusing tools:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFalse Color\u003c\/li\u003e\r\n\t\u003cli\u003eZebra\u003c\/li\u003e\r\n\t\u003cli\u003eZoom\u003c\/li\u003e\r\n\t\u003cli\u003eAperture and color peaking\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio input:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x LEMO 6-pin balanced stereo cable with 12V output\u003c\/li\u003e\r\n\t\u003cli\u003e(line input max. level +24dBu correlating with 0dBFS)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio output:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI (embedded)\u003c\/li\u003e\r\n\t\u003cli\u003e3.5mm stereo headphone jack (on MVF-2)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio recording:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e2-channel linear PCM, 24 Bit 48 kHz\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemote control options:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe MVF-2 viewfinder can act as a wired remote control with 10m\/33ft cable\u003c\/li\u003e\r\n\t\u003cli\u003eWeb-based remote control of smartphones, tablets and laptops via WiFi \u0026amp; Ethernet\u003c\/li\u003e\r\n\t\u003cli\u003eCamera Access Protocol (CAP) via Ethernet \u0026amp; WiFi\u003c\/li\u003e\r\n\t\u003cli\u003eGPIO interface for integration with customer-specific control interfaces\u003c\/li\u003e\r\n\t\u003cli\u003eWCU-4 handset with control of the lens motors and operating parameters via built-in white radio\u003c\/li\u003e\r\n\t\u003cli\u003eSXU-1 handset with control via one lens channel\u003c\/li\u003e\r\n\t\u003cli\u003eOCU-1 and Master Grip control of lens and user buttons\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterfaces:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x LEMO 5-pin LTC timecode input and output\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 10pin Ethernet for remote control and service\u003c\/li\u003e\r\n\t\u003cli\u003e1 x BNC SYNC IN\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 7-pin EXT multi-purpose accessory interface with RS pin and 24V output\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 4-pin LBUS (on lens mount) for lens motors, daisy chainable\u003c\/li\u003e\r\n\t\u003cli\u003e1 x USB 2.0 in the Media Bay (for user settings, files, etc.)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWireless interfaces:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIntegrated WLAN \/ WiFi module (IEEE 802.11b\/g)\u003c\/li\u003e\r\n\t\u003cli\u003eBuilt-in White Radio for ARRI lens and camera remote control\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLens Mounts:\u0026nbsp;\u0026nbsp; \u003c\/strong\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLPL lens mount with LBUS connection\u003c\/li\u003e\r\n\t\u003cli\u003ePL to LPL adapter\u003c\/li\u003e\r\n\t\u003cli\u003eLeitz M mount \u003cem\u003e(*Note: sold separately)\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlange depth of field:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLPL Mount: 44 mm\u003c\/li\u003e\r\n\t\u003cli\u003ewith PL-to-LPL Adapter: 52 mm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower input:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x LEMO 8pin (10.5-34 V DC)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eApproximately 65 W when recording ProRes 4444 with MVF-2 attached (preliminary information)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower outputs:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x Fischer 3pin 24V RS\u003c\/li\u003e\r\n\t\u003cli\u003e1x LEMO 2pin 12V\u003c\/li\u003e\r\n\t\u003cli\u003e1x LEMO 7pin EXT 24V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e140 x 143 x 188 mm \/ 5.5 x 5.6 x 7.4\u0026quot; (Camera Body with LPL Mount)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e2.7kg (Camera Body with LPL Mount)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperating temperature:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e-20\u0026deg; C to +45\u0026deg; C \/ -4\u0026deg; F to +113\u0026deg; F @ 95% relative humidity max, non-condensing, splash-proof and dust-proof due to sealed electronics\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStorage temperature:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e-30\u0026deg;C to +70\u0026deg;C \/ -22\u0026deg;F to +158\u0026deg;F\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSound level:\u0026nbsp;\u0026nbsp;\u003c\/strong\u003e \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026lt; 20 dB(A) at\u0026nbsp;24fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePackage Includes:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x ALEXA Mini LF camera body K1.0024074\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x ARRI LPL Mount (LBUS) K2.0018983\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x ARRI PL-to-LPL Adapter K2.0016936\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e3x CODEX Compact Drive 1TB (CA08-1024) K2.0024130\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Multi Viewfinder MVF-2 K2.0020916\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Cable VF (0.35m\/1.15ft) K2.0023915\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Cable VF (0.5m\/1.5ft) K2.0023943\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Balance Utility Dovetail BUD-3 K2.0048463\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Mini Adapter Plate MAP-2A K2.0023839\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Viewfinder Mounting Bracket VMB-5 K2.0033859\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Square Accessory Sleeve SAS-2 K2.0047906\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Center Camera Handle CCH-4 K2.0017270\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Handle Extension HEX-2 K2.0019792\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Handle Extension HEX-3 K2.0019797\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Side Accessory Bracket SAB-1 K2.0012692\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Mini Side Bracket MSB-3 K2.0023546\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Mini Side Bracket MSB-2 K2.0014957\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Compact Bridge Plate CBP-5 (19mm) K2.0023549\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Rear Accessory Bracket RAB-3 K2.0049215\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x RAB-1 Clamp 2 K2.0023406\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Bottom Dovetail Plate 300mm\/12in K2.0015896\u0026nbsp;\u003c\/li\u003e\r\n\t\u003cli\u003e1x Camera Power Cable Straight 2m\/6.6in KC-50 K2.75007.0\u0026nbsp;\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"ARRI","offers":[{"title":"Default Title","offer_id":53586426069329,"sku":"K0.0049871","price":95400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/GaWWr7wGhg5x5aEsFeVKZcs3dNGNCngt.jpg?v=1776786796"},{"product_id":"arri-alexa-mini-lf-kompliekt-tialo-i-baioniet","title":"ARRI ALEXA Mini LF \u0026 Lens Mount Set","description":"\u003cp\u003eThe \u003cstrong\u003eARRI ALEXA Mini LF\u003c\/strong\u003e camera is built around a large-format 4K version of the original ALEV 3 sensor, offering native 4K ARRIRAW or Apple ProRes recording in three sensor modes - LF Open Gate, LF 16:9 or LF 2.39:1 mode. The Mini LF\u0026#39;s large-format resolution, combined with an optimized pixel size provides superb image quality with rich and nuanced imagery, accompanied by natural skin tones and smooth bokeh. The camera comes with ARRI\u0026#39;s LPL lens mount - designed for large-format capture, but allows compatibility with PL lenses through a PL-to-LPL adapter.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Mini LF is the perfect combination of the ALEXA LF\u0026#39;s large format sensor and the ALEXA Mini\u0026#39;s compact and light form factor. Additionally, the Mini LF features six user buttons, a media bay for Codex Compact Drives, as well as two rows of connectors for AUX power, monitoring\/transmission, timecode, Ethernet, audio, as well USB type A for Data and a proprietary Viewfinder port.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSensor size:\u0026nbsp;\u0026nbsp; \u0026nbsp;36.70 x 25.54 mm \/ 1.444 x 1.005\u0026quot; (average 44.71 mm)\u003c\/li\u003e\r\n\t\u003cli\u003eSensor frame rates:\u0026nbsp;\u0026nbsp; \u0026nbsp;0,75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003ePixel Pitch:\u0026nbsp;\u0026nbsp; \u0026nbsp;8,25 \u0026micro;m\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor Active Image Area (Pixels):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor Active Image Area (Size):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 36.70 x 25.54 mm \/ 1.445 x 1.006\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm \/ 1.445 x 1.006\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm \/ 1.247 x 0.702\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm \/ 1.445 x 0.603\u0026quot;\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm \/ 1.445 x 0.603\u0026quot;\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording File Resolution (Pixels):\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 4480 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 4448 x 3096\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 1920 x 1080\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 2048 x 1152\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 3840 x 2160\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 4480 x 1856\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 4448 x 1856\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDynamic range:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e14+ stops across the entire sensitivity range from EI 160 to EI 3200, measured with the ARRI Dynamic Range Test Chart (DRTC-1)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u003cbr \/\u003e\r\n\u003cstrong\u003eShutter:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eElectronic shutter, 5.0\u0026deg;- 356\u0026deg; or 1s - 1\/8000s\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording formats:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMXF\/ARRIRAW\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 4444 XQ\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 4444\u003c\/li\u003e\r\n\t\u003cli\u003eMXF\/Apple ProRes 422 (HQ)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording media:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;Codex Compact Drives\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFrame rates:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLF Open Gate ProRes 4.5K: 0.75 - 40 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes HD: 0.75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes 2K: 0.75 - 90 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ProRes UHD: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 16:9 ARRIRAW UHD: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ProRes 4.5K: 0.75 - 60 fps\u003c\/li\u003e\r\n\t\u003cli\u003eLF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e*Note: maximum fps values ​​are preliminary information\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecording modes:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eStandard real-time recording\u003c\/li\u003e\r\n\t\u003cli\u003eNo pre-recording\u003c\/li\u003e\r\n\t\u003cli\u003eNo intervalometer\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMulti Viewfinder MVF-2 with 4\u0026quot; fold-out monitor (OLED Viewfinder Display)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor:\u0026nbsp;\u0026nbsp;\u003c\/strong\u003e \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFold-out LCD monitor\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder resolution:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;1920 x 1080\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eViewfinder Diopter:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026nbsp;-5 to +5\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eColor output:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eRec 709\u003c\/li\u003e\r\n\t\u003cli\u003eRec 2020\u003c\/li\u003e\r\n\t\u003cli\u003eLog C\u003c\/li\u003e\r\n\t\u003cli\u003eCustom Look (ARRI Look File ALF-2)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLook Control:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eImport of custom 3D LUTs\u003c\/li\u003e\r\n\t\u003cli\u003eASC CDL parameters (slope, offset, power, saturation)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhite balance:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eManual and automatic white balance, adjustable from 2000K to 11000K in 10K steps\u003c\/li\u003e\r\n\t\u003cli\u003eColor correction adjustable range from -16 to +16 CC\u003c\/li\u003e\r\n\t\u003cli\u003e1 CC corresponds to 0.35 Kodak CC values ​​or 1\/8 Rosco values\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFilter:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBuilt-in motorized ND filters 0.6, 1.2, 1.8\u003c\/li\u003e\r\n\t\u003cli\u003eFixed optical low-pass, UV and IR filters\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eImage output:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x proprietary signal output for MVF-2 viewfinder\u003c\/li\u003e\r\n\t\u003cli\u003e2 x SDI Out: 1.5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)\u003c\/li\u003e\r\n\t\u003cli\u003euncompressed video with embedded audio and metadata\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSqueeze Factor:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1.00\u003c\/li\u003e\r\n\t\u003cli\u003e1.25\u003c\/li\u003e\r\n\t\u003cli\u003e1.30\u003c\/li\u003e\r\n\t\u003cli\u003e1.50\u003c\/li\u003e\r\n\t\u003cli\u003e1.65\u003c\/li\u003e\r\n\t\u003cli\u003e1.80\u003c\/li\u003e\r\n\t\u003cli\u003e2.00\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExposure and focusing tools:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFalse Color\u003c\/li\u003e\r\n\t\u003cli\u003eZebra\u003c\/li\u003e\r\n\t\u003cli\u003eZoom\u003c\/li\u003e\r\n\t\u003cli\u003eAperture and color peaking\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio input:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x LEMO 6-pin balanced stereo cable with 12V output\u003c\/li\u003e\r\n\t\u003cli\u003e(line input max. level +24dBu correlating with 0dBFS)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio output:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI (embedded)\u003c\/li\u003e\r\n\t\u003cli\u003e3.5mm stereo headphone jack (on MVF-2)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio recording:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e2-channel linear PCM, 24 Bit 48 kHz\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRemote control options:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe MVF-2 viewfinder can act as a wired remote control with 10m\/33ft cable\u003c\/li\u003e\r\n\t\u003cli\u003eWeb-based remote control of smartphones, tablets and laptops via WiFi \u0026amp; Ethernet\u003c\/li\u003e\r\n\t\u003cli\u003eCamera Access Protocol (CAP) via Ethernet \u0026amp; WiFi\u003c\/li\u003e\r\n\t\u003cli\u003eGPIO interface for integration with customer-specific control interfaces\u003c\/li\u003e\r\n\t\u003cli\u003eWCU-4 handset with control of the lens motors and operating parameters via built-in white radio\u003c\/li\u003e\r\n\t\u003cli\u003eSXU-1 handset with control via one lens channel\u003c\/li\u003e\r\n\t\u003cli\u003eOCU-1 and Master Grip control of lens and user buttons\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInterfaces:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x LEMO 5-pin LTC timecode input and output\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 10pin Ethernet for remote control and service\u003c\/li\u003e\r\n\t\u003cli\u003e1 x BNC SYNC IN\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 7-pin EXT multi-purpose accessory interface with RS pin and 24V output\u003c\/li\u003e\r\n\t\u003cli\u003e1 x LEMO 4-pin LBUS (on lens mount) for lens motors, daisy chainable\u003c\/li\u003e\r\n\t\u003cli\u003e1 x USB 2.0 in the Media Bay (for user settings, files, etc.)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWireless interfaces:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eIntegrated WLAN \/ WiFi module (IEEE 802.11b\/g)\u003c\/li\u003e\r\n\t\u003cli\u003eBuilt-in White Radio for ARRI lens and camera remote control\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLens Mounts:\u0026nbsp;\u0026nbsp; \u003c\/strong\u003e\u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLPL lens mount with LBUS connection\u003c\/li\u003e\r\n\t\u003cli\u003ePL to LPL adapter\u003c\/li\u003e\r\n\t\u003cli\u003eLeitz M mount \u003cem\u003e(*Note: sold separately)\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFlange depth of field:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLPL Mount: 44 mm\u003c\/li\u003e\r\n\t\u003cli\u003ewith PL-to-LPL Adapter: 52 mm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower input:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 x LEMO 8pin (10.5-34 V DC)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower consumption:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eApproximately 65 W when recording ProRes 4444 with MVF-2 attached (preliminary information)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower outputs:\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x Fischer 3pin 24V RS\u003c\/li\u003e\r\n\t\u003cli\u003e1x LEMO 2pin 12V\u003c\/li\u003e\r\n\t\u003cli\u003e1x LEMO 7pin EXT 24V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e140 x 143 x 188 mm \/ 5.5 x 5.6 x 7.4\u0026quot; (Camera Body with LPL Mount)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u0026nbsp;\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e2.7kg (Camera Body with LPL Mount)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperating temperature:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e-20\u0026deg; C to +45\u0026deg; C \/ -4\u0026deg; F to +113\u0026deg; F @ 95% relative humidity max, non-condensing, splash-proof and dust-proof due to sealed electronics\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStorage temperature:\u0026nbsp;\u003c\/strong\u003e\u0026nbsp; \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e-30\u0026deg;C to +70\u0026deg;C \/ -22\u0026deg;F to +158\u0026deg;F\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSound level:\u0026nbsp;\u0026nbsp;\u003c\/strong\u003e \u0026nbsp;\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u0026lt; 20 dB(A) at\u0026nbsp;24fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePackage Includes:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1x ARRI ALEXA Mini LF camera body\u003c\/li\u003e\r\n\t\u003cli\u003e1x ARRI LPL Mount (LBUS)\u003c\/li\u003e\r\n\t\u003cli\u003e1x ARRI PL-to-LPL Adapter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"ARRI","offers":[{"title":"Default Title","offer_id":53586467815761,"sku":"K0.0024310","price":85140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/files\/SGT9OpdwnvuoBTXdp8yarWu3dKh9S3XY.jpg?v=1776786786"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0962\/9686\/2033\/collections\/22225_bundle_sony_fx6_full-frame_cinema_camera__anton_bauer_dionic_xt_90_vm.png?v=1776862494","url":"https:\/\/dynaphos.com\/en\/collections\/kino-kamieri.oembed?page=2","provider":"Dynaphos","version":"1.0","type":"link"}